Blasters Exalt the Common Man Get Well at the Second Annual Wellness
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Joe Louis Walker
Issue #218 LIVING BLUES #218 • APRIL 2012 Vol. 43, #2 ® © JOE LOUIS WA JOE LOUIS L KER - LEE GATES - KER - LEE GATES WALKER K IRK F L ETCHER - R LEE GATES OSCOE C HENIER - PAU KIRK L RISHE FLETCHER LL - 2012 B L UES FESTIVA ROSCOE L GUIDE CHENIER $6.95 US $6.95 CAN www.livingblues.com 2012 Festival Guide Inside! Joseph A. Rosen Rhythm andBluesCruise,Rhythm October 2007. onthe Legendary Joe LouisWalker In 1985, after a decade of playing and singing nothing but gospel music with a quartet called the Spiritual Corinthians, 35-year-old Joe Louis Walker decided to get back to the blues. The San Francisco–born singer-guitarist had begun playing blues when he was 14, at first with a band of relatives and then with blues-singing pimp Fillmore Slim before becoming a fixture at the Matrix, the city’s preeminent rock club during the psychedelic Summer of Love, backing such visiting artists as Earl Hooker and Magic Sam. Michael Bloomfield became a close friend and mentor. The two musicians lived together for a period, and the famous guitarist even produced a Walker demo for Buddah Records, though nothing came of it. Then, in 1975, Walker walked away from the blues completely in order to escape the fast life and the drugs and alcohol associated with it that he saw negatively affecting Bloomfield and other musician friends. Walker knew nothing about the blues business when he started doing blues gigs again around the Bay Area with a band he’d put together, as a member of Oakland blues singer-guitarist Haskell “Cool Papa” Sadler’s band, and (for a tour of Europe) with the ad hoc Mississippi Delta Blues Band. -
Produced Byray Manzarek
PRODUCED BY RAY MANZAREK Originally released April 1980 Originally released May 1981 Originally released July 1982 Originally released September 1983 Frank Gargani Debbie Leavitt Power... Passion... Poetry! Attack the world. Let’s do some damage. What a band. Four monsters of skin. My favorite rockers of the then time. John Doe - Mr. Handsome - of the deep rich voice, the hard, strong jaw, the angular bass stance and the hot/cool lyrics. Their harmonies - some would say Schoenberg - his partner Exene, of the wailing scream in the night, the clear eyed pinning of American failings, the fine words of Diana Bonebrake love and booze and madness in the midnight dawn of Los Angeles. “Johny Hit and Run Paulene...” and he’s got a sterilized hypo filled with a sex-machine drug, and he only has 24 hours to shoot all Paulenes between the legs. So get busy, boy. And he does. Listen to those words! That naughty, naughty Johny. I love ‘em. And Exene’s “The World’s a Mess, it’s in My Kiss.” I just love that crazy combination: World - Mess - Kiss. And Billy Zoom on guitar, or is that at least 3 or 4 guitars. How does he do it? It’s so massive, so sharp, so bright, so fucking LOUD!!! And he is so silver smooth and cool. Effortless fingering, impeccable on the frets. Doesn’t he ever make a mistake? Is he a flesh and blood Valhalla guitar god? Yeahhh! And who is that madman beating the living shit out those drums? Ladies and Gentleman... D. -
Here Is a Printable
Ryan Leach is a skateboarder who grew up in Los Angeles and Ventura County. Like Belinda Carlisle and Lorna Doom, he graduated from Newbury Park High School. With Mor Fleisher-Leach he runs Spacecase Records. Leach’s interviews are available at Bored Out (http://boredout305.tumblr.com/). Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. An Oral History of The Gun Club originally appeared in Razorcake #29, released in December 2005/January 2006. Original artwork and layout by Todd Taylor. Photos by Edward Colver, Gary Leonard and Romi Mori. Cover photo by Edward Colver. Zine design by Marcos Siref. Printing courtesy of Razorcake Press, Razorcake.org he Gun Club is one of Los Angeles’s greatest bands. Lead singer, guitarist, and figurehead Jeffrey Lee Pierce fits in easily with Tthe genius songwriting of Arthur Lee (Love), Chris Hillman (Byrds), and John Doe and Exene (X). Unfortunately, neither he nor his band achieved the notoriety of his fellow luminary Angelinos. From 1979 to 1996, Jeffrey manned the Gun Club ship through thick and mostly thin. Understandably, the initial Fire of Love and Miami lineup of Ward Dotson (guitar), Rob Ritter (bass), Jeffrey Lee Pierce (vocals/ guitar) and Terry Graham (drums) remains the most beloved; setting the spooky, blues-punk template for future Gun Club releases. At the time of its release, Fire of Love was heralded by East Coast critics as one of the best albums of 1981. -
Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting. -
“The Stories Behind the Songs”
“The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992. -
Artist with Title Writer Label Cat Year Genre
Artist With Title Writer Label Cat Year Genre Notes Album Synopsis_c Anonymous Uncle Tom’s Cabin No Label 0 Comedy Anonymous - Uncle Tom’s Cabin, No Label , 78, ???? Anonymous The Secretary No Label 0 Comedy Anonymous - The Secretary, No Label , 78, ???? Anonymous Mr. Speaker No Label 0 Comedy Anonymous - Mr. Speaker, No Label , 78, ???? Anonymous The Deacon No Label 0 Comedy Anonymous - The Deacon, No Label , 78, ???? Anonymous First Swimming Lesson Good-Humor 10 0 Comedy Anonymous - First Swimming Lesson, Good-Humor 10, 78, ???? Anonymous Auto Ride Good-Humor 4 0 Comedy Anonymous - Auto Ride, Good-Humor 4, 78, ???? Anonymous Pioneer XXX, Part 1 No Label 0 Comedy Anonymous - Pioneer XXX, Part 1, No Label , 78, ???? Anonymous Pioneer XXX, Part 2 No Label 0 Comedy Anonymous - Pioneer XXX, Part 2, No Label , 78, ???? Anonymous Instrumental w/ lots of reverb No Label 0 R&B Anonymous - Instrumental w/ lots of reverb, No Label , 78, ???? Coy and Helen Tolbert There’s A Light Guiding Me Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - There’s A Light Guiding Me, Chapel Tone 775, 78, ???? Coy and Helen Tolbert Old Camp Meeting Days R. E. Winsett Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - Old Camp Meeting Days (R. E. Winsett), Chapel Tone 775, 78, ???? Donna Lane and Jack Milton Henry Brandon And His Orchestra Love On A Greyhound Bus Blane - Thompson - Stoll Imperial 1001 0 Vocal Donna Lane and Jack Milton - Love On A Greyhound Bus (Blane - Thompson - Stoll), Imperial 1001, 78, ???? G. M. Farley The Works Of The Lord Rural Rhythm 45-EP-551 0 Country G. -
4Jyuffo $Boemft *O Uif 4Ujmm Pg Uif /Juf %Sfbn -Pwfs
VOL. 1 VOL. 2 VOL. 3 %SFBN-PWFS 4JYUFFO *OUIF4UJMM 8=G7% $BOEMFT PGUIF/JUF 1. $REAM ,OVERBobby Darin 2. 3AVE THE,AST$ANCEFOR-E 8=G7% 8=G7% The Drifters 1. 4RAVELIN -AN 1. "REAKING 5P)S(ARDTO$O 3. "OBBYS 'IRLMarcie Blane Ricky Nelson Neil Sedaka 4. ,ET )T"E-EThe Everly Brothers 2. (USHABYE The Mystics 2. "LUE 6ELVETBobby Vinton 5. 2 HYTHMOFTHE2AIN 3. #OME 3OFTLYTO-E 3. 7ILL 9OU,OVE-E4OMORROW The Cascades The Fleetwoods 4HE3HIRELLES 6. )M ,EAVING)T5PTO9OU 4. 7HEN )&ALLIN,OVE 4. #HANCES !REJohnny Mathis The Lettermen Dale & Grace 5. / NLY,OVE#AN"REAKA(EART 5. 9OURE 3IXTEEN 7. ! ,OVERS1UESTION Gene Pitney Clyde McPhatter Johnny Burnette 6. / NLYTHE,ONELY+NOW(OW 8. ,ONELY "OYPaul Anka 6. ! 4EENAGERIN,OVE Dion and the Belmonts )&EEL Roy Orbison 9. 0 ARTY$OLLBuddy Knox with 7. 4HE %NDOFTHE7ORLD the Rhythm Orchids 7. 0 OETRYIN-OTION 10-CD Johnny Tillotson Skeeter Davis 10. 'OODBYE#RUEL7ORLD 8. (APPY "IRTHDAY 3WEET James Darren 8. "LUEBERRY (ILL 150-Track Fats Domino 3IXTEENNeil Sedaka 11. 9OU$ONT+NOW7HAT9OUVE'OT 5NTIL9OU,OSE)T 9. ,OLLIPOP The Chordettes 9. 4ELL ,AURA),OVE(ER Box Set! Ral Donner 10. $ENISE Ray Peterson 12. 3IXTEEN 2EASONS Randy & the Rainbows 10. 4HE 4HREE"ELLSThe Browns Connie Stevens 11. (ES3O&INEThe Chiffons 11. ! 7HITE3PORT#OAT!NDA0INK 13. *UST/NE,OOKDoris Troy 12. 7HERE OR7HEN #ARNATION Marty Robbins 14. (ONEYCOMB Jimmie Rodgers Dion and the Belmonts 12. 3TAY Maurice Williams 15. 4HERES A-OON/UT4ONIGHT 13. 2UNTO(IMBobby Vee & the Zodiacs The Capris 14. ! (UNDRED0OUNDSOF#LAY 13. "ECAUSE4HEYRE9OUNG Gene McDaniels Duane Eddy and the Rebels 8=G7& 15. -
Blues Notes March 2013
Volume eighteen, number three • march 2013 Raise the RoofTUESDAY, fund APRIL R30TaiseH • 6pm RShowtime featu • THR E 21ingST Saloon tommy CastRo $10 admission for current members of BSO, $20 admission for nonmembers (nonmembers can join BSO at door to receive discounted member admission) Since 1980, the Blues Foundation has been inducting individuals, recordings and literature into the Blues Hall of Fame, but until now there has not been a physical Blues Hall of Fame. Establishing a Blues Hall of Fame enhances one of the founding programs of The Blues Foundation. The “Raise the Roof” campaign calls for up to $3.5 million to create a Blues Hall of Fame in Memphis. It will be the place to: honor inductees year-round; listen to and learn about the music; and enjoy historic mementos of this all-American art form. The new Blues Music Hall of Fame will be the place for serious Blues fans, casual visitors, and wide-eyed students. It will facilitate audience development and membership growth. It will expose, enlighten, educate, and entertain. The BSO Presents ––—— POPA CHUBBY ——–– Sunday, March 17th Whiskey Tango • 311 South 15th Street • Omaha, NE tickets $10 adv and $15 DOS — AlSO — Popa CHUBBY • Wednesday, March 20th • The Zoo Bar-6pm 3RD ANNUAL NEBRASKA BLUES CHALLENGE THURSDAY BLUES SERIES March 24, April 7, April 21 (all Sundays) 4727 S 96th Plaza Mark your Calendar All Shows 5:30pm Watch OmahaBlues.com and see the February 28th .............................. The Brandon Santini Band ($8) poster in this issue for schedules! March 7th .......................................................... -
Clarence Belcher Collection
Clarence Belcher Collection The Bassett Historical Center is a non-circulating facility. Feel free to come in and listen to any selection from this music collection here at the Center. LOCAL 45s (recorded on one CD) 01 Dink Nickelston and the Virginia Buddies – (1) Henry County Blues; (2) Trying at Love Again 01 The Dixie Pals – (1) Dixie Rag; (2) Wedding Bells 01 The Dixie Pals – (1) The Model Church; (2) Pass Me Not 01 The Dixie Pals – (1) Who’ll Take Care of the Graves?; (2) Don’t Say Good-Bye If You Love Me 02 Ted Prillaman and the Virginia Ramblers – (1) There’ll Come a Time; (2) North to 81 Albums (* recorded on CD) 01 Abe Horton: Old-Time Music from Fancy Gap (vault) 01A Back Home in the Blue Ridge, County Record 723 (vault) 02* Bluegrass on Campus, Vol. 1, recorded live at Ferrum College Fiddlers Convention 02A Blue Grass Hits (Jim Eanes, The Stonemans) 03* Blue Ridge Highballers 1926 Recordings featuring Charley La Prade (vault) 04* Blue Ridge Barn Dance – Old Time Music, County Record 746 (vault) (2 copies) 04A Camp Creek Boys – Old-Time String Band (vault) 04B Charlie Poole – The Legend of, County Record 516 (vault) 04C Charlie Poole and the NC Ramblers, County Record 505 (vault) 04D Charlie Poole and the NC Ramblers, County Record 509 (vault) 05* Charlie Poole & the NC Ramblers – Old Time Songs recorded from 1925-1930 (vault) (2 copies) 05A* Charlie Poole and the NC Ramblers – Old Time Songs recorded from 1925-1930, Vol. 2 (vault) 06 Clark Kessinger, Vol. -
DAVE ALVIN and PHIL ALVIN • L0ST TIME Wednesday, March 2Nd Waiting Room Lounge, Omaha See for Tix & Info
VOLUME TWENTY-ONE, NUMBER TWO • FEBRUARY 2016 Thursday, Feb. 4th - 6 pm • THE NICK SCHNEBELEN BAND • 21st Saloon, Omaha DAVE ALVIN AND PHIL ALVIN • L0ST TIME Wednesday, March 2nd Waiting Room Lounge, Omaha See www.sundayroadhouse.com for tix & info Thursday, March 3rd Zoo Bar, Lincoln See www.zoobar.com for tix & info Feb. 4th ...................................................... Nick Schnebelen Band ($10) Feb. 6th (Sat. 8 pm) ............................................Achilles Last Band ($5) Feb. 11th ...................................................................... Kelley Hunt ($15) Feb. 18th .....................................Studebaker John and the Hawks ($10) Feb. 20th (Sat. 8 pm) .................................. Daddy Mac & the Flack ($5) KELLEY HUNT Feb. 25th ..............................................................Randy McAllister ($10) Thursday, Feb.11th - 6 pm Feb. 27th (Sat. 8 pm) ................ Tim Budig Band CD Release Party ($5) March 3rd ................................................. The Chris Duarte Group ($10) 21st Saloon, Omaha March 5th (Sat. 8 pm) ..............Kris Lager Band ($10 with first drink free) March 10th ............................................................... Johnny Rawls ($10) PAGE 2 BLUES NEWS • BLUES SOCIETY OF OMAHA Please consider switching to the GREEN VERSION of Blues Notes. You will be saving the planet while saving BSO some expense. Contact Sher Dostal at [email protected] to switch to e-mail delivery and get the scoop days before snail mail members! BLUES ON THE RADIO: Mondays 1pm-3pm on KIOS 91.5 “Blues in the Afternoon” with Mike Jacobs You can listen to the live stream at www.kios.org Sundays 9am-Noon on KIWR 89.7 Rick Galusha’s “PS Blues” Pacific Street Blues & Americana podcast: http://kiwrblues.podOmatic.com/entry/2010-02-03T11_00_49-08_00 Lincoln’s KZUM Radio - Nebraska’s only community radio, and you can listen to it on the web at KZUM.org. -
Rosie Flores Working Girl's Guitar
ROSIE FLORES WORKING GIRL’S GUITAR RELEASE DATE: OCTOBER 16, 2012 When Rosie Flores recently sold a vintage guitar to to a fellow road dog, the late Duane Jarvis, channels a fellow Austin TX musician, he dubbed the beat up some languid, longing Beatles-inflected pop. Adding beauty a real “working girl’s guitar.” The next day he to the light that glows through the sadness is pedal- called with what would be the title track to her latest steel player Greg Leisz, the prolific West Coast multi- album, but, as he told Rosie, “I didn’t write it, the instrumentalist who has appeared on recordings by A- guitar did.” It’s a poetically apt story to sum up the listers such as Dave Alvin, Wilco, Sheryl Crow, Robert transcendental spirit and music of a road survivor like Plant, and Bon Iver. Rosie Flores. The elegantly cool “Love Must Have Passed Me By” is Rosie Flores, the Rockabilly Filly, the versatile virtuoso an old school countrypolitan duet with the pop music on the working girl’s guitar, strips it down to the legend Bobby Vee (“The Night Has a Thousand Eyes,” lean meat of her playing, singing, and songwriting “Take Good Care of My Baby”). “If” is straight up on her 11th album. For the first time, Rosie handles soulful street corner doo-wop and the re-imagining of all production duties and covers all the guitar bases “While My Guitar Gently Weeps” adds some Django and, consequently, Working Girl’s Guitar crackles Reinhardt here and some shuffle there, imbuing it with a loose, straightforward energy fit to be played with an elegiac gentleness reminiscent of the Everly everywhere from palaces to bars. -
Melanie and Seven Others
notparticularlybrilliant musicians, but they are genuinely soulful and have undeni- able songwritingpotential. The anthem American Music, for example, is a rousing a and effective paean to just that, and Border Radio is touching and heartfelt in the man- ner of the very best country music. The rest here are mostly rockabilly ready-mades of varying degrees of effectiveness, and the al- bum is underproduced in a manner that suggests not deliberation but simple inexpe- rience in the studio. In short, this is an interesting young band that may or may not have great potential. Bear in mind, of course, that such judg- ments are relative.I mean, given a choice between hearing the Blasters or, say, For- eigner on the radio, I'd vote for these guys in a minute. S.S. RECORDING OF SPECIAL MERIT BLUE OYSTER CULT: Extraterrestrial Lire. Blue Oyster Cult (vocals and instru- mentals);instrumentalaccompaniment. E.T.I. (Extraterrestrial Intelligence); Dr. Music; Black Blade; Joan Crawford; Burn- in' for You; Veteran of the Psychic Wars; 6 -Melanie and seven others. COLUMBIA KG 37946 two discs, © KGT 37946, 0 KGA 37946, no list price. -HAY now, as the Fox and the Crow seamless instrumentation is. At any rate, SAused to say. Melanie, one of the genuine I'm so fascinated with the vocals through- Performance Scorching stylists of the rock generation, with herout "Arabesque" that the strings don't Recording Excellent cracking, throbbing, aching voice, is back- bother me too much. and set against the garbage bands of the This two -record set brings to five the total Melanie still sounds a little like Piaf to number of live discs in the Blue Oyster Cult early Eighties, she is more impressive than me.