The Right to Rock » Blog Ar

Total Page：16

File Type：pdf, Size：1020Kb

The Right To Rock » Blog Archive » Living Colour - The Paris Concert http://therighttorock.com/?p=397 DON'T WANT ANY PART OF DEPRESSION OR DARKNESS - "A World So Cold", Mudvayne « Podcast #71 - Young Keel Reunion is on like Donkey Kong » Living Colour - The Paris Concert It’s hard to believe that Living Colour has been rocking us for over 25 years, and they are still doing it well. Since their reunion in 2000, the band been touring and releasing live recordings on a fairly regular basis. The band did convene long enough in 2003 to record Collideoscope , which was not a true return to form for the band left many fans divided. The band is set to release a new studio recording this year (tentatively titled Chair in the Doorway ) and hopefully the band will return to their roots. One year after their last live DVD release, Living Colour are back with The Paris Concert which is a 17-song, 107 minute which was recorded at the New Morning club last year. It is great to see the pioneers of funk rock back in action again after all of these years, and The Paris Concert is truly representative of what you will get in a live show from Living Colour. The show was filmed in HD at the New Morning Club in Paris in July of 2007. The set list encapsulates the bands career featuring songs from all four of their studio releases as well as a few covers and the new track Either Way which features vocals from bassist Doug Wimbish . The show is shot very vell and truly gives you a sense of being in the crowd. Oh yeah, did I forget to mention that the band sounds great. Living Colour are truly firing on all cylinders and The Paris Concert will be enough to wet our chops until the next studio release. This is a true treat for Living Colour fans. Bottom Line : A much stronger release than 2007’s On Stage at the World Cafe Live. You get a full set from the band and more. Ragman is bringing down the funk. This entry was posted on Tuesday, January 27th, 2009 at 8:49 am and is filed under DVD Reviews . You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response , or trackback from your own site. Leave a Reply Name (required) Mail (will not be published) (required) Website 1 of 2 2/16/2009 9:31 AM The Right To Rock » Blog Archive » Living Colour - The Paris Concert http://therighttorock.com/?p=397 We've seen 41,652 faces, and we've rocked them all All original content property of The Right To Rock - ©2006 2 of 2 2/16/2009 9:31 AM.

Copy Link

Recommended publications

Omer Avital Ed Palermo René Urtreger Michael Brecker
JANUARY 2015—ISSUE 153 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM special feature BEST 2014OF ICP ORCHESTRA not clowning around OMER ED RENÉ MICHAEL AVITAL PALERMO URTREGER BRECKER Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JANUARY 2015—ISSUE 153 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Omer Avital by brian charette Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Ed Palermo 7 by ken dryden [email protected] Advertising: On The Cover : ICP Orchestra 8 by clifford allen [email protected] Editorial: [email protected] Encore : René Urtreger 10 by ken waxman Calendar: [email protected] Lest We Forget : Michael Brecker 10 by alex henderson VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Smoke Sessions 11 by marcia hillman [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Tom Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Special Feature: Best Of 2014 28 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Miscellany Terrell Holmes, Robert Iannapollo, 43 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Event Calendar 44 Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman As a society, we are obsessed with the notion of “Best”.
[Show full text]
Journal of Hip Hop Studies
et al.: Journal of Hip Hop Studies Published by VCU Scholars Compass, 2014 1 Journal of Hip Hop Studies, Vol. 1 [2014], Iss. 1, Art. 1 Editor in Chief: Daniel White Hodge, North Park University Book Review Editor: Gabriel B. Tait, Arkansas State University Associate Editors: Cassandra Chaney, Louisiana State University Jeffrey L. Coleman, St. Mary’s College of Maryland Monica Miller, Lehigh University Editorial Board: Dr. Rachelle Ankney, North Park University Dr. Jason J. Campbell, Nova Southeastern University Dr. Jim Dekker, Cornerstone University Ms. Martha Diaz, New York University Mr. Earle Fisher, Rhodes College/Abyssinian Baptist Church, United States Dr. Daymond Glenn, Warner Pacific College Dr. Deshonna Collier-Goubil, Biola University Dr. Kamasi Hill, Interdenominational Theological Center Dr. Andre Johnson, Memphis Theological Seminary Dr. David Leonard, Washington State University Dr. Terry Lindsay, North Park University Ms. Velda Love, North Park University Dr. Anthony J. Nocella II, Hamline University Dr. Priya Parmar, SUNY Brooklyn, New York Dr. Soong-Chan Rah, North Park University Dr. Rupert Simms, North Park University Dr. Darron Smith, University of Tennessee Health Science Center Dr. Jules Thompson, University Minnesota, Twin Cities Dr. Mary Trujillo, North Park University Dr. Edgar Tyson, Fordham University Dr. Ebony A. Utley, California State University Long Beach, United States Dr. Don C. Sawyer III, Quinnipiac University Media & Print Manager: Travis Harris https://scholarscompass.vcu.edu/jhhs/vol1/iss1/1 2 et al.: Journal of Hip Hop Studies Sponsored By: North Park Universities Center for Youth Ministry Studies (http://www.northpark.edu/Centers/Center-for-Youth-Ministry-Studies) . FO I ITH M I ,I T R T IDIE .ORT ~ PAru<.UN~V RSllY Save The Kids Foundation (http://savethekidsgroup.org/) 511<, a f't.dly volunteer 3raSS-roots or3an:za6on rooted :n h;,P ho,P and transf'orMat:ve j us6c.e, advocates f'or alternat:ves to, and the end d, the :nc..arc.eration of' al I youth .
[Show full text]
Crime Totalling Time at MCC How Does MCC Compare to Other Colleges
Volume 3i< Issue 26 "Respect All, Fear None" Rochester, New York Mav 18, 1993 End of the Semester Supplement Crime Totalling Time At MCC How does MCC Compare to other colleges 1989 He explained that 30 percent of By Dawn M. Short 1990 News Editor crimes that do occur on campus are a 1991 • result of non-students. Harrington said As at most campuses, there is crime at _ 1992 "because we are an open campus we Monroe Community College. don't know who students and non-stu- The Monroe Doctrine's weekly Blot- dents are until there is a problem." ter Report touches briefly on such occur- The Blotter Report cited such inci- rences at Monroe Community College. dents as when a wife and husband have Such incidents that have been reported an argument, or an order of protection is made. include harassment, petit larceny, grand lar- Motor Motor Petil Public Rape/ Robbery/ Weapon Vehicle Vehicle Larceny Lewdness Attempted Attempted Possession An incident on May 10th involving ceny, assault, criminal mischief, et al. Accident Thefl Rape* Robbery* Arrests* A recent graph shown in the Democrat a female student being harassed and in- and Chronicle showed that crime at MCC jured by her brother, called for assistance was average in comparison to others. In 1989 from public safety and the Brighton po- lice department. The woman, who is 3- 1991 a total of 273 crimes occurred on MCC 1990 campuses. Statistics of crimes at other area months pregnant, was transported to the 1991 colleges varied; 130 at St. John Fisher, 359 • hospital.
[Show full text]
VINX – Voice & Percussion
Information for concert organizers / Biography VINX – voice & percussion 1978 First professional appearance as percussionist for Taj Mahal at Montreux Jazz in Switzerland. 1980 Ranked No. 2 in the world in triple jump, but the USA boycotted the Olympic Games in Moscow... 1986 First studio recordings with jazz saxophonist Ernie Watts for his Grammy-winning project. 1987 Tom Jones records the song “Touch My Heart,” composed by Vinx. 1988-89 Concert tours with Rickie Lee Jones, The Bus Boys, Teena Marie, Toni Childs, Robben Ford. 1989 Vinx tours Europe with his own drum band, “VINX and the Barkin' Feet,” performs at the Montreux Jazz Festival between Miles Davis and Wayne Shorter. Herbie Hancock invites Vinx to appear on a TV special, Showtime Coast to Coast, where he performs with Bonnie Raitt, Bruce Hornsby, Lou Reed, B.B. King and Woody Harrelson. Vinx contributes instrumentals for Sting’s CD “Soul Cages.” 1990 - 1991 Vinx records his first CD, “Rooms In My Fatha's House,” which features appearances by Taj Mahal, Herbie Hancock, Sheryl Crow, Branford Marsalis, Sting, Roscoe Brown and Mother’s Finest, among others. World tour with Sting on his "Soul Cages Tour" as solo opening act as well as percussionist and background singer. Performances with Peter Gabriel, Sinead O'Connor, Elton John, Zucchero. 1992 Release of his second album, “I Love My Job,” featuring Zap Mama, Patrice Rushen and Dan Kuramato. World tour with his own musical project. Concerts with Branford Marsalis, Sting, Steel Pulse, Third World, Manhattan Transfer, Richard Elliot, Big Country, Drummers of Burundi, Zap Mama. 1993 Third album “The Storyteller,” featuring Stevie Wonder, George Howard, Cassandra Wilson, Karen Briggs and Omar.
[Show full text]
CARVING out ANICHE INTHE 90'S
Aug. 14, 1992 ISSUE #289 708 Stokes Road Medford, NJ 08055 phone: (609) 65 fax: --C609) 654-e)bb1.. TOP PRIORITY R t r WHAT GOD WANTS, PART 1 HARD ACT TO FOLLOW VON mu m, ONCE IS NOT ENOUGH ALTERNATIVE PICK INSIDE: HARD RITTER II A YEAR AGO KFMQ BOUNCED GA 3E BAPTISTE . HE AND 'HE BLAZE JUST BEAT 'EN. 5.2 TO 3 I IN ONE BOOK! •:rs OFFICIAL!!! STERN STARTS AT WNCX ON THE 31ST! RTLIABLg SOURCES SAY KEGL/DA-LAS ALSO A DCZE: DEAL • :MAGO X'S ALEX MILLER . ELEICTRA UPS JC:le IESHAY al GORDON ANDERSON GETS SAVAGE RECORDS 'TF/1314 STRIPES ?NE REGIONAL PROMO POSITIONS ALSO AN/TDM4CED II IRE LATEST ON SHIFT SHAKEUPS A T KRQR AND ZQLZ • JJ.NI LANE DEALS WITH SOME HAM CAREER QUESTIONS II AIM JUST EXACTLY WHO IS REPLACING WHO MERE? MOMS THORN IN MY SIDE CARVING OUT A NICHE IN THE 90's • 7,.1111111- II It s «Es w it a im-11" -k c oz. rim c•-re. ' OUT OF THE BOX ON OVER 60 STATIONS INCLUDING: WDVE KLOL KISS WWBZ WXTB KAZY PIRATE KUPD KRXQ KBER KIOZ KROR KSJO WONE KLAO WCCC WDHA WCMF WIOT WXLP KILO KZRR KNAC KDJK KLPX N I a c t. arm tm am urn e) Et wir cs-IF It iv e -F ail. It tr:» C011 MIt e • •..611 -roe . a n . ..am . ••s, I/V e . •••••••- to• ...... Otice401. Pe T. CS Ns«. Ro.eande Hard Hundred Tw Artist Track Tw Artist Track 1 BLACK CRO WES "Thorn In My Pride" I 51 Roxy Blue "Luv On Me" 2 U2 "Even Better Than ..." 52 Lindsey Buckingham "Wrong" 3 SPIN DOCTORS "Little Miss ." 53 Ozzy Osbourne "Road To Nowhere" 4 Damn Yankees "Don't Tread On Me" 54 ELP "Affairs Of The ..." 5 TOM COCHRANE "No Regrets" 55 THE SIGHS "Think About Soul" 6 TEMPLE OF THE DOG "Hunger Strike" 56 THE MEN "Blue Town" 7 JOE SATRIANI "Summer Song" 57 LYNCH MOB "Dream Until..." 8 SASS JORDAN "You Don't Have " 58 George Harrison "Taxman" » D 9 BAD COMPANY "How About That" 59 ELECTRIC BOYS "Dying To Be Loved" 10 ELTON JOHN "Runaway Train" 60 Ozzy Osbourne "Mr.
[Show full text]
Por Primera Vez En Méxicoliving Colour
México D.F. a 8 de octubre de 2013 Por primera vez en México Living Colour Ofrecerá un único concierto en el Lunario del Auditorio Nacional el próximo 12 de noviembre La banda neoyorquina llega a nuestro país como parte de una gira mundial, que celebra 25 años del lanzamiento de su álbum Vivid Su propuesta musical fusiona funk, heavy metal, hard rock, free jazz y hip-hop La exitosa banda de Manhattan, que fusiona funk, heavy metal, hard rock, free jazz y hip-hop, llega a nuestro país por primera vez para ofrecer un único concierto en el Lunario del Auditorio Nacional, como parte de una gira mundial para conmemorar el 25 aniversario del lanzamiento de su álbum debut Vivid. En su primera visita a México, Living Colour hará un repaso, no sólo de los temas incluidos en su primer disco, sino también de los clásicos de su exitosa carrera, además de que esta banda incluirá en el concierto que ofrecerá en el foro alterno del Auditorio Nacional algunas canciones de su último álbum, The Chair in the Doorway. La banda llega a nuestro país tras una gira reciente por Sudamérica (Argentina, Chile y Brasil), durante la cual tuvieron exitosas presentaciones, entre las que destaca su participación en el festival internacional Rock´n Rio 2013. Living Colour comenzó como un trío compuesto por Vernon Reid (guitarra), Muzz Skillings (bajo) y Will Calhoun (batería). El grupo se formó en la ciudad de Nueva York en 1983. Más tarde se sumó Corey Glover (voz), a quien Reid escuchó cantar en una fiesta, y su última incorporación fue Doug Wimbish, quien sustituyó a Skillings en 1993.
[Show full text]
“ Stones” -Assistant
Much more than just a “ Stones” -assistant The New Yorker Bernard Fowler is always getting called on the phone by the managers of the big bands if they need a great voice. Among other things, he was invited by Duran Duran, Yoko Ono and Herbie Hancock. But thereby he particularly impresses solo and on his own. There are still musicians of position, who don't have any article at Wikipedia. And also not even a page at “Myspace”. One can googel Bernard Fowler. An indeed cheap homepage appears, that admittedly shows photos with the Rolling Stones and him, record-covers, which appreciate his involvement diminutive mostly, but only a much too meager biography shows up. According to it Fowler grow up in a New York slumquarter, became a Salsa bassplayer and later a Reggae-singer. Finally, he started a lucrative, but ungrateful daily job: If popstars needed a big, credible voice, they invited him. Duran Duran and Yoko Ono, Herbie Hancock and Herp Alpert, Living Colour and the Stones... His curriculum vitae above all consist out of famous names. One cannot even find out his exact age. Even the internet maps popmusic and celebrates each small artist as an earth-shaking discovery but one still has to search for the secrets somewhere else again then. Like for example on copied papers at lampposts. Fowlers impressing gig in Potsdam Bernard Fowler also steps on stage at Lindenpark in a Club at the edge of the forest in Potsdam. Approximately 50 years of age. Like his audience in average. Because Fowler was advertised as a “Stones”-assistant here.
[Show full text]
'A LOCAL LEGEND,' SHE CAN PLAY the GUITAR - Hartford Courant
12/20/2020 'A LOCAL LEGEND,' SHE CAN PLAY THE GUITAR - Hartford Courant 'A LOCAL LEGEND,' SHE CAN PLAY THE GUITAR By SHAWN BEALS; Courant Staff Writer THE HARTFORD COURANT NOVEMBER 26, 2007 | ASHFORD -- n the cold, dark practice studio attached to her Ashford home, Desiree' Bassett plays loud and fast with a I huge smile that shows her braces. She tosses her long hair around as her hands fly over the guitar strings and the neck of the guitar one recent Monday afternoon. "I like to show off what I can do and show people how serious I am about my career," the 15-year-old says. Desiree' started playing the guitar when she was 3. She played her first full-size guitar at 5, and she won a talent competition when she was 12. At 14, she played side stage at Ozzfest in Hartford. Now she's 15, and has captured the attention of rock music legends Rik Emmett, Dicky Betts and Joe Satriani. Desiree' has four major endorsements and is working on an album with her band, Desiree' & the Time Machine. Her producer is bass player Doug Wimbish from Living Colour. Desiree' is only the second person ever to sit in and play with Living Colour. The other? Carlos Santana. Desiree', a 10th-grader at E.O. Smith High School in Storrs, practices every day for several hours, sometimes as many as eight. She has three shows scheduled in December and recently completed a very secret recording project in Arizona. "Somehow I manage to balance it all out and get it done," Desiree' said.
[Show full text]
The History of Rock Music - the Eighties
The History of Rock Music - The Eighties The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) DJs, Rappers, Ravers (These are excerpts from my book "A History of Rock and Dance Music") One of the problems with the 1980s was that, by the end of the decade, a "rocker" was as obsolete a social and musical figure as a pop singer had been in 1956. During the 1980s three revolutions took hold of popular music: the emergence of disc-jockeys as a creative force (in particular in techno music), the advent of hip-hop (and therefore of the "rapper"), and the marriage of industrial music, heavy metal and hardcore (generically associated with the "cyber-punk" culture). Rap-music 1979-87 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The idea of rapping was imported into New York by the Jamaican immigrants, who were already familiar with "toasting" (a reggae artist talking in rhyme over the instrumental sections of a record). Some of them became disc-jockeys ("dj") that traveled around New York carrying their "sound system" to perform at block parties. In 1975 in the Bronx of New York, one of them, Clive "Hercules" Campbell, or "Kool Herc", started making music with two turntables out of breakbeats (the instrumental breaks of a song that focused on the rhythm section, the favorite part of the song for most dancers), while another young black man of the Bronx, Theodore "Grand Wizard" Livingstone was accidentally discovering the "skratching" sound of a turntable.
[Show full text]
EMG Product Catalog, V1.0
THE WORLD LEADER IN ACTIVE PICKUPS ELECTRIC • ACOUSTIC • BASS Table of Contents 2 From the Beginning Playing an EMG: 3 Features and Benefits of Active Pickups 7 EMG On-Line: http://www.emginc.com Humbucking Pickups: 10 81 85 60 89 91 H HA Single Coil Pickups: 16 SA S SV SAV T TC The Pro-Series: 22 SL20 KH21 VG20 DG20 Design your own EMG system: 26 PSC Pro-Series Custom Bass Pickups: 28 P PJ J JV Extended Bass Series 34 Acoustic Pickups: ACS UltraJak AS93U AS125U AmpJak Accessories for Guitar: 40 EXG SPC RPC PA-2 Pi-2 42 Accessories for Bass: EXB BT Series BQ Series VMC 46 Players List Just For You: Fun stuff from EMG. 48 Custom Shop ©EMG, Inc. 1999 All Rights Reserved All pickups available in black. Some models in white or ivory. EMG, Inc • Box 4394 • Santa Rosa, CA 95402 • U.S.A. PH (707) 525-9941 • FAX (707) 575-7046 http://www.emginc.com EMG Product Catalog v1.0 EMGOnline is at http://www.emginc.com From the beginning ... In the early 1970's Rob Turner developed the first "Active Pickup", and by doing so completely changed the fundamentals of pickup design. Those early pickup designs evolved into today's EMG Pickups, which are the standard by which all others are measured. The original intent in designing the first EMG Pickup was to improve pickup tone, to create a pickup that translates instrument tone more realistically, and to make the instrument play and sound more musical. There truly is no comparison between active EMG’s and conventional pickups.
[Show full text]
Andover, MA Sundays Senior Metn:La Pitpo
THAT FITS, April 30, 1993 Volume CXVI, Number 5 Phillips Academy, Andover, MA Sundays Senior Metn:La PitPo The First Of Many Exclusive Senior Gatherings ____.___Ing__ by Tlirni Ra committee regrets the process, which moving procedure. John Gould tricate surfaces. Stowe House, one of 'I~ ~~ ~ ~ ~ ~ ~ ~ ~ ~ ~~~~~~~~~~~~~~PIIApniixSTAFF WRITER temporarily disrupts student-teacher whose his house has been deleaded the more ornate houses on campus bonds. Knowledge of the deleading just recently, commenting They did with a serious lead problem, will re- ~~~~~~~~~~~~q~~~~~ ~ ~ Ahosn ultnrlaed last process is increasing, an absolutely great job not only de- quire twice the cost of deleading week revealed the significance of the Wilmer attributes the process's leading, but also fixing all problems compared to a nomal faculty apart- campus-wide problem of lead paint. "frustratingly slow" pace to the fact in the house frmrtigbr oos mn.Ocsoaly eedn x Existing in almost all faculty houses, that so little was known about lead to broken bathroom tiles. Craig penses can even rival the value of the lead paint poses a threat to the devel- paint when cases of high lead-blood Thorn added, "They did a superb job. house itself. oping young brains of children under levels first began to appear. "None of With new windows and repainted The lead paint issue has generat- six. Despite the school's continuous us had been educated fundamentally - walls, we moved into a new house." ed an emotional response- from the feel the problem efforts to alleviate the problem, lead to deal with such a matter," adds Joel.
[Show full text]
Tackhead Friendly As a Hand Grenade Mp3, Flac, Wma
Tackhead Friendly As A Hand Grenade mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Friendly As A Hand Grenade Country: France Released: 1989 Style: Dub, Electro, Industrial MP3 version RAR size: 1473 mb FLAC version RAR size: 1837 mb WMA version RAR size: 1396 mb Rating: 4.8 Votes: 552 Other Formats: AIFF MMF AA MIDI MP4 AAC MP2 Tracklist 1 Ska Trek 0:46 2 Tell Me The Hurt 5:19 3 Mind And Movement 5:23 4 Stealing 6:30 5 Airborn Ranger 5:02 6 Body To Burn 1:04 7 Demolition House 4:08 8 Free South Africa 1:57 9 Ticking Time Bomb 4:23 10 Ska Trek 1:34 Companies, etc. Recorded At – Unique Recording Recorded At – Southern Studios Recorded At – Matrix Studios Mixed At – Southern Studios Manufactured By – TVT Records Distributed By – TVT Records Credits Bass, Guitar, Keyboards, Vocals – Doug Wimbish Drums, Sampler [Samples], Percussion, Drum Programming – Keith Leblanc Engineer – Andy*, Dave Pine Guitar, Keyboards, Vocals, Sampler [Samples], Engineer – Skip McDonald Mixed By [Mixologist], Engineer – Adrian Sherwood Producer – Tackhead Vocals [Lead], Backing Vocals, Keyboards – Bernard Fowler Written-By – Maxwell* (tracks: 2 to 9), Fowler* (tracks: 2 to 9), Wimbish* (tracks: 2 to 9), LeBlanc* (tracks: 2 to 9), Prince Buster (tracks: 1, 10), McDonald* (tracks: 2 to 9) Notes Recorded at Unique Recording, NYC and Matrix and Southern Studios, London. Mixed at Southern Studios All songs published 1989 SBK, except 'TICKING TIME BOMB' 1989 Another Note Music/Rapp Beat Music/Serious Bass Music and 'SKA TREK' copyright control. ©+℗
[Show full text]