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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Hitmakers-1990-08-03
1-1 J ISSUE 649 fi(lG(1ST 3, 1990 55.00 an exclusive interview with L _ FOGELa President/CBS SHOW Industries I': 7d -. ~me co C+J 1M s-.0 1111, .. ^^-. f r 1 1 s rl Ji _ imp ii _U1115'11S The first hit single from the forthcoming album ALWAYS. Produced by L.A. Reid and Babyface for Laface, Inc. Management: Guilin Morey Associates .MCA RECORDS t 7990 MCA R,ords. S CUTTING EDGE LEADERSHIP FOR TODAY'S MUSIC RADIO Mainstream Top40 - Crossover Top40 - Rock - Alternative - Clubs/Imports - Retail ALDEN TO HEAD ELEKTRA PROMOTION Rick Alden has been National Marketing Manager, he was named Vice extremely good to me over the years, and I'm excited promoted to Senior Vice President of Top40 Promotion in November of 1987. about channeling my energies into this expanded President of Promotion Before joining ELEKTRA, Alden held positions at position. I'm working with the greatest staff, and we for ELEKTRA Entertain- ATLANTIC Records and RCA Records. are all looking forward to the future." ment, it was announced "After seeing the extraordinary results Rick has Also announced at ELEKTRA, by Vice President of this week by ELEKTRA achieved with Top40 Promotion, it became Urban Marketing and Promotion Doug Daniel, was Senior Vice Presi- increasingly clear that he was the man to head the appointment of Keir Worthy as National Director dent/General Manager Promotion overall," commented Hunt. "Rick's of Rap Promotion and Marketing. Brad Hunt. Alden was approach combines the analytic and the imaginative - Worthy previously served as Southwest/Midwest i previously Senior Vice he sees the big picture and never loses sight of the (See ALDEN page 40) RICK ALDEN President of Top40 details." Promotion, a post he Alden called his promotion "an honor and a was appointed to earlier this year. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Steve Waksman [email protected]
Journal of the International Association for the Study of Popular Music doi:10.5429/2079-3871(2010)v1i1.9en Live Recollections: Uses of the Past in U.S. Concert Life Steve Waksman [email protected] Smith College Abstract As an institution, the concert has long been one of the central mechanisms through which a sense of musical history is constructed and conveyed to a contemporary listening audience. Examining concert programs and critical reviews, this paper will briefly survey U.S. concert life at three distinct moments: in the 1840s, when a conflict arose between virtuoso performance and an emerging classical canon; in the 1910s through 1930s, when early jazz concerts referenced the past to highlight the music’s progress over time; and in the late twentieth century, when rock festivals sought to reclaim a sense of liveness in an increasingly mediatized cultural landscape. keywords: concerts, canons, jazz, rock, virtuosity, history. 1 During the nineteenth century, a conflict arose regarding whether concert repertories should dwell more on the presentation of works from the past, or should concentrate on works of a more contemporary character. The notion that works of the past rather than the present should be the focus of concert life gained hold only gradually over the course of the nineteenth century; as it did, concerts in Europe and the U.S. assumed a more curatorial function, acting almost as a living museum of musical artifacts. While this emphasis on the musical past took hold most sharply in the sphere of “high” or classical music, it has become increasingly common in the popular sphere as well, although whether it fulfills the same function in each realm of musical life remains an open question. -
APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH Axis.Wmg.Com 4/22/17 RSD AUDIO & VIDEO RECAP
2017 NEW RELEASE SPECIAL APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH axis.wmg.com 4/22/17 RSD AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Le Soleil Est Pres de Moi (12" Single Air Splatter Vinyl)(Record Store Day PRH A 190295857370 559589 14.98 3/24/17 Exclusive) Anni-Frid Frida (Vinyl)(Record Store Day Exclusive) PRL A 190295838744 60247-P 21.98 3/24/17 Wild Season (feat. Florence Banks & Steelz Welch)(Explicit)(Vinyl Single)(Record WB S 054391960221 558713 7.98 3/24/17 Store Day Exclusive) Cracked Actor (Live Los Angeles, Bowie, David PRH A 190295869373 559537 39.98 3/24/17 '74)(3LP)(Record Store Day Exclusive) BOWPROMO (GEM Promo LP)(1LP Vinyl Bowie, David PRH A 190295875329 559540 54.98 3/24/17 Box)(Record Store Day Exclusive) Live at the Agora, 1978. (2LP)(Record Cars, The ECG A 081227940867 559102 29.98 3/24/17 Store Day Exclusive) Live from Los Angeles (Vinyl)(Record Clark, Brandy WB A 093624913894 558896 14.98 3/24/17 Store Day Exclusive) Greatest Hits Acoustic (2LP Picture Cure, The ECG A 081227940812 559251 31.98 3/24/17 Disc)(Record Store Day Exclusive) Greatest Hits (2LP Picture Disc)(Record Cure, The ECG A 081227940805 559252 31.98 3/24/17 Store Day Exclusive) Groove Is In The Heart / What Is Love? Deee-Lite ECG A 081227940980 66622 14.98 3/24/17 (Pink Vinyl)(Record Store Day Exclusive) Coral Fang (Explicit)(Red Vinyl)(Record Distillers, The RRW A 081227941468 48420 21.98 3/24/17 Store Day Exclusive) Live At The Matrix '67 (Vinyl)(Record Doors, The ECG A 081227940881 559094 21.98 3/24/17 -
PARTAMDAILY Espartandaily.Com 10.30.01 %Cm 117, No
San Jose State University Since 1934 SServing TUESDAY PARTAMDAILY www.t espartandaily.com 10.30.01 %cm_ 117, No. 43 SJSU grad, police officer killed in line of duty By Cohn Atagi DeShawn Campbell as the main couldn't believe what happened. While attending SJSU, he DARN SIAII WKIIIK suspect and that he should be con- "Whenever I hear something worked for the San Francisco sidered armed and extremely happening with San Jose PD, in 49ers' front office, she said. WEATHER A San Jose State University dangerous. particular, or any department He had an internship with the graduate was killed Sunday Campbell is also wanted for here, I try to think it's one of my SJPD as a part of the Community RAIN morning in the line of duty for the two felony charges. guys (she taught) in a good way," Policing Program, she said. San Jose Police Department. Some students, staff and facul- she said. "When I heard it was a Fontana was the recipient ot High :66 According to a SJPD press ty members of SJSU said they are younger officer, I was hoping it the Daniel Lomio memorial Schol- Low: 52 release, Officer Jeffrey Fontana, upset about Fontana's death. wasn't someone I knew. When I arship in 1999, Hagemann said. 24, was performing a routine traf- Sgt. John Laws of the Universi- heard it was Jeff Fontana, my Loma) was also killed in the line fic stop when he was shot around ty Police Department said it's heart just sank." of duty. 4:30 a.m. -
September 2019 New Releases
September 2019 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 72 Vinyl Audio 3 CD Audio 13 FEATURED RELEASES SUBHUMANS - KMFDM - FIDDLER ON THE ROOF: CRISIS POINT PARADISE 2018 CAST ALBUM Music Video DVD & Blu-ray 45 Non-Music Video DVD & Blu-ray 49 Order Form 75 Deletions and Price Changes 78 800.888.0486 THE HILLS HAVE EYES 2 NOIR ARCHIVE VOLUME TO HELL AND BACK: 203 Windsor Rd., Pottstown, PA 19464 [LIMITED EDITION] 3: 1957-1960 (9-FILM THE KANE HODDER SUBHUMANS - DEIDRE & THE DARK - KMFDM - www.MVDb2b.com COLLECTION) STORY CRISIS POINT VARIETY HOUR PARADISE HILLS HAVE EYES 2, SEE YOU IN SEPTEMBER! THE HILLS HAVE EYES 2, Wes Craven’s 1984 follow up to his classic original 1977 film, finds the lone survivor of a cannibal tribe detouring a motocross team across the desert straight into a pack of devouring ogres! The Hills are alive with the sound of screaming! From ARROW VIDEO, THE HILLS HAVE EYES 2 bluray is packed with extras that includes a limited edition 40-page book. If blinding horror is what you’re Craven, then this sequel delivers the goods! THE HILLS HAVE EYES 2 will see you in September, and the ogres will sing ‘Bye-bye, so long, farewell!’ Priests who are able to turn into dinosaurs may be an overused theme in film (!) but nobody does it better than WILD EYE films! THE VELOCIPASTOR DVD and bluray finds a despondent priest moving to China to find himself, only to find he can turn into a giant dinosaur. -
What's New in Joint Replacement?
Washtenaw Jewish News Presort Standard In this issue… c/o Jewish Federation of Greater Ann Arbor U.S. Postage PAID 2939 Birch Hollow Drive Ann Arbor, MI Ann Arbor, MI 48108 Permit No. 85 Sukkot, A2/Nahalal In Vitro “Time Student Testing of our Exchange Encouraged Happiness” Page 8 Page12 Page 24 October 2011 Tishrei/Cheshvan 5772 Volume XXXI Number 2 FREE What’s new in joint replacement? JLI course to “debunk the myths” Avram Kluger, special to the WJN Paul Shapiro, special to the WJN he Maimonides Society of the Jewish patients. His great satisfaction is having a pa- he Rohr Jewish Federation of Greater Ann Arbor will tient say “You gave me my life back.” Learning In- T present a symposium entitled ‘Hips Goldstein noted that the modern era in im- T stitute (JLI) and Knees: What’s New in Joint Replacement?’ plants began in the 1980s. Current implant ma- will present “Fascinat- on October 16, from 9 a.m. to noon, at the Kel- terials are able to outlast any possible need. In ing Facts: Exploring the logg Eye Center, 1000 Wall Street. the past 20 years, significant advances in ortho- Myths and Mysteries of The program will feature two Ann Arbor pedics have also occurred in the instruments Judaism”; the six-session experts. David Markel, MD, is an orthopedic used to insert the implants. course will commence on surgeon with an ac- Although orthopedics is a relatively small Tuesday, November 15. tive local practice specialty, it has a large impact on healthcare Rabbi Aharon Gold- in hip and knee re- spending. -
DIRECTED by MUSICIANS by Bryan Film and Music Are Two Different but Related Areas of Popular Entertainment
MOVIES DIRECTED BY MUSICIANS by Bryan Film and music are two different but related areas of popular entertainment. One interesting way they intersect is in those times when musicians cash in the clout theyʼve built up to get behind the camera. Often itʼs a side project or an experiment, usually it receives some criticism as a vanity project, occasionally it becomes a new career. Here are a few examples of the odd creations that have resulted. 200 MOTELS (Frank Zappa [co-directing with Tony Palmer], 1971) Frank Zappa and The Mothers of Invention star as themselves in the most psychedelic and nonsensical movie on this list. Featuring Ringo Starr, Keith Moon and the London Philharmonic Orchestra. HUMAN HIGHWAY (Neil Young [co- directing with Dean Stockwell], 1982) Neil Young, Dean Stockwell, Dennis Hopper, Russ Tamblyn, Sally Kirkland and Devo (glowing red with radioactivity) are among the weirdos in this strange story of a diner next a leaking nuclear power plant. TRUE STORIES (David Byrne, 1986) David Byrne stars as a stranger visiting Virgil, Texas for the Celebration of Specialness and encountering oddballs portrayed by the likes of John Goodman, Spalding Gray, Swoosie Kurz, Pops Staples and the voice of Dom DeLuise. This has a soundtrack by the Talking Heads and is the only film on this list included in the Criterion Collection. UNDER THE CHERRY MOON (Prince, 1986) Mr. Rogers Nelsonʼs directorial debut is not as broadly appealing as Purple Rain, and upon release it tied with Howard the Duck for worst picture at The Razzies. As is often the case, they were disastrously wrong, and the movie holds up as a goofy, retro-styled romantic comedy with an all- timer soundtrack (released as the album Parade) including the classics “Kiss” and “Sometimes It Snows in April.” Itʼs shot in beautiful black and white by Michael Ballhaus (between two Scorsese movies) and features the film debut of Kristin Scott Thomas as the Prince characterʼs absolutely charming love interest. -
Album Top 1000 2021
2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt. -
Do They Know It's Christmas?, (1984) a Single for Famine Relief in Ethiopia 1 We Are the World - Single Released in May 1985
Do They Know It's Christmas?, (1984) a single for famine relief in Ethiopia 1 We Are The World - single released in May 1985 An worldwide audience estimated at 1.5 billion watched the 16 hour concert. The event raised almost 80 million dollars for famine relieve. The performers played for free. 2 Headliners included: Eric Clapton The Temptations Paul McCartney The Pretenders Phil Collins U2 The Who The Cars Queen Neil Young Madonna Sting Run-DMC Elton John Bob Dylan David Bowie Rod Stewart Mick Jagger Tom Petty Tina Turner The Female Rock Explosion Between 1995 and 1997 female artists come to the forefront. The success of Alanis Morissette’s Jagged Litlle Pill (1995) fueled an interest in other female artists and songwriters. In 1997 Sarah McLachlan, Paula Cole, Liz Phair, Shawn Colvin, Meredith Brooks, and others performed at Lilith Fair, a festival showcasing female artists. 3 Alanis Morissette Sarah McLachlan Paula Cole Meredith Brooks The Beginnings of Alternative Rock The short-lived New York rock style called No-wave maximized its non- commercial, industrial noise elements to produce forward looking bands such Sonic Youth (1981). Sonic Youth was particularly influential for creating an underpinning for 1990’s alternative rock. In 1991 Sonic Youth toured with then relatively unknown Nirvana. Throughout the mid 1980’s a cult following occurred centering on post-Velvet Underground influenced bands such as Joy Division and Thin White Rope There had also been interest in unifying elements of Metal, Funk, and Post- Punk with this new aesthetic. One of the first successful bands to achieve this goal was Jane’s Addiction. -
NS /DE: Network Radio Business
ISSUE NUMBER 955 THE INDUSTRY'S NEWSPAPER AUGUST 21, 1992 Tough Times Continue In /NS /DE: Network Radio Business NEW LOOK FOR ABC, Westwood One involved in latest wave NEW ROCK of layoffs; ABC cancels evening talk shows Beginning with this issue, R &R Last week, two major radio In a memo to his staff, ABC heralds New Rock's continued networks relayed signals that Radio Networks President Bob growth by significantly their economic woes are contin- Callahan said the reductions uing, with little hope of immedi- were the culmination of a three - expanding the music and ate recovery. ABC Radio Net- month effort to consolidate its editorial coverage of this exciting works laid off a reported 51 em- operations with those of its Sa- format: ployees last Friday (8/14), tellite Music Network sub- while Westwood One pink -slip- sidiary. Chart now includes four -week ped 15 fulltimers from the NBC/ "These decisions involve the trending, emphasis tracks, and Mutual newsroom. relocation of some employees to Dallas, where SMN is based, individual rotations and the reduction cf some other New & Active and Significant staff whose job duties became Action lists debut Station Trading Blitz Begins duplicative in the melding of these operations," Callahan Shawn Alexander's column Karmazin uses new duopoly rules to pick up cash -flow stations in stated in the memo. appears weekly, featuring tips Cook Inlet $100 million An ABC staff member, who Chicago, Boston, and Atlanta from for asked not to be identified, said on programming, promotion, 100 positions were either elimin- Striking fast to take advant- properties.