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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Hitmakers-1990-08-03
1-1 J ISSUE 649 fi(lG(1ST 3, 1990 55.00 an exclusive interview with L _ FOGELa President/CBS SHOW Industries I': 7d -. ~me co C+J 1M s-.0 1111, .. ^^-. f r 1 1 s rl Ji _ imp ii _U1115'11S The first hit single from the forthcoming album ALWAYS. Produced by L.A. Reid and Babyface for Laface, Inc. Management: Guilin Morey Associates .MCA RECORDS t 7990 MCA R,ords. S CUTTING EDGE LEADERSHIP FOR TODAY'S MUSIC RADIO Mainstream Top40 - Crossover Top40 - Rock - Alternative - Clubs/Imports - Retail ALDEN TO HEAD ELEKTRA PROMOTION Rick Alden has been National Marketing Manager, he was named Vice extremely good to me over the years, and I'm excited promoted to Senior Vice President of Top40 Promotion in November of 1987. about channeling my energies into this expanded President of Promotion Before joining ELEKTRA, Alden held positions at position. I'm working with the greatest staff, and we for ELEKTRA Entertain- ATLANTIC Records and RCA Records. are all looking forward to the future." ment, it was announced "After seeing the extraordinary results Rick has Also announced at ELEKTRA, by Vice President of this week by ELEKTRA achieved with Top40 Promotion, it became Urban Marketing and Promotion Doug Daniel, was Senior Vice Presi- increasingly clear that he was the man to head the appointment of Keir Worthy as National Director dent/General Manager Promotion overall," commented Hunt. "Rick's of Rap Promotion and Marketing. Brad Hunt. Alden was approach combines the analytic and the imaginative - Worthy previously served as Southwest/Midwest i previously Senior Vice he sees the big picture and never loses sight of the (See ALDEN page 40) RICK ALDEN President of Top40 details." Promotion, a post he Alden called his promotion "an honor and a was appointed to earlier this year. -
APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH Axis.Wmg.Com 4/22/17 RSD AUDIO & VIDEO RECAP
2017 NEW RELEASE SPECIAL APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH axis.wmg.com 4/22/17 RSD AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Le Soleil Est Pres de Moi (12" Single Air Splatter Vinyl)(Record Store Day PRH A 190295857370 559589 14.98 3/24/17 Exclusive) Anni-Frid Frida (Vinyl)(Record Store Day Exclusive) PRL A 190295838744 60247-P 21.98 3/24/17 Wild Season (feat. Florence Banks & Steelz Welch)(Explicit)(Vinyl Single)(Record WB S 054391960221 558713 7.98 3/24/17 Store Day Exclusive) Cracked Actor (Live Los Angeles, Bowie, David PRH A 190295869373 559537 39.98 3/24/17 '74)(3LP)(Record Store Day Exclusive) BOWPROMO (GEM Promo LP)(1LP Vinyl Bowie, David PRH A 190295875329 559540 54.98 3/24/17 Box)(Record Store Day Exclusive) Live at the Agora, 1978. (2LP)(Record Cars, The ECG A 081227940867 559102 29.98 3/24/17 Store Day Exclusive) Live from Los Angeles (Vinyl)(Record Clark, Brandy WB A 093624913894 558896 14.98 3/24/17 Store Day Exclusive) Greatest Hits Acoustic (2LP Picture Cure, The ECG A 081227940812 559251 31.98 3/24/17 Disc)(Record Store Day Exclusive) Greatest Hits (2LP Picture Disc)(Record Cure, The ECG A 081227940805 559252 31.98 3/24/17 Store Day Exclusive) Groove Is In The Heart / What Is Love? Deee-Lite ECG A 081227940980 66622 14.98 3/24/17 (Pink Vinyl)(Record Store Day Exclusive) Coral Fang (Explicit)(Red Vinyl)(Record Distillers, The RRW A 081227941468 48420 21.98 3/24/17 Store Day Exclusive) Live At The Matrix '67 (Vinyl)(Record Doors, The ECG A 081227940881 559094 21.98 3/24/17 -
Album Top 1000 2021
2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt. -
Do They Know It's Christmas?, (1984) a Single for Famine Relief in Ethiopia 1 We Are the World - Single Released in May 1985
Do They Know It's Christmas?, (1984) a single for famine relief in Ethiopia 1 We Are The World - single released in May 1985 An worldwide audience estimated at 1.5 billion watched the 16 hour concert. The event raised almost 80 million dollars for famine relieve. The performers played for free. 2 Headliners included: Eric Clapton The Temptations Paul McCartney The Pretenders Phil Collins U2 The Who The Cars Queen Neil Young Madonna Sting Run-DMC Elton John Bob Dylan David Bowie Rod Stewart Mick Jagger Tom Petty Tina Turner The Female Rock Explosion Between 1995 and 1997 female artists come to the forefront. The success of Alanis Morissette’s Jagged Litlle Pill (1995) fueled an interest in other female artists and songwriters. In 1997 Sarah McLachlan, Paula Cole, Liz Phair, Shawn Colvin, Meredith Brooks, and others performed at Lilith Fair, a festival showcasing female artists. 3 Alanis Morissette Sarah McLachlan Paula Cole Meredith Brooks The Beginnings of Alternative Rock The short-lived New York rock style called No-wave maximized its non- commercial, industrial noise elements to produce forward looking bands such Sonic Youth (1981). Sonic Youth was particularly influential for creating an underpinning for 1990’s alternative rock. In 1991 Sonic Youth toured with then relatively unknown Nirvana. Throughout the mid 1980’s a cult following occurred centering on post-Velvet Underground influenced bands such as Joy Division and Thin White Rope There had also been interest in unifying elements of Metal, Funk, and Post- Punk with this new aesthetic. One of the first successful bands to achieve this goal was Jane’s Addiction. -
Brevard Live July 2015
Brevard Live July 2015 - 1 2 - Brevard Live July 2015 Brevard Live July 2015 - 3 4 - Brevard Live July 2015 Brevard Live July 2015 - 5 6 - Brevard Live July 2015 Contents JULY 2015 FEATURES BONNAROO Columns BREVARD LIVE MUSIC AWARDS Four days, over a hundred of your fa- Charles Van Riper While the voting for Brevard’s favorite vorite artists and comedians, 90,000 of 22 Political Satire bands and musicians is still in full swing, your closest friends…let’s Bonnaroo. the producers of the actual award show BL contributor Matt Bretz and his broth- Calendars are busy with all the preparations it takes er Tim Bretz set out to capture the spirit Live Entertainment, to put on the 12th annual Brevard Live and conduct some interviews. 25 Concerts, Festivals Music Awards. Page 20 Page 12 Outta Space “KILLER BEE” PAUL CHAPMAN 30 by Jared Campbell JOHN HIATT Brevard Live met up with Paul Chap- He is truly one of the great unsung he- man, formerly with UFO, Lonestar and Local Download roes of rock & roll. In the industry Hiatt Gator Country, who has joined a Swed- by Andy Harrington is what’s known as a seminal artist - a 33 ish-Canadian hard rock band, Killer Local Music Scene figure strongly influencing later develop- Bee. They are hitting the road hard. ments. Page 35 Flori-duh! Page 15 36 by Charles Knight THE BABYS WHITESNAKE John Bisaha is walking in some mighty The Dope Doctor The legendary rock’n’roll band founded big shoes as the replacement for AOR 38 Luis Delgado, CAP and formed by Deep Purple singer David legend John Waite with the iconic clas- Coverdale are on their 2015 “The Purple sic rock band, The Babys. -
Guitar World #11, Novembre 97
GUITAR WORLD #11, NOVEMBRE 97 SHOCK EXCHANGE par Alan Di Perna Jane's Addiction is back - if only temporarily - and they got Flea with 'em. Guitarist Dave Navarro and the righteous bass man rap about the good old days and their bad old ways. Dave Navarro and Flea are sitting together on the famous "sideways" rocking chair from the cover of Jane's Addiction's 1988 album, Nothing's Shocking. They're huddled together like two schoolboys on a bus, giggling, exchanging whispered jokes, setting up a force field of friendship to insulate them from the prying eye of the photographer's lens, the glaring floodlights and the coldly appraising gazes of assorted makeup artists, dressers, handlers and assistants. Navarro hates photo shoots. But Flea seems to welcome an opportunity to dress up like his newest heroes, Sixties black power militants the Black Panthers. He's even brought along a Panther uniform (black leather jacket, black turtleneck, black beret, wraparound shades) for Dave. When the world first saw the "sideways" rocking chair, it was, of course, holding a sculpture of Siamese twins, naked, female, created by Jane's Addiction leader Perry Farrell who set the figures' heads alight for the controversial Nothing's Shocking cover photo. Prepare to be shocked once more, because Farrell has now reconvened Jane's Addiction. The return of the band that instigated the alternative rock Nineties will be marked by a CD containing one brand new song and a slew of previously unreleased material, demos and live recordings from the first incarnation of Jane's Addiction. -
The KARAOKE Channel Song List
11/17/2016 The KARAOKE Channel Song list Print this List ... The KARAOKE Channel Song list Show: All Genres, All Languages, All Eras Sort By: Alphabet Song Title In The Style Of Genre Year Language Dur. 1, 2, 3, 4 Plain White T's Pop 2008 English 3:14 R&B/Hip- 1, 2 Step (Duet) Ciara feat. Missy Elliott 2004 English 3:23 Hop #1 Crush Garbage Rock 1997 English 4:46 R&B/Hip- #1 (Radio Version) Nelly 2001 English 4:09 Hop 10 Days Late Third Eye Blind Rock 2000 English 3:07 100% Chance Of Rain Gary Morris Country 1986 English 4:00 R&B/Hip- 100% Pure Love Crystal Waters 1994 English 3:09 Hop 100 Years Five for Fighting Pop 2004 English 3:58 11 Cassadee Pope Country 2013 English 3:48 1-2-3 Gloria Estefan Pop 1988 English 4:20 1500 Miles Éric Lapointe Rock 2008 French 3:20 16th Avenue Lacy J. Dalton Country 1982 English 3:16 17 Cross Canadian Ragweed Country 2002 English 5:16 18 And Life Skid Row Rock 1989 English 3:47 18 Yellow Roses Bobby Darin Pop 1963 English 2:13 19 Somethin' Mark Wills Country 2003 English 3:14 1969 Keith Stegall Country 1996 English 3:22 1982 Randy Travis Country 1986 English 2:56 1985 Bowling for Soup Rock 2004 English 3:15 1999 The Wilkinsons Country 2000 English 3:25 2 Hearts Kylie Minogue Pop 2007 English 2:51 R&B/Hip- 21 Questions 50 Cent feat. Nate Dogg 2003 English 3:54 Hop 22 Taylor Swift Pop 2013 English 3:47 23 décembre Beau Dommage Holiday 1974 French 2:14 Mike WiLL Made-It feat. -
Of 30 Everything That Rocks a to Z
Everything That Rocks A To Z Page 1 of 30 Title Artist A Face In The Crowd Tom Petty A Girl Like You Smithereens A Man I'll Never Be Boston A Woman In Love Tom Petty About A Girl Nirvana Ace Of Spades Motorhead Achilles Last Stand Led Zeppelin Addicted Saving Abel Aeroplane Red Hot Chili Peppers After Midnight Eric Clapton Again Alice In Chains Ain't My Bitch Metallica Ain't Talkin' About Love Van Halen Alabama Song (Whiskey Bar) The Doors Alive P.O.D. Alive Pearl Jam All Along The Watchtower Jimi Hendrix All Apologies Nirvana All I Want For Christmas Dread Zeppelin All Mixed Up 311 All My Life Foo Fighters All My Love Led Zeppelin All Night Long Joe Walsh All Over You Live All Right Now Free All Summer Long Kid Rock All The Small Things Blink 182 Almost Hear You Sigh Rolling Stones Alone Again Dokken Already Gone Eagles Everything That Rocks A To Z Page 2 of 30 Always Saliva American Bad Ass Kid Rock American Girl Tom Petty American Idiot Green Day American Woman Lenny Kravitz Amsterdam Van Halen And Fools Shine On Brother Cane And Justice For All Metallica And The Cradle Will Rock Van Halen Angel Aerosmith Angel Of Harlem U2 Angie Rolling Stones Angry Chair Alice In Chains Animal Def Leppard Animal Pearl Jam Animal I Have Become Three Days Grace Animals Nickelback Another Brick In The Wall Pt. 2 Pink Floyd Another One Bites The Dust Queen Another Tricky Day The Who Anything Goes AC/DC Aqualung Jethro Tull Are You Experienced? Jimi Hendrix Are You Gonna Be My Girl Jet Are You Gonna Go My Way Lenny Kravitz Armageddon It Def Leppard Around -
New Rockers Could Make KISS Pucker Pretty Boy Rock Took A
The Hard Rock/ Heavy Monolith Of The Daily Nexus Tl^o "W « ^ »-t <Z>f Sep tiem bex* 1 í>»0, A Heavy Metal Hoedown New Rockers Could Make KISS Pucker by A.J. Goddard LOS ANGELES — I figured the Foundations Forum 90 Concrete Convention would be stuffed like a turkey with hairsprayed fluff, painstaking eyeliner, the newest lipstick shades and sleek skin wrapped and bound tight in leather rind skirts up to "there." Leave the music aside, let the appearances guide. ' Nope. There were some glam folk, but here we had the biggest hard rock/heavy metal convention in existence that few persons outside of the music industry knew much about, unless they were listening religiously to KNAC (of Long Beach, the sole Los Angeles metal station) who broadcasted live from the convention all weekend and pulled in their share of last- minute registrants for a smooth $175 a head. Unsigned band members scoped out as many record company representatives, college radio DJs and writers as possible and delivered their demos with the confidence that their tapes rent," and this is bringing more depth to heavy would be what the aforementioned persons metal. And we were blessed with a peek at some Pretty Boy Rock wanted to hear. of this talented new blood during the nightly For a mere $300, unsigned bands could show sixTband extravaganzas that rocked the walls of case in the upstairs schmooze rooms in hopes of the two large hotel ballrooms and were simul Took A Back Seat a record contract offer— or at least some atten cast on video screens all over the hotel. -
Ritual De Lo Habitual
2. NO ONE'S LEAVING 3. AIN'T NO RIGHT 4. OBVIOUS 5 . BEEN CAUGHT STEALING 6. THREE DAYS 7. THEN SHE DID-** " 8. OF COURSE 9 . CLASSIC GIRL NOVENA I STOPf 2 NO ONE'S LEAVING 3 00 3 A1 N7 NO RIGHT i OBVIOUS 5:58 BEEN CAUGHT STEALING 6 THREE DAYS 7 THEN ShE DIO««« 8:19 8 ’’OF COURSE 7:02 9 CLASSIC GIRL’ mo UANE'S ADDICTION Muchas Gracias: Perry Farrell: Of Course Fight, Bill and Bober. Roberta Petersen, Lenny Waronker, Mo Dave Navarro: Cuitar Ostin, Carl Scott, John Beug, Paul V., Lenardi, Andrea Starr. Stephen Perkins: Drums Jo Rob Kahane, Michael Lippman, Metal Blade Records, Concrete Eric A: Bass Marketing, Danny Goldberg. The Colonel, Josh.Torilla Cirls Karen and Danusha, Rick Van Santcn, Additional players: Aaron and Mark, Cindy, Carla. Inger, Terri Lee. Patricia. The Bernsteins, Richelle John Phillip Shenale: Strings on "Three Days" Valentine, Mike Navarro, Dan and John Navarro, Lcxwen 6 Charlie Bisharat: Electric and acoustic violins Navarro, Chuck Fukagawa and Ibanez Guitars, Perkins Family, on "Three Days" and "Of Course" Belle Obcrman, E, Pat, Ncmes, C, J.R., D.W. Drums, Sahian Geoff Stradling: Piano on "Three Days Cymbals. C. Brian and Nicole M. Avery. Piantadosi clan, (esp. Ronnie S. Champagne: Bass on "Of Course ART-full), Rcbic, Bob Timmins ink and inspiration, Dougs Wednesday evening social club. Exodus, Katia d'ltalia, Jack Recorded at Track Record Could. T.O. Sue. and her love book by suzanne, Jo Brahms, Produced by Dave Jerden and Perry Farrell Amra B. abiesbigdancerchildbride. Dr. Mark, Dr. -
The Bin Laden Exception
Copyright 2012 by Northwestern University School of Law Vol. 106 Northwestern University Law Review Colloquy THE BIN LADEN EXCEPTION Erik Luna INTRODUCTION On the evening of May 1, 2011, the American people learned that the world’s most wanted criminal—Osama bin Laden—had been killed in Pakistan during a covert operation by an elite U.S. military team.1 The news triggered spontaneous gatherings and revelry across the country. For the millennium’s new generation, bin Laden had been the embodiment of evil—a real-life boogeyman—and, for some, “the first person I was ever taught to hate.”2 Many young Americans will not be able to recall life without a deep-seated fear of the terrorist leader and the organization he founded,3 all against a national backdrop of the so-called “war on terror.” Bin Laden’s death thus signaled the “end of an era” and progress “toward a safer, less violent world.”4 After emotions settled, however, thoughts turned to the ultimate impact of the operation that closed “the Bin Laden decade.”5 The al Qaeda leader “really did a number on all of us,” wrote New York Times columnist Thomas Friedman.6 “Who will tell the people how deep the hole is that Bin Laden helped each of us dig over the last decade—and who will tell the people how hard and how necessary it will be to climb out?”7 The question appears ripe in light of recent statements by top officials. Defense Professor of Law, Washington and Lee University School of Law.