Martin Freeman

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www.cam.co.uk Email [email protected] Address Martin 55-59 Shaftesbury Avenue London Freeman W1D 6LD Telephone +44 (0) 20 7292 0600 Acting Highlights Title Role Director Production Jeremy Dyson and Andy GHOST STORIES Mike Priddle Warp Films Nyman BLACK PANTHER Everett K. Ross Ryan Coogler Marvel Entertainment Michael Grandage Company / LABOUR OF LOVE David Lyons Jeremy Herrin Noel Coward Theatre Anthony Russo / Joe CAPTAIN AMERICA: A CIVIL WAR Everett K. Ross Marvel Entertainment Russo THE HOBBIT Bilbo Baggins Peter Jackson 3 Foot 7 Ltd FARGO Lester Nygaard Various FX SHERLOCK Dr. John Watson- Series 1-3 Paul McGuigan Hartswood Films Ltd RICHARD III Richard Jamie Lloyd ATG / Trafalgar Studios CHARLES II Shaftesbury Joe Wright BBC CLYBOURNE PARK Carl/Steve Dominic Cook Royal Court Theatre Awards Award Project Year BAFTA Television Award for Best Supporting Actor Sherlock 2011 The Hobbit: An Unexpected MTV Movie Award for Best Hero 2013 Journey The Hobbit: An Unexpected Empire Award for Best Actor 2013 Journey Primetime Emmy Award for Outstanding Supporting Actor in a Limited Series or a Sherlock 2014 Movie Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Black Panther 2019 Picture Award Nominations Award Project Year British Comedy Award for the Best TV Comedy Actor The Ofce 2002 & 2004 BAFTA Television Award for Best Comedy Performance The Ofce 2004 Phoenix Film Critics Society Award for Best Cast Love Actually 2004 The Hobbit: An Unexpected MTV Movie Award for Most Frightened Performance 2013 Journey Primetime Emmy Award for Outstanding Lead Actor in a Limited Series or a Movie Fargo 2014 Critics' Choice Television Award for Best Actor in a Movie/Miniseries Fargo 2014 Critics' Choice Television Award for Best Supporting Actor in a Movie/Miniseries Sherlock 2014 Golden Globe Award for Best Performance by an Actor in a Mini-Series or Motion Fargo 2015 Picture Made for Television Satellite Award for Best Actor – Television Series Drama Fargo 2015 WhatsOnStage Award for Best Actor in a Play Labour of Love 2018 Characteristics Height Hair Eyes 5'7" Blonde Hazel CAM Limited Registered Oce:CAM, 55-59 ShaftesburyAvenue, London, E. [email protected] W1D6LD T. +44 (0) 20 7292 Registered in England N0. 7268144 Members of the PMA. VATNo. 993 055 733 0600.

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DVD Movie List by Genre – Dec 2020
Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S.
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The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62
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Not Your Grandfather's Sherlock Holmes
d “nOt YOuR GRandFatHeR’S SHeRlOCk HOlMeS”: Guy Ritchie’s 21st Century Reboot of a 19th Century british Icon Ashley Liening Sherlock Holmes “has enjoyed the most vigorous afterlife of any fictional character” posits thomas leitch, adaptation scholar and author of Film Adaptation and Its Discontents (leitch 207). Indeed, a franchise has been built around Sir arthur Conan doyle’s quirky detective, so much so that Sherlock Holmes has become one of the most adapted literary figures of all time, outnumbered only by Frankenstein’s monster, tarzan, and dracula (207). Clare Parody asserts, “Franchise practice has produced and surrounded some of the highest grossing and best-known fictional texts, characters, plots, and worlds of the twentieth and twenty-first centuries,” and Sherlock Holmes is no exception (211). From 1900 till the present day, Sherlock Holmes has been portrayed by “nearly 100 actors, in over 200 films, from more than a dozen different countries,” and it does not appear like “Sir arthur Conan doyle’s violin- playing, pipe-smoking, cocaine-injecting sleuth” is going any- where anytime soon (Cook 31). In fact, the twenty-first century has experienced a resurgence in more “straightforward” Holmes adaptations, namely bbC’s Sherlock (2010), which aired in three ninety-minute episodes and portrays a tech-savvy twenty-first century Holmes, and Guy Ritchie’s 2009 and 2011 35 big screen adaptations, the latter of which will be the focus of this essay. I aim to explore the ways in which Guy Ritchie’s Sher lock Holmes (2009) adaptation, while inextricably bound to Conan doyle’s storytelling franchise, diverges from its prede- cessors in that it is not an amalgamation of other Holmes adap- tations.
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Phubber Sherlock, Risky London, Safe England: Remaking Holmes in the Age of Information Technology
Concentric: Literary and Cultural Studies 43.1 March 2017: 329-347 DOI: 10.6240/concentric.lit.2017.43.1.15 Phubber Sherlock, Risky London, Safe England: Remaking Holmes in the Age of Information Technology Chung-jen Chen Department of Foreign Languages and Literatures National Taiwan University, Taiwan Abstract I intend to read the latest BBC production of Sherlock by exploring the making of digitized modernity in which confidence in science and technology is not only prominent but fundamental to instrumental rationality. Showing that violence may exist purely for the sake of violence, not for retaliation or out of self-interest, I argue that the remake of Sherlock is not concerned with criminals but criminality. By pointing out the discursive formation of digital citizenship endowed with indiscriminative rights of membership in the constant shadow of terrorist attacks, I argue that a safe England must be constructed in spite of the necessity of risk. Sherlock reveals a path leading to a digitized brave new world in which risks will be perceived as information, terrorist attacks conceived as incentives in an extended, reiterated game of prisoner’s dilemma, collective safety achieved through the calculation of coding, decoding and the networking of information technology, and every single life incarcerated within the process of capturing the torrent of big data. While digital citizenship promises a future of open access, free participation, and a lower barrier of entry, the promised democracy of information technology leads to the unavoidability of criminality and fear, leading to the coexistence of safety and risk. Keywords Sherlock, modernity, risk, governmental rationality, Benedict Cumberbatch, information technology, mobile phones 330 Concentric 43.1 March 2017 “This is my hard drive, and it only makes sense to put things in there that are useful.” —Sherlock in BBC’s “The Great Game” Since his literary birth in 1887, Sherlock Holmes has been synonymous with a detective hero who knows all, sees all, and solves all.
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Director of Photography
Bio I am an experienced DoP/Camera Operator with extensive working knowledge of all film, video and digital imaging formats. I enjoy filming across all genres whether it be documentary, drama, commercials or corporate productions. My particular expertise is in shooting history, anthropology, travel, science, expedition and adventure films. I am also completely comfortable working in what might be considered more ‘extreme’ and challenging environments, having filmed in over seventy countries across the world covering the full range of conditions and environments - Jungles, Deserts, Mountains and also both the Arctic and Antarctica. Before becoming a Director of Photography, I worked my way up through the ‘grades’ as a clapper-loader then focus-puller on over one hundred 16mm/35mm films including commercials, film documentaries, TV dramas, feature films, pop promos and corporates. I am also available for stills photography assignments. My work has appeared in a number of national newspapers and magazines - including The Daily Telegraph,The Times, The Daily Mail, The Daily Express, The Sun, The Daily Mirror and Hello Magazine. Expertise Expert ALPINE SKIER. [Raced at national level as a teenager] Also proficient X-COUNTRY SKIER. Experienced WHITE-WATER CANOEIST / SEA KAYAKER and MOUNTAINEER Experienced AERIALS Cameraman with many hours on both FIXED WING & HELICOPTER work. Risk Assessment in Hostile Environments Certificate [Category One] Advanced Medicine for Remote Foreign Travel Certificate. POLAR & HIGH ALTITUDE Medic Course, Alta Norway. SWIFT WATER RESCUE Technician Certificate. [SRT Level One] Industrial ROPE ACCESS / TECHNICAL CLIMBING [Certificate IRATA Level One] Valid USA I Work Visa. FPoS (I) Medic Certificate HSE First Aid at Work Certificate Page 1/11 HELEN'S POLAR CHALLENGE BBC ONE / SPORT RELIEF Director: MORAY LONDON Helen Skelton skis, kites and cycles across Antarctica to the South Pole for Sport Relief.
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Performing Sherlock : a Study in Studio and Location Realism Hewett, RJ
Performing Sherlock : a study in studio and location realism Hewett, RJ Title Performing Sherlock : a study in studio and location realism Authors Hewett, RJ Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/34863/ Published Date 2018 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Performing Sherlock: A Study in Studio and Location Realism Given his status as one of literature’s most popular creations, Sir Arthur Conan Doyle’s Sherlock Holmes – usually accompanied by his faithful chronicler, Doctor Watson - has been less ubiquitous on British television screens than might be imagined. Having debuted in 1951, played by Andrew Osborn in The Adventure of the Mazarin Stone (BBC), the Baker Street sleuth returned a few months later in the guise of Alan Wheatley for a series of six live plays. Viewers then had to wait until 1965 for a home-grown run of episodes,1 this time featuring Douglas Wilmer; when this production returned in 1968, it was Peter Cushing who donned the deerstalker. In 1984 Granada’s series saw Jeremy Brett injecting a seven per cent solution in the long-running and popular production, but following Brett’s death in 1995 there were few attempts to revive Holmes in the UK, and audiences had to wait until 2010 for the character’s enormously successful 21st century reimagining in the form of Sherlock (BBC, 2010- ), starring Benedict Cumberbatch.
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The Hobbit: the Desolation of Smaug Movie Review (2013) | Roger Ebert
In Memoriam 1942 – 2013 | ★ ★ ★ ★ ROGEREBERT.COM Choose a Section REVIEWS THE HOBBIT: THE DESOLATION OF SMAUG ★ ★ ★ ☇ | Sheila O'Malley December 13, 2013 | ☄ 29 "Fantasy (in this sense) is, I think, not a lower but a higher form of Art, indeed the most nearly pure form, and so (when achieved) the most potent." -J.R.R. Tolkien, March 8, 1939 lecture "Fairy Stories" Print Page Like Tolkien's parenthetical "when achieved" is the kicker of that statement, the acknowledgement of how difficult and rare successful Like 262 fantasy really is. You know it when you see it. This reviewer did not find that quality in "An Unexpected Journey", the first 2 installment of Peter Jackson's gigantic trilogy based on Tolkien's slim one-volume classic "The Hobbit," but it is there in spades in Tweet 35 part two, "The Desolation of Smaug." This middle chapter is about a half-hour too long, and the final third splits the story up into three pieces, weakening the narrative thrust that had been building, but no matter: By the time we get to Bilbo Baggins' confrontation with the dragon Smaug (voiced with delicious sneering evil by Benedict Cumberbatch), the real work has been done. The thematic elements are in place, the emotional tension is highly strung, and the action unfolds in a wave like the fire erupting from the dragon's mouth, overtaking all in its path. Except for a flashback which shows Gandalf (Ian McKellen) and the exiled dwarf king Thorin Oakenshield (Richard Armitage) joining forces in a dark and beer-soaked pub straight out of Chaucer's "Canterbury Tales", "The Desolation of Smaug" picks up where the last one left off, with Bilbo (Martin Freeman) and the posse of rowdy dwarves deep into their journey to reclaim the Lonely Mountain and the dwarves' lost kingdom.
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Interview with Actor Martin Freeman See Page Eight
May 2012 Spring/summer 2014 Member Matters Interview with actor Martin Freeman see page eight How a clinical trial at Great Ormond Street Hospital has helped Joe who has arthritis Contents 4 6 8 Q and A with Foundation Tracey Anthony, A chat with actor Trust news Lead Nurse, Theatres Martin Freeman 9 10 12 From birth to adulthood: I have arthritis: Understanding lives now Young People’s and for the future Joe tells his story Forum update 13 14 16 Key dates What we’ve What happens… when achieved you or your family have Key dates feedback for your diary Contents Welcome I’d like to welcome you to the spring 2014 edition of Member Matters for youth Foundation Trust members. My name is Edward Green and I’m a councillor on the I was a patient here at Members’ Council representing patients GOSH recently and feel from outside London. very privileged to be My role at Great Ormond Street Hospital (GOSH) is to represent patients outside working alongside staff London on the Members’ Council. I was to ensure the patient’s a patient at GOSH recently and feel very privileged to be working alongside staff voice is heard. to ensure the patient’s voice is heard. I would like to say a big thank you to all the members and staff who have been working hard together on events and programmes of work. Last year, we held a listening event with many of you, where we heard what we were doing well, and what we could do better.
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Movie Data Analysis.Pdf
FinalProject 25/08/2018, 930 PM COGS108 Final Project Group Members: Yanyi Wang Ziwen Zeng Lingfei Lu Yuhan Wang Yuqing Deng Introduction and Background Movie revenue is one of the most important measure of good and bad movies. Revenue is also the most important and intuitionistic feedback to producers, directors and actors. Therefore it is worth for us to put effort on analyzing what factors correlate to revenue, so that producers, directors and actors know how to get higher revenue on next movie by focusing on most correlated factors. Our project focuses on anaylzing all kinds of factors that correlated to revenue, for example, genres, elements in the movie, popularity, release month, runtime, vote average, vote count on website and cast etc. After analysis, we can clearly know what are the crucial factors to a movie's revenue and our analysis can be used as a guide for people shooting movies who want to earn higher renveue for their next movie. They can focus on those most correlated factors, for example, shooting specific genre and hire some actors who have higher average revenue. Reasrch Question: Various factors blend together to create a high revenue for movie, but what are the most important aspect contribute to higher revenue? What aspects should people put more effort on and what factors should people focus on when they try to higher the revenue of a movie? http://localhost:8888/nbconvert/html/Desktop/MyProjects/Pr_085/FinalProject.ipynb?download=false Page 1 of 62 FinalProject 25/08/2018, 930 PM Hypothesis: We predict that the following factors contribute the most to movie revenue.
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95 Updated Facts/Trivia Copy
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2021 Primetime Emmy® Awards Ballot
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PINTER on SCREEN: POWER, SEX & POLITICS (1 July – 31 August) – Curated by Harold Pinter Biographer and Theatre Critic for the Guardian Michael Billington
Tuesday 19 June 2018, London. To mark the 10th anniversary of the death of one of the most important and influential British playwrights of the last century, HAROLD PINTER, BFI Southbank will host a special two month season – PINTER ON SCREEN: POWER, SEX & POLITICS (1 July – 31 August) – curated by Harold Pinter biographer and theatre critic for The Guardian Michael Billington. Best-known for his work as a playwright, PINTER ON SCREEN will celebrate his contribution to film and television, which was extremely significant, not only writing pioneering plays for television, but also for working on scripts for a varied range of landmark films like Joseph Losey’s The Servant (1963), The French Lieutenant’s Woman (Karel Reisz, 1981) starring Meryl Streep and Jeremy Irons, The Comfort of Strangers (Paul Schrader, 1990) and the 1990 adaptation of Margaret Atwood’s still all-too-relevant The Handmaid’s Tale (Volker Schlöndorff). “‘Truth in drama, is forever elusive. You never quite find it, but the search for it is compulsive.’ – Harold Pinter on receiving the Nobel Prize for Literature in 2005. On this statement, and on Pinter, season curator Michael Billington says: “That applies as much to his work for the screen as it does to the stage with which it shares many qualities: a fascination with the private roots of power, an abiding preoccupation with memory and the deceptiveness of language, a belief in the agency of women. Pinter, from his teenage years when he explored the work of Luis Buñuel, Marcel Carné and Jean Vigo, was always passionately in love with cinema and was proud that the majority of his screenplays were filmed.
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