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DVD Movie List by Genre – Dec 2020
Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S. -
Drama Drama Documentary
1 Springvale Terrace, W14 0AE Graeme Hayes 37-38 Newman Street, W1T 1QA SENIOR COLOURIST 44-48 Bloomsbury Street WC1B 3QJ Tel: 0207 605 1700 [email protected] Drama The People Next Door 1 x 60’ Raw TV for Channel 4 Enge UKIP the First 100 Days 1 x 60’ Raw TV for Channel 4 COLOURIST Cyberbully 1 x 76’ Raw TV for Channel 4 BAFTA & RTS Nominations Playhouse Presents: Foxtrot 1 x 30’ Sprout Pictures for Sky Arts American Blackout 1 x 90’ Raw TV for NGC US Blackout 1 x 90’ Raw TV for Channel 4 Inspector Morse 6 x 120’ ITV Studios for ITV 3 Poirot’s Christmas 1 x 100’ ITV Studios for ITV 3 The Railway Children 1 x 100’ ITV Studios for ITV 3 Taking the Flak 6 x 60’ BBC Drama for BBC Two My Life as a Popat 14 x 30’ Feelgood Fiction for ITV 1 Suburban Shootout 4 x & 60’ Feelgood Fiction for Channel 5 Slap – Comedy Lab 8 x 30’ World’s End for Channel 4 The Worst Journey in the World 1 x 60’ Tiger Aspect for BBC Four In Deep – Series 3 4 x 60’ Valentine Productions for BBC1 Drama Documentary Nazi Megaweapons Series III 1 x 60’ Darlow Smithson for NGCi Metropolis 1 x 60’ Nutopia for Travel Channel Million Dollar Idea 2 x 60’ Nutopia Hostages 1 x 60’ Al Jazeera Cellblock Sisterhood 3 x 60’ Raw TV Planes That Changed the World 3 x 60’ Arrow Media Nazi Megaweapons Series II 1 x 60’ Darlow Smithson for NGCi Dangerous Persuasions Series II 6 x 60’ Raw TV Love The Way You Lie 6 x 60’ Raw TV Mafia Rules 1 x 60’ Nerd Nazi Megaweapons 5 x 60’ Darlow Smithson for NGCi Breakout Series 2 10 x 60’ Raw TV for NGC Paranormal Witness Series 2 12 x 60’ Raw TV -
Sam Castleton
Sam Castleton CREDIT LIST DUBBING MIXER Asian Provocateur Comedy – 6x30” – BBC Three – BBC Comedy Flat TV Comedy – 4x22” – BBC – BBC Comedy A Gert Lush Christmas Sitcom - 60’ –AvAlon Motion Pictures Come Dine With Me Champions Factual–20 x 60’– Channel 4 - Shiver Hemsley & Hemsley Factual–10 x 30’– Fresh Ones Paul O’ Grady For the Love of Dogs Factual–8 x 60’– ITV - ITVplc Till Death Do Us Part Factual - BBC One – BBC FActual Sky at Night Factual - BBC One – BBC FActual Secrets of China Factual - 3 x 60’ – BBC Three – BBC FActual Horrible Science Children’s Comedy – 10 x 30’ – ITV – Hat trick Production And Off MediA Seven Day With… Factual– 6 x 60’– itvBe Nightmare Tenants Factual– 6x60’- Channel 5 – Britespark Films Murder In Successville Comedy - 6 x 30’ – BBC Three – Tiger Aspect Some Girls Sr 3 Comedy DrAmA - 6 x 30’ – BBC3 – Hattrick David Attenborough’s Kingdom of Plants 3D 1 x 60’ – Sky Atlantic – AtlAntic Productions The Mimic Sr 1 Sitcom - 5 x 30’ – Channel 4 – Running Bare Animals Guide to Survival Factual - 5 x 60’ – Nat Geo AnimAl PlAnet Nominated for ‘Best Sound for Documentary’: Conch Awards 2009 Bo Selecta: Michael Jackson Tribute Comedy - 1 x 60’ – Channel 4 – Running Bare Horizon Factual - Various x 60’ – BBC – BBC Dispatches Factual - Various x 60’ – Channel 4 – BlAkewAy Catastrophe Comedy DrAmA - 1 x 30' – Channel 4 – AvAlon History of the World DrAmA DocumentAry - 5 x 60’ – BBC – BBC Morgana Comedy - 4 x 30’ – Channel 4 – Running Bare Panorama Factual - Various x 30’ – BBC – BBC Current AffAirs James May’s Toy Stories -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
Tim Dynevor Writer
Tim Dynevor Writer Tim is a BAFTA nominated screenwriter for film and television. He has written over 300 episodes of Emmerdale, a sit-com for Channel 4 and films for Strawberry Vale Productions and Ecosse Films. As an actor Tim appeared in 'Watching' and 'Surgical Spirit' for Granada TV, and in theatre productions for The Royal Exchange, Manchester, The Salford Playhouse and The Library Theatre, Manchester, and toured extensively in Italy with 'Waiting for Godot' and 'The Importance of Being Earnest.' Tim studied Drama, Film and Television at Bristol University. Agents Charles Walker Assistant [email protected] Olivia Martin +44 (0) 20 3214 0874 [email protected] +44 (0) 20 3214 0778 Credits In Development Production Company Notes THE CLERK Chalkboard / Channel 5 Writer 2021 4 x 60" DARK WATERS Unstoppable Film and Television Writer 2021 6 x 60" THE FENS Sprout Pictures/MJZ Writer 2021 HIGH WATER Unstoppable Film and Television Writer 2021 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes KILLTOWN Unstoppable Film and Television Writer 2021 6 x 60" THE LAST RUNNER Inflammable Productions Writer 2021 3 x 90" PAPER TIGER Inflammable Productions Writer 2021 Television Production Company Notes THE DROWNING Unstoppable Entertainment / Episode 1 - additional material 2020 Channel 5 Episodes 2, 3 & 4 - Writer. COVERT Unstoppable Entertainment Writer 2019 Lena Headey to direct. EMMERDALE ITV Studios Writer 2015 300+ episodes 12 x 1hr Special Episodes *BAFTA nominated for Best Continuing Drama – 1hr special episode 2008 THE DINGLES DO VENICE ITV Studios Writer 1999 Emmerdale Feature length film SLAP! LOVE, LIES AND Prospect Pictures / Channel 4 Writer LIPSTICK 7 episodes Film Production Company Notes MY VENETIAN FRIEND Strawberry Vale Productions Writer United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected]. -
Not Your Grandfather's Sherlock Holmes
d “nOt YOuR GRandFatHeR’S SHeRlOCk HOlMeS”: Guy Ritchie’s 21st Century Reboot of a 19th Century british Icon Ashley Liening Sherlock Holmes “has enjoyed the most vigorous afterlife of any fictional character” posits thomas leitch, adaptation scholar and author of Film Adaptation and Its Discontents (leitch 207). Indeed, a franchise has been built around Sir arthur Conan doyle’s quirky detective, so much so that Sherlock Holmes has become one of the most adapted literary figures of all time, outnumbered only by Frankenstein’s monster, tarzan, and dracula (207). Clare Parody asserts, “Franchise practice has produced and surrounded some of the highest grossing and best-known fictional texts, characters, plots, and worlds of the twentieth and twenty-first centuries,” and Sherlock Holmes is no exception (211). From 1900 till the present day, Sherlock Holmes has been portrayed by “nearly 100 actors, in over 200 films, from more than a dozen different countries,” and it does not appear like “Sir arthur Conan doyle’s violin- playing, pipe-smoking, cocaine-injecting sleuth” is going any- where anytime soon (Cook 31). In fact, the twenty-first century has experienced a resurgence in more “straightforward” Holmes adaptations, namely bbC’s Sherlock (2010), which aired in three ninety-minute episodes and portrays a tech-savvy twenty-first century Holmes, and Guy Ritchie’s 2009 and 2011 35 big screen adaptations, the latter of which will be the focus of this essay. I aim to explore the ways in which Guy Ritchie’s Sher lock Holmes (2009) adaptation, while inextricably bound to Conan doyle’s storytelling franchise, diverges from its prede- cessors in that it is not an amalgamation of other Holmes adap- tations. -
Competition and Public Service Broadcasting: Stimulating Creativity Or Servicing Capital?
COMPETITION AND PUBLIC SERVICE BROADCASTING: STIMULATING CREATIVITY OR SERVICING CAPITAL? Centre for Business Research, University of Cambridge Working paper No. 408 by Simon Turner Department of Health Services Research and Policy, London School of Hygiene & Tropical Medicine, Keppel Street, London, WC1E 7HT Email: [email protected] Ana Lourenço School of Economics and Management, Catholic University of Portugal, Rua Diogo Botelho, 1327, 4169-005, Porto, Portugal. Email: [email protected] June 2010 This working paper forms part of the CBR Research Programme on Corporate Governance Abstract In UK public service broadcasting, recent regulatory change has increased the role of the private sector in television production, culminating in the BBC’s recent introduction of ‘creative competition’ between in-house and independent television producers. Using the concept of ‘cognitive distance’, this paper focuses on the increasing role of the independent sector as a source of creativity and innovation in the delivery of programming for the BBC. The paper shows that the intended benefits of introducing new competencies into public service broadcasting have been thwarted by, on the one hand, a high level of cognitive proximity between in-house and external producers and, on the other, a conflict in values between the BBC and the independent sector, with the latter responding to a commercial imperative that encourages creativity in profitable genres, leaving gaps in other areas of provision. While recent regulatory reform appears to have had a limited impact on the diversity of programming, it does suggest a closer alignment of programme content with the imperatives of capital. Implications for the literature on communities of practice are noted. -
Phubber Sherlock, Risky London, Safe England: Remaking Holmes in the Age of Information Technology
Concentric: Literary and Cultural Studies 43.1 March 2017: 329-347 DOI: 10.6240/concentric.lit.2017.43.1.15 Phubber Sherlock, Risky London, Safe England: Remaking Holmes in the Age of Information Technology Chung-jen Chen Department of Foreign Languages and Literatures National Taiwan University, Taiwan Abstract I intend to read the latest BBC production of Sherlock by exploring the making of digitized modernity in which confidence in science and technology is not only prominent but fundamental to instrumental rationality. Showing that violence may exist purely for the sake of violence, not for retaliation or out of self-interest, I argue that the remake of Sherlock is not concerned with criminals but criminality. By pointing out the discursive formation of digital citizenship endowed with indiscriminative rights of membership in the constant shadow of terrorist attacks, I argue that a safe England must be constructed in spite of the necessity of risk. Sherlock reveals a path leading to a digitized brave new world in which risks will be perceived as information, terrorist attacks conceived as incentives in an extended, reiterated game of prisoner’s dilemma, collective safety achieved through the calculation of coding, decoding and the networking of information technology, and every single life incarcerated within the process of capturing the torrent of big data. While digital citizenship promises a future of open access, free participation, and a lower barrier of entry, the promised democracy of information technology leads to the unavoidability of criminality and fear, leading to the coexistence of safety and risk. Keywords Sherlock, modernity, risk, governmental rationality, Benedict Cumberbatch, information technology, mobile phones 330 Concentric 43.1 March 2017 “This is my hard drive, and it only makes sense to put things in there that are useful.” —Sherlock in BBC’s “The Great Game” Since his literary birth in 1887, Sherlock Holmes has been synonymous with a detective hero who knows all, sees all, and solves all. -
Steve-Flatt-Cv
Steve Flatt Avid Offline Profile Satusfaction have represented Steve for over 14 years now and over that time he has become one of the most popular and sought-after editors we represent. He is fast, creative and very easy to work with. He is often up against tight deadlines but always remains calm, keeps his brilliant sense of humour and is able to read the director well and crack on with the edit himself. He has a musical background (being a musician himself) so has a fantastic ear as well as eye. Credits “Ice Airport Alaska” Series 2. Documentary mini-series following the day to day like at Ted Stevens Anchorage International Airport (ANC), with 65 major snow and ice events per winter, five million passengers, and wild creatures at every turn, the activity at Alaska’s ‘Ice Airport’ never stops. Rare TV for Smithsonian Channel “Glow Up: Britain’s Next Make Up Star” Series 3. Host Maya Jama is joined by make-up and beauty experts Val Garland and Dominic Skinner in the search for Britain's next star make-up artist. During each series, 10 aspiring make-up artists live and work together, while they also compete in a series of tricky challenges to demonstrate their make-up skills to the judges. Wall to Wall for BBC Three “DNA Journeys” 1 x 60min prime time series. BGT judge Amanda Holden and comedian and chat show host Alan Carr enthusiastically embark on a road trip across the UK to unlock the secrets of the past and meet family they never knew existed! Amanda's journey starts in the grounds of a stately home in Cornwall, while Alan's journey takes him to a pub in Erith with something of a colourful past. -
Performing Sherlock : a Study in Studio and Location Realism Hewett, RJ
Performing Sherlock : a study in studio and location realism Hewett, RJ Title Performing Sherlock : a study in studio and location realism Authors Hewett, RJ Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/34863/ Published Date 2018 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Performing Sherlock: A Study in Studio and Location Realism Given his status as one of literature’s most popular creations, Sir Arthur Conan Doyle’s Sherlock Holmes – usually accompanied by his faithful chronicler, Doctor Watson - has been less ubiquitous on British television screens than might be imagined. Having debuted in 1951, played by Andrew Osborn in The Adventure of the Mazarin Stone (BBC), the Baker Street sleuth returned a few months later in the guise of Alan Wheatley for a series of six live plays. Viewers then had to wait until 1965 for a home-grown run of episodes,1 this time featuring Douglas Wilmer; when this production returned in 1968, it was Peter Cushing who donned the deerstalker. In 1984 Granada’s series saw Jeremy Brett injecting a seven per cent solution in the long-running and popular production, but following Brett’s death in 1995 there were few attempts to revive Holmes in the UK, and audiences had to wait until 2010 for the character’s enormously successful 21st century reimagining in the form of Sherlock (BBC, 2010- ), starring Benedict Cumberbatch. -
The Hobbit: the Desolation of Smaug Movie Review (2013) | Roger Ebert
In Memoriam 1942 – 2013 | ★ ★ ★ ★ ROGEREBERT.COM Choose a Section REVIEWS THE HOBBIT: THE DESOLATION OF SMAUG ★ ★ ★ ☇ | Sheila O'Malley December 13, 2013 | ☄ 29 "Fantasy (in this sense) is, I think, not a lower but a higher form of Art, indeed the most nearly pure form, and so (when achieved) the most potent." -J.R.R. Tolkien, March 8, 1939 lecture "Fairy Stories" Print Page Like Tolkien's parenthetical "when achieved" is the kicker of that statement, the acknowledgement of how difficult and rare successful Like 262 fantasy really is. You know it when you see it. This reviewer did not find that quality in "An Unexpected Journey", the first 2 installment of Peter Jackson's gigantic trilogy based on Tolkien's slim one-volume classic "The Hobbit," but it is there in spades in Tweet 35 part two, "The Desolation of Smaug." This middle chapter is about a half-hour too long, and the final third splits the story up into three pieces, weakening the narrative thrust that had been building, but no matter: By the time we get to Bilbo Baggins' confrontation with the dragon Smaug (voiced with delicious sneering evil by Benedict Cumberbatch), the real work has been done. The thematic elements are in place, the emotional tension is highly strung, and the action unfolds in a wave like the fire erupting from the dragon's mouth, overtaking all in its path. Except for a flashback which shows Gandalf (Ian McKellen) and the exiled dwarf king Thorin Oakenshield (Richard Armitage) joining forces in a dark and beer-soaked pub straight out of Chaucer's "Canterbury Tales", "The Desolation of Smaug" picks up where the last one left off, with Bilbo (Martin Freeman) and the posse of rowdy dwarves deep into their journey to reclaim the Lonely Mountain and the dwarves' lost kingdom. -
Codes Used in D&M
CODES USED IN D&M - MCPS A DISTRIBUTIONS D&M Code D&M Name Category Further details Source Type Code Source Type Name Z98 UK/Ireland Commercial International 2 20 South African (SAMRO) General & Broadcasting (TV only) International 3 Overseas 21 Australian (APRA) General & Broadcasting International 3 Overseas 36 USA (BMI) General & Broadcasting International 3 Overseas 38 USA (SESAC) Broadcasting International 3 Overseas 39 USA (ASCAP) General & Broadcasting International 3 Overseas 47 Japanese (JASRAC) General & Broadcasting International 3 Overseas 48 Israeli (ACUM) General & Broadcasting International 3 Overseas 048M Norway (NCB) International 3 Overseas 049M Algeria (ONDA) International 3 Overseas 58 Bulgarian (MUSICAUTOR) General & Broadcasting International 3 Overseas 62 Russian (RAO) General & Broadcasting International 3 Overseas 74 Austrian (AKM) General & Broadcasting International 3 Overseas 75 Belgian (SABAM) General & Broadcasting International 3 Overseas 79 Hungarian (ARTISJUS) General & Broadcasting International 3 Overseas 80 Danish (KODA) General & Broadcasting International 3 Overseas 81 Netherlands (BUMA) General & Broadcasting International 3 Overseas 83 Finnish (TEOSTO) General & Broadcasting International 3 Overseas 84 French (SACEM) General & Broadcasting International 3 Overseas 85 German (GEMA) General & Broadcasting International 3 Overseas 86 Hong Kong (CASH) General & Broadcasting International 3 Overseas 87 Italian (SIAE) General & Broadcasting International 3 Overseas 88 Mexican (SACM) General & Broadcasting