The Court of Charles II, 1649-1734
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The History of the Working Classes in Scotland
THE HISTORY OF THE CONTENTS. CHAP. WORKING CLASSES I.—THE SLAVERY PERIOD, II.—UNDER THE BARONS, IN SCOTLAND III.—EARLY LABOUR LEGISLATION, IV.—THE FORCED LABOURERS, . $£■ V.—THE DEMOCRATIC THEOCRACY, VI.—THE STRUGGLE IN THE TOWNS, VII.—EEIVING oi" THE COMMON LANDS, VIII.—THE CLEARANCES, IX.—THE POLITICAL DEMOCRACY, X.—THE ANTI-COMBINATION LAWS, XI.—UNDER THE CAPITALIST HARROW, XII.—THE GREAT MASSACRE, XIII.—THE UNIONS, I.—The Factory Workers, BY II.—The Hand-loom Weavers, . THOMAS JOHNSTON III.—Child Labour in the Factories, IV.—The Factory Acts, . V.—The Bakers, VI.-—The Colliers, . VII.—The Agricultural Labourers, VIII.—The Railwaymen, IX.—The Carters, . X.—The Sailormen, XI.—The Woodworkers, XII.—The Ironworkers, XIII.—Engineering and Shipbuilding, XIV.—The Building Trades, XV.—The Tailors, . PORWARD PUBLISHING COY., LTD., XIV.—THE COMMUNIST SEEDS OF SALVATION, I.—The Friendly Orders, 164 HOWARD STREET, II.—The Co-operative Movement, GLASGOW. III.—The Socialist Movement, . tfLf 84 THE HISTORY OF THE WORKING GLASSES. their freedom in the courts, it followed, as a general rule, that the slave was only liberated by death. The result of all these restric CHAPTER V, tions was that coal-mining remained unpopular and the mine-owners in Scotland were still forced to pay higher wages for labour than were THE DEMOCRATIC THEOCRACY. their English confreres. And so the liberating Act of 1799, which " The Solemn League and Covenant finally abolished slavery in the coal mines and saltpans of Scotland, Whiles brings a sigh and whiles a tear; was urged upon Parliament by the more far-seeing coalowners them But Sacred Freedom, too, was there, selves. -
White Priory Murders
THE WHITE PRIORY MURDERS John Dickson Carr Writing as Carter Dickson CHAPTER ONE Certain Reflections in the Mirror "HUMPH," SAID H. M., "SO YOU'RE MY NEPHEW, HEY?" HE continued to peer morosely over the tops of his glasses, his mouth turned down sourly and his big hands folded over his big stomach. His swivel chair squeaked behind the desk. He sniffed. 'Well, have a cigar, then. And some whisky. - What's so blasted funny, hey? You got a cheek, you have. What're you grinnin' at, curse you?" The nephew of Sir Henry Merrivale had come very close to laughing in Sir Henry Merrivale's face. It was, unfortu- nately, the way nearly everybody treated the great H. M., including all his subordinates at the War Office, and this was a very sore point with him. Mr. James Boynton Bennett could not help knowing it. When you are a young man just arrived from over the water, and you sit for the first time in the office of an eminent uncle who once managed all the sleight-of-hand known as the British Military Intelligence Department, then some little tact is indicated. H. M., although largely ornamental in these slack days, still worked a few wires. There was sport, and often danger, that came out of an unsettled Europe. Bennett's father, who was H. M.'s brother-in-law and enough of a somebody at Washington to know, had given him some extra-family hints before Bennett sailed. "Don't," said the elder Bennett, "don't, under any circumstances, use any ceremony with him. -
Commissaires-Priseurs BEAUSSANT LEFÈVRE 4 JUIN 2008
BEAUSSANT_COUV 7/05/08 8:08 Page 1 Commissaires-Priseurs BEAUSSANT LEFÈVRE 4 JUIN 2008 32, rue Drouot, 75009 PARIS Tél. : 00 33 (0)1 47 70 40 00 - Fax : 00 33 (0)1 47 70 62 40 www.beaussant-lefevre.com E-mail : [email protected] Société de Ventes Volontaires - Sarl au capital de 7 600 € - Siren n° 443 080 338 - Agrément n° 2002 - 108 Eric BEAUSSANT et Pierre-Yves LEFÈVRE, Commissaires-Priseurs PARIS - DROUOT-RICHELIEU PARIS PARIS - DROUOT - MERCREDI 4 JUIN 2008 BEAUSSANT_COUV 7/05/08 8:08 Page 2 Inscrivez-vous à la newsletter de l’étude par mail sur notre site www.beaussant-lefevre.com BEAUSSANT_1_20 6/05/08 15:40 Page 1 LES COURSES et LA CHASSE DOCUMENTATION - GRAVURES - TABLEAUX - SCULPTURES DÉCORATIONS - ARMES - MILITARIA COLLECTION de STATUETTES en bronze de Vienne COLLECTION d’OBJETS à décor tartan VENTE AUX ENCHÈRES PUBLIQUES Le MERCREDI 4 JUIN 2008 à 14 heures Par le Ministère de : Mes Eric BEAUSSANT et Pierre-Yves LEFÈVRE Commissaires-Priseurs BEAUSSANT LEFÈVRE Société de ventes volontaires Siren n° 443 080 338 - Agrément n° 2002-108 32, rue Drouot - 75009 PARIS Tél. : 01 47 70 40 00 - Télécopie : 01 47 70 62 40 www.beaussant-lefevre.com E-mail : [email protected] PARIS - DROUOT RICHELIEU - Salle no 4 9, rue Drouot, 75009 Paris, Tél. : 01 48 00 20 20 - Fax : 01 48 00 20 33 EXPOSITIONS PUBLIQUES : Mardi 3 Juin 2008 de 11 h à 18 h Mercredi 4 Juin 2008 de 11 h à 12 h Téléphone pendant les expositions et la vente : 01 48 00 20 04 En couverture : détail du n° 132 BEAUSSANT_1_20 6/05/08 15:40 Page 2 EXPERTS : Estampes : M. -
Animal Painters of England from the Year 1650
JOHN A. SEAVERNS TUFTS UNIVERSITY l-IBRAHIES_^ 3 9090 6'l4 534 073 n i«4 Webster Family Librany of Veterinary/ Medicine Cummings School of Veterinary Medicine at Tuits University 200 Westboro Road ^^ Nortli Grafton, MA 01536 [ t ANIMAL PAINTERS C. Hancock. Piu.xt. r.n^raied on Wood by F. Bablm^e. DEER-STALKING ; ANIMAL PAINTERS OF ENGLAND From the Year 1650. A brief history of their lives and works Illustratid with thirty -one specimens of their paintings^ and portraits chiefly from wood engravings by F. Babbage COMPILED BV SIR WALTER GILBEY, BART. Vol. II. 10116011 VINTOX & CO. 9, NEW BRIDGE STREET, LUDGATE CIRCUS, E.C. I goo Limiiei' CONTENTS. ILLUSTRATIONS. HANCOCK, CHARLES. Deer-Stalking ... ... ... ... ... lo HENDERSON, CHARLES COOPER. Portrait of the Artist ... ... ... i8 HERRING, J. F. Elis ... 26 Portrait of the Artist ... ... ... 32 HOWITT, SAMUEL. The Chase ... ... ... ... ... 38 Taking Wild Horses on the Plains of Moldavia ... ... ... ... ... 42 LANDSEER, SIR EDWIN, R.A. "Toho! " 54 Brutus 70 MARSHALL, BENJAMIN. Portrait of the Artist 94 POLLARD, JAMES. Fly Fishing REINAGLE, PHILIP, R.A. Portrait of Colonel Thornton ... ... ii6 Breaking Cover 120 SARTORIUS, JOHN. Looby at full Stretch 124 SARTORIUS, FRANCIS. Mr. Bishop's Celebrated Trotting Mare ... 128 V i i i. Illustrations PACE SARTORIUS, JOHN F. Coursing at Hatfield Park ... 144 SCOTT, JOHN. Portrait of the Artist ... ... ... 152 Death of the Dove ... ... ... ... 160 SEYMOUR, JAMES. Brushing into Cover ... 168 Sketch for Hunting Picture ... ... 176 STOTHARD, THOMAS, R.A. Portrait of the Artist 190 STUBBS, GEORGE, R.A. Portrait of the Duke of Portland, Welbeck Abbey 200 TILLEMAN, PETER. View of a Horse Match over the Long Course, Newmarket .. -
A Princess of the Old World
'\\t' Glass .DC . i ^ g Ai:?,^ A PRINCESS OF THE OLD WORLD MADEMOISELLE ENTERING ORLEANS FROiM THE PICTURE liV M. EUGENE FOULD IN THE SALON OF 1906 A PRINCESS OF THE OLD WORLD BY ELEANOR C. PRICE " Duquel mariage est sortie la tres-belle, tres-excellente et tres-accomplie Princesse Anne Marie Louise d'Orl^ans, qui possede en perfection les plus rares qualitez qui parent un esprit, et qui font aymer un corps : c'est elle que nous nommons ordinairement Mademoiselle, souhaitt^e des plus grands Monarques, et aym^e universellement de toute la terre." WITH TWENTY-ONE ILLUSTRATIONS New York : G. P. PUTNAM'S SONS London: METHUEN & CO. 1907 /^^/^^ — CONTENTS PART I CHAPTER I PAGE Mademoiselle arrives — The Chalais affair — The Montpensier marriage — The death of the Duchess — Mademoiselle in her nursery— Louis XIII . • • 3 CHAPTER n The new Madame—Her adventures—The fate of Puylaurens The playfellows of Mademoiselle—His Eminence her Godfather . i6 CHAPTER in On the roads—Marie de Rohan, Duchesse de Chevreuse—The affair of the Val-de-Grace—A famous ride—La Rochefoucauld Mademoiselle at Chantilly . ... 25 CHAPTER IV Mademoiselle in Touraine — Champigny and Richelieu — The Duchesse d'Aiguillon and her friends— Fontevrault and Madame Jeanne-Baptiste de Bourbon—A winter of hope . • • 39 CHAPTER V Mademoiselle de Hautefort—Royal sport—" Mon petit mari " The story of Cinq-Mars—The death of Richelieu . • 55 CHAPTER VI The streets of Paris— Corneille—The theatres—The Academy The Hotel de Rambouillet . ... 69 CHAPTER VII Court mourning—The death of Madame de Saint-Georges— Madame de Fiesque—The family of Guise —The death of the King 86 — — — vi A PRINCESS OF THE OLD WORLD CHAPTER VIII PAGE La Bonne Regence—The Superior of the Carmelites—The Due de Beaufort and the Importants—The arrival of Madame—The Prin- cesse de Conde and Madame de Montbazon—A cold collation Mazarin's triumph . -
On January 6, 1625, Was Ordained a Priest in September 1649, Entered the Congregation of the Mission on August 15, 1651, and Took His Vows on August 17, 1653
Letter 2475. - Archives of the Mission, Turin, original signed letter. 1. Georges des Jardins, born in Alençon (Orne) on January 6, 1625, was ordained a priest in September 1649, entered the Congregation of the Mission on August 15, 1651, and took his vows on August 17, 1653. Later, he was Superior in Toul (1655-57) and Narbonne (1659). 2. Brother Jean Proust, born in Parthenay (Deux-Sèvres) on March 12, 1620, entered the Congregation of the Mission on June 25, 1645, and took his vows on October 28, 1647. Saint Vincent refers to clerical students as “Brothers.” The context usually determines whether the one referred to is a coadjutor Brother or a student destined for the priesthood. 3. Saint Vincent subscribed the initials, i.p.d.l.M. (indigne prêtre de la Mission. ) [unworthy priest of the Mission], to his signature. It has been traditional in the Congregation of the Mission to append to one’s name the Latin of this phrase, indignus sacerdos Congregationis Missionis. or the initials, i.s.C.M. The editors have adopted this traditional practice, substituting the initials of the Latin phrase for the French used by Saint Vincent. Letter 2476. - Archives of the Mission, Turin, unsigned rough draft. 1. Pierre Daveroult, born in Béthune (Pas-de-Calais) on January 20, 1614, was ordained a priest during Lent of 1638. He entered the Congregation of the Mission on April 13, 1653, and took his vows on January 13, 1656. Twice he embarked for Madagascar and twice returned to Paris without being able to set foot on the island. -
The Artistic Approach of the Grieve Family to Selected Problems of Nineteenth Century Scene Painting
This dissertation has been microfilmed exactly as received 67-6318 HAMBLIN, Junius N., 1930- THE ARTISTIC APPROACH OF THE GRIEVE FAMILY TO SELECTED PROBLEMS OF NINETEENTH CENTURY SCENE PAINTING. The Ohio State University, Ph.D., 1966 Speech-Theater University Microfilms, Inc., Ann Arbor, Michigan C Copyright by Junius N. Hamblin 1967 THE ARTISTIC APPROACH OF THE GRIEVE FAMILY TO SELECTED PROBLEMS OF NINETEENTH CENTURY SCENE PAINTING DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Junius N . Hamblin* B .S.* M.S. ****** The Ohio State University 1966 Approved by Department of Speech PLEASE NOTE: Figure pages are not original copy. They tend to "curl". Filmed in the best possible way. UNIVERSITY MICROFILMS PREFACE The conduct of this investigation would not have been possible without the large number of drawings by members of the Grieve family available for analysis through the microfilm holdings of The Ohio State University Theatre Collection. These holdings are from three sources: (l) The British Museum collection of drawings by John Henderson Grieve (OSUTC film No. 1454). (2) The Victoria and Albert Museum holdings of drawings by members of the Grieve family (OSUTC film No. 1721). It is from these two sources that the drawings were selected for analysis and illustration in this study. (3) Drawings by Thomas Grieve in the Charles Kean Collection at the Victoria and Albert Museum (OSUTC film Nos. 893, 894 and 895 )• These drawings are catalogued in Appendix A and were examined but were not used as illustrations for the study because they are from the second half of the century when theatrical conditions had begun to change. -
Plimpton Collection of Dramas 1675-1920 (Bulk 1850-1900)
AMHERST COLLEGE ARCHIVES AND SPECIAL COLLECTIONS Plimpton Collection of Dramas 1675-1920 (bulk 1850-1900) Summary: A collection of 1429 plays, largely from nineteenth century American and Brisish popular theater. Quantity: 14 linear feet Listed by: Neha Wadia, AC 2013, Student Assistant Note: These plays are cataloged in the Amherst College online catalog. To find the complete listing in the catalog, do a basic keyword search for “Plimpton collection of dramas”. Individual plays can be searched by title and author. The call number for the collection is PN6111.P5 © 2013 Amherst College Archives and Special Collections Page 1 Plimpton Collection of Dramas INTRODUCTION THE PLIMPTON COLLECTION OF PLAYS by Curtis Canfield Originally published in the Amherst Graduates’ Quarterly, May 1932 Mr. George A. Plimpton, ’76, recently presented to the college a large collection of material relating to the English and American theatre of the nineteenth century. More than 1200 plays are represented in the collection in addition to numerous playbills, programs, libretti, histories, and after-pieces, as well as an autographed photograph of Edwin Booth as Richelieu. The collection seems to have been a part of the extensive theatrical library of Mr. Edward Boltwood of Pittsfield, whose father was born in Amherst in 1839 and moved to Pittsfield in 1870. Mr. Boltwood, although an active member of the Berkshire bar, made the theatre his avocation and found time to write a number of small pieces for the stage, one of which is included in the present collection. He was also instrumental in establishing the William Parke Stock Company in Pittsfield, and continued his connection with this company by writing reviews of its plays. -
Old Sporting Prints
II H '^oaWi 1 TUFTS UNIVERSITY LIBRARIES |{|||||lli|IWII 9090 014 655 738 '"^ly ivledicine \«teb8ter Famiiv - - CummingsSchc- ., nary Median© at TuSts Urii-isrsity 200 Westboro Road North Grafton. MA 015C* Old Sporting Prints SIR ROBERT WALPOLE WITH HOUNDS By John Wootloii From an Oi! Paiiitiitir in the possession of the Earl of Orford Connoisseur Extra .Number. OLD SPORTING PRINTS by Ralph Nevill LONDON: Published by THE CONNOISSEUR MAGAZINE CARMELITE HOUSE, E.G. 19 08 Eire Cranforti ^rcss GEO. FULMAN AND SONS, LTD. LONDON AND WEALDSTONE. Ni^- To Sir Walter Gilbey, Bart., the greatest living authority on Enghsh Sporting Pictures and Prints, this book is dedicated by Ralph Nevill. CONTENTS. PAGE. List of Illustrations ' - - - - - 10 - Old Sporting Prints - - ' ' - 15 List of Exceptionally Attractive Prints - - - - 67 A Record of the Principal Sporting Prints Sold by Auction, 1901-1908 - - ' - ' - 72 LIST OF ILLUSTRATIONS. PAGE Sir Robert Walpole. By John ]Vootton ... ... ... ... ... Frontispiece Pyrrhus the First (Winner of the Derby, 1846). By Hacker, after J. F. Herring, Sen. ... ... 13 Orlando (Winner of the Derby, 1844). By Hacker, after J. F. Herring ... ... ... 13 Fox Hunters. By Henry Aiken ... ... ... ... ... ... ... 14 Charging an Ox-fence. Published by Humphreys, 181 J... ... ... ... ... 14 The Leap. By Henry Aiken ... ... ... ... ... ... ... 22 Topping a Flight of Rails and coming well into the Next Field. Published by Humphreys, J81 J ... 22 Mounting. By Rowlandson ... ... ... ,.. ... ... ... 21 A Country Racecourse. By T. Jenkins, after W. .Mason ... ... ... ... 21 Water Colour Drawing. By Cooper Henderson ... ... ... ... ... 27 The Death of the Fox. By Howitt ... ... ... ... ... ... 27 Mrs. Thornton's Race at York, August, 1804 ... ... ... ... ... 28 The Stag Taking Soil. -
Ridgefield Encyclopedia
A compendium of more than 3,300 people, places and things relating to Ridgefield, Connecticut. by Jack Sanders [Note: Abbreviations and sources are explained at the end of the document. This work is being constantly expanded and revised; this version was updated on 4-14-2020.] A A&P: The Great Atlantic and Pacific Tea Company opened a small grocery store at 378 Main Street in 1948 (long after liquor store — q.v.); became a supermarket at 46 Danbury Road in 1962 (now Walgreens site); closed November 1981. [JFS] A&P Liquor Store: Opened at 133½ Main Street Sept. 12, 1935. [P9/12/1935] Aaron’s Court: short, dead-end road serving 9 of 10 lots at 45 acre subdivision on the east side of Ridgebury Road by Lewis and Barry Finch, father-son, who had in 1980 proposed a corporate park here; named for Aaron Turner (q.v.), circus owner, who was born nearby. [RN] A Better Chance (ABC) is Ridgefield chapter of a national organization that sponsors talented, motivated children from inner-cities to attend RHS; students live at 32 Fairview Avenue; program began 1987. A Birdseye View: Column in Ridgefield Press for many years, written by Duncan Smith (q.v.) Abbe family: Lived on West Lane and West Mountain, 1935-36: James E. Abbe, noted photographer of celebrities, his wife, Polly Shorrock Abbe, and their three children Patience, Richard and John; the children became national celebrities when their 1936 book, “Around the World in Eleven Years.” written mostly by Patience, 11, became a bestseller. [WWW] Abbot, Dr. -
Old and New London Volume 3
Old and New London: Volume 3 By Walter Thornbury 1878 CHAPTER XLII. WHITEHALL—HISTORICAL REMARKS. WHITEHALL ABOUT 1650. (From a Copy by Smith of a Rare Print by Israd Silvestre.) ―You must no more call it York Place—that is past: For since the Cardinal fell that title‘s lost; ‗Tis now the King‘s, and called Whitehall.‖ Shakespeare’s Henry VIII, Act IV., sc. 1. The most Polite Court in Europe—A School of Manners and Morals—Historical Account of Whitehall—Anciently called York Place—Name of York Place changed to Whitehall— Wolsey‘s Style of Living here—Visit of Henry VIII—The Fall of Wolsey—Additions to the Palace by Henry VIII—Queen Mary at Whitehall—The Palace attacked by Rioters—Tilting- Matches and Pageants—Queen Elizabeth‘s Library—The ―Fortresse of Perfect Beautie‖— Masques and Revels at Whitehall—The Office of ―Master of the Revels‖—The Tilt yard— Charles Killigrew—Serving up the Queen‘s Dinner—Christian IV. of Denmark and James I—The Gunpowder Plot—Library of James I at Whitehall—George Villiers, Duke of Buckingham. The moment that we pass out of the Strand, or make our way from the Victoria Embankment into Charing Cross, and wander either westwards through Spring Gardens into St. James‘s Park, or in a south-west direction past Whitehall towards the venerable Abbey of Westminster, we must feel, if we know anything of the history of our country under the Tudors and the Stuarts, that we are treading on ground which is most rich in historic memories. In fact, it may be said without fear of contradiction that the triangular space which lies between the new Palaces of Whitehall and St. -
A History of the English Puritans
A HISTORY OF THE ENGLISH PURITANS. BY W. CARLOS MARTYN, AUTHOR OF "THE LIFE AND TIMES OF JOHN MILTON," "A HIS- TORY OF THE HUGUENOTS," AND "THE LIFE AND TIMES OF MARTIN LUTHER." PUBLISHED BY THE AMEKICAN TEACT SOCIETY, 150 NASSAU-STEEET, NEW YORK. Entered according to Act of Congress, in the year 1867, by the American Tract Society, in the Clerk's Office of the District Court of the United States for the Southern District of New York. PREFACE. This book makes no pretensions. It often falls below what Dryasdust would call "the dignity of history," and is satisfied to be considered simply an accurate daguerreotype of the men and man ners of a heroic past. The English Puritans have always labored un der the disadvantage of which the lion in the fable complained so bitterly. Though they were the con querors, their enemies were the painters. They have come down to us in the distorted lineaments of hostile pencils. If one may borrow the clever illustration of Grainger, the performances of most of their historians remind us of the paintings of Brueghel, who had so accustomed himself to paint witches and imps, that if he tried to paint a man, he was sure to make him like a devil. But it has been well said, that in history the law of optics is reversed : " Our souls much further than our eyes can see." Society now perceives that the Puritans were ear nest, honest, devout men, anxious mainly to inau gurate the regime of vital godliness and of civil lib erty — sub libertate quietem.