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4/8/69 #778 Miss Harlem Beauty Contest Applications Available #779 19Th Annual Valentines Day Winter Ca
W PRESSRELEASES 2/7/69 - 4/8/69 #778 Miss Harlem Beauty Contest Applications Available #779 19th Annual Valentines Day Winter Carnival In Queens (Postponed Until Friday, February 21, 1969) #780 Police Public Stable Complex, 86th St., Transverse, Central Park #781 Monday, March 10th, Opening Date For Sale of Season Golf Lockers and Tennis Permits #782 Parks Cited For Excellence of Design #783 New York City's Trees Badly Damaged During Storm #784 Lifeguard Positions Still Available #785 Favored Knick To Be Picked #786 Heckschers Cutbacks In State Aid to the City #787 Young Chess Players to Compete #788 r Birth of Lion and Lamb #789 Jones Gives Citations at Half Time (Basketball) #790 Nanas dismantled on March 27, 1969 #791 Birth of Aoudad in Central Park Zoo #792 Circus Animals to Stroll in Park #793 Richmond Parkway Statement #794 City Golf Courses, Lawn Bowling and Croquet Cacilities Open #795 Eggs-Egg Rolling - Several Parks #796 Fifth Annual Golden Age Art Exhibition #797 Student Sculpture Exhibit In Central Park #798 Charley the Mule Born March 27 in Central Park Zoo #799 Rain date for Easter Egg Rolling contest April 12, original date above #800 Sculpture - Central Park - April 10 2 TOTAL ESTIMATED ^DHSTRUCTION COST: $5.1 Million DESCRIPTION: Most of the facilities will be underground. Ground-level rooftops will be planted as garden slopes. The stables will be covered by a tree orchard. There will be panes of glass in long shelters above ground so visitors can watch the training and stabling of horses in the underground facilities. Corrals, mounting areas and exercise yards, for both public and private use, will be below grade but roofless and open for public observation. -
Types of Dance Styles
Types of Dance Styles International Standard Ballroom Dances Ballroom Dance: Ballroom dancing is one of the most entertaining and elite styles of dancing. In the earlier days, ballroom dancewas only for the privileged class of people, the socialites if you must. This style of dancing with a partner, originated in Germany, but is now a popular act followed in varied dance styles. Today, the popularity of ballroom dance is evident, given the innumerable shows and competitions worldwide that revere dance, in all its form. This dance includes many other styles sub-categorized under this. There are many dance techniques that have been developed especially in America. The International Standard recognizes around 10 styles that belong to the category of ballroom dancing, whereas the American style has few forms that are different from those included under the International Standard. Tango: It definitely does take two to tango and this dance also belongs to the American Style category. Like all ballroom dancers, the male has to lead the female partner. The choreography of this dance is what sets it apart from other styles, varying between the International Standard, and that which is American. Waltz: The waltz is danced to melodic, slow music and is an equally beautiful dance form. The waltz is a graceful form of dance, that requires fluidity and delicate movement. When danced by the International Standard norms, this dance is performed more closely towards each other as compared to the American Style. Foxtrot: Foxtrot, as a dance style, gives a dancer flexibility to combine slow and fast dance steps together. -
Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan. -
Sharing Economies and Affective Labour in Montréal's Kiki Scene
SERVING EACH OTHER: SHARING ECONOMIES AND AFFECTIVE LABOUR IN MONTRÉAL’S KIKI SCENE by Jess D. Lundy A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts In Women’s and Gender Studies Carleton University Ottawa, Ontario © 2019, Jess D. Lundy Abstract Against a tense socio-political backdrop of white supremacy, intensifying pressures of neoliberal fiscal austerity, and queer necropolitics, this thesis addresses performance-based activist forms of place-making for urban-based queer, trans, and gender nonconforming communities of colour. Using participant observation and qualitative interviews with pioneering members of Montréal’s Kiki scene and Ottawa’s emerging Waacking community and interpreting my findings through the theoretical lens of queer of colour theory, critical whiteness studies, queer Latinx performance studies and Chicana feminism, I argue that Kiki subculture, which is maintained by pedagogical processes of ‘each one, teach one’, is instrumental in facilitating i) life-affirming queer kinship bonds, (ii) alternative ways to simultaneously embody and celebrate non- normative gender expression with Black, Asian, and Latinx identity, iii) non-capitalist economies of sharing, and iv) hopeful strategies of everyday community activism and resilience to appropriative processes during economic insecurity and necropolitical turmoil. ii Acknowledgements First and foremost, I would like to acknowledge the members of Montréal’s Kiki scene and Ottawa’s Waacking founder for their willingness to participate in this study despite the understandable reflex to safe-guard their own. Secondly, I extend my sincerest gratitude to my thesis supervisor Dr. Dan Irving. Apart from disproving that you should never meet your heroes, Dr. -
DANC 499 Special Topics (Dance in LA to Dance USA Maymester) Section 22590, 22591
DANC 499 Special Topics (Dance in LA to Dance USA Maymester) Section 22590, 22591 Spring 2017 1-2 Units Day: Tuesday-Friday Time: 12:00 – 2:30 pm Location: KDC 235 Instructor: Patrick Corbin Office: KDC 229 Office Hours: Contact Info: [email protected] (213) 821-8931 Coordinator: Wilson Vu Office: KDC 203 Contact Info: [email protected] (213) 821-6735 Catalogue Description During this four-week Maymester course in Los Angeles, students will explore the multifaceted world of dance culture in Los Angeles. Course Description During this four-week Maymester course in Los Angeles, students will explore the multifaceted world of dance culture in Los Angeles. What is the history of dance in LA and where is it going? This course will give an overview of the LA dance experience from the Denishawn School to Bodytraffic, Busby Berkeley to Mandy Moore, Soul Train to So You Think You Can Dance and Leimert Park to the Sunset Strip. Dance in Los Angeles is a dynamic culture in which history, socioeconomics, race, gender, sexuality, commerce and entertainment intersect to create genres that influence contemporary life. The course will culminate in a three-day Dance USA conference hosted at the Glorya Kaufman International Dance center. Participants in the course will gain invaluable experience volunteering at the conference working with directors, dance makers, performers, presenters and educators from Los Angeles and across the United States. Learning Objectives • Distinguish between different genres of dance in LA. • Locate venues and events in LA for viewing or experiencing various forms of dance. • Analyze a dance event following a specific protocol. -
The Impact of the Music of the Harlem Renaissance on Society
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 1989 Volume I: American Communities, 1880-1980 The Impact of the Music of the Harlem Renaissance on Society Curriculum Unit 89.01.05 by Kenneth B. Hilliard The community of Harlem is one which is rich in history and culture. Throughout its development it has seen everything from poverty to urban growth. In spite of this the people of this community banded together to establish a strong community that became the model for other black urban areas. As a result of this millions have migrated to this community since the 1880’s, bringing with them heritages and traditions of their own. One of these traditions was that of music, and it was through music that many flocked to Harlem, especially in the 1920’s through 1950’s to seek their fortune in the big apple. Somewhere around the year 1918 this melting pot of southern blacks deeply rooted in the traditions of spirituals and blues mixed with the more educated northern blacks to create an atmosphere of artistic and intellectual growth never before seen or heard in America. Here was the birth of the Harlem Renaissance. The purpose of this unit will be to; a. Define the community of Harlem. b. Explain the growth of music in this area. c. Identify important people who spearheaded this movement. d. Identify places where music grew in Harlem. e. Establish a visual as well as an aural account of the musical history of this era. f. Anthologize the music of this era up to and including today’s urban music. -
Manhattan Community District 10 11 12 5 6
8 12 7 10 MANHATTAN COMMUNITY DISTRICT 10 11 12 5 6 4 3 10 TOTAL POPULATION 1990 2000 2010 9 9 2 Number 99,519 107,109 115,723 10 1 11 % Change - 7.6 8.0 11 7 1 8 7 1 4 3 5 6 VITAL STATISTICS 2005 2010 2 4 2 3 1 5 6 8 Births: Number 1,659 1,716 1 Rate per 1000 15.5 14.8 DR. HARLEM IVER R HARLEM RIVER Deaths: Number 1,022 850 Rate per 1000 9.5 7.3 MBE GECOAVE. ED . Infant Mortality: Number 13 - E V A Rate per 1000 7.8 7.5 S A L O H IC N W. 123rd ST. T S CENTRAL . HARLEM VE FIFTH AVE. E A ID S G MO N UNT I MO RRIS PARK N R O M INCOME SUPPORT 2005 2012 CENT RAL PARK NORTH FIFTH AVE. Cash Assistance (TANF) 11,139 8,472 Supplemental Security Income 8,827 9,016 LAND USE, 2012 Lot Area Medicaid Only 28,503 31,911 Lots Sq. Ft.(000) % 1- 2 Family Residential 538 915.8 3.6 Total Persons Assisted 48,469 49,399 Multi-Family Residential 2,444 10,770.1 42.3 Mixed Resid. / Commercial 647 5,502.5 21.6 Percent of Population 45.3 42.7 Commercial / Office 156 1,271.1 5.0 Industrial 17 151.5 0.6 Transportation / Utility 18 212.0 0.8 Institutions 290 3,758.6 14.8 Open Space / Recreation 40 1,416.3 5.6 Parking Facilities 44 223.7 0.9 TOTAL LAND AREA Vacant Land 251 1,237.6 4.9 Miscellaneous 9 24.3 0.1 Acres: 897.0 Square Miles: 1.4 Total 4,454 25,483.5 100.0 New York City Department of City Planning Manhattan Community District 10 r. -
Frostburn: Mastering the Perils of Ice and Snow, and Their Respective Logos, and Wizards Product Names Are Trademarks of Wizards of the Coast, Inc., in the U.S.A
CREDITS DESIGNERS ART DIRECTOR WOLFGANG BAUR, JAMES JACOBS, Dawn Murin GEORGE STRAYTON COVER ARTIST DEVELOPMENT TEAM Sam Wood RICHARD BAKER (LEAD), ANDREW J. FINCH, DAVID NOONAN, JAMES WYATT INTERIOR ARTISTS Steve Bel l edin, Mitch Cotie, Ed Cox, EDITOR Dennis Crabappl e McCl ain, Steve El l is, GREG COLLINS David Griffith, David Hudnut, MANAGING EDITOR Dana Knutson, Doug Kovacs, Dan Scott GWENDOLYN F.M. KESTREL GRAPHIC DESIGNER DESIGN MANAGERS Dee Barnett, Trish Yochum CHRISTOPHER PERKINS, ED STARK CARTOGRAPHERS DEVELOPMENT MANAGER James Jacobs, Todd Gambl e ANDREW J. FINCH DIRECTOR OF RPG R&D GRAPHIC PRODUCTION SPECIALIST BILL SLAVICSEK Erin Dorries PRODUCTION MANAGERS IMAGE TECHNICIAN JOSHUA C.J. FISCHER, RANDALL CREWS Robert Jordan Resources: Epic Level Handbook, Arms and Equipment Guide, FORGOTTEN REALMS Campaign Setting, World of Greyhawk Campaign Setting, Living Greyhawk Gazetteer, Monsters of Faerûn, Races of Faerûn, Oriental Adventures, Dragon Magazine, and Book of Vile Darkness. Based on the original DUNGEONS & DRAGONS® rules created by Gary Gygax and Dave Arneson, and the new DUNGEONS & DRAGONS game designed by Jonathan Tweet, Monte Cook, Skip Williams, Richard Baker, and Peter Adkison. This product uses updated material from the v.3.5 revision. This Wizards of the Coast ® game product contains no Open Game Content. No portion of this work may be reproduced in any form without written permission. To learn more about the Open Gaming License and the d20 System License, please visit www.wizards.com/d20. U.S., CANADA, ASIA, PACIFIC, EUROPEAN HEADQUARTERS & LATIN AMERICA Wizards of the Coast, Belgium Wizards of the Coast, Inc. T Hofveld 6d P.O. -
Caroliniana Columns - Spring 2017 University Libraries--University of South Carolina
University of South Carolina Scholar Commons University South Caroliniana Society Newsletter - South Caroliniana Library Columns Spring 2017 Caroliniana Columns - Spring 2017 University Libraries--University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/columns Part of the Library and Information Science Commons Recommended Citation University of South Carolina, "University of South Carolina Libraries - Caroliniana Columns, Issue 41, Spring 2017". http://scholarcommons.sc.edu/columns/41/ This Newsletter is brought to you by the South Caroliniana Library at Scholar Commons. It has been accepted for inclusion in University South Caroliniana Society Newsletter - Columns by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. University South Caroliniana Society newsletter Spring 2017 Letter from the DEAN OF LIBRARIES At the University South Caroliniana Society’s Annual General Meeting in April, I was pleased to announce that we have received an anonymous $5 million contribution to assist in the renovation of the South Caroliniana Library. This is not the sort of gift that arrives very often. With the $5 million we received from the General Assembly and this generous gift, we have been able to begin the renovation of the Caroliniana. Our timetable is eighteen months of testing and design and eighteen months of construction. When completed, the Caroliniana will be ready for the next 176 years. We hope to rededicate the building in the summer of 2020. This may seem like a long time for a renovation and it is. The most painstaking part of the renovation is to learn about how the 1840 portion of the building has changed over the years. -
Download PDF » the Jabbawockeez Handbook
KCIEIYVL7YPB \\ Doc The Jabbawockeez Handbook - Everything You Need to Know about Jabbawockeez The Jabbawockeez Handbook - Everything You Need to Know about Jabbawockeez Filesize: 5.5 MB Reviews Thorough guideline! Its this kind of excellent read. This is certainly for all those who statte there was not a well worth reading. Your way of life period will probably be transform once you complete reading this book. (Mrs. Alia Borer) DISCLAIMER | DMCA RAJUREHJNUTC < Kindle # The Jabbawockeez Handbook - Everything You Need to Know about Jabbawockeez THE JABBAWOCKEEZ HANDBOOK - EVERYTHING YOU NEED TO KNOW ABOUT JABBAWOCKEEZ To download The Jabbawockeez Handbook - Everything You Need to Know about Jabbawockeez PDF, please follow the hyperlink below and download the document or get access to other information that are highly relevant to THE JABBAWOCKEEZ HANDBOOK - EVERYTHING YOU NEED TO KNOW ABOUT JABBAWOCKEEZ book. Tebbo. Paperback. Book Condition: New. Paperback. 218 pages. Dimensions: 11.6in. x 8.2in. x 0.6in.The Jabbawockeez is an eight-member, all male, hip-hop dance crew best known for being the winners of the first season of Americas Best Dance Crew. They were initially formed by members Kevin KB Brewer, Phil Swagger Boy Tayag, and Joe Punkee Larot under the name 3 Muskee. By 2004, their members included Ben B-Tek Chung, Chris Cristyle Gatdula, Rynan Kid Rainen Paguio, and Je Phi Nguyen. The Jabbawockeez do not have a leader of the group; choreography for their performances as well as music and design choices are made as a collective unit. This book is your ultimate resource for Jabbawockeez. Here you will find the most up-to-date information, photos, and much more. -
King Oliver, Jelly Roll, and Satchmo 14 3 Bix, Austin High, and Chicago Style 31 4 Pops and Smack 41
THE JAZZ AGE This page intentionally left blank ARNOLD SHAW THE JAZZ AGE Popular Music in the 1920's Oxford University Press New York Oxford OXFORD UNIVERSITY PRESS Oxford New York Toronto Delhi Bombay Calcutta Madras Karachi Petaling Jaya Singapore Hong Kong Tokyo Nairobi Dar es Salaam Cape Town Melbourne Auckland and associated companies in Berlin Ibadan Copyright © 1987 by Ghita Milgrom Shaw First published in 1987 by Oxford University Press, Inc., 200 Madison Avenue, New York, New York 10016 First issued as an Oxford University Press paperback, 1989 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press, Inc. Library of Congress Cataloging-in-Publication Data Shaw, Arnold. The Jazz Age. Bibliography: p. Includes index. 1. Music, Popular (Songs, etc.)—United States—History and criticism. 2. Jazz music—United States. 3. Musical revue, comedy, etc.— United States. 4. United States—History—1919-1933. I. Title. ML3477.S475 1987 780'.42'0973 86-33234 ISBN 0-19-503891-6 ISBN 0-19-506082-2 (pbk.) Lyrics from "Night and Day" by Cole Porter © 1921 Warner Bros. Inc. (Renewed). All Rights Reserved. Used by permission. "I've Come to Wive it Wealthily in Padua" by Cole Porter, Copyright © 1948 by Cole Porter. Copyright Renewed & Assigned to John F. Wharton, as Trustee of the Cole Porter Musical & Literary Property Trusts. Chappell & Co., Inc., owner of publication and allied rights throughout the world. -
Topic Relevant Selected Content from the Highest Rated Entries, Typeset, Printed and Shipped
Topic relevant selected content from the highest rated entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the con- venience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mission: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it e ectively and globally. e content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accurate or reliable information. Some information in this book maybe misleading or simply wrong. e publisher does not guarantee the validity of the infor- mation found here. If you need speci c advice (for example, medical, legal, nancial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Jabbawockeez 1 America's Best Dance Crew 5 America's Best Dance Crew (season 1) 9 America's Best Dance Crew (season 2) 15 America's Best Dance Crew (season 3) 23