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O Salutaris Hostia Fr Pueri Cantores Public Domain Editions O Salutaris Hostia fr. Messe Brève St. Thomas Aquinas (1225 - 1274) Lèo Delibes (1836 - 1891) Andante Sostenuto (q. = c.46-52) ° p bb 6 ∑ ∑ ∑ ∑ ‰ Soprano & b 8 œ. œ œ œ œ. œ O sa - lu - ta - ris, bb 6 ∑ ∑ ∑ ∑ ∑ ∑ Alto ¢& b 8 Andante Sostenuto (q. = c.46-52) b 6 j j &b b 8 œ. œ œ. œ. œ œ œ œ ‰ ‰ œ. œ œ. ‰ œ. œ œ œ œ. bœ. œ. œ. œ. œ œ. œ œ œ œ. œ Keyboard p 6 œ. œ œ œ œ. œ. œ œ. œ {?bb 8 œ. œ. œ œ œ œ. œ. œ ‰ ‰ œ. œ. œ œ b Œ. J 7 ° b j j j j &b b œ œ œ œ œ œ œ œ ‰ œ. œ œ œ œ. œ ‰ œ œ œ œ œ œ. œ ‰ ‰ sa - lu - ta - ris Hos - ti - a, Quae cae - li pan - dis, pan - dis os - ti - um. b ¢&b b ∑ ∑ ∑ ∑ ∑ ∑ b j j j &b b œ. œ œ œ œ ‰ œ. œ œ. œ ‰ œ œ œ . ‰ ‰ ‰ œ œ œ Jœ œ œ œ œ. œ œ œ œ. nœ bœ œ œ œ œ œ . œ œ œ œ œ œ. nœ. œ bœ œ œ œ œ œ. œ œ œ œ œ {?bb œ œ J ‰ œ. ‰ J œ. œ b J ‰ ‰ 13 ° b pp j j &b b œ. œ œ œ œ. œ ‰ œ œ œ œ œ œ œ œ ‰ œ. œ œ œ œ. œ ‰ O sa - lu - ta - ris, sa - lu - ta - ris Hos - ti - a, Quae cae - li pan - dis, b pp j j ¢&b b œ. œ œ œ œ. œ ‰ œ œ œ œ œ œ œ œ ‰ œ. œ œ œ œ. œ ‰ O sa - lu - ta - ris, sa - lu - ta - ris Hos - ti - a, Quae cae - li pan - dis, b j &b b œ. œ œ. œ œ œ. œ œ œ œ ‰ œ. œ ˙. œ œ œ œ œ. œ Jœ œ œ œ œ œ œ œ œ œ. œ œ œ nœ œ œ nœ. œ. œ. œ j œ œ œ œ œ bœ. œ nœ nœ œ œ œ {?bb œ. œ œ œ œ œ œ œ œ œ œ œ œ œ‰ œ œ b œ J nœ American Federation of Pueri Cantores www.pcchoirs.org 2 19 ° b j j mf. œ j j . &b b œ œ œ œ œ œ. œ ‰ ‰ œ œ J œ œ œ ‰ œ œ œ œ œ œ œ ‰ pan - dis os - ti - um. Bel - la pre - munt, pre - munthos-ti - li - a, b j j ¢&b b œ œ œ œ œ œ. œ ‰ ‰ ∑ ∑ ∑ ∑ pan - dis os - ti - um. b j &b b œ œ j œ œ œ œ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ? bœ œ œ bœ. ˙. ˙œ. œ. ˙. ˙œ. œ œ œ œ. œ { bb b˙ ˙. ˙ . ˙. ˙ . œ. œ ‰ b . rit. a tempo °25 f œ pp bbb œ. œ œ œ œ œ ‰ œ œ œ œ ‰ Œ. ‰ & J J œ J œ. œ œ œ œ. œ Bel - la pre - munt, pre-munthos - ti - li - a. O sa - lu - ta - ris, mf f j pp bbb ‰ nœ œ œ œ j ‰ œ œ nœ œ ‰ Œ. ‰ ¢& œ #œ œ œ œ œ œ. œ œ œ œ. œ Bel - la pre - munt, pre-munthos - ti - li - a. O sa - lu - ta - ris, j b œ. œ œ œ j œ œ &b b #œ nœ œ œ œ œ œ. œ œ œ nœ œ œ œ œ bœ œ œ. œ œ. œ œ ‰ œ œ nœ J nœ bœ œ œ nœ œ. œ œ œ œ. œ Jœ mf a tempo f j p œ œ dim. e rit. œ. œ #œ œ œ œ œ nœbœ œ œ . {? b œ. #œ. ˙. œ˙. nœ œ bœ œ. œ œ œ œ œ œ œ b b Jœ °31 bb j œ j ‰ ‰ œ j j ‰ ‰ & b œ œ œ œ œ œ œ œ. œ œ œ œ. œ œ œ œ œ œ. œ sa - lu - ta - ris Hos - ti - a, Quae cae - li pan - dis, pan - dis os - ti - um. b j j j j ¢&b b œ œ œ œ œ œ œ œ ‰ œ. œ œ œ œ. œ ‰ œ œ œ œ œ œ. œ ‰ ‰ sa - lu - ta - ris Hos - ti - a, Quae cae - li pan - dis, pan - dis os - ti - um. b b œ j ‰ œ j j & b œ. œ œ œ œ. œ ˙. œ œ œ œ œ œ œ œ œ œ œ œ œ œ. œ œ œ nœ œ œ nœ. bœ œ œ œ œ œ œ œ j œ œ œ œ ‰ œ bœ. œ nœ nœ œ œ œ bœ œ œ bœ. œ. œ {?bb œ œ œ œ œ œ œ œ œ œ b˙ œ. œ ‰ ‰ b œ J nœ . J 3 37 ° b bœ j j j bœ j &b b œ. œ œ œ ‰ œ œ œ œ œ œ œ œ œ œ ‰ œ. œ œ œ ‰ œ œ Da ro - bur, fer au - xi - li- um, au - xi - li-um. Da ro - bur, fer bbb ∑ ∑ ∑ ∑ ‰ j ¢& bœ. œ œ œ œ œ œ Da ro - bur, fer b . bœ œ &b b œ œ œ œ œ œ œ œ œ œ. œ œ œ bœ. œ œ œ. œ œ œ bœœ.nœ œœ.œ œœ. œ œ œ bœ. bœ œ. œ j j ? ˙. œ. œ ‰ ‰ œ . œ. œ œ œ ˙. œ. œ œ œ { bbb œ nœ œ œ. œ œ œ œ. ˙. œ. œ ‰ œ nœ œ œ. œ œ œ œ. 43 rall. ° b œ œ œ j j j U &b b œ œ œ œ ‰ œ. œ œ œ œ œ. œ œ œ. Œ. ∑ au - xi - li - um. O sa - lu - ta - ris Hos - - ti - a. j U bb ‰ j j j Œ. ∑ ¢& b œ. œ œ œ œ. œ œ œ œ œ. œ œ œ. au - xi - li - um. O sa - lu - ta - ris Hos - - ti - a. U˙. b œ œ ˙. b b œ œ œ œ ‰ . & œœ. œ œ J œ œ. ˙. ˙. œ. œ j œ œ œ. œ rall. œ U ? b ˙œ. œ . œ . œ œ œ. { b ‰ Œ J œ œ & ˙ b œ œ œ œ. ˙. Biography: Leo Delibes (1836-1891) enrolled in the Paris Conservatory in 1947 at the age of 11 and studied composition with Adolphe Adam, the composer of the perennial Christmas favorite, O Holy Night. Delibes worked as a parish organist the Church of Saint-Pierre-de-Chaillot in Paris from 1865-1871. Though the majority of Delibes works are for the stage (operas and ballets), he also composed many fine choral works, including the Messe Brève (Brief Mass) from which this O Salutaris Hostia is one of the movements. The Mass, composed in 1875, is set for a choir of two treble voices (specifically for children's choir) and organ. Performance note In the original score Delibes indicated that certain phrases were to be sung by solo voices followed by sections sung by the entire choir (tutti). The composer did this so as to provide a greater dynamic contrast within the movements of the Mass. Solos are designated in bars 5-12, 21-24 and 37-40, though in our Pueri Cantores festivals this O Salutaris Hostia will be sung entirely by the tutti choir. Text: The Latin text, O salutaris Hostia is a section of one of the Eucharistic hymns (Verbum supernum prodiens) written by St. Thomas Aquinas (1225-1274) for the Feast of Corpus Christi. Pronunciation O sa-lu-ta-ris Hostia Oh sah-loo-tah-rees Oh-stee-ah Quae cae-li pan-dis os-ti-um Kway chay-lee pahn-dees oh-stee-oom. Bella premunt hostilia Beh-lah pray-moont oh-stee-lee-ah Da robur fer auxilium Dah roh-boor fehr ow-kzee-lee-oom. *Vowels should be tall and pure (no diphthongs) and the “r’s” flipped. Literal translation O salutaris Hostia O salvation's Victim Quae cae-li pan-dis os-ti-um Who of heaven dost open the gate Bella premunt hostilia Wars oppress (us) hostile (wars) Da robur fer auxilium Give (us) strength bring (us) help. Poetic Translation: O, saving Victim, Who expands the door of heaven, Hostile armies press, Give strength; bear aid. .
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