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37<? A/8fJ s/o. niH EDUCATION THROUGH ALIENATION: ELEMENTS OF GESTALTIST LEARNING THEORY IN SELECTED PLAYS OF BERTOLT BRECHT DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF EDUCATION By Ted Duncan Starnes Denton, Texas December, 1982 Cj Copyright by Ted Duncan Starnes 1982 Starnes, Ted Duncan, Education Through Alienation; Elements of Gestaltist Learning Theory in Selected Plays of Bertolt Brecht. Doctor of Education (College Teaching of Theatre), December, 1982, 191 pp., bibliography, 184 titles. This study explored the relationship between the dramatic and the educational theories developed by Bertolt Brecht and selected twentieth-century theories of pedagogy. A survey of Brecht's life and works revealed that although the stimulus-response theories of the associationist psy- chologists were inappropriate to Brecht's concepts, the three principal aspects of Gestaltism—perception, insight, and life space, as formulated by Max Wertheimer, Kurt Koffka, Wolfgang Kohler, and Kurt Lewin—seemed profoundly related to Brecht's concern with man's ability to perceive and to learn about his environment. Brecht strove to create perceptual images of historical environments. The characters, who represented various ideologies and philosophies in situations which stimulated insightful learning, struggled with life spaces that accu- rately resembled life outside the theatre. Thus, Brecht utilized elements of the theories of perception, insight, and life space in his dramas as he strove to force his audiences to perceive the characters' environments, to grasp the significance and relationships between the characters' environments and their own social milieu, and to recognize those influences in one's life space which attract or repel the individual.
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