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The Outkast Class
R. Bradley OutKast Class Syllabus OutKast Course Description and Objectives Pre-requisite: ENGL1102 Preferred Pre-requisites: ENGL2300, AADS1102 In 1995, Atlanta, GA duo OutKast attended the Source Hip Hop Awards where they won the award for Best New Duo. Mostly attended by bi-coastal rappers and hip hop enthusiasts, OutKast was booed off the stage. OutKast member Andre Benjamin, clearly frustrated, emphatically declared what is now known as the rallying cry for young black southerners: “the south got something to say.” For this course, we will use OutKast’s body of work as a case study questioning how we recognize race and identity in the American south after the Civil Rights Movement. Using a variety of post-Civil Rights era texts including film, fiction, criticism, and music, students will interrogate OutKast’s music as the foundation of what the instructor theorizes as “the hip hop south,” the southern black social-cultural landscape in place over the last 25 years. Objectives 1. To develop and utilize a multidisciplinary critical framework to successfully engage with conversations revolving around contemporary identity politics and (southern) popular culture 2. To challenge students to engage with unfamiliar texts, cultural expressions, and language in order to learn how to be socially and culturally sensitive and aware of modes of expression outside of their own experiences. 3. To develop research and writing skills to create and/or improve one’s scholarly voice and others via the following assignments: • Critical Listening Journals • Creative or Critical Final Project **Explicit Content Statement (courtesy of Dr. Treva B. Lindsey)** Over the course of the semester students will Be introduced to texts that may Be explicit in nature (i.e. -
A Hip-Hop Copying Paradigm for All of Us
Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law 2011 No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson Jr. Elisabeth Haub School of Law at Pace University Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Horace E. Anderson, Jr., No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us, 20 Tex. Intell. Prop. L.J. 115 (2011), http://digitalcommons.pace.edu/lawfaculty/818/. This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. No Bitin' Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson, Jr: I. History and Purpose of Copyright Act's Regulation of Copying ..................................................................................... 119 II. Impact of Technology ................................................................... 126 A. The Act of Copying and Attitudes Toward Copying ........... 126 B. Suggestions from the Literature for Bridging the Gap ......... 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying ................................................................. 129 IV. The Hip-Hop Imitation Paradigm ............................................... -
Bradley Syllabus for South
Special Topics in African American Literature: OutKast and the Rise of the Hip Hop South Regina N. Bradley, Ph.D. Course Description In 1995, Atlanta, GA, duo OutKast attended the Source Hip Hop Awards, where they won the award for best new duo. Mostly attended by bicoastal rappers and hip hop enthusiasts, OutKast was booed off the stage. OutKast member Andre Benjamin, clearly frustrated, emphatically declared what is now known as the rallying cry for young black southerners: “the South got something to say.” For this course, we will use OutKast’s body of work as a case study questioning how we recognize race and identity in the American South after the civil rights movement. Using a variety of post–civil rights era texts including film, fiction, criticism, and music, students will interrogate OutKast’s music as the foundation of what the instructor theorizes as “the hip hop South,” the southern black social-cultural landscape in place over the last twenty-five years. Course Objectives 1. To develop and utilize a multidisciplinary critical framework to successfully engage with conversations revolving around contemporary identity politics and (southern) popular culture 2. To challenge students to engage with unfamiliar texts, cultural expressions, and language in order to learn how to be socially and culturally sensitive and aware of modes of expression outside of their own experiences. 3. To develop research and writing skills to create and/or improve one’s scholarly voice and others via the following assignments: • Critical listening journal • Nerdy hip hop review **Explicit Content Statement** (courtesy: Dr. Treva B. Lindsey) Over the course of the semester students will be introduced to texts that may be explicit in nature (i.e., cursing, sexual content). -
Outkast Stankonia Album Download Outkast Stankonia Album Download
outkast stankonia album download Outkast stankonia album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Cloudflare Ray ID: 67ab1adfff2e15e4 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. MQS Albums Download. Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. OutKast – Stankonia (20th Anniversary Deluxe) (2000/2020) [FLAC 24bit/44,1kHz] OutKast – Stankonia (20th Anniversary Deluxe) (2000/2020) FLAC (tracks) 24-bit/44,1 kHz | Time – 01:37:50 minutes | 1,11 GB | Genre: Hip- Hop, Rap Studio Master, Official Digital Download | Front Cover | © LaFace – Legacy. OutKast is celebrating the 20th-anniversary of their seminal album Stankonia with a set of bonus tracks, previously unreleased remixes, streaming bundles and vinyl and digital editions. According to reports, the digital re-release will arrive in 24-bit and 360 Reality Audio formats, and will feature a total of six bonus tracks that include a remix of “B.O.B. (Bombs Over Baghdad)” by Zack de la Rocha of Rage Against The Machine, a remix of “Ms. Jackson” by Mr. Drunk, a remix of “So Fresh, So Clean” with Snoop Dogg and Sleepy Brown, plus a cappella versions of the three songs. -
Depictions of Numeracy and Mathematics Within Hip Hop Music
Journal of Mathematics Education © Education for All December 2016, Vol. 9, No. 2, pp. 53-71 Learning from The College Dropout: Depictions of Numeracy and Mathematics within Hip Hop Music Daniel A. Tillman The University of Texas at El Paso, U.S.A. This study analyzed popular Hip Hop music albums (n=6) presenting narratives about Hip Hop musicians achieving success, so as to determine if the messages disseminated in the albums supported or refuted the heuristic notion that teachers and parents tell children: “You need math skills to get a good job.” Selected albums were analyzed, and each was coded for references to mathematics (including numeracy, numbers, or statistics); then coded data was tabulated to determine any patterns in support or refutation of the importance of mathematical skills and abilities to succeed in a Hip Hop career according to the narratives presented within these albums. The discussion and conclusions sections of this paper then examines the consequences of these findings in terms of developing programs and pedagogy that positively impacts minority adolescents’ perceptions of mathematics, and their attitudes toward mathematics-related careers such as the STEM (science, technology, engineering, and mathematics) fields. Key Words: Minorities and mathematics, Hip Hop music and culture, language of schooling, E-E (entertainment-education, edutainment). The Process Standards created by NCTM (2000) specify the need for maintaining high-quality communication and representation of mathematical ideas in order for students to learn mathematics. Establishing healthy lines of communication often involves the deliberate coordination of multiple representations, showing and demonstrating the same mathematical concepts from different perspectives (National Council of Teachers of Mathematics [NCTM], 2000). -
OUTKAST Are a Ton of Things That Stick MTV and Watched the Vid- Pictures, You Know You're a Out
- --- -- - セ T- M セ M M M M M M B4 ARCADE WWW.THEHULLABALOO.COM MOST IMPORTANT BANDS OF THE DECADE BY ZACH YANOWITZ Stankonia dropped in 2000? "Hey Ya!" was hands down STAFF WRITER I was in 5th grade and our the biggest song of the de- teacher was having trou- cade. When you make Pola- When we look back on the ble with the TV controls so roid themselves issue a press last decade in music, there we accidentally ended up on release against shaking their OUTKAST are a ton of things that stick MTV and watched the vid- pictures, you know you're a out. Boy bands, the rise of eo for "Ms. Jackson:' I had no cultural phenomenon. electro, Soulja Boy, the ad- idea what it meant but im- Since then, the two have vent of hipsterdom, etc. Be- mediately knew it was awe- continued to be prolific. Their ing asked to name the most some. "So Fresh So Clean," joint (and silly) film Idlewild important/influential musi- the jungle-rock anthem and other acting gigs gained· cian of the last 10 years is a "B.O.B; guestspots . from mainstream exposure and hard task. especially in a de- Erykah Badu, Gangsta Boo success. Big Boi's recent re- cade so full of form-breaking and Cee-Lo were all major lease Sir Lucious Left Foot: and general weirdness. Upon facets of Outkast's music. A The Son Of Chico Dusty is, further reflection, however, quadruple-platinum album one of the most critically ac- • there's only one real answer and two Grammy Awards claimed albums of 2010. -
Stankonia Free Download Stankonia Free Download
stankonia free download Stankonia free download. Artist: Outkast Album: Stankonia Released: 2020 Style: Hip Hop. Format: MP3 320Kbps. Tracklist: 01 – Intro 02 – Gasoline Dreams (with Khujo Goodie) 03 – I’m Cool (Interlude) 04 – So Fresh, So Clean 05 – Ms. Jackson 06 – Snappin’ & Trappin’ (feat. Killer Mike & J-Sweet) 07 – D.F. (Interlude) 08 – Spaghetti Junction 09 – Kim & Cookie (Interlude) 10 – I’ll Call B4 I Cum (feat. Gangsta Boo & Eco) 11 – B.O.B. (Bombs Over Baghdad) 12 – Xplosion (feat. B-Real) 13 – Good Hair (Interlude) 14 – We Luv Deez Hoez (feat. Backbone & Big Gipp) 15 – Humble Mumble (feat. Erykah Badu) 16 – Drinkin’ Again (Interlude) 17 – 18 – Red Velvet 19 – Cruisin’ In The ATL (Interlude) 20 – Gangsta Sht (feat. Slimm Calhoun, C-Bone & T-Mo) 21 – Toilet Tisha 22 – Slum Beautiful (feat. Cee- Lo) 23 – Pre-Nump (Interlude) 24 – Stankonia (Stanklove) (feat. Big Rube & Sleepy Brown) 25 – Ms. Jackson (Mr. Drunk Remix) 26 – So Fresh, So Clean (feat. Snoop Dogg & Sleepy Brown) (Stankonia Remix) 27 – B.O.B. (Bombs Over Baghdad) (Zack de la Rocha Remix) 28 – Ms. Jackson (Acappella) 29 – So Fresh, So Clean (Acappella) 30 – B.O.B. (Bombs Over Baghdad) (Acappella) DOWNLOAD LINKS: RAPIDGATOR: DOWNLOAD TURBOBIT: DOWNLOAD. Stankonia free download. Tracklist: 01. Intro.mp3 02. Gasoline Dreams (with Khujo Goodie).mp3 03. I'm Cool (Interlude).mp3 04. So Fresh, So Clean.mp3 05. Ms. Jackson.mp3 06. Snappin' & Trappin' (feat. Killer Mike & J-Sweet).mp3 07. D.F. (Interlude).mp3 08. Spaghetti Junction.mp3 09. Kim & Cookie (Interlude).mp3 10. I'll Call B4 I Cum (feat. -
No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change. -
Outkast Idlewild Album Download Zip Outkast Idlewild Album Download Zip
outkast idlewild album download zip Outkast idlewild album download zip. 1) Select a file to send by clicking the "Browse" button. You can then select photos, audio, video, documents or anything else you want to send. The maximum file size is 500 MB. 2) Click the "Start Upload" button to start uploading the file. You will see the progress of the file transfer. Please don't close your browser window while uploading or it will cancel the upload. 3) After a succesfull upload you'll receive a unique link to the download site, which you can place anywhere: on your homepage, blog, forum or send it via IM or e-mail to your friends. Outkast idlewild album download zip. “Take a little trip, hater pack up yo' mind, look forward not behind, then you'll see what you find” OutKast “Big Boi and Dre Present… Outkast” (2001) Tracks. Funkin' Around (previously unreleased) So Fresh, So Clean. The Whole World (featuring Killer Mike; previously unreleased) Elevators (Me & You) Git Up, Git Out (Remix) Movin' Cool (The After Party) (featuring Joi; previously unreleased) OutKast‘s first greatest hits album. Release date: December 4, 2001. Big Boi and Dre Present… OutKast is the first OutKast greatest hits album, released on Arista Records in 2001. The compilation consists of five tracks from Southernplayalisticadillacmuzik, one from ATLiens, and three each from the break-out albums Aquemini and Stankonia. Outkast. ALBUM: Outkast – Southernplayalisticadillacmuzik Zip “Southernplayalisticadillacmuzik” is another brand new Album by “Outkast” Stream & Download “ALBUM: Outkast – Southernplayalisticadillacmuzik” “Mp3 Download”. Stream And “Listen […] ALBUM: Outkast – Speakerboxxx/The Love Below. -
"Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M. Pemberton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES “NOW I AIN’T SAYIN’ SHE’S A GOLD DIGGER”: AFRICAN AMERICAN FEMININITIES IN RAP MUSIC LYRICS By Jennifer M. Pemberton A Dissertation submitted to the Department of Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2008 The members of the Committee approve the dissertation of Jennifer M. Pemberton defended on March 18, 2008. ______________________________ Patricia Yancey Martin Professor Directing Dissertation ______________________________ Dennis Moore Outside Committee Member ______________________________ Jill Quadagno Committee Member ______________________________ Irene Padavic Committee Member Approved: ___________________________________ Irene Padavic, Chair, Department of Sociology ___________________________________ David Rasmussen, Dean, College of Social Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii For my mother, Debra Gore, whose tireless and often thankless dedication to the primary education of children who many in our society have already written off inspires me in ways that she will never know. Thank you for teaching me the importance of education, dedication, and compassion. For my father, Jeffrey Pemberton, whose long and difficult struggle with an unforgiving and cruel disease has helped me to overcome fear of uncertainty and pain. Thank you for instilling in me strength, courage, resilience, and fortitude. -
Columbia Chronicle College Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 11-20-2000 Columbia Chronicle (11/20/2000) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (11/20/2000)" (November 20, 2000). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/492 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. BigMouth Open Mic Couger's big man entertains crowds the box-office? looking to lead and benefits hornless Pagel Back Page Program reaches up and out to students Outkast in the Hokin By Jill Helmer Staff Writer Upward Bound is a program at Columbia designed to help low-income families prepare for coll ege, both academically and financially. The program works with students at three local high schools: Forman. Holy Trinity, and· Benito Juarez . Director of Upward Bound Craig Kirsch said the people who take pan in the Upward Bound program are usually " low-income. first generation" students. which means they" re the first generation in their families to ean1 a college degree. Kirsch said, in order to qualify fo r the program. students have to be committed and have the potential to go to college, and their parents must take an active role in the ir child's education. -
Wonderful! 142: Hot Bones Published July 22Nd, 2020 Listen on Themcelroy.Family
Wonderful! 142: Hot Bones Published July 22nd, 2020 Listen on TheMcElroy.family [theme music plays] Rachel: Hi, this is Rachel McElroy. Griffin: Hello, this is Griffin McElroy. Rachel: And this is Wonderful! Griffin: No joe. Out of joe. Rachel: Aw, you finished your coffee. Griffin: Finished my joe. My cup‘a mud‘s run—you and I work from home. We have been for… holy shit, four months now, together? Rachel: Uh-huh, yes. Griffin: And I feel like there‘s not a lot of sort of workplace… shenanigans. Rachel: No. Griffin: That happen between us. Y'know what I mean? Like, most of our water cooler moments are like, based around, uh, acquiring new sort of slimy toys for our son. Like, things that aren't necessarily fun office-y things. You've never talked to me about printer paper, or how much you don‘t like the printer. Rachel: I haven't. Well, we are lucky to have a pretty good printer. Uh… Griffin: Our printer kicks ass. Rachel: As those devoted to the episode know, we have invested in a quality Brother printer. Griffin: Oh, the Brother. My fourth—my third brother. Yeah, but I feel like you and me could complain about the boss a little bit more, so let‘s give that—can we try that? Rachel: Okay. Griffin: Boss has really been ridin‘ my butt cheeks, uh, this week, honey. And I don't know how it‘s been for you, but the boss has really been on my butt, uh, cheeks. And crack.