DOCSLIB.ORG

JOURNAL of the AMERICAN THEATRE ORGAN SOCIETY the .~) Greats' One

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
JOURNAL of the AMERICAN THEATRE ORGAN SOCIETY the .~) Greats' One DECEMBER, 1973 JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY The .~) greats' one. THEWURLITZER ELECTRONICPIANO. The one electronic piano chosen by so many all-time greats. The overwhelming choice of talented musicians like Richard Carpenter, A&M record­ ing artist Pete Jolly, Pete Fountain's pianist Godfrey Hirsch, Mel Torme, Duke Ellington, Ario Guthrie, David Clayton-Thomas, Marian McPartland, Paul Revere and the Raiders. What makes the Wurlitzer Electronic Piano the greats' one? The unusual effects that come from built-in vibrato and volume control. Portability And, most important, that dependable Wurlitzer sound. It's something you can share with these all-time greats. Simply visit your Wurlitzer dealer and ask for the greats' one. WURLllZER leads the way DECEMBER, 197 3 COMPILED BY LLOYD E. KLOS Month Page This index refers to major items which have appeared in Harold Lloyd Museum Plans Ben Hall Memorial ....... June 4 THEATRE ORGAN during 1973. No attempt has been made Introducing the 1972 Rodgers-Morton ............. June 39 to list the thousands of Chapter Items, Concert Reviews, Howard Vollum's Wurlitzer ...................... Feb. 27 Nuggets, Vox Pops etc. INSTALLATIONS(Other Than Homes & Studios) ATOS MISCELLANEOUS Month Page Birmingham's Alabama Theatre ................... Dec. 5 A Member's Tribute to ATOS .................... Oct. 51 First Pizza Organ Built ........................ June 23 A Few Words From Our Attorney ................. Dec. 11 Hammond Castle's Austin .........•............. Apr. 13 Are You Represented? ................•........ Dec. 10 List of Scotland Installations ..................... Feb. 38 Chapter Chairmen and Secretaries ................. Apr. 51 Good News From Louisiana .................... Aug. 15 Davenport Premiere a Sellout ............. ..... Aug. 47 Theatre Organ Restored in New Mexico School ........ June 28 Hall of Fame Procedure ....................... Aug. 40 New Mexico Military Institute .................... Dec. 49 Hall of Fame Roster ......................... Aug. 41 San Francisco Orpheum's Morton Sings Again ......... Oct. 49 How to Get Information For ATOS Library ........... Feb. 9 The San Sylmar Museum ....................... Feb. 13 Lists of ATOS Library Books and Music ............. Feb. 10 Schnitzelhaus Mit Wurlitzer! ..... : •............. June 31 1973 ATOS Convention in Portland ............... Aug. 23 State Theatre in Springfield, Ohio ................. Dec. 35 Theatre Organ Magazine Circulation ............... June 26 Times Square Paramount Dedicated in Wichita ......... Apr. 23 West Penn Chapter Event in Maryland ............... Feb. 21 MISCELLANEOUS BIOGRAPHICAL Status of Four Canadian Organs ..•............ .. June 11 Charles, Milton - Part 1 ....................... June 14 How to be a Critic .. , ..........•............. June 25 Charles, Milton - Part 2 ...........•........... Aug. 12 Dramatic Value of the Theatre Organ .............. Aug. 10 Clubb, Mildred G •............................ Oct. 11 Home Organ Festival .......................... Dec. 14 Dodge, Hugh J............................... Dec. 18 Keeping the Record Straight ..................... Apr. 18 Fitzpatrick, Mildred M. ....................... Apr. 4 Pipe Pipe~ List of Organs in Public Places ............. Apr. 52 Hope-Jones, Robert - Part 1 ..................... Dec. 21 The Pizza Organ (Humorous) ..................... Dec. 49 Torch, Sidney - Part 2 ......................... Feb. 31 Radio Announcers Spread Theatre Organ Gospel ........ Oct. 26 Torch, Sidney - Part 3 ......................... Apr. 46 Silent Film Music in Talking Picture ................ Apr. 45 Wickham, Luella E ............................ Oct. 32 The Social Bond .....••...................... Dec. 36 BOOK REVIEWS Too Much Success? ........................... Oct. 35 Wichita Ends First Season With a Sellout ............. Oct. 36 The American Ree<tlOrgan ...................... Dec. 46 Woody Wise to Manage Harold Lloyd Estate ........... Apr, 16 Early English Organ Music ...................... Dec. 46 Wurlitzer List Ready ...................•..... June 18 How to Build a Two-Manual Chamber Pipe Organ ....... Apr. 44 Player Piano Treasury (Second Edition) ............. Aug. 41 Wurlitzer Revised Installation List ................. Oct. 37 OBITUARIES(Closing Chord) Abel, Earl ...... .' .......................... Apr. 45 HISTORICAL Arndt, Leo F ................................ Feb. 11 The Crawford Style .•......................... Oct. 21 Codd, George E..•.......................... Aug. 51 Del Castillo's Organ School ...................... Oct. 13 Garretson, Bob . ............•..... ........... Oct. 10 Department of Coincidentals ..................... Dec. 20 Gaumer, Viloma ............................ June 27 Opus No. 6690 - The Traveling Moller ....... .. .... Oct. 5 Grierson, Mabel B ............................ Aug. 51 Theatre Organists on Radio •..................... Dec. 26 Hammond,Laurens ......•.....•............. Aug. 51 Holywell, John A ••..•....•................... Dec. 20 HOME& STUDIO INSTALLATIONS Kerr, Avelyn M •............................ June 27 Paul Abernethy's Robert Morton .•................ Oct. 45 Peterson, Howard L. ......................... June 27 Lee Haggart's Moving of His Smith ................ Aug. 4 Rice, Mildred .............................. June 27 John Kuczinski's Wurlitzer ..•.•...•............. Dec. 4 7 Rupf, Harry .•..............•.•............. Oct. 10 "Little Mother" Makes the Trip ................•.. Feb. 23 Ward, Jack ..........•..................... Aug. 51 FEBRUARY 1974 ( over) THEATRE ORGAN SUPPLEMENT ORGANISTS'ACTIVITIES Month Page Month Page Colin Cousins Tapes Odeon Carlton Farewell .......... Dec. 17 Larsen, Lyn - At the Organ Loft ................. Aug. 44 Lee Erwin Discovers Little Known Morton ............ Dec. 13 Liversidge, Reginald & Peter Jebson - Double Touch, Vol. 2 Feb. 36 Shirley Hannum Goes West ...................... Apr. 26 MacDonald, Robert - Noel ...................... Dec. 39 In Search of the Phantom With Tom Lockwood ........ Oct. 18 May, Ed & Carol - Take Back My Heart, I Ordered Liver (E)Apr. 20 Dr. Parmentier Returns to Pipes .................. June 12 McClain, Leonard - Golden Years of the Theatre Organ ... Apr. 19 Yamaha Winner Ronald Pedley Bound for Japan ....... Aug. 51 Million, Bill - Once in a Million (E) ••.•••.•....• Apr. 21 "Our David" Scrimenti ......................... Apr. 34 Nourse, Everett - Memories of the Fabulous Fox ....... Oct. 23 George Wright's First British Concert ............... Oct. 30 Pearl, Hal - Memories of the Aragon ............... Oct. 24 Phantom of the Organ at Monster Catacombs ......... Aug. 45 PLAYING INSTRUCTIONS Ralston, Bob - Playing Movie & Show Themes (E) ...... Oct. 25 Rapf, Kurt - Classic Organ Bach in Linz Cathedral ..... June 21 "Alles Was Dubist" Review ...................... Apr. 30 Simmons, Don - Swingin' Pipes ................... Oct. 24 Care and Feeding of Organ Soloists ................. Feb. 12 Smith, Dick - Velvet Sounds .................... Dec. 38 Cueing a Silent Movie .......................... Feb. 5 Swinnen, Firmin - The Art of FS in Longwood Gardens . Aug. 43 Lists of ATOS Library Material ................... Feb. 10 Torch, Sidney - At the Theatre Organ .............. Feb. 35 Playing in the Picture Houses ..................... Feb. 11 Watters, Clarence - Trinity College Chapel Organ ....... Dec. 40 Registration and Relativity ..................... Aug. 42 Wright, Simon & Gerald Shaw - A King & Queen ...... June 20 RECORD REVIEWS(E=electronic) STOP LISTS AND CHAMBER LAYOUTS Baker, Don - Returns to Brooklyn Paramount ......... Dec. 37 Tom Hamilton's Rodgers-Morton ................. June 41 Briggs, Noel - Opposite Ranks ................... Oct. 25 San Sylmar's Wurlitzer ......................... Feb. 20 Carter, Gaylord - Fifty Years of Chasing ............. Feb. 36 Howard Vollum's Wurlitzer ...................... Feb. 29 Cole, Karl - This is Karl Cole ................... Aug. 44 Del Castillo, Lloyd - Salute to America ............. Apr. 19 TECHNICAL Der Wurlitzer Orgels .......................... Apr. 36 Positive Control for Wurlitzer Tremulant ............. Apr. 15 Dumser, Peter - Theatre Organ Encores (E) .......... June 21 Erwin, Lee - Plays Ben Hall's "Little Mother" ........ Dec. 39 THEATRE INTERIORS(Pictures)("An Acre of Seats"Series) Hannum, Shirley - Shirley! .................... June 20 Detroit, Mich. - Fox .....•.................... Oct. 2 James, Tiny - At the Orpheum ................... Oct. 22 Los Angeles, Cal. - United Artists ................. Feb. 4 ~oury, Rex - Meets the Rodgers Style 260 (E) ........ Apr. 20 Oakland, Cal. - Paramount .....•.••............. Dec. 2 • FEBRUARY 1974 THEATRE ORGAN SUPPLEMENT cover- photo ... The 4/20 Crawford Special Wurlitzer, Opus 1783 in the Alabama Theatre, in Birmingham. See "The Showplace of the South" page 5. Journal of the Amer ican Theatre Organ Society Volume 15, No. 6 • December, 1973 ATOS National Membersh ip is $10.00 per calendar year , which includes a subscr i ption in this issue ... to THEATRE ORGAN, the official pub ­ li cat ion of the Amer ican Theatre Organ FEATURES Society. Single copies $1.25. Make check or money order payable to ATOS , and mail 5 The Showplace of the South ..... Alleen Cole to P.O. Box 1314, Salinas , California 93901 . 10 Are You Represented? .... Erwin A. Young Editorial Address THEATRI::: ORGAN 11 A FewWordsfrom Our Attorney . ..... Charles A. Rummel P.O. Box 13 14 , 13 Lee Erwin Discovers Little-Known Robert Morton . Ted
Load more

Recommended publications
  • WOODWIND INSTRUMENT 2,151,337 a 3/1939 Selmer 2,501,388 a * 3/1950 Holland
    United States Patent This PDF file contains a digital copy of a United States patent that relates to the Native American Flute. It is part of a collection of Native American Flute resources available at the web site http://www.Flutopedia.com/. As part of the Flutopedia effort, extensive metadata information has been encoded into this file (see File/Properties for title, author, citation, right management, etc.). You can use text search on this document, based on the OCR facility in Adobe Acrobat 9 Pro. Also, all fonts have been embedded, so this file should display identically on various systems. Based on our best efforts, we believe that providing this material from Flutopedia.com to users in the United States does not violate any legal rights. However, please do not assume that it is legal to use this material outside the United States or for any use other than for your own personal use for research and self-enrichment. Also, we cannot offer guidance as to whether any specific use of any particular material is allowed. If you have any questions about this document or issues with its distribution, please visit http://www.Flutopedia.com/, which has information on how to contact us. Contributing Source: United States Patent and Trademark Office - http://www.uspto.gov/ Digitizing Sponsor: Patent Fetcher - http://www.PatentFetcher.com/ Digitized by: Stroke of Color, Inc. Document downloaded: December 5, 2009 Updated: May 31, 2010 by Clint Goss [[email protected]] 111111 1111111111111111111111111111111111111111111111111111111111111 US007563970B2 (12) United States Patent (10) Patent No.: US 7,563,970 B2 Laukat et al.
    [Show full text]
  • Vessel Flute
    Vessel flute A vessel flute is a type of flute with a body which acts as a Vessel flutes Helmholtz resonator. The body is vessel-shaped, not tube- or cone-shaped. Most flutes have cylindrical or conical bore (examples: concert flute, shawm). Vessel flutes have more spherical hollow bodies. The air in the body of a vessel flute resonates as one, with air moving alternately in and out of the vessel, and the pressure Ocarinas on display at a inside the vessel increasing and decreasing. This is unlike the shop in Taiwan resonance of a tube or cone of air, where air moves back and Blowing across the forth along the tube, with pressure increasing in part of the opening of empty bottle tube while it decreases in another. produces a basic edge- blown vessel flute. Blowing across the opening of empty bottle produces a basic edge-blown vessel flute. Multi-note vessel flutes include the ocarina. A Helmholtz resonator is unusually selective in amplifying only one frequency. Most resonators also amplify more overtones. [1] As a result, vessel flutes have a distinctive overtoneless sound. Contents Types Fipple vessel flutes Edge-blown vessel flutes Other Acoustics Sound production Amplification Pitch and fingering Overtones Multiple resonant chambers Physics simplifications Variations in the speed of sound See also References Types 1 5 Fipple vessel flutes These flutes have a fipple to direct the air at an edge. ◾ Gemshorn ◾ Pifana ◾ Ocarina ◾ Molinukai ◾ Tonette ◾ Niwawu A referee's whistle is technically a fipple vessel flute, although it only plays one note. Edge-blown vessel flutes These flutes are edge-blown.
    [Show full text]
  • Dictionary of Music.Pdf
    The FACTS ON FILE Dictionary of Music The FACTS ON FILE Dictionary of Music Christine Ammer The Facts On File Dictionary of Music, Fourth Edition Copyright © 2004 by the Christine Ammer 1992 Trust All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Ammer, Christine The Facts On File dictionary of music / Christine Ammer.—4th ed. p. cm. Includes index. Rev. ed. of: The HarperCollins dictionary of music. 3rd ed. c1995. ISBN 0-8160-5266-2 (Facts On File : alk paper) ISBN 978-1-4381-3009-5 (e-book) 1. Music—Dictionaries. 2. Music—Bio-bibliography. I. Title: Dictionary of music. II. Ammer, Christine. HarperCollins dictionary of music. III. Facts On File, Inc. IV. Title. ML100.A48 2004 780'.3—dc22 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by James Scotto-Lavino Cover design by Semadar Megged Illustrations by Carmela M. Ciampa and Kenneth L. Donlan Grateful acknowledgment is made for permission to reprint an excerpt from Cornelius Cardew’s “Treatise.” Copyright © 1960 Hinrichsen Edition, Peters Edition Limited, London.
    [Show full text]
  • Developing Musical Understanding and Responsiveness in the Elementary Music Program Through the Playing of Classroom Instruments
    Eastern Illinois University The Keep Plan B Papers Student Theses & Publications 1-1-1964 Developing Musical Understanding and Responsiveness in the Elementary Music Program Through the Playing of Classroom Instruments Joy M. Phillips Follow this and additional works at: https://thekeep.eiu.edu/plan_b Recommended Citation Phillips, Joy M., "Developing Musical Understanding and Responsiveness in the Elementary Music Program Through the Playing of Classroom Instruments" (1964). Plan B Papers. 300. https://thekeep.eiu.edu/plan_b/300 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Plan B Papers by an authorized administrator of The Keep. For more information, please contact [email protected]. DEVELOPING MUSICAL UNDERSTANDING AND THROUGH THE PLAYING OF CLASSROOM INSTRUMENTS (TITLE) BY Joy x. Phillips PLAN B PAPER ; SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF SCIENCE IN EDUCATION AND PREPARED IN COURSE JlUSIC 560 IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY, CHARLESTON, ILLINOIS 1964 YEAR I HEREBY RECOMMEND THIS PLAN B PAPER BE ACCEPTED AS FULFILLING THIS PART OF THE DEGREE, M.S. IN ED. e._JltrEl . H·~nt1 TABLE OF CONTENTS INTRODUCTION ••••••••••••••••••••••••••••••••••••••••••••••• 1. INSTRU}IENTS IN THE LOWER GRADES•••••••••••••••••••••••••••• 2. Rhythm Instruments ••••••••••••••••••••••••••••••••••••• 3. Objectives for using rhythm instruments •••••••••••• 3. Classification of rhythm instruments ••••••••••••••• 4. Values of using rhythm instruments ••••••••••••••••• 6. Basic rhythm instruments ••••••••••••••••••••••••••• 10. Instruments of Definite Pitch••••••••••••••••••••••••• 22. Objectives for using instruments of definite pitch 22. Classifications of instruments of definite pitch •• 23. Explanation of instruments of definite pitch •••••• 24. Instruments of the Accompaniment Type ••••••••••••••••• 31.
    [Show full text]
  • Druid Hillpark
    ON THE AIR THE EVENING STAR B-25 TODAY'S RADIO Washington. DC ** TELEVISION-RADIO THt'BSDAV. MARCH SI, 1A47 HIGHLIGHTS Television Today—Thursday, Mar. 21, 1957 Well, Ralph Asked TV-RADIO SERVICE 6:00, WDON, WASH-FM ln Springfield Area (Ch. (Ch. 7) (Ch. Fairfax—Falla >.M. WRC 4J~WTTGTCh. 5> WMAL WTOP 91 the Concert Hall: Mendels- 1 Church—Alexandria ;M Bmn In • Day Ufa Witt' Irlgtter Bay fiet Ytart'e's Ranch Special on Outside Antenna " ’ sohn. Symphony No. 4 In A: Eliiabata Edge at "Simitars How She Was... Installation :3C Malara Rammces The Uneipecte* ;Stoat Storm at Califaraia" Tchaikovsky, Francesca da 4:15 " " ” ” :4S I Ni|ht Kit Carsaa By BERME HARRISON Rimini: Schubert, Symphony! FRANCONIA ELECTRONICS - :M Ceme*y Tima The Milt Mickny Name Club Kiras 'a - *n*y TV No. 5 in B; Rimsky-Korsakov,: " " “ “ Reflections: " " Grant Stow the Russian Easter Overture. ” " Chances are one many :30 “Sasia" Mickay Mousi Clat My Little Maryie that of Dr. George Hays Gale's patients tult ¦ ‘'b " ” 5:15:4S * « ” " Gala Storm back home in Newport. Ohio, didn’t, altogether appreciate the 7:05, WTOP Amos ’n’ Andy Television's Number One Dramatic Hour ¦ ,T Music Hall: Andy and the :00 YhTßilly Baffin Bill. Jr Cite* Mi national publicity she received on This Is Your Life (WRC—4) "fh*~L*u*~Wilf ” “ " " " . Kingflsh find themselves, Johnson Shoe last night. 6:15:3C Bast: 4-Cast Tta Fan Heuta Town ana Country 4:38 Spotliitt Ralph Edwards identified this patient byway of introducing homeless when they’re sud- :4S Gibbons; Sam Billy loknsoa Time; Allen Oou|.
    [Show full text]
  • Origins of the Genre in Search of the Radio Sitcom
    1 Origins of the Genre In Search of the Radio Sitcom DAVID MARC The introduction of a mass communication medium normally occurs when an economically viable commercial application is found for a new technol- ogy. A third element necessary to the launch, content (i.e., something to communicate), is often treated as something of an afterthought in this process. As a result, adaptations of popular works and of entire genres from previous media tend to dominate the introductory period, even as they mutate under the developing conditions of the new medium. Such was the case in the rise of the television sitcom from the ashes of network radio. While a dozen or more long-running network radio series served as sources for early television situation comedies, it is in some ways misleading to describe these radio programs (e.g., Father Knows Best, Amos ’n’ Andy, or The Life of Riley) as “radio sitcoms.” According to the Oxford English Dic- tionary, neither the term “situation comedy” nor “sitcom” achieved common usage until the 1950s, the point at which this type of entertainment had become completely absent from American radio. TV Guide appears to be among the first general circulation publica- tions to use the term “situation comedy” in print with the following passage cited by the Oxford English Dictionary from a 1953 article: “Ever since I Love Lucy zoomed to the top rung on the rating ladder, it seems the networks have been filling every available half-hour with another situation comedy” (TV Guide). The abbreviated form, “sitcom,” which probably enjoys greater usage today, has an even shorter history.
    [Show full text]
  • Medium of Performance Thesaurus for Music
    A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭.
    [Show full text]
  • Texts and Subtexts in Performing Blackness: Vernacular Masking in Key and Peele As a Lens for Viewing Paul Laurence Dunbar's M
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses March 2017 Texts and Subtexts in Performing Blackness: Vernacular Masking in Key and Peele as a Lens for Viewing Paul Laurence Dunbar’s Musical Comedy Spencer Kuchle University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the African American Studies Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, Performance Studies Commons, and the Television Commons Recommended Citation Kuchle, Spencer, "Texts and Subtexts in Performing Blackness: Vernacular Masking in Key and Peele as a Lens for Viewing Paul Laurence Dunbar’s Musical Comedy" (2017). Doctoral Dissertations. 886. https://doi.org/10.7275/9399331.0 https://scholarworks.umass.edu/dissertations_2/886 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Texts and Subtexts in Performing Blackness: Vernacular Masking in Key and Peele as a Lens for Viewing Paul Laurence Dunbar’s Musical Comedy A Dissertation Presented by SPENCER JAMISON PASQUERELLA KUCHLE Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2017 W.E.B. Department of Afro-American Studies © Copyright by Spencer Jamison Pasquerella Kuchle 2017 All Rights Reserved Texts and Subtexts in Performing Blackness: Vernacular Masking in Key and Peele as a Lens for Viewing Paul Laurence Dunbar’s Musical Comedy A Dissertation Presented By SPENCER JAMISON PASQUERELLA KUCHLE Approved as to style and content by: ___________________________________ Steven C.
    [Show full text]
  • Recordings by Women Table of Contents
    '• ••':.•.• %*__*& -• '*r-f ":# fc** Si* o. •_ V -;r>"".y:'>^. f/i Anniversary Editi Recordings By Women table of contents Ordering Information 2 Reggae * Calypso 44 Order Blank 3 Rock 45 About Ladyslipper 4 Punk * NewWave 47 Musical Month Club 5 Soul * R&B * Rap * Dance 49 Donor Discount Club 5 Gospel 50 Gift Order Blank 6 Country 50 Gift Certificates 6 Folk * Traditional 52 Free Gifts 7 Blues 58 Be A Slipper Supporter 7 Jazz ; 60 Ladyslipper Especially Recommends 8 Classical 62 Women's Spirituality * New Age 9 Spoken 64 Recovery 22 Children's 65 Women's Music * Feminist Music 23 "Mehn's Music". 70 Comedy 35 Videos 71 Holiday 35 Kids'Videos 75 International: African 37 Songbooks, Books, Posters 76 Arabic * Middle Eastern 38 Calendars, Cards, T-shirts, Grab-bag 77 Asian 39 Jewelry 78 European 40 Ladyslipper Mailing List 79 Latin American 40 Ladyslipper's Top 40 79 Native American 42 Resources 80 Jewish 43 Readers' Comments 86 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 INQUIRIES: 919-683-1570 M-F 9-6 ordering information FAX: 919-682-5601 Anytime! PAYMENT: Orders can be prepaid or charged (we BACK ORDERS AND ALTERNATIVES: If we are tem­ CATALOG EXPIRATION AND PRICES: We will honor don't bill or ship C.O.D. except to stores, libraries and porarily out of stock on a title, we will automatically prices in this catalog (except in cases of dramatic schools). Make check or money order payable to back-order it unless you include alternatives (should increase) until September.
    [Show full text]
  • University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
    INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When , a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
    [Show full text]
  • 20 Films Will Be Shown in 1953-54 Season Winning Poem, Slory
    141 Seniors to Receive Degrees Sun., June 14 One hundred forty-one Lawrence Seniors will receive their bache­ VOL. 72, NO. 29 LAWRENCE COLLEGE, APPLETON, WIS. Friday, May 29, 195J lors degrees in the commence­ ment exercises at 3 o’clock Sun­ day afternoon. June 14. Dean C. A. Elvehjem, head of the grad­ Bigford Awarded Spector Cup uate school at the University of Wisconsin, will speak at the com­ mencement, the 104th in the his­ tory of Lawrence coM^c. At Honors Day Convocation The Right Reverend William H. Brady, bishop-coadjutor of th e diocese of the Fond du Lac Prot­ Hoyer, Locklin, Pfefferkorn, Kercher estant Episcopal church, will de­ liver the baccalaureate sermon at Receive Highest Jr. Class Honors 10:45, Sunday morning, gradua­ Outstanding students at Lawrence were cited for traditional honor* yesterday morning at the final convocation of the year. The awards tion day. were presentod at the Memorial chapel. Dean Elvehjem is a biochemist Bruce Bigford received the highest honor of the day. He was given by training and he holds both his I the Spector cup. which is awarded by election of the student body bachelor and advanced degrees j and faculty to a senior who best exemplifies those Qualities, physical, mental and moral, which go to make up the well-rounded student. from the University of Wisconsin. The award was begun by Morris Spector and now is continued by He has had a year of post-doc­ Dean C. A. Elvehjem his son Nathan Spector. torate study at Cambridge univer- | The two most meaningful junior sit$ in England, and has received award for research in vitamin 'class awards went to Margaret an honorary degree from Ripon complex: the Grocery Manufac- Hoyer and Mory Locklin- Miss college.
    [Show full text]
  • Afro-Future Females
    Afro-Future Females Barr_final.indb 1 4/15/2008 2:52:25 AM Barr_final.indb 2 4/15/2008 2:52:25 AM Afro-Future Females Black Writers Chart Science Fiction’s Newest New-Wave Trajectory Edited by MARLEEN S. BARR T H E O H I O S TAT E U N I V E R S I T Y P R E ss / Columbus Barr_final.indb 3 4/15/2008 2:52:25 AM Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Afro-future females : black writers chart science fiction’s newest new-wave trajectory / edited by Marleen S. Barr. p. cm. Includes bibliographical references. ISBN-13: 978–0–8142–1078–9 (cloth : alk. paper) 1. Science fiction, American. 2. Science fiction, American—History and criticism. 3. American fiction—African American authors—History and criticism. 4. American fic- tion—Women authors—History and criticism. 5. Women and literature—United States— History—20th century. 6. Women and literature—United States—History—21st century. I. Barr, Marleen S. PS648.S3A69 2008 813.’0876209928708996073—dc22 2007050083 This book is available in the following editions: Cloth (ISBN 978–0–8142–1078–9) CD-ROM (ISBN 978–0–8142–9156–6) Cover design by Janna Thompson Chordas. Text design by Jennifer Shoffey Forsythe. Type set in Adobe Minion. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Barr_final.indb 4 4/15/2008 2:52:25 AM Contents PRefAce “All At One Point” Conveys the Point, Period: Or, Black Science Fiction Is Bursting Out All Over ix IntRODUctiOns: “DARK MAtteR” MAtteRS l Imaginative Encounters Hortense J.
    [Show full text]