Randall Kenan Reconciliation

Total Page:16

File Type:pdf, Size:1020Kb

Randall Kenan Reconciliation Character isn’t made by machine. Every bottle of Maker’s Mark® Bourbon is still hand-dipped in our signature red wax. Learn more at makersmark.com. WE MAKE OUR BOURBON CAREFULLY. PLEASE ENJOY IT THAT WAY. Maker’s Mark® Bourbon Wh isky, 45% Alc./Vol. ©2018 Maker’s Mark Distillery, Inc. Loretto, KY WINTER 2018 • NO. 70 9065-06 MMADV_6x9_CharacterMachine_AD.indd 1 5/30/18 3:30 PM CALENDAR OF EVENTS JANUARY 21, 2019 POP-UP OXFORD SFA FILM FESTIVAL Burns Belfry Museum, Oxford, MS ISSUE NO. 70 • WINTER 2018 FEBRUARY 9, 2019 WINTER SYMPOSIUM Birmingham, AL Gravy is a publication of the Southern Foodways Alliance, an institute of the 15FEATURES Center for the Study of Southern Culture FIVE WAYS OF at the University of Mississippi. READING FOOD The SFA documents, studies, and explores the diverse food cultures of the changing American South. Our work sets a welcome table where all may consider our history FEBRUARY 21, 2019 VISIBLE YAM 2and Editor’s our future Note in a spirit of respect and Randall Kenan reconciliation. Sara Camp Milam Gravy Podcast Launch 16 BLACK FOOD ON 4JOHN Featured T. EDGE Contributors Editor-in-Chief Your Smartphone 22 WHITE PAGES [email protected] Ravi Howard 6MARY Director’s BETH LASSETER Cut Publisher [email protected] John T. Edge RECIPES FROM A HUNGRY MAN 10SARA Supper CAMP Sanctuary MILAM Editor in the South 32 [email protected] Monique Truong Gustavo Arellano DANIELLE A. SCRUGGS Visuals Editor JUNE 1415, 2019 READ BETWEEN [email protected] Behind the Music SUMMER FIELD TRIP 40 THE LINES As told to Melissa Hall by Paul Burch Bentonville, AR John Kessler RICHIE SWANN Designer [email protected] Meet Jo Ellen O’Hara Annemarie Anderson WE EAT, CARLYNN CROSBY AND OLIVIA TERENZIO 49 THEREFORE Nathalie Dupree Graduate Fellows For more information, visit WE YAM 64and Last Fact Course Checkers southernfoodways.org Laughlin Brandall photo by Ghost of a Dream; Art by installation THIS PAGE: Oriana Koren. by Photograph COVER: Zandria F. Robinson Alisha Sommer EDITOR’S NOTE planning and preparation needed to pull Oaxaca is a state that off the talks and meals of Symposium has proudly kept its weekend. All hands on deck is a cliché, but it’s one that perfectly describes indigenous traditions SFAWHQ in the months leading up to alive—music, clothing, the the big event. and especially food— Yet the Fall Symposium serves only about 350 guests. That’s barely 15 percent for centuries in the of our membership, and an even smaller face of encroaching fraction of our audience. We asked our- this past october marked my selves: If some of our best work came to modernity. tenth Southern Foodways Fall Sympo- life each year at our flagship Symposium, sium. In 2009, the year SFA explored why weren’t we sharing it with as many connections between food and music, I readers as possible? Insert collective staff arrived as a volunteer with little idea of forehead smack. what to expect. Within hours, I was lis- In this issue, we close out our year of tening—and then joining in—as Alice Reading Food with five features from our WHAT HAPPENS Randall led the audience in “Will the twenty-first Fall Symposium. In 2019, we Circle Be Unbroken.” Later, I helped dig into a vital, yet underexplored truth: AT SYMPOSIUM serve a lunch cooked by David Chang. Food Is Work. Planning is underway for ...shouldn’t stay at Symposium (Afterwards, star-struck, I thanked him. our Winter Symposium in Birmingham, I’m sure he remembers.) Summer Field Trip in Bentonville, and of BY SARA CAMP MILAM I returned as a Fall Symposium volun- course Fall Symposium here in Oxford. If teer in 2010 and 2011. Two thousand you can join us for any (or all!) of our three twelve was my first symposium as a full- 2019 Symposia, we look forward to wel- time member of the SFA staff. That year, coming you. And even if you can’t, you I realized how little I’d understood, even can pull up a seat via the pages of Gravy. Photos by Brandall Laughlin Brandall Photos by as a volunteer, about the months of Happy New Year, and happy reading. 2 southernfoodways.org Winter 2018 3 FEATURED CONTRIBUTORS ORIANA KOREN RAVI HOWARD Oriana Koren is a Los Angeles–based Ravi Howard lives in Tallahassee, where photographer and writer whose work is he teaches creative writing at Florida State anchored in food, culture, and identi- University. To date, he is the only Gravy ty. When not traveling to document contributor who has won both the Ernest stories on location, Oriana works out of J. Gaines Award for Literary Excellence a daylight studio in downtown Los and a Sports Emmy. SFA director John T. Angeles’ Fashion District. For this issue Edge developed a crush on Howard’s of Gravy, Oriana drew inspiration from the I Spy children’s book series. “As an artist, writing three years ago and eventually convinced him to speak at the 2018 Fall I love the idea that photographs can be read as riddles to be solved—there’s always Symposium. We hope it’s the fi rst of many Ravi Howard symposium presentations. more information in an image than we realize,” Oriana says. RANDALL KENAN ZANDRIA F. ROBINSON Randall Kenan is the author of six books Zandria F. Robinson is a former SFA of fi ction and nonfi ction and the editor, neighbor and colleague—she taught so- most recently, of The Carolina Table: ciology and Southern Studies at the Uni- North Carolina Writers on Food. SFA versity of Mississippi from 2009–2012. managing editor Sara Camp Milam fell She now teaches at Rhodes College in in love with his fi ction when she was in her native Memphis. A scholar of pop graduate school because it reminded her culture, she seamlessly weaves academ- of the Latin American literature she studied as an undergrad. She once wrote a term ic and popular references in her writing. You’ll get a taste in her feature essay, which paper on Kenan’s fi ctional community of Tims Creek, North Carolina. Nearly a is adapted from her remarks as Symposium Coach at the 2018 Fall Symposium. decade later, she would be very embarrassed to show it to him. Robinson is at work on her third book, which is about the Memphis soul sound and the Soulsville, USA community. JOHN KESSLER MONIQUE TRUONG John Kessler spent almost two decades Monique Truong fi nished manuscript at the Atlanta Journal Constitution and edits to her third novel, The Sweetest now writes a dining column for Chicago Fruits, two weeks before this issue of Magazine, but we like his byline best Gravy went to press. Look for it in your when it appears in Gravy. John T. Edge, local bookstore in fall 2019. Meanwhile, who used to pore over Kessler’s AJC if you’re new to Truong’s work, SFA man- reviews when plotting Atlanta trips, once aging director Melissa Hall (who, like ate galbi and drank canned beer with him in the back parking lot of a Buford Highway Truong, is a recovering lawyer) recommends her second novel, Bitter in the Mouth. Korean Restaurant while staring down a soaring tangle of kudzu vines. It involves barbecue, synesthesia, and canned peaches, among other delights. Photos by Brandall Laughlin Brandall Photos by Laughlin Brandall MIDDLE and BOTTOM: Oriana Koren; TOP: 4 southernfoodways.org Winter 2018 5 LEFT: Cornfields outside Greenville, MS; DIRECTOR’S CUT BELOW: David White in November 2018 THE POWER TO FEED A Delta epiphany BY JOHN T. EDGE “And particularly for our children, who had nothing to do with asking to be born into this world…This is a reflection on our society, on all of us.” I wrote about this moment in my book The Potlikker Papers. In my telling, young David White’s hunger taught a lesson about America’s failure to care for its most vulnerable citizens. But his life, as I depicted it, was without dimension. Then I read Delta Epiphany, a new book by my friend and University of Missis- sippi colleague Ellen Meacham. david white was twenty months Open sores pocked his young body. From Ellen, I learned that, at the time old when the crowd of politicians and David’s eyes were flat and his belly was On his visit to the Kennedy toured the Mississippi Delta on reporters came to his Cleveland, Missis- distended. Robert F. Kennedy stroked a poverty fact-finding mission, David’s sippi, home on a spring day in 1967. As the David’s cheek and touched his belly, but Mississippi Delta in mother, Annie White, was fighting hero- man with the fop of brown hair stooped he could he not capture David’s attention. 1967, Senator Robert F. ically to feed her family. She fished. She this past summer, i traveled to the floor, David hungrily scratched for Kennedy was helpless in the face of planted a garden and canned and pre- through Mexico for a week as a guide for crumbs of cornbread and grains of rice. the poverty that David endured every Kennedy was helpless served the harvest. Her brothers shared a Los Angeles Times–organized culinary Annie White raised six children in that day. Dressed in a suit and tie, his shoes and chastened in the the blackbirds, raccoons, squirrels, deer, tour. Our group of mostly middle-aged house with one faucet, no hot water, and glossy with wax, the junior U.S. Senator face of the poverty that and possums they hunted.
Recommended publications
  • December 1992
    VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F.
    [Show full text]
  • Torrey Peters Has Written the Trans Novel Your Book Club Needs to Read Now P.14
    Featuring 329 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXIX, NO. 1 | 1 JANUARY 2021 REVIEWS Torrey Peters has written the trans novel your book club needs to read now p.14 Also in the issue: Lindsay & Lexie Kite, Jeff Mack, Ilyasah Shabazz & Tiffany D. Jackson from the editor’s desk: New Year’s Reading Resolutions Chairman BY TOM BEER HERBERT SIMON President & Publisher MARC WINKELMAN John Paraskevas As a new year begins, many people commit to strict diets or exercise regimes # Chief Executive Officer or vow to save more money. Book nerd that I am, I like to formulate a series MEG LABORDE KUEHN of “reading resolutions”—goals to help me refocus and improve my reading [email protected] Editor-in-Chief experience in the months to come. TOM BEER Sometimes I don’t accomplish all that I hoped—I really ought to have [email protected] Vice President of Marketing read more literature in translation last year, though I’m glad to have encoun- SARAH KALINA [email protected] tered Elena Ferrante’s The Lying Life of Adults (translated by Ann Goldstein) Managing/Nonfiction Editor and Juan Pablo Villalobos’ I Don’t Expect Anyone To Believe Me (translated by ERIC LIEBETRAU Daniel Hahn)—but that isn’t exactly the point. [email protected] Fiction Editor Sometimes, too, new resolutions form over the course of the year. Like LAURIE MUCHNICK many Americans, I sought out more work by Black writers in 2020; as a result, [email protected] Tom Beer Young Readers’ Editor books by Claudia Rankine, Les and Tamara Payne, Raven Leilani, Deesha VICKY SMITH [email protected] Philyaw, and Randall Kenan were among my favorites of the year.
    [Show full text]
  • Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
    STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach.
    [Show full text]
  • Increasing the Use of Multicultural Education in a Preschool Located in a Homogeneous Midwest Community
    DOCUMENT RESUME ED 415 008 PS 026 058 AUTHOR Hartke, Cheryl L. TITLE Increasing the Use of Multicultural Education in a Preschool Located in a Homogeneous Midwest Community. PUB DATE 1997-00-00 NOTE 339p.; Master's Practicum Report, Nova Southeastern University. Many pages in appendices contain small print and photos and may not reproduce well. PUB TYPE Dissertations/Theses - Practicum Papers (043) Reports Evaluative (142) EDRS PRICE MF01/PC14 Plus Postage. DESCRIPTORS Class Activities; Classroom Environment; Course Content; *Cultural Activities; *Cultural Awareness; Cultural Pluralism; Curriculum Development; Curriculum Enrichment; *Day Care; Day Care Centers; *Homogeneous Grouping; Instructional Development; *Multicultural Education; *Preschool Education; Program Effectiveness IDENTIFIERS Multicultural Materials ABSTRACT The inclusion of multicultural education in the curriculum of child care centers is becoming a necessity, particularly in homogeneous communities, as the ethnic make-up of society continues to change. This practicum project implemented and evaluated a strategy intended to increase the use of multicultural education in a middle-to-upper-class suburban child care center with 92 percent Caucasian enrollment. The strategy involved a four-part process: development of resource lists, exploration of teachers' attitudes, improvement of multicultural materials available for use, and increase in teachers' knowledge about diversity, with information provided during weekly meetings. Post-intervention data indicated that, overall, the use of multicultural education in the center increased. Teachers included multicultural activities in all areas of the curriculum on a regular basis, and more materials were available for classroom use as a result of parent donations and the development of a resource room. (Seventeen appendices include an anti-bias checklist, book checklist, a list of broad goals of teaching from a multicultural perspective, and an array of multicultural materials.
    [Show full text]
  • Master's Recital in Jazz Pedagogy
    University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2019 Master's recital in jazz pedagogy: A performance-demonstration of rhythm section instruments, trumpet, electric wind instrument, synthesizer, compositions, and arrangements by DeMetrio Lyle DeMetrio Lyle University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2019 DeMetrio Lyle Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Composition Commons, and the Music Pedagogy Commons Recommended Citation Lyle, DeMetrio, "Master's recital in jazz pedagogy: A performance-demonstration of rhythm section instruments, trumpet, electric wind instrument, synthesizer, compositions, and arrangements by DeMetrio Lyle" (2019). Dissertations and Theses @ UNI. 997. https://scholarworks.uni.edu/etd/997 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. MASTER’S RECITAL IN JAZZ PEDAGOGY: A PERFORMANCE-DEMONSTRATION OF RHYTHM SECTION INSTRUMENTS, TRUMPET, ELECTRIC WIND INSTRUMENT, SYNTHESIZER, COMPOSITIONS, AND ARRANGEMENTS BY DEMETRIO LYLE An Abstract of a Recital Submitted In Partial Fulfillment of the Requirements of the Degree Master of Music in Jazz Pedagogy DeMetrio Lyle University of Northern Iowa December 2019 This Recital Abstract by: DeMetrio Lyle Entitled: Master’s Recital in Jazz Pedagogy: A Performance-Demonstration of Rhythm Section Instruments, Trumpet, Electric Wind Instrument, Synthesizer, Compositions, and Arrangements by DeMetrio Lyle Has been approved as meeting the thesis requirement for the Degree of Master of Music Jazz Pedagogy Date Prof.
    [Show full text]
  • Xerox University Microfilms 300 North Zmto Road Am Arbor, Michigan 40100 J 1 I 74-3364
    INFORMATION TO USERS This malarial was producad from a microfilm copy of tha original document. While the most advanced technological means to photograph and reproduce this document have been used, tha quality is heavily dependant upon tha quality of tha original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from tha document photographed is "Missing Page(s)". If it was possible to obtain the missing paga(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pagas to insure you complete continuity. 2. Whan an imaga on die film is obliterated with a large round black mark, it is an indication that tha photographer suspected that the copy may have moved during exposure and thus causa a blurred image. You w ill find a good image o f tha page in the adjacent frame. 3. Whan a map, drawing or chart, etc., was part of the material being photographed tha photographer followed a definite method in "sectioning" tha material. It is customary to begin photoing at the upper le ft hand comer of a large sheet and to continue photoing from le ft to right in equal sections with a small overlap. If necessary, sectioning is continued again - beginning below the first row and continuing on until complete. 4. The majority of users indicate that tha textual content is of greatest value, however, a somewhat higher quality reproduction could be mads from "photographs" if essential to tha understanding of tha dissertation.
    [Show full text]
  • The Late Choral Works of Ton De Leeuw: an Analytical Study
    THE LATE CHORAL WORKS OF TON DE LEEUW AN ANALYTICAL STUDY by RENS TIENSTRA A thesis submitted to the University of Birmingham for the degree of MASTER OF ARTS Department of Music College of Arts and Law University of Birmingham September 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Ton de Leeuw (1926–1996) is widely regarded as one of the most important post-war Dutch composers. Taught among others by Olivier Messiaen and Jaap Kunst, and strongly influenced by non-Western music, De Leeuw was a teacher at the University of Amsterdam and professor of composition and electronic music at the Amsterdam Conservatory from 1959 to 1986, a position in which he educated many Dutch composers active today. His book Music of the Twentieth Century, first published in 1964, is still regarded as an authoritative work. Despite De Leeuw’s formidable reputation as composer and teacher, and the regular performance of his works, hardly any scholarly research into his oeuvre has yet been undertaken. The current study is an attempt to change this, exploring five of De Leeuw’s later choral compositions as representative of the style he described in terms of ‘extended modality’.
    [Show full text]
  • Andrew C Turley
    Turley 1 Andrew C Turley Dr. Keener ENGL 209 19 November 2009 Randall Kenan: An Exploration into the Value of a Literary Phenomenon Randall Kenan is perhaps one of the most talented Southern authors of the present era. His works address a myriad of themes from racial and sexual identity to corruption, forgiveness, and acceptance. His grasp of American folklore as it relates to both the past and present is unprecedented. Drawing inspiration from a varying array of phenomenal authors, Kenan paints a picture of the South that appears as fresh and new as it is old. Examined collectively, Randall Kenan’s in depth thematic explorations into the human condition, the aesthetics of his masterful use of folklore, and the cultural and historical relevance of his body of work determine the value of his prose in American and Southern Literature. Over the course of his writing career, Randall Kenan has written many works and received several awards. He is the recipient of the Los Angeles Times Book Award for fiction and the Notable Book Critics Award. His collection of short stories, “Let the Dead Bury Their Dead,” was named a New York Times Notable Book. His first novel, A Visitation of Spirits, was met with huge success and won Kenan a New York Foundation for the Arts fellowship as well as a McDowell Colony Lila Wallace Reader’s Digest fellowship. In addition, Kenan produced a biographical work on notable gay African American James Baldwin, an author who Kenan greatly admired. As an homage to Baldwin, Kenan’s latest work was released in 2007 and is titled “The Fire This Time,” a novel that answers Baldwin’s “The Fire Next Time.” Though a somewhat obscure modern writer, Kenan has managed to secure his place as a progressive voice Turley 2 in the literary New South.
    [Show full text]
  • Kenan, Randall (B
    Kenan, Randall (b. 1963) by Raymond-Jean Frontain Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com African-American writer Randall Kenan delineates the richly nuanced internal landscapes of the diverse inhabitants of his fictional community, Tims Creek, N. C. "She liked that small world [of the classroom]; for her it was large," the omniscient narrator observes concerning a young woman preparing to become a teacher in one of Randall Kenan's short stories. The same may be said of "Tims Creek," the community of 25,000 situated in the wooded agricultural area of eastern North Carolina that is the invented setting of Kenan's fictions. Like William Faulkner's Yoknapatawpha County and Honoré de Balzac's Paris, Kenan's Tims Creek is a fertile imaginative universe, peopled by generations of his own making whose stories intersect and comment upon each other in ironic ways. During a Sunday church service at the ubiquitous First Baptist Church of Tims Creek, for example, the title character of "The Strange and Tragic Ballad of Mabel Pearsall" silently contrasts the ignominy of her own life with the dignity of Dr. Streeter, whom Mabel cannot know has been cursed by a son engaged in an incestuous affair with his illegitimate step-sister ("Cornsilk"); and the prosperity of Mrs. Maggie Williams, whose hard-won self-possession is narrated in "The Foundations of the Earth." Likewise, Rev. Hezekiah Barden, who self-righteously chastises a tenant farmer for operating a tractor on a Sunday in "Foundations," reappears in "Ragnarok" preaching the funeral sermon of a woman with whom he enjoyed a long-term, adulterous affair.
    [Show full text]
  • The Present Elsewhere: Theorizing an Aesthetics of Displacement in Contemporary African American and Postcolonial Literatures
    THE PRESENT ELSEWHERE: THEORIZING AN AESTHETICS OF DISPLACEMENT IN CONTEMPORARY AFRICAN AMERICAN AND POSTCOLONIAL LITERATURES Mary Alice Kirkpatrick A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2010 Approved by: Minrose Gwin William L. Andrews Pamela Cooper Rebecka Rutledge Fisher Trudier Harris © 2010 Mary Alice Kirkpatrick ALL RIGHTS RESERVED ii ABSTRACT Mary Alice Kirkpatrick: The Present Elsewhere: Theorizing an Aesthetics of Displacement in Contemporary African American and Postcolonial Literatures (Under the direction of Minrose Gwin) “The Present Elsewhere” investigates the aesthetic traits and political implications of displacement in contemporary African American, Caribbean, and Canadian works. Arguing that displacement resonates textually, I interrogate the degree to which artists purposely leave their works in states of flux. Framed through the lens of nomadic, transitional figures (including diasporic cultural orphans, child clairvoyants, and reincarnated ghosts), this project develops the notion of an aesthetics of displacement – that is to say, an aesthetics informed by political urgency. Writers such as Michael Ondaatje, Toni Cade Bambara, and Octavia Butler rearrange customary geographic and chronological placements, unsettle narrative lines, and challenge shared histories of oppression. Propelled into active engagement, readers are encouraged to adopt new roles as migrants and witnesses. The political significance of works that displace radiates externally, as readers are directed toward sites of change well beyond the confines of individual texts. By bringing together seemingly divergent traditions, “The Present Elsewhere” examines the specific historical conditions, cultural backgrounds, and geographic contexts that produce sites of displacement within the Caribbean island, U.
    [Show full text]
  • Structure Research Ton De Leeuw
    THE LATE CHORAL WORKS OF TON DE LEEUW AN ANALYTICAL STUDY by RENS TIENSTRA A thesis submitted to the University of Birmingham for the degree of MASTER OF ARTS Department of Music College of Arts and Law University of Birmingham September 2016 ABSTRACT Ton de Leeuw (1926–1996) is widely regarded as one of the most important post-war Dutch composers. Taught among others by Olivier Messiaen and Jaap Kunst, and strongly influenced by non-Western music, De Leeuw was a teacher at the University of Amsterdam and professor of composition and electronic music at the Amsterdam Conservatory from 1959 to 1986, a position in which he educated many Dutch composers active today. His book Music of the Twentieth Century, first published in 1964, is still regarded as an authoritative work. Despite De Leeuw’s formidable reputation as composer and teacher, and the regular performance of his works, hardly any scholarly research into his oeuvre has yet been undertaken. The current study is an attempt to change this, exploring five of De Leeuw’s later choral compositions as representative of the style he described in terms of ‘extended modality’. This study is aimed at understanding the nature and specificity of De Leeuw’s later choral works, and thereby clarifying the place of the composer’s later works – the choral works in particular – within the context of their time. ii CONTENTS Preface ... ... ... ... ... ... ... ... ... ... v Acknowledgements ... ... ... ... ... ... ... ... ... vii PART I: INTRODUCTION CHAPTER I Research subject ... ... ... ... ... ... ... 2 Outline of the research ... ... ... ... ... ... 4 CHAPTER II 2.1 Ton de Leeuw: biography ... ... ... ... ... 6 2.2 De Leeuw’s choral works: overview ..
    [Show full text]
  • In Conversation with Bruce Cockburn
    IN CONVERSATION WITH BRUCE COCKBURN BY M.D. Dunn Bruce Cockburn laughs a lot. It might surprise people familiar with only his heavier songs or the many causes he has championed. He even makes jokes, clever and funny jokes. His conversation is punctuated by belly laughs and a wit that runs from dry and cutting to outright silliness. Truth is, this legendary songwriter doesn’t recognize his own legend. Throughout his 50-year career, which he calls a “careen,” Cockburn has participated in numerous grassroots actions: working to help ban landmines in Mozambique and elsewhere, supporting the Haida and the Lubicon Cree in land rights disputes, promoting sustainable farming, and witnessing the desperation of refugees in Central America. Many of these concerns end up in his songs and have perpetuated the image of a cold intellectual, a worldly and jaded observer of human folly. WINTER / HIVER 2020 15 His autobiography, Rumours of Glory (Harper Collins, 2014), is one of the most impressive and articulate musical memoirs in recent memory. While the book does discuss Cockburn’s life, it is more accurately a document of some of the major conflicts and cultural developments of the late 20th century. Like its author, the memoir looks outward, always working to recognize truth behind appearance. He has also championed literature in an artform that often draws from humanity’s baser interests. His lyrics are precise, often narrative in form, sometimes brutal. Yet, listening closely, there is also humour, faith, and undaunted hope. The song “Maybe the Poet” from the 1984 album Stealing Fire argues for the importance of poetry, even if it goes unacknowledged by the greater culture.
    [Show full text]