Re-Viewing the Role of Culture in Architecture for Sustainable Development
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Inspirations from Europe's Leading Architects
SHADES OF WHITE Inspirations from Europe’s leading architects. DEAR BAUMIT FRIENDS AND PARTNERS, It has been almost 10 years since However, white on a facade not only has an aesthetic reason, We were inspired Baumit created Europe’s largest but also a very tangible one: climate change. Temperatures facade colour system, Baumit Life, are rising, our cities are getting hotter and hotter. The albedo by the idea with 888 unique colour shades. effect or the reflective power of the colour white can effectively Even though the trend-barometer counteract overheating in certain regions. We want to make has taken a turn in a more purist more use of this effect. of richness and variety direction, there remain a multitu- de of possibilities. In this book, renowned architects from our 25 Baumit countries of one colour tone answer questions such as “Why do architects wear black and In this book, and with our latest build white?” Their surprising answers and many insights into Baumit colour-coup, we take a the international world of architecture can be found on the when we created look at the colour that is the sum following pages. of all colours of the rainbow: the colour white. The Inuit tribe uses the Baumit colour series a variety of different names for white, depending on the colour Enjoy browsing and perusing! and texture. We were inspired by this idea of richness and variety “12 Shades of White”. of one colour tone when we created the Baumit colour series Sincerely, “Shades of White”. It is dedicated above all to our design specia- lists, the architects, for whom white has always been a popular colour choice. -
M E L I S C a N K a R a Turkey, Izmir 35280 | +90 5368762976 | [email protected]
M E L I S C A N K A R A Turkey, Izmir 35280 | +90 5368762976 | [email protected] Professional experiences Postdoctoral researcher, Foundation for Research and Technology-Hellas, Institute for Mediterranean Studies 01/04/2019 – 31/01/2021 • CuRe: Cultures and Remembrances (EU&ESPA Project in collaboration with the University of Hamburg, Ludwig Maximilian University of Munich, and Foundation for Research and Technology–Hellas (FORTH)/Institute of Computer Science (ICS) & NovelTech) Postdoctoral researcher, University of Crete, Department of History and Archeology 01/01/2019 – 01/07/2019 • The Silent Witnesses of the Population Exchange: The Buildings of Crete-Rethymno that Changed Hands with the Treaty of Lausanne Senior archivist, SALT Research & Programs 15/08/2016 – 01/05/2019 • Architecture and Design Archive (Doğan Tekeli-Sami Sisa Archive, Cengiz Bektaş Archive, Erkal Güngören Archive, Altuğ-Behruz Çinici Archive, Fazıl Aysu Archive, Yılmaz Zenger Archive, Gültekin Çizgen Archive) • Commissioners' Exhibition, 3rd-30th March 2018: ÇSM-Ankara (research & curatorial work) • Commissioners' Exhibition, 13th September-26th November 2017: SALT Galata-Istanbul (research & curatorial work) • Out of the Archive, 19th April-10th June 2017: SALT Ulus-Ankara, 23rd February-9th April 2017: SALT Galata-Istanbul (research & content) • Doğan Tekeli-Sami Sisa Archive public programs (with Pelin Derviş) • SALT Research Architecture and Design Archive public programs • Cengiz Bektaş Archive public programs (with Işıl Uçman Altınışık, Burak Altınışık, -
Architects' Auto-Monographs in Turkey, 1950S-1980S a Thesis Submitted to the Graduate School of Social
PRINTED ARCHITECTURES: ARCHITECTS’ AUTO-MONOGRAPHS IN TURKEY, 1950S-1980S A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY SELDA BANCI IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE PROGRAM OF ARCHITECTURAL HISTORY MARCH 2016 APPENDIX D ApprovalApprovalApproval of of of the the the Graduate Graduate Graduate School School School of of of Social Social Social Sciences Sciences Sciences CHRONOLOGICAL CHART OF ARCHITECTS’ AUTO-MONOGRAPHS AND THEIR CONTEXT Prof.Prof.Prof. Dr. Dr. Dr. Meliha Meliha Meliha Altunışık Altunışık Altunışık DirectorDirectorDirector I Icertify Icertify certify that that that this this this thesis thesis thesis satisfies satisfies satisfies all all all the the the requirements requirements requirements as as as a a thesisa thesis thesis for for for the the the degree degree degree of of of Doctor Doctor Doctor of of of Philosophy.Philosophy.Philosophy. Prof. Prof. Prof. Dr. Dr. Dr. T. T. T. Elvan Elvan Elvan Altan Altan Altan Head Head Head of of of Department Department Department ThisThisThis is is isto to to certify certify certify that that that we we we have have have read read read this this this thesis thesis thesis and and and that that that in in in our our our opinion opinion opinion it it itis is isfully fully fully adequate, adequate, adequate, ininin scope scope scope and and and quality, quality, quality, as as as a a thesisa thesis thesis for for for the the the degree degree degree of of of Doctor Doctor Doctor of of of Philosophy. -
Cengiz Bektaş Ile Mimari Üretimleri Üzerine Söyleşi
CENGİZ BEKTAŞ İLE MİMARİ ÜRETİMLERİ ÜZERİNE SÖYLEŞİ CENGİZ BEKTAŞ İLE MİMARİ ÜRETİMLERİ ÜZERİNE SÖYLEŞİ SALT025-CENGİZ BEKTAŞ-001 CENGİZ BEKTAŞ İLE MİMARİ ÜRETİMLERİ ÜZERİNE SÖYLEŞİ Bu yayın, 20 Mart’ta kaybettiğimiz, kendisini ba- zen ozan-mimar-yazar bazen de yüksek mühen- dis-mimar olarak tanımlayan Cengiz Bektaş’la Ekim 2019’dan Şubat 2020’ye dek aralıklarla sürdürülen söyleşileri bir araya getirmektedir. Bektaş’ın mimari projeleri arasından seçili bir kısmı arşivcinin merak duygusuyla yeniden ele alınarak yapılan bu uzun sohbet, mimarın yak- laşık altmış yıla yayılan pratiğinin izini SALT Araştırma’daki arşivi aracılığıyla sürmeyi hedef- lerken söz konusu belgeleri yeni yorumlara açar. Cengiz Bektaş’ın 1980 öncesi ve sonrası üretimi- ni karşılıklı okuma yapmaya elverecek biçimde ve devamı gelmek üzere planlanmış buluşma- ların çıktısı niteliğindeki bu yayın, bir anlamda Bektaş’ın süreç odaklı yaklaşımının küçük bir anlatısı olarak kabul edilebilir. ― Tuğçe Kaplan, SALT Araştırma Arşiv Sorumlusu SALT025-CENGİZ BEKTAŞ-002 CENGİZ BEKTAŞ İLE MİMARİ ÜRETİMLERİ ÜZERİNE SÖYLEŞİ Tuğçe Kaplan: Benim önerim bu 1979 yılında Yaprak Kitapevi’nden basılmış Proje Uygulama kitabından faydalanarak onunla benzer bir izlekte 1980 öncesi yapılarınızı düşünsel arka planlarıyla birlikte konuşmak. Sizin de bina bilgisine çok da kaymadan yapılar özelinde vurgulamak isteye- ceğiniz noktalar vardır. Özellikle arşivinizin bize sunmadığı hikâyeler de ilgimi çeker. Ben kendimce yapılarınızdan şöyle bir seçki yaptım. Ne düşünürsünüz? Cengiz Bektaş: Şimdi bunu mu [Kitap: Proje Uygulama] esas aldınız? TK: Şimdilik evet. Buradaki gibi konu konu ayırarak da ilerleyebiliriz. İşleyim yapıları, okullar, çarşılar, toplu konutlar, yaşlılar için yapılar gibi... Aslında kırk yıl önce/kırk yıl sonra (1979-2019) gibi bir karşılaştırma yapmaya elverecek şekilde yapı- Cengiz Bektaş, Proje Uygulama 2 - Mimarlık Çalışmaları, larınızın üzerine konuşabiliriz diye düşündüm. -
Vernacular Architecture; Definitions; Associations; France; Europe; Africa; Asia
Prepared and edited by Igor Sollogoub, intern at UNESCO-ICOMOS Documentation Centre. Préparé et édité par Igor Sollogoub, stagiaire au Centre de Documentation UNESCO-ICOMOS. © UNESCO-ICOMOS Documentation Centre, Mar. 2011 ISBN: 978-2-918086-09-3 ICOMOS - International Council on Monuments and sites / Conseil International des Monuments et des Sites 49-51 rue de la Fédération 75015 Paris FRANCE http://www.international.icomos.org UNESCO-ICOMOS Documentation Centre / Centre de Documentation UNESCO-ICOMOS : http://www.international.icomos.org/centre_documentation/index.html Cover photographs: Photos de couverture : Mali, Pays Dogon © IRD ; habitat troglodytique en Turquie © IRD ; Dordogne, France © Marie-Ange Mat ; Maison construite dans un banian au Vanuatu ©IRD 1 Index 1. Reference texts / Textes de référence 6 2. Generalities / Généralités 6 3. Africa / Afrique 9 Angola Benin Botswana Burkina Faso Cameroon / Cameroun Ethiopia / Ethiopie Ghana Kenya Madagascar Mali Mauritania / Mauritanie Niger Nigeria Senegal / Sénégal Seychelles South Africa / Afrique du Sud United Republic of Tanzania / Tanzanie Zambia / Zambie Zimbabwe 2 4. Latin America and the Carribean 21 Amérique latine et Caraïbes Argentina / Argentine Barbados / Barbade Belize Bolivia / Bolivie Bolivarian Republic of Venezuela / République bolivarienne du Vénézuela Brazil / Brésil Chile / Chili Colombia / Colombie Costa Rica Cuba Dominican Republic / République dominicaine Ecuador / Equateur El Salvador Guatemala Guyana / Guyane Haiti Jamaica -
Re-Evaluating Modernism Through a Spatial Collection: İstanbul Complex of Retail Shops and Collaboration of Art and Architecture
ITU A|Z • Vol 16 No 2 • July 2019 • 1-17 Re-evaluating modernism through a spatial collection: İstanbul complex of retail shops and collaboration of art and architecture Ezgi YAVUZ [email protected] • Department of Architecture, Gebze Technical University, Kocaeli, Turkey Received: December 2017 • Final Acceptance: March 2019 Abstract The increasing dialogue between the arts and architecture in the period of post-World War Two emerged as a significant issue in the international arena in both architectural discourse and practice, and Turkey was not excluded from this phenomenon at the time. The article rethinks contemporary discussions and the materialized works in Turkey with reference to the wider international frame of the architectural context. Formalized around the concept of ‘situated modernism’ and the publicness of architecture, the example of the Complex of Retail Shops is examined. This subject is questioned with particular focus on the ambivalence between the international and the local in postwar architecture, and the efforts to establish a connection with the public. The novel perspective that the article suggests is a re-reading of the complex together with the questioning process of the international modern and the uneven relationship between the arts and architecture. The article aims to unearth the implicit meaning and the constructive role of this uneven relationship, specially the collaboration efforts, under the circumstances of the period. Keywords Collaboration of arts and architecture, Integration of arts and -
Ture Architecture in Turkey
Centre for international DutchCu|ture | cooperation Architecture in Turkey Version 2019 | Written by Pelin Dervis Architecture in Turkey Version 2019 In 2011, SICA (the predecessor of DutchCulture) Acknowledgements produced a comprehensive mapping of the Turkish Written by Pelin Dervis in collaboration with Gökhan cultural field. This mapping was written by local Karakuş, Ömer Kanıpak, Evren Uzer, Deniz Aslan and experts and edited by Teike Asselbergs and Chantal Funda Uz. Hamelinck. The mapping was produce as a means to promote cultural exchange between the Netherlands Edited by Chantal Hamelinck and Teike Asselbergs. and Turkey and as a starting point of the year 2012, Proofread by Natasha Hay. which marked 400 years of Dutch – Turkish diplo- matic relations. The mapping was supported and Commissioned by DutchCulture, centre for internati- produced in close co-operation with the Dutch public onal cooperation. funds. Supported by the Ministry of Education, Culture and An update of these mappings was commissioned in Science of the Netherlands. 2018 by DutchCulture while working with the same editors. The existing mappings were revised and several new mappings were added. The updated mappings are focusing more on giving Dutch cultu- ral practitioners an insight into the Turkish cultural field and its infrastructure, and helping them get in contact with colleagues. This mapping is supported by the Ministry of Education, Culture and Science of the Netherlands. Page 2 Architecture in Turkey Contents Summary 4 Introduction 6 Short history -
AFIFE BATUR Contemporary Territories of Architecture, a Project Researched and Developed by Dr
WOMEN IN THE Curriculum Vitae CONTEMPORARY TERRITORIES OF TURKISH ARCHITECTURE Part of the larger collection Women in Modern and AFIFE BATUR Contemporary Territories of Architecture, a project researched and developed by Dr. Meral Ekincioglu Cambridge, Massachusetts, 2016 Curriculum Vitae AFIFE BATUR Afife Batur (b.1935-) Professional Timeline 1935 Born in Adana. 1942 Graduated from Karaman Gazi Elementery School 1951 Following the closing of the Bursa Türk Eğitim Derneği Kız Koleji (high school), graduated from the Bursa Kız Lisesi with High Honors 1958 Graduated from ITU Faculty of Architecture. 1960 Appointed Assistant to the İTÜ Faculty of Architecture, Chair of History of Architecture and Restoration. 1964-1965 Certificate of Conservation-Restoration, Torino, Italy. 1966-1974 Continued to work as technician at ITU. 1974 Received the title “Doctor/ Engineer”. Doctorate Thesis: Osmanlı Camilerinde Kemer / Strüktür-Biçim İlişkisi Üzerine Bir Deneme. [A Dissertation on the Arch/ Structure-Form Relation in Ottoman Mosques.] 1980 Received the title “Associate Professor” Asso. Prof. Thesis: Osmanlı Camilerinde Eğrisel Örtüler ve Geçiş Öğeleri / Strüktür- Biçim İlişkisi Üzerine Bir Deneme. [A Dissertation on the Curvilinear Coverings and Transition Elements/ Structure-Form Relation in Ottoman Mosques.] 1988 Received the title “Professor”. Professor Thesis: İstanbul Metrosu ve Boğaziçi Tüp Geçiş Güzergahında Arkeolojik, Tarihi ve Kültürel Varlıkların Değerlendirilmesi Üzerine Alan Araştırması. [A Site Study on the Evaluation of the Archaeological, Historical and Cultural Assets on the Routing of the Istanbul Metro and Bosphorus Tube Crossing.] 1998 Retired from ITU Faculty of Architecture. Curriculum Vitae AFIFE BATUR Publication Timeline 1967 A List of the Buildings of Sinan, Mimarlık, 1967/11, p. 35-40. -
2020 Türkiye Yazarlar SENDİKASI 36.POSTA
TÜRKİYE YAZARLAR SENDİKASI Writers Syndicate of Turkey TÜRKİYE YAZARLAR SENDİKASI İLKYAZ 2020 SAYI: 36 CENGİZ BEKTAŞ Koronavirüs Günleri TYS’nin 8 Mayıs Bildirisi TYS’nin Dünya Emekçi Kadınlar Günü Bildirisi Değerli Üyemiz, Şair, Yazar Tekin Gönenç’i Yitirdik 8 Mart Dünya Emekçi Kadınlar Günü TYS’nin Nâzım Hikmet, Orhan Kemal ve Ahmed Arif Bildirisi Değerli Üyemiz, Yazar ve Çevirmen Nihal Yeğinobalı’yı Yitirdik Yaşar Kemal Gerçek Bir Aydınımızdır Türkiye Yayıncılar Birliği, Türkiye PEN ve Türk Edebiyatının Ustalarından Türkiye Yazarlar Sendikası’ndan Ortak Açıklama Yazar, Şair Hasan İzzetin Dinamo’yu Andık Şair ve Mimar Cengiz Bektaş’ı Yitirdik Yazar, Şair Hasan İzzetin Dinamo Hakkında Cengiz Bektaş’ın Ardından Onur Kurulu Üyemiz, Yazar Yusuf Ahıskalı’yı Saygıyla Anıyoruz Cengiz Bektaş Hakkında 9. Türkiye Yayıncılar Kurultayı TÜRKİYE YAZARLAR SENDİKASI Writers Syndicate of Turkey KORONAVİRÜS GÜNLERİ 8 MART DÜNYA EMEKÇİ KADINLAR GÜNÜ Mart Dünya Emekçi Kadınlar Günü’nde Türkiye Ya- ara Kış” yazımın sonunu “Umudumuz İlkyaz- Özellikle düşünce ve ifade özgürlüğünden başka hiçbir zarlar Sendikası, Deri-Teks Sendikası’na üye olduk- da” diye bitirmiştim. Gerçekten de 8 Mart güvencesi olmayan gazetecilerin, yazarlarla aydınların 8 ları için işten atılan VIP Giyim Tekstil işçileriyle da- “K dünya emekçi kadınlarındaydı umudumuz. sudan bahanelerle hapse atılmaları bitmek bilmiyor. Bu yanıştı. Kocaeli Darıca’da faaliyet gösteren fabrika Umudumuz 21 Mart dünya şiir gününün şiir- bakımdan her iki salgın-saldırı da denebilir- durmama- önünde 110 gündür direnişte olan kadın işçilerin eylemlerine lerinde. 23 Nisan’da 100. Yıldönümünü kutlayacağımız casına yaşamdan alıkoyuyor insanımızı. destek olmak; kadın tecavüzlerine, katliamlarına karşı durmak, Ulusal Egemenlik ve Çocuk Bayramı’nın bizi yeniden Dünya halkları, siyah Amerikalı George Floyd’un polisçe ülkemiz ve dünyada kadınların uğradığı sömürüye hayır demek halk egemenliğine kavuşturacağını ummuştuk. -
Cengiz Bektaş Ile Mimarlikta Kuramsal Sorunlar Ve Katilim Üzerine Söyleşi1
O.D.T.Ü. Mimarlık Fakültesi Dergisi Cilt 6, Saya.2, Güz 1980 CENGİZ BEKTAŞ İLE MİMARLIKTA KURAMSAL SORUNLAR VE KATILIM ÜZERİNE SÖYLEŞİ-*1 28 Mart 1981 10 Mayıs, 1981'de alındı. DERGİ: Mimarlık konusundaki yazılarınızda eleştirileriniz çoğunlukla yararcı ve işlevci kuramsal bir çerçeve içinde * Bu söyleşi, Bektaş'm 23-28 Mart 1981 tarihleri arasında sergi/konferans/ ' vurgulanıyor. Birçok kez yinelenen bu yararcı ve işlevci seminer için ODTÜ Mimarlık Fakültesi'nin konuğu bulunduğu sırada yapıldı. Söyleşi bakış açısı toplumsal ideolojiniz ile bir çelişki ijinde değinilen "konferans", "ziyaret" oluşturmuyor mu? Biraz daha açmak gerekirse: felsefe gibi sözcükler bu süreye özgüdür. kapsamı içinde gerek yararcılık, gerekse de işlevciliğin boyutları ve getirmek istediği dünya görüşleri belirli ideolojilerin yanında yer alıyor; daha da ötesinde, oldukça sınırlı bir bakış açısı getirdiklerinden, gerek yöntem olarak, gerekse de biçim olarak çözümlemede ve mimarlığın anlaşılmasında yardımcı olabilecek boyutlar pek verimli ve üretken olmama durumunu yaratıyor. Oysa, yazılarınızda pek açıkça belirtilmiş olmasa da sizin arayışınız bu boyutların Ötesinde gibi. Sizce bu çelişki değil mi? BEKTAŞ: Kişinin davranışları çoğunlukla etki tepki bağlantısına uyuyor. Benim için sorun, kötü sonuçlara neden olduğunu gördüğüm biçimciliğin, öykünmeciliğin herşeyden Önce yadsınmasıydı, Yazı eylemine girişirken de, yaptığım işlerde de, bu nedenle Önce aktarmacılığa, Öykünmeciliğe, eklektisizme karşı işlevselliğin altını çizmek istedim. Bu, çoğu zaman, şimdi bu soruda da olduğu gibi, ya da bu sorunun arkasındaki düşüncede olduğu gibi yanlış anlaşılmaya neden oldu. Yalnızca işlevselliğin altını çizdiğim sanıldı. Örneğin, Ankara'da Atatürk Bulvarı üstündeki yapılara bakarsak herşeyden önce bir biçimciliğin aktarmacılığın söz konusu olduğunu görürüz. Böyle bir ortamda, işlevin altını çizmek gerekiyor temelde; ama, doğal olarak iş yalnızca işlevle bitmiyor. -
The Role of the Agha Khan Architectural Awards in the Development of Turkish Regionalist Architecture
Uluslararası Sosyal Araştırmalar Dergisi / The Journal of International Social Research Cilt: 13 Sayı: 72 Ağustos 2020 & Volume: 13 Issue: 72 August 2020 www.sosyalarastirmalar.com Issn: 1307-9581 THE ROLE OF THE AGHA KHAN ARCHITECTURAL AWARDS IN THE DEVELOPMENT OF TURKISH REGIONALIST ARCHITECTURE • Alev ERARSLAN Abstract With a design approach that prioritizes regional and socio-cultural data such as local climate and topography, local materials, local construction systems, local workforce and local culture and traditions, regionalist architecture became widespread throughout the world with the famous Egyptian architect Hassan Fathy. Initiated by architect Kemalettin Bey and his colleagues as a backlash against western architects and architectural styles, this movement influenced Turkish architecture in the early-20 th century. Regionalist tendencies in Turkish architecture continued in response to modern architecture, which was the architectural ideology of the early-Republic era. In 1933, a prominent architect of the time, Sedad Hakkı Eldem, initiated a style called ‘National Architecture’ with the ‘National Architecture Seminar’ at the Academy ( Sanayi-i Nefise Mektebi ), which was to last until the 1950s. By the 1980s, regionalist approaches comprised of widespread discourse as a response to the quest for identity in Turkish architecture. During this era, the Agha Khan Architecture Awards emerged as a supportive factor for regionalist approaches. Turgut Cansever, Nail Çakırhan and Cengiz Bektaş were amongst the architects who stood out with their regionalist attitudes. The objective of this article is to determine the contributions of the Agha Khan Architecture Award in the development of Turkish regional architecture. Keywords: Regionalism, Agha Khan Prizes, Regionalist Architecture in Turkey. -
Global and Local Design Identities: East Meets West
54 LOCAL IDENTITIES GLOBAL CHALLENGES Global And Local Design Identities: East Meets West FILIZ OZEL Arizona State University “… We cannot ever be conscious of our culture, our ing way to dual (or multiple) identities everywhere background, unless we are a person of the present, where there are no longer clear cut distinctions in of the contemporary times. personal and cultural identities. Globally, design Go look, even Hagia Sophia’s purple is not the seems to be coming to a new type of synthesis, re- purple of thousand years ago. If you are a person of flecting such multiplicities. I also bring the argument this century, even Sultanahmet’s blue [i.e. the Blue that in a sense what critical regionalism4 seems to Mosque’s blue] is [looks] different in the second half of the twentieth century….” (translated by author be pointing towards is the ability of a designed arti- from “Yuva mi, Mal mi?”, p.122, Cengiz Bektas, fact to appeal to a world populace that increasingly (Turkish architect/thinker/ writer)1) embraces dual or at times multiple identities. Probably nowhere else in the world can one see In this article, examples of designs are given to a stronger melding of global and local identities demonstrate the ideas discussed here. It is by no through design than in Turkey, especially in Istanbul means meant to be an exhaustive list. where literally and metaphorically the East meets the West. From the plans to build a canal paral- Some of the forces that are transforming architec- lel to the beautiful Bosphorus to move ship traffic ture, interior design and industrial design in Turkey away from the straits to new buildings that seem are global and are not any different than the forces to have been designed in computer modeling soft- that affect contemporary design in other places ware, curving and spiraling (e.g.