Impressionist Gardens 2010-07-31 2010-10-17 Objects proposed for protection under Part Six of the Tribunals, Courts and Enforcement Act 2007 (Protections of cultural objects on loan from outside the UK).

Metropolitan Museum of Art, 1000 Fifth Avenue, New York NY10028, USA

Type of work: Painting Title: Garden Scene

Date Created: 1854 Maker: Jean-Francois Millet

Maker dates: 1814 - 1875 Nationality: French Dimensions: 17.1 x 21.3 cm (framed: 41.3 x 46.4 x 7.6 cm) Materials: Oil on canvas Identifying Signed (lower right): J. F. Millet. marks:

Place of Not recorded manufacture: Ownership Metropolitan Museum of Art 1933 - 1945:

Provenance: Morris K. Jesup, New York (until d. 1908); his widow, Maria DeWitt Jesup, New York (1908-d. 1914) Exhibition New York. The Metropolitan Museum of Art. "Barbizon: French Landscapes of the history: Nineteenth Century," February 4-May 10, 1992, no catalogue. Albany. New York State Museum. "French Painters of NAture; The Barbizon SChool: Landscapes from the MEtropolitan Museum of Art," May 22-August22, 2004, no catalogue. Publications: Robert L. Herbert. Letter to Mrs. Leonard Harris. January 19, 1962. Charles Sterling and Margretta M. Salinger. "XIX Century." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 2, New York, 1966, p. 89, ill.

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Type of work: Painting Title: The Parc Monceau

Date Created: 1878 Maker: Claude Monet

Maker dates: 1840 - 1926 Nationality: French Dimensions: 72.7 x 54.3 cm (framed: 98.4 x 79.7 x 10.8 cm) Materials: Oil on canvas

Identifying Signed and dated (lower right): Claude Monet 78 marks:

Place of Not recorded manufacture:

Ownership The work was seized by Nazis 1940 but restituted to Lindon Family 1946 1933 - 1945: see Provenance for details.

Provenance: ?Collot, Paris (from 1878, bought from the artist June 2, as "Une allée au parc Monçeau"); ?Georges de Bellio, Paris (1879–after 1889); [Durand-Ruel, Paris]; [Georges Bernheim, until about 1930]; Alfred Lindenbaum, later Lindon, Paris (by 1931-d. about 1948; deposited with Durand-Ruel 1935; held in Paris for Lindenbaum/Lindon, no. LI 45, at Chase Bank, Paris, from which seized by the Nazis in 1940, no. 30; taken from the Jeu de Paume, no. 66, November 25, 1942 by Hermann Goering, no. RM1278, who exchanged it with art dealer Commandatore Eugenio Ventura of Florence on December 6, 1942, or February 18 or March 8, 1943, no. 6, through intermediaries, with Hofer acting for Goering and Morandotti for Ventura; NARA claim, February 20, 1945, lists picture; seized by the Commission de Récupération Artistique on November 28, 1946, no. 30, in Rome and returned to France, according to docket no. 457-08-36 of the Ministry of Education, Paris, December 4, 1946, when it was restituted to the Lindon family); his wife, Mme Lindon, Paris (1948–59); her son, Jacques Lindon, New York (1959; sold to MMA)

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Exhibition Paris. 28, avenue de l'Opéra. "4me exposition de peinture [4th Impressionist history: exhibition]," April 10–May 11, 1879, no. 152 (as "Parc Monceaux [sic]," lent by M. de Bellio, possibly this picture). Paris. Galerie Georges Petit. "Claude Monet, A. Rodin," June 21–August ?, 1889, no. 36 (as "Parc Monceau," lent by M. de Bellio, possibly this picture). Paris. Musée de l'Orangerie. "Claude Monet: Exposition rétrospective," 1931, no. 47 (as "Le Parc Monceau," lent by M. Lindon). Paris. Durand-Ruel. "Claude Monet de 1865 à 1888," 1935, no. 26 (as "Le Parc Monceau," lent by M. Alfred Lindon). Paris. Galerie Charpentier. "Plaisir de France," 1951, no. 134 (as "Le parc Monceau"). Paris. Durand-Ruel. "Exposition Claude Monet: 1840-1926," May 22–September 30, 1959, no. 21 (as "Une allée au Parc Monceau"). Paris. Galeries Nationales du Grand Palais. "Centenaire de l'impressionnisme," September 21–November 24, 1974, no. 31 (as "Parisiens au Parc Monceau"). New York. The Metropolitan Museum of Art. "Impressionism: A Centenary Exhibition," December 12, 1974–February 10, 1975, no. 31. Bordeaux. Galerie des Beaux-Arts. "Profil du Metropolitan Museum of Art de New York: de Ramsès à Picasso," May 15–September 1, 1981, no. 120 (as "Parisiens au Parc Monceau"). Fort Lauderdale. Museum of Art. "Corot to Cézanne: 19th Century French Paintings from The Metropolitan Museum of Art," December 22, 1992–April 11, 1993, no catalogue. Copenhagen. Ordrupgaard. "Impressionists in Town," September 6–December 1, 1996, no. 45 (as "Parisians Enjoying the Parc Monceau"). Kunsthaus Zürich. "Monet's Garden," October 29, 2004–March 13, 2005, no. 15

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Publications: Georges de Bellio. Letter to Claude Monet. [about 1884] [published in Ref. Niculuscu, 1964, pp. 257–58]. Gustave Geffroy. Claude Monet: Sa vie, son temps, son œuvre. Paris, 1922, p. 98. Maurice Malingue. Claude Monet. Monaco, 1943, pl. 89. Oscar Reuterswärd. Monet. Stockholm, 1948, pp. 115, 281, pl. 53. Remus Niculescu. "Georges de Bellio, l'ami des impressionnistes." Revue Roumaine d'Histoire de l'Art 1, no. 2 (1964), pp. 217, 220, 241, 258. Luigina Rossi Bortolatto. L'opera completa di Claude Monet, 1870–1889. Milan, 1966, p. 99, no. 157, ill. Charles Sterling and Margaretta M. Salinger. "XIX–XX Centuries." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 3, New York, 1967, p. 129, ill. Douglas Cooper. "The Monets in the Metropolitan Museum." Metropolitan Museum Journal 3 (1970), pp. 288–90, 305, fig. 9. Remus Niculescu. "Georges de Bellio, l'ami des impressionnistes (II)." Paragone 21 (November 1970), pp. 53, 64–65, 84, no. II75c. Remus Niculescu. "Georges de Bellio, l'ami des impressionnistes (I)." Paragone 21 (September 1970), pp. 37, 53, pl. 33. Charles S. Moffett in Impressionism: A Centenary Exhibition. Exh. cat., The Metropolitan Museum of Art. New York, 1974, pp. 164–66, no. 31, ill. Daniel Wildenstein. "1840–1881: Peintures." Claude Monet: Biographie et catalogue raisonné. 1, Lausanne, 1974, pp. 90, 316–17, no. 466, ill. Alice Bellony-Rewald. The Lost World of the Impressionists. London, 1976, p. 186. Tetsuro Miura and Chuji Ikegami. Mone [Monet]. Tokyo, 1977, unpaginated, fig. 1. Rodolphe Walter. "Le parc de Monsieur Zola." L'Oeil no. 272 (March 1978), pp. 18– 19, fig. 2. Claire Joyes. Claude Monet: Life at Giverny. New York, 1985, ill. opp. p. 5. Charles S. Moffett. Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art. New York, 1985, pp. 120–21, 252, ill. Gary Tinterow et al. "Modern Europe." The Metropolitan Museum of Art. 8, New York, 1987, p. 32, colorpl. 16. Robert L. Herbert. Impressionism: Art, Leisure, and Parisian Society. New Haven, 1988, p. 142, colorpl. 141. Karin Sagner-Düchting. Claude Monet, 1840–1926: Ein Fest für die Augen. Cologne, 1990, p. 98, ill. p. 99. Robert L. Herbert et al. Georges Seurat, 1859–1891. Exh. cat., The Metropolitan Museum of Art. New York, 1991, p. 179 n. 24 [French ed., "Seurat," Paris, 1991, p. 217 n. 24]. Michael F. Zimmermann. Seurat and the Art Theory of His Time. Antwerp, 1991, p. 145, colorpl. 278. Roger Hurlburt. "Free Spirits." Sun-Sentinel (Fort Lauderdale) (December 20, 1992), p. 4D, ill. p. 1D. Helen Kohen. "Lasting Impressions." Miami Herald (December 20, 1992), p. 6I. Albert Boime. Art and the French Commune: Imagining Paris after War and Revolution. Princeton, 1995, p. 96, fig. 66. Daniel Wildenstein. Monet or the Triumph of Impressionism. 1, 2nd ed. Cologne, 1996, p. 135. Daniel Wildenstein. "Catalogue raisonné–Werkverzeichnis: Nos. 1–968." Monet. 2, 2nd ed. Cologne, 1996, p. 187, no. 466, ill. Carla Rachman. Monet. London, 1997, p. 117, fig. 8. Albert Schug in Pointillismus: Auf den Spuren von Georges Seurat. Exh. cat., Wallraf-Richartz-Museum, Cologne. Munich, 1997, ill. p. 21 [French ed., "Pointillisme sur les traces de Seurat," Lausanne, 1998]. Impressionist & Modern Art: Part One. Sotheby's, London. June 26, 2001, p. 26, fig. 2. Christoph Becker et al. Monet's Garden. Exh. cat., Kunsthaus Zürich. Ostfildern-Ruit, Germany,

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2004, pp. 31–32, 196, no. 15, ill. Catherine Hug Monika Leonhardt in Monet's Garden. Exh. cat., Kunsthaus Zürich. Ostfildern-Ruit, Germany, 2004, p. 120. Clare A. P. Willsdon. In the Gardens of Impressionism. New York, 2004, p. 118, colorpl. 120. Impressionist and Modern Art: Evening Sale. Christie's, New York. May 9 2007, p 67,under no. 18, fig. 1. Eric M. Zafran in Claude Monet (1840–1926): A Tribute to Daniel Wildenstein and Katia Granoff. Exh. cat., Wildenstein & Co., Inc. New York, 2007, p. 133.

Type of work: Painting Title: The Public Garden at Pontoise

Date Created: 1874 Maker: Camille Pissarro

Maker dates: 1830 - 1903 Nationality: French Dimensions: 60 x 73 cm (framed: 81.9 x 94.3 x 8.3 cm) Materials: Oil on canvas

Identifying Signed and dated (lower left): C.Pissarro.1874 marks:

Place of Not recorded manufacture:

Ownership Robert von Mendelssohn, Berlin; Paul Rosenberg, New York; Mr Mrs. 1933 - 1945: Arthur Murray, New York & Honolulu Provenance: Paul Durand-Ruel (until 1891; held in escrow for the artist; sold August 25 for Fr 800 to the firm Durand-Ruel); [Durand-Ruel, Paris, 1891-1908; stock no. 1314; sold January 31 for Fr 7,000 (with "Falaises a Etretat" by Courbet) to Cassirer]; Paul Cassirer, Berlin, 1908; sold in March to Mendelssohn]; Robert von Mendelssohn, Berlin (from 1908); [Paul Rosenberg, New York, until 1944; stock no. 5181 / 298; sold November 11 to Murray]; Mr. and Mrs. Arthur Murray, New York and Honolulu (1944-1964).

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Exhibition Paris. Galeries Durand-Ruel. "Exposition de tableaux de Monet, Pissarro, Renoir & history: Sisley," April 1899, no. 41 (as "Pontoise"). Paris. Bernheim-Jeaun et Fils. "Exposition d'oeuvres de l'ecole impressionniste," April 2-25, 1903, no. 46 (as "Le Jardin"; possibly this picture) [see Ref. Snollaerts 2005]. London. Grafton Galleries. "Pictures by Boudin, Cezanne, Degas, Manet...," January-February 1905, no. 212 (as "The Public Garden at Pontoise"). Berlin. Paul Cassirer. [April] 1906, no catalogue [see Ref. Snollaerts 2005]. Berlin Paul Cassirer. "VI. Ausstellung," February-March 1907, no. 75 [see Ref. Snollaerts 2005]. Zurich. Galerie Tanner. "Ausstellung Franz. Meister des 19 und 20. Jahrhunderts," April9-301929, no. 16 (possible this picture) [see Ref. Snollaerts 2005]. New York. Carroll Carstairs. "The 1870s in France," ?–December 17, 1938, unnumbered cat. (as "Jardin à Pontoise," lent anonymously). New York. Paul Rosenberg & Co.. "Masterpieces Recalled: A Loan Exhibition of 19th and 20th Century French Paintings," February 6–March 2, 1957, no. 8 (as "The Park at Pontoise," lent by Mr. and Mrs. Arthur Murray). New York. The Metropolitan Museum of Art. "Paintings from Private Collections: Summer Loan Exhibition," July 1–August 20, 1961, no. 66 (lent by Mr. and Mrs. Arthur Murray). New York. Wildenstein & Co., Inc.. "C. Pissarro," March 25–May 1, 1965, no. 26 (lent by Mr. and Mrs. Arthur Murray). Baltimore Museum of Art. "Pissarro: Creating the Impressionist Landscape," February 11–May 13, 2007, no. 49 (as "The Municipal Garden, Pontoise 'The Public Garden at Pontoise'"). Milwaukee Art Museum. "Pissarro: Creating the Impressionist Landscape," June 10– September 9, 2007, no. 49 (as "The Municipal Garden, Pontoise 'The Public Garden at Pontoise'").

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Publications: R. M. "Petites expositions: Exposition d'Impressionnistes." Chronique des arts et de la curiosité, supplément à la Gazette des beaux-arts no. 14 (April 4, 1903), p. 111 [possibly this picture; see Ref. Snollaerts 2005]. Camille Pissarro. Letter to Bernheim-Jeune. March 15, 1903 [published in Ref. Bailly-Herzberg 1991, p. 326, no. 2009]. Hans Rosenhagen. "Von Ausstellungen und Sammlungen." Die Kunst für Alle 21 (April 19, 1906), p. 357. Julius Meier-Graefe. Impressionisten. 2nd ed. Munich, 1907, ill. p. 159. A. Tabarant. Pissarro. London, 1925, pl. 16. Alfred M. Frankfurter. "Panorama of a Great Decade: 'The 1870s'." Art News 37 (December 3, 1938), pp. 12–13, ill. Ludovic Rodo Pissarro and Lionello Venturi. Camille Pissarro, son art—son œuvre. reprint ed. 1989. Paris, 1939, vol. 1, p. 116, no. 257; vol. 2, pl. 51, no. 257. John Rewald. The History of Impressionism. [revised edition, 1961]. New York, 1946, p. 260, ill. Charles Sterling and Margaretta M. Salinger. "XIX–XX Centuries." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 3, New York, 1967, pp. 16–18, ill. Anne Distel Dayez. Centenaire de l'impressionnisme. Exh. cat., Galeries Nationales du Grand Palais. Paris, 1974, p. 250. Paul Tucker in The New Painting: Impressionism 1874–1886. Exh. cat., National Gallery of Art, Washington. San Francisco, 1986, p. 122. Richard R. Brettell with Joachim Pissarro. Pissarro and Pontoise: The Painter in a Landscape. New Haven, 1990, pp. 49, 130, 209 n. 21, fig. 41 (color) and colorpl. 122 (detail). Janine Bailly-Herzberg. Correspondance de Camille Pissarro, 1899–1903. 5, Saint-Ouen- l'Aumône, 1991, p. 327 n. 2. Albert Kostenevich. Hidden Treasures Revealed: Impressionist Masterpieces and Other Important French Paintings Preserved by the State Hermitage Museum, St. Petersburg. Exh. cat.New York, 1995, pp. 156–58, ill. "Documentation: Volume I, Reviews and Volume II, Exhibited Works." The New Painting: Impressionism 1874–1886. San Francisco, 1996, vol. 2, p. 12, no. I-139, ill. p. 27. Alexia de Buffévent in Joachim Pissarro and Claire Durand-Ruel Snollaerts. Pissarro: Critical Catalogue of Paintings. Milan, 2005, vol. 1, p. 313. Claire Durand- Ruel Snollaerts in Joachim Pissarro and Claire Durand-Ruel Snollaerts. Pissarro: Critical Catalogue of Paintings. Milan, 2005, vol. 1, pp. 365–67, 375, 382, 391, 394, 396; vol. 2, pp. 213, 244, 267, no. 347, ill. (color); vol. 3, pp. 953, 956. Gülru Çakmak in Katherine Rothkopf. Pissarro: Creating the Impressionist Landscape. Exh. cat., Baltimore Museum of Art. London, 2006, pp. 88, 186–89, no. 49, ill. (color, overall and detail). Katherine Rothkopf. Pissarro: Creating the Impressionist Landscape. Exh. cat., Baltimore Museum of Art. London, 2006, pp. 59, 63.

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Minneapolis Institute of Arts, 2400 3rd Avenue, Minneapolis 55404, USA

Type of work: Painting Title: The Luxembourg Gardens at Twilight

Date Created: 1879 Maker: John Singer Sargent

Maker dates: 1856 - 1925 Nationality: American Dimensions: 73.66 x 92.71 cm (framed: 92.39 x 111.76 x 8.26 cm) Materials: Oil on canvas Identifying Not recorded marks:

Place of Not recorded manufacture: Ownership Minneapolis Institute of Arts 1933 - 1945:

Provenance: John Singer Sargent [1856-1925]; gift to Charles Folen McKim in 1879; by descent to his daughter, Margaret McKim (Mrs. William J.M.A. Maloney), New York, New York in 1909; sold directly to Mrs. Charles C. Bovey and Mrs. Charles D. Veilie, both of Minneapolis, Minnesota, in February, 1916; gift to the Minneapolis Institute of Arts on March 3, 1916.

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Exhibition Buffalo, NY, Fine Arts Academy, Albright Art Gallery, "Thirteenth Annual Exhibition of history: Selected Paintings by American Artists," 1919, no. 96. New York, NY, "Paintings in Oil," 1926, no. 2. Baltimore, MD, Baltimore Museums of Art, "Survey of American Painting," 1934, no. 28. New York, NY, The Metropolitan Museum of Art, "Landscape Exhibition," 1934. Pittsburgh, PA, Carnegie Institute, "American Landscape," 1939, no. 17. Chicago, IL, The Art Institute of Chicago, "Sargent, Whistler, and Mary Cassatt," 1954, & New York, NY, The Metropolitan Museum of Art, 1954, no. 41. Minneapolis, MN, The Minneapolis Institute of Arts, "Fortieth Anniversary Exhibition of Forty Masterpieces," 1955. Pittsburgh, PA, Carnegie Institute, "American Classics of the Nineteenth Century," 1957, & Utica, NY, Munson-Williams-Proctor Institute, 1958; Richmond, VA, Virginia Museum of Fine Arts, 1958; Baltimore, MD, The Baltimore Museum of Arts, 1958; Manchester, NH, Currier Gallery of Art, 1958. Washington DC, Corcoran Gallery of Art, "The Private World of John Singer Sargent," 1964, & Cleveland, OH, The Cleveland Museum of Art, 1964; Worchester, MA, The Worchester Art Museum, 1964; Utica, NY, Munson-Williams-Proctor Institute, 1964-5, no. 6. Minneapolis, MN, Farmers and Mechanics Bank, 1965. Minneapolis, MN, The Minneapolis Institute of Arts, "Bicentennial Exhibition," 1976. Minneapolis, MN, The Minneapolis Institute of Arts, "Great Expectations," 1979, no. 13. Minneapolis, MN, The Minneapolis Institute of Arts, "Donors and Directors: A Century of Collecting (Part I)," 1983. Minneapolis, MN, The Minneapolis Institute of Arts, "Made in America: Ten Centuries of American Art," 1995, & St Louis, MO, The St Louis Art Museum, 1995; Toledo, OH, The Toledo Museum of Art, 1995-6; Kansas City, MO, The Nelson-Atkins Museum of Art, 1996; Pittsburgh, PA, The Carnegie Museum of Art, 1996. Stanford, CA, Stanford University, Iris and B. Gerald Cantor Center for the Visual Arts, "The Changing Garden: European and American Parks and Gardens, 1550-2000," 2003, & Memphis, TN, Dixon Art Gallery and Gardens, 2003-4; Ann Arbor, MI, The University of Michigan Museum of Art, 2004.

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Publications: "The Minneapolis Institute of Arts Bulletin," The Minneapolis Institute of Arts, vol. 5, no. 4, April 1916, p. 25-6, repr. "Handbook of the Minneapolis Institute of Arts," The Minneapolis Institute of Arts, Minneapolis, MN, 1917. "Notes: Albright Art Gallery," The Buffalo Fine Arts Academy, Buffalo, NY, vol. 14, January-October 1919, p. 77, repr. p. 79. Poussette-Dart, 1924, repr. "The Minneapolis Institute of Arts Bulletin," The Minneapolis Institute of Arts, vol. 14, no. 12, November 1925, p. 74, repr. p. 75. William Howe Downes, "John S. Sargent, His Life and Work," Boston: Little, Brown, and Company, 1925-6, p. 9-10, 122-3. The Metropolitan Museum of Art, New York, 1926, p. 3, no. 2, repr. Charteris, 1927, p. 49, 120, (280?). Sweet, 1954, p. 45, repr. Charles M. Mount, "John Singer Sargent: A Biography," New York: W.H. Norton and Co., 1955, K792, p. 442; 1957 edition, p. 352, K792; 1969 edition, p. 460, K792. Lansdale, 1964, p. 79, repr. p. 61. Denys Sutton, "A Bouquet for Sargent," Apollo, May 1964, p. 398. The Art Institute of Chicago Catalogue, 1964, p. 45, no. 41. Terrie, Gordon, Porter, "American Literature," Boston: Ginn and Company, repr. (correspondence January 1965). E.P. Richardson, "Painting in America," New York: Thomas Y. Crowell Company, 1965, p. 282. Whitney, "The Painter's America," no. 125 (no date). Denys Sutton, "The Luminous Point," Apollo, London, March 1967, vol. 85, no. 13, p. 214, repr. p. 220, (221?). Richard McLanathan, (correspondence 1967). Richard Ormond, "John Singer Sargent: Paintings, Drawings, Watercolours," New York: Harper & Row, 1970, p. 22, 237, pl. 14. Richard J. Boyle, "American Impressionism," Praeger Publishers, Inc., 1974, p. 67, repr. p. 68. "History of Art," [College Textbook] New York: Appleton-Century-Crofts, Spring 1974. "History of America," London: Orbis Publications Ltd., vol. 10, repr. colour (correspondence 1974). John M. Clinedinst, University of Delaware (correspondence 1978). Trevor J. Fairbrother, doctoral dissertation on American career of John Singer Sargent, (correspondence May 1980). "John Singer Sargent, His Own Work," Coe Kerr Gallery and Wittenborn Art Books, New York, 1980. G.G. Deak, "Profiles of American Artists," Kennedy Galleries, New York, 1981, p. 130. John Russell and Rosamund Bernier, "Paris," New York: Harry N. Abrams, Inc., 1982-8, new edition, repr. Carter Ratcliff, "John Singer Sargent," London: Phaidon, 1983, p. 50-1, repr. p. 66. John Milner, "The Studios of Paris," London and New Haven: Yale University Press, 1988, repr. colour, pl. 247, p. 198. "Chase Free Management," [brochure], Chase Manhattan of Minnesota, 1988, repr. Jeffrey C. Williams and Janet Donaldson, eds., "Nineteenth Century American Women: Myth and Reality," [filmstrip] Glenhurst Publications, Inc., 1988, repr. Sandra LaWAll Lipschultz, "Selected Works: The Minneapolis Institute of Arts," Minneapolis, MN: The Minneapolis Institute of Arts, 1988, p. 206, repr. colour. Madison Gray, "The Powe of a Small Painting," The Christian Science Monitor, Monday May 1, 1989, p. 16, repr. colour. "Portraits," New York: Holland and Edwards Publishing, Inc., T. McBrian Communications, Inc., 1992, vol. 2, no. 1, repr. colour fig. 2. Richard Boyle, "American Impressionism," New York, 19(??), p. 67, repr. p. 68. John Singer Sargent catalogue raisonne. Henry Adams et al, "Made in America: Ten Centuries of American Art," [exhibition catalogue] New

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York: Hudson Hills Press, 1995. Wayne Craven, "American Art," London: Lawrence King Publishing, Ltd., 2002, repr. colour. Connections Academy, www.connectionsacademy.com, 2008, image is part of course resource online. Willa Cather, "Alexander's Bridge," Lincoln: University of Nebraska Press, 2007, cat. 16, repr. Mary Abbe, "Mystery Solved," Item Worl: Local News and Views, Variety seection, Star Tribune, November 21, 2008, p. E2, repr.

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Musée d'Orsay, 62 rue de Lille, Paris 75343, France

Type of work: Painting Title: Rosebushes under the Trees

Date Created: c.1905 Maker: Gustav Klimt

Maker dates: 1862 - 1918 Nationality: Austrian Dimensions: 110 x 110 cm Materials: Oil on canvas Identifying Not recorded marks:

Place of manufacture:

Ownership Collection Zuckerhandl, Vienne, jusqu'en 1980 La galerie Peter Nathan, 1933 - 1945: Zurich Provenance: Collection Zuckerhandl, Vienne Jusqu'en 1980, dans la galerie Peter Nathan, Zurich 1980, acquis par les Musees nationaux (comite du 02/10/1980, conseil du 08/10/1980, arrete du 05/12/1980) 1980, attribue au musee d'Orsay, Paris

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Exhibition 1908, Vienne, Kunstschau, salle 22, n°11. 1909, Munich, Internationale history: Kunstausstellung, n°812. 1910, Venise, Palazzo dell'esposizione, IX esposizione internazionale d'arte della Citta de Venezia, biennale. 1914, Prague, Deutsch- Bohmischer Kunstlerbund, n°17. 1980-1, Paris, galeries nationales de Grand Palais, Cinq anees d'enrichissement du Patrimoine national: 1975-80 - donations, dations, acquisitions, 15 novembre 1980 - 2 mars 1981, n°346. 1983, Paris, palais de Tokyo, Prefiguration de Musee d'Orsay: Le Fonds Gustave Eiffel. 1985, Paris, musee d'art moderne de la Ville de Paris, Gustav Mahler, un homme, une oeuvre, une epoque, 24 janvier 1985 - 31 mars 1985 n° 64. 1985, Vienne, Museum der Stadt Wien, Traum und Wircklichke, 20 mars - 6 octobre 1985, p 497. 1992, Zurich, Kunsthaus, Gustav Klimt - 1862 - 1919, 11 septembre - 13 decembre 1992. 1996-7, Munster, Wesrfalisches Landesmuseum Fur Kunst, Signac et la liberation de la couleur de Matisse a Mondrain, 1 decembre 1996 - 16 fevrier 1997, n°119. 1997, Grenoble, Musee, Signac et la liberation de la couleur de Matisse a mondrain, 9 mars - 25 mai 1997, n°119. 1997, Weimer, Kunstsammlungen Zu Weimer, Signac et la liberation de la couleur de Matisse a Mondrain, 15 juin - 31 aout 1997, n°119. 1999, Kobe, Kobe City Museum of Art, Reve et realite - Collections de Musee d'Orsay, du 19 juin au 29 aout, n°91. 2001, Ottawa, musee des Beaux-Arts du Canada, Gustav Klimt, vers un renouvellement de la Moderneite, 15 juin - 16 semptembre 2001, p. 108. 2002, Williamstown, Sterling and Francine Clarck Art Institute, Gustav Klimt, Landscapes, 16 juin - 2 septembre 2002, n°26. 2005-6, Paris, galerie nationales du Grand Palais, Vienne 1900. Klimt, Schiele, Moser, Kokoschka, 3 octobre 2005 - 23 janvier 2006, p. 172-3.

Publications: 1975, Novotny F. Dobai J. ?, Gustav Klimt, Vienne, ?, ?, p.338, n°147, pl. 59. 1978, Dobai J. Coradeschi S. ?, L'opera completa di Klimt, Milan, ?, ?, n°134. 1981, Brejon de Lavergnee Arnaud - Thiebaut Dominique, ?, Catalogue sommaire illustre des peintures du musee du Louvre. II. Italie, Espagne, Allemagne, Grande- Bretagne et divers, Paris, R.M.N., ?, vol. 2 p. 340. 1986, Compin Isabelle - Rocquebert Anne, ?, Catalogue sommaire illustre des peintures du musee du Louvre et du musee d'Orsay, Paris, R.M.N., ?, ?. 1990, Compin Isabelle - Lacambre Genevieve - Rocquebert Anne, ?, Musee d'Orsay. Catalogue sommaire illustre des peintures, Paris, R.M.N., ?, vol. 1, p.242-243.

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Österreichische Galerie Belvedere, Prinz-Eugen-Strasse 27, Landstrasse 1030, Wien 3, Austria

Type of work: Painting Title: In the Sunshine (Taormina im Sonnenschein)

Date Created: 1897 Maker: Johann Viktor Krämer

Maker dates: 1861 - 1949 Nationality: Austrian Dimensions: 95 x 95 cm (framed: 100 x 100 x 5 cm) Materials: Oil on canvas Identifying Not recorded marks:

Place of Not recorded manufacture: Ownership Österreichische Galerie Belvedere 1933 - 1945:

Provenance: 1901 purchase Secession, Vienna

Exhibition Not recorded history:

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Type of work: Drawing Title: In the Pergola (In der Pergola)

Date Created: c 1912 - 1913 Maker: Maria Egner

Maker dates: 1850 - 1940 Nationality: Austrian Dimensions: 68 x 86.7 cm (framed: 80 x 99 x 7 cm) Materials: Oil on paper on 'karton' Identifying Not recorded marks:

Place of Not recorded manufacture: Ownership Österreichische Galerie Belvedere 1933 - 1945:

Provenance: 1913 purchase at "Jahresausstellung Künstlerhaus“, Vienna

Exhibition Not recorded history:

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Type of work: Painting Title: Still Life with Flowers

Date Created: 1834 Maker: Eugène Delacroix

Maker dates: 1798 - 1863 Nationality: French Dimensions: 74 x 92.8 cm (framed: 102 x 122 x 11 cm) Materials: Oil on canvas Identifying Not recorded marks:

Place of Not recorded manufacture: Ownership Österreichische Galerie Belvedere 1933 - 1945:

Provenance: Collection George Sand, E. Carlin, Ferdinand Bischoffsheim, Baron von Hirsch von Gereuth, Hector Brame (?) Bernheim, Paris; 1924 purchase private collection, Vienna. Exhibition Not recorded history:

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Städel Museum, Dürerstraße 2, Frankfurt am Main 60596, Germany

Type of work: Painting Title: The Croquet Party (La partie de croquet)

Date Created: 1873 Maker: Edouard Manet

Maker dates: 1832 - 1883 Nationality: French Dimensions: 72.5 x 106 cm Materials: Oil on canvas Identifying Not recorded marks:

Place of Not recorded manufacture: Ownership Städel Museum 1933 - 1945:

Provenance: Edouard Manet, 1832 - 1883, artist, to 1883 (inv. no. 19); auctioned in Paris (no. 44) and bought by Albert Hecht, 1842 - 1889, Paris after 1884; unknown collection (banker), Stuttgart and from there to an unknown dealer, Bern, before 1912; sold to Dorival, an actor, 1912; unknown collection (banker) and bought through Henry Graf Kessler for the City Museums 1912. Exhibition Not recorded history:

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Publications: Weizsäcker 1903. Nachtr. v. 1912, Nr. 42*. - Verz. 1914, Nr. 42*., - Führer 1915, S. 167. - Verz, 1919, Nr. 1476. - Verz 1924, Nr. 1476. - Bilderh. 1963, S., Abb. 45. - Verz. 1966, Nr. 1476, Abb. 94. Théodore Duret, Histoire d'Edouard Manet et de son oeuvre. Paris 1902; S. 102; S. 234 f., Nr. 170. - Théodore Duret, Edouard Manet Sein Leben und seine Kunst, Űbersetzung ins Deutsche von E. Waldmann, Berlin 1910, S. 136; S. 277, Nr. 170. - C.G. (= Carl Gebhart) in: Der Cicerone, IV, 1912, S. 273. - Carl Gebhardt, Die Neuerwerbungen französischer Malerei im Städelschen Kunstinstitut zu Frankfurt a.M. In: Der Cicerone, IV, 1912, S. 765 f., Abb. 5 auf S. 766. - Friedrich Lübbecke, in: Kunst und Künstler, X, 1912, S. 469, Abb. S. 414. - Julius Meier-Graefe, Edouard Manet. München 1912, S. 218-220, dazu Anm. 3 auf S. 219 f.; Abb. 130 auf S. 227. - Karl Scheffler, Reise in Süddeutschland, III. Frankfurt a.M. In: Kunst und Künstler, XX, 1922, S. 411, Abb. S. 420. - E. Moreau-Nélaton, Manet raconté par lui-même. Paris 1926, tom. II, S. 3, Abb. 163. - L'Amour de l'Art, September 1926, S. 309. - Thieme-Becker, XXIV (1930), S. 7. - A. Tabarant, Manet. Paris 1931, Nr. 202. - Ausstellung 'Vom Abbild zum Sinnbild'. Frankfurt a.M., Städelsches Kunstinstitut. 1931. Nr. 148. - Paul Jamot, Georges Wildenstein et Marie-Louise Bataille, a.a.O., Band I, S. 37; S. 147, Nr. 232; Band II, S. 164, Abb. 328. - Wilhelm Uhde, Die Impressionisten, Wien 1937, S. 16, Abb. 21. - Gotthard Jedlicka, Edouard Manet. Erlenbach - Zurich 1941, S. 172 f., Abb. nach S. 176. - A. Tabarant, Manet et ses Oeuvres, Paris 1947, S. 222-224, Abb. 211 auf S. 609. - Ausstellung 'Impressionistes et Romantiques Françaises dans les Musées Allemands', Paris, Musée de l'Orangerie. 1951. Nr. 51, Abb. 40. - John Richardson, Edouard Manet Paintings and Drawings. London 1958, S. 125, Abb. Tafel 44 (farbig). - Dario Durbé, Edouard Manet. London 1963, Tafel 21. - Ludwig Grote, Europäische Malerei in deutschen Galerien. II. Meister des 19. Jahrhunderts. München o.J. (um 1966), Abb. 177. - Phoebe Pool, Impressionism. London 1967, Abb. 100 auf S. 134.

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