The Date of the TLV Mirrors from the Xiongnu Tombs Guolong Lai University of Florida, Gainesville (USA)

Total Page:16

File Type:pdf, Size:1020Kb

The Date of the TLV Mirrors from the Xiongnu Tombs Guolong Lai University of Florida, Gainesville (USA) The Date of the TLV Mirrors from the Xiongnu Tombs Guolong Lai University of Florida, Gainesville (USA) Photo © Daniel C. Waugh 2005 In the summer of 2005, the square center field (also Silkroad Foundation and the called knob-seat), which is Mongolian National University decorated with a large, Fig. 3. TLV mirror fragments conducted their first season of joint simple quatrefoil. The main from Feature 109, Tamir 1 excavation at a Xiongnu cemetery decorative zone is framed site. in Arkhangai aimag in Central between the center square Mongolia. Among their findings and two outer bands, one a were three bronze mirrors. After narrow band with a comb-tooth cast inscription (Fig. 4), which describing them, I shall focus in pattern and the other a wide rim reads: this short essay on the first two, ornamented with three concentric … do not know aging; when TLV mirrors of Chinese rings with a saw-tooth pattern. thirsty, [they] drink from the provenance. My goal will be to Four pairs of T’s and L’s are placed spring of jade; when hungry, establish their date in the context on two perpendicular axes through [they] eat of jujubes. [They] of a broader discussion of the the mirror’s center point, while the roam… problems of dating bronze mirrors four inverted Vs are located at the but not to attempt an examination upper outside corners of the four of other issues such as Han- quadrants thus created. On the left According to similar inscriptions Xiongnu relations. and right sides of each T are placed (see below), it appears that these two nipples; two birds, in elegant descriptions refer to the immortals The first specimen from Feature simple relief, stand on either side dwelling in a transcendental 100 is a beautifully decorated of each inverted V. Furthermore, paradise. Mirrors of this type are intact mirror about 10 centimeters comma-shaped curves and short significant not only because they in diameter (Fig. 1, facing page). lines punctuate the spaces It belongs to a type referred to as between these elements. The ‘TLV’ mirrors in Western Sinological overall design of the mirror is literature, because the shapes of perfectly symmetrical, simple, and the main decorative elements on elegant. the back of the mirrors resemble the Latin letters T, L, and V. At the The second specimen (this one center of the back of the mirror is from Feature 109) is a fragment a hemispherical knob pierced for of another TLV mirror, further a ribbon or textile cord, to facilitate broken into two pieces that were the holding of the mirror (Fig. 2). found in different locations in the The knob is surrounded by a tomb (Fig. 3). The main decorative zone is largely missing; only one corner of the fragment has the elements of the L and V and a pair of birds with long tails. This mirror is larger than the one excavated from Feature 100. Unlike the intact one from Photo © Daniel C. 2005 Waugh Feature 100, this Photo © Daniel C. 2005 Waugh fragmentary mirror Fig. 2. Center of TLV mirror from Feature 100, bears a section of a Fig. 4. Section of TLV mirror from seen from an angle. Feature 109, showing inscription. 37 collections and scholarship on bronze mirrors, the museums (Bulling TLV mirror consists of the basic and Drew 1971-72). motifs of the letters T, L, and V. They used to be referred to as The problems guiju mirrors in Chinese literature with these sources (J: kiku), because it was have been further considered that the V and L exasperated by the resembled the compass (gui) and preference of col- a carpenter’s square (ju). Early lectors for mirrors scholarship focused on the with inscriptions connections between the TLV containing dates, mirror and the sundial (Yetts 1939, which in turn only pp. 148-165) and between the TLV Photo © Daniel C. 2005 Waugh encouraged the mirror and the diviner’s board (shi) Fig. 5. Detail of mirror from Feature 160, Tamir 1 production of fake site. (Kaplan 1937), for several dated mirrors. As a specimens of sundials and diviner’s represent the best specimens of result of this situ- boards were available for bronze production in the Han ation, the mirror chronologies have comparison at the time. period, but also because their been skewed, because of the inscriptions reflect changing reliance of scholars on inscriptions As many scholars later realized, religious ideas in early China. with dates (Loewe 2001-2). Many however, these motifs actually distinguished scholars, including constitute the board of an ancient The third mirror, from Feature the Japanese scholar Umehara game called liubo, a popular 160, is about 7 centimeters in Sueji, who were connoisseurs of pastime among the elite during the diameter (Fig. 5). It is intact, but Chinese mirrors, were clearly Warring States and Han periods its craftsmanship is rather poor, aware of the situation and had paid (Yang 1947; Komai 1953). Thus compared with that of the other particular attention to the issues scholars have suggested that the two. The decorative scheme is of forgery. Yet in the end, they too TLV mirrors should be renamed as barely discernible. Only a small were occasionally duped by fakes. boju, ‘game board,’ mirrors (Zhou knob is found at the center of the Fortunately, in the last half 1987). But the Japanese scholar mirror back. This type of mirror century, many bronze mirrors have Hayashi Minao commendably seen in Xiongnu tombs is most been discovered under scien- insisted that although the TLV likely a low-quality, local imitation tifically-controlled archaeological pattern shared many similarities of Han mirrors. excavations in China. It is now with the liubo game board, it is not possible to establish a chronology a game board per se; rather the The chronology of bronze of bronze mirrors solely based on TLV mirror, the liubo game board, mirrors, along with dating by archaeological materials. Since the and the sundial, all share the same coinage and pottery vessels buried 1950s, all studies of Han mirrors cosmographical symbolism in tombs, have been important have incorporated, to different (Hayashi 1989, pp. 8-9; also methods used in cross-dating early degrees, the newly available Cammann 1948, pp. 160-1). It Chinese and Xiongnu burials. archaeological materials (Loewe now becomes clear from However, the dating of bronze 1979); yet so far no systematic archaeological evidence that there mirrors is a thorny issue for and methodologically rigorous was more than one type of liubo scholars of Chinese art and study that utilizes exclusively game board in early China, and the archaeology. Almost all of the excavated specimens has been configuration of those are slightly existing chronologies have attempted. We will have to wait to different from that of the TLV included in their studies clearly see how significantly an mirrors (it has only four V’s and spurious pieces or other mirrors of archaeologically-based new two L’s, and six I’s; see Li 2002). dubious origins (Umehara 1943, chronology would differ from the Thus it is inappropriate to equate Bulling 1960, Okamura 1984 and extant chronologies. Though a full the liubo game boards with the TLV 1993, except Zhou 1986; see also reinvestigation of the chronology motif. In current Japanese the discussion in Cammann 1961, of Han bronze mirrors is beyond literature, the TLV mirror is still Bulling 1962, Cammann 1962). the scope of this essay, some of called a kiku (Ch: guiju) mirror. For Bronze mirrors have been highly the issues involved in dating TLV convenience and consistency, and valued and collected since the mirrors will be mentioned below. because it is more descriptive North Song dynasty (960-1126). In my examination, I shall consider rather than interpretational, I shall As a result of their high value, only excavated materials. use TLV to refer to these mirrors forgeries and replicas have been throughout this essay. produced – some of which have Long having been the focus of found their way into private Japanese, Chinese and Western 38 Fig. 6. One of the six TLV coinage is often more accurate for mirrors excavated in dating the burials, because in Hunan (the largest, 14.4 many cases buried coinage is in cm). After Zhou 1986, No. large quantities and was the 2, p. 106. currency of the time. This type of TLV mirror lasted into Emperor and other princely Wu’s reign (140-87 BCE). A kingdoms of the Han famous example, with the same dynasty. Some of the inscription as the Hunan mirror, is earliest known ex- the one discovered in the tomb of amples are six inscribed Dou Wan (d. ca. 113 BCE) (Fig. bronze mirrors exca- 7), the consort of Emperor Wu’s vated from an early elder half-brother Liu Sheng (d. Western Han tomb in 113 BCE), at Mancheng in Hubei Hunan province (the province. largest d. 14.4 cm) (Fig. 6), in which TLV The TLV motif also appeared on mirrors with dragon other types of mirrors, such as the arabesque (panchi) so-called caoye ‘grass-leaf’ decoration were found mirrors, named after the leaf-like The TLV pattern appeared on with funerary coins — clay decoration found on the back of the the liubo game board earlier in the imitations of real coins of Emperor mirrors. The specimen in Fig. 8 is Warring States period, a mirror (d. 11.6 cm) discovered but it did not appear on in Tomb no. 23 in the Western Han- bronze mirrors until the period cemetery near Lou- early Han dynasty. The zhoucheng, Qichun, Hubei Swedish scholar Orvar province.
Recommended publications
  • The Textiles of the Han Dynasty & Their Relationship with Society
    The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33
    [Show full text]
  • "Ancient Mirror": an Interpretation of Gujing Ji in the Context of Medieval Chinese Cultural History Ju E Chen
    East Asian History NUMBER 27 . JUNE 2004 Institute of Advanced Studies Australian National University Editor Geremie R. Barme Associate Editor Helen Lo Business Manager Marion Weeks Editorial Advisors B0rge Bakken John Clark Lo uise Edwards Mark Elvin (Convenor) John Fitzgerald Colin Jeffcott Li Tana Kam Lo uie Le wis Mayo Gavan McCormack David Marr Tessa Morris-Suzuki Benjamin Penny Kenneth Wells Design and Production Design ONE Solutions, Victoria Street, Hall ACT 2618 Printed by Goanna Print, Fyshwick, ACT This is the twenty-seventh issue of Ea st Asian History, printed August 2005, in the series previously entitled Papers on Far Ea sternHist ory. This externally refereed journal is published twice a year. Contributions to The Editor, Ea st Asian Hist ory Division of Pacific and Asian History Research School of Pacific and Asian Studies Australian National University Canberra ACT 0200, Australia Phone +61 2 6125 314 0 Fax +61 26125 5525 Email [email protected] Subscription Enquiries to Marion Weeks, East Asian History, at the above address, or to [email protected]. au Annual Subscription Australia A$50 (including GST) Overseas US$45 (GST free) (for two issues) ISSN 1036-6008 iii CONTENTS 1 Friendship in Ancient China Aat Vervoom 33 The Mystery of an "Ancient Mirror": An Interpretation of Gujing ji in the Context of Medieval Chinese Cultural History Ju e Chen 51 The Missing First Page of the Preclassical Mongolian Version of the Hs iao-ching: A Tentative Reconstruction Igor de Rachewiltz 57 Historian and Courtesan: Chen Yinke !l*Ji[Nj. and the Writing of Liu Rushi Biezhuan t9P�Qjll:J,jiJf� We n-hsin Yeh 71 Demons, Gangsters, and Secret Societies in Early Modern China Robert].
    [Show full text]
  • Piece Mold, Lost Wax & Composite Casting Techniques of The
    Piece Mold, Lost Wax & Composite Casting Techniques of the Chinese Bronze Age Behzad Bavarian and Lisa Reiner Dept. of MSEM College of Engineering and Computer Science September 2006 Table of Contents Abstract Approximate timeline 1 Introduction 2 Bronze Transition from Clay 4 Elemental Analysis of Bronze Alloys 4 Melting Temperature 7 Casting Methods 8 Casting Molds 14 Casting Flaws 21 Lost Wax Method 25 Sanxingdui 28 Environmental Effects on Surface Appearance 32 Conclusion 35 References 36 China can claim a history rich in over 5,000 years of artistic, philosophical and political advancement. As well, it is birthplace to one of the world's oldest and most complex civilizations. By 1100 BC, a high level of artistic and technical skill in bronze casting had been achieved by the Chinese. Bronze artifacts initially were copies of clay objects, but soon evolved into shapes invoking bronze material characteristics. Essentially, the bronze alloys represented in the copper-tin-lead ternary diagram are not easily hot or cold worked and are difficult to shape by hammering, the most common techniques used by the ancient Europeans and Middle Easterners. This did not deter the Chinese, however, for they had demonstrated technical proficiency with hard, thin walled ceramics by the end of the Neolithic period and were able to use these skills to develop a most unusual casting method called the piece mold process. Advances in ceramic technology played an influential role in the progress of Chinese bronze casting where the piece mold process was more of a technological extension than a distinct innovation. Certainly, the long and specialized experience in handling clay was required to form the delicate inscriptions, to properly fit the molds together and to prevent them from cracking during the pour.
    [Show full text]
  • Bronze Mirrors
    212 Bronze Mirrors François Louis Twenty-nine bronze mirrors were recovered from various locations at the wreck site. At the time of discovery most of the mirrors were covered by calcareous sediment, and their surfaces had corroded. Many have turned black. Originally, the mirrors were mostly silver to allow for a highly reflective surface. To achieve such a bright color, casters added more tin to the bronze alloy. On average, Tang mirrors are made of a bronze that is composed of 69 percent copper, 25 percent tin, and 5.3 percent lead.1 The mirrors from the Belitung shipwreck feature a panorama of shapes and designs popular in Tang China. Most of them are standard types that were commercially produced and widely traded. But the group also included two surprising pieces: an antique mirror from the Han era (206 BCE–220 CE), and a never-before-seen Tang mirror, whose inscription identifies it as one of the famed specimens cast on the Yangzi River in Yangzhou, a so-called Yangxin or Jiangxin mirror. The Belitung mirrors offer a rare glimpse into a commercial inventory of the early ninth century, the various designs and sizes reflecting different price categories and tastes. About a quarter of the mirrors are of restrained, modest design, with shallow floral reliefs or simple concentric lines on the back. Others, such as the four square mirrors that now look entirely plain, originally may have been splendidly decorated with ivory, mother-of-pearl, or gold and silver inlays in black lacquer. These would have catered to the more affluent customers, as did the heavy, sumptuous, so-called lion-and-grapevine mirrors.
    [Show full text]
  • Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(S): Eugene Yuejin Wang Source: the Art Bulletin, Vol
    Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(s): Eugene Yuejin Wang Source: The Art Bulletin, Vol. 76, No. 3, (Sep., 1994), pp. 511-534 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3046042 Accessed: 17/04/2008 11:17 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Eugene Yuejin Wang a 1 Jian (looking/mirror), stages of development of ancient ideograph (adapted from Zhongwendazzdian [Encyclopedic dictionary of the Chinese language], Taipei, 1982, vi, 9853) History as Mirror: Trope and Artifact people.
    [Show full text]
  • The Later Han Empire (25-220CE) & Its Northwestern Frontier
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Wai Kit Wicky Tse University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, Asian Studies Commons, and the Military History Commons Recommended Citation Tse, Wai Kit Wicky, "Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier" (2012). Publicly Accessible Penn Dissertations. 589. https://repository.upenn.edu/edissertations/589 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/589 For more information, please contact [email protected]. Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Abstract As a frontier region of the Qin-Han (221BCE-220CE) empire, the northwest was a new territory to the Chinese realm. Until the Later Han (25-220CE) times, some portions of the northwestern region had only been part of imperial soil for one hundred years. Its coalescence into the Chinese empire was a product of long-term expansion and conquest, which arguably defined the egionr 's military nature. Furthermore, in the harsh natural environment of the region, only tough people could survive, and unsurprisingly, the region fostered vigorous warriors. Mixed culture and multi-ethnicity featured prominently in this highly militarized frontier society, which contrasted sharply with the imperial center that promoted unified cultural values and stood in the way of a greater degree of transregional integration. As this project shows, it was the northwesterners who went through a process of political peripheralization during the Later Han times played a harbinger role of the disintegration of the empire and eventually led to the breakdown of the early imperial system in Chinese history.
    [Show full text]
  • The Diary of a Manchu Soldier in Seventeenth-Century China: “My
    THE DIARY OF A MANCHU SOLDIER IN SEVENTEENTH-CENTURY CHINA The Manchu conquest of China inaugurated one of the most successful and long-living dynasties in Chinese history: the Qing (1644–1911). The wars fought by the Manchus to invade China and consolidate the power of the Qing imperial house spanned over many decades through most of the seventeenth century. This book provides the first Western translation of the diary of Dzengmeo, a young Manchu officer, and recounts the events of the War of the Three Feudatories (1673–1682), fought mostly in southwestern China and widely regarded as the most serious internal military challenge faced by the Manchus before the Taiping rebellion (1851–1864). The author’s participation in the campaign provides the close-up, emotional perspective on what it meant to be in combat, while also providing a rare window into the overall organization of the Qing army, and new data in key areas of military history such as combat, armament, logistics, rank relations, and military culture. The diary represents a fine and rare example of Manchu personal writing, and shows how critical the development of Manchu studies can be for our knowledge of China’s early modern history. Nicola Di Cosmo joined the Institute for Advanced Study, School of Historical Studies, in 2003 as the Luce Foundation Professor in East Asian Studies. He is the author of Ancient China and Its Enemies (Cambridge University Press, 2002) and his research interests are in Mongol and Manchu studies and Sino-Inner Asian relations. ROUTLEDGE STUDIES
    [Show full text]
  • 340336 1 En Bookbackmatter 251..302
    A List of Historical Texts 《安禄山事迹》 《楚辭 Á 招魂》 《楚辭注》 《打馬》 《打馬格》 《打馬錄》 《打馬圖經》 《打馬圖示》 《打馬圖序》 《大錢圖錄》 《道教援神契》 《冬月洛城北謁玄元皇帝廟》 《風俗通義 Á 正失》 《佛说七千佛神符經》 《宮詞》 《古博經》 《古今圖書集成》 《古泉匯》 《古事記》 《韓非子 Á 外儲說左上》 《韓非子》 《漢書 Á 武帝記》 《漢書 Á 遊俠傳》 《和漢古今泉貨鑒》 《後漢書 Á 許升婁傳》 《黃帝金匱》 《黃神越章》 《江南曲》 《金鑾密记》 《經國集》 《舊唐書 Á 玄宗本紀》 《舊唐書 Á 職官志 Á 三平准令條》 《開元別記》 © Springer Science+Business Media Singapore 2016 251 A.C. Fang and F. Thierry (eds.), The Language and Iconography of Chinese Charms, DOI 10.1007/978-981-10-1793-3 252 A List of Historical Texts 《開元天寶遺事 Á 卷二 Á 戲擲金錢》 《開元天寶遺事 Á 卷三》 《雷霆咒》 《類編長安志》 《歷代錢譜》 《歷代泉譜》 《歷代神仙通鑑》 《聊斋志異》 《遼史 Á 兵衛志》 《六甲祕祝》 《六甲通靈符》 《六甲陰陽符》 《論語 Á 陽貨》 《曲江對雨》 《全唐詩 Á 卷八七五 Á 司馬承禎含象鑒文》 《泉志 Á 卷十五 Á 厭勝品》 《勸學詩》 《群書類叢》 《日本書紀》 《三教論衡》 《尚書》 《尚書考靈曜》 《神清咒》 《詩經》 《十二真君傳》 《史記 Á 宋微子世家 Á 第八》 《史記 Á 吳王濞列傳》 《事物绀珠》 《漱玉集》 《說苑 Á 正諫篇》 《司馬承禎含象鑒文》 《私教類聚》 《宋史 Á 卷一百五十一 Á 志第一百四 Á 輿服三 Á 天子之服 皇太子附 后妃之 服 命婦附》 《宋史 Á 卷一百五十二 Á 志第一百五 Á 輿服四 Á 諸臣服上》 《搜神記》 《太平洞極經》 《太平廣記》 《太平御覽》 《太上感應篇》 《太上咒》 《唐會要 Á 卷八十三 Á 嫁娶 Á 建中元年十一月十六日條》 《唐兩京城坊考 Á 卷三》 《唐六典 Á 卷二十 Á 左藏令務》 《天曹地府祭》 A List of Historical Texts 253 《天罡咒》 《通志》 《圖畫見聞志》 《退宮人》 《萬葉集》 《倭名类聚抄》 《五代會要 Á 卷二十九》 《五行大義》 《西京雜記 Á 卷下 Á 陸博術》 《仙人篇》 《新唐書 Á 食貨志》 《新撰陰陽書》 《續錢譜》 《續日本記》 《續資治通鑑》 《延喜式》 《顏氏家訓 Á 雜藝》 《鹽鐵論 Á 授時》 《易經 Á 泰》 《弈旨》 《玉芝堂談薈》 《元史 Á 卷七十八 Á 志第二十八 Á 輿服一 儀衛附》 《雲笈七籖 Á 卷七 Á 符圖部》 《雲笈七籖 Á 卷七 Á 三洞經教部》 《韻府帬玉》 《戰國策 Á 齊策》 《直齋書錄解題》 《周易》 《莊子 Á 天地》 《資治通鑒 Á 卷二百一十六 Á 唐紀三十二 Á 玄宗八載》 《資治通鑒 Á 卷二一六 Á 唐天寶十載》 A Chronology of Chinese Dynasties and Periods ca.
    [Show full text]
  • The Dioskouroi on Four-Figure Etruscan Mirrors
    THE DIOSKOUROI ON FOUR-FIGURE ETRUSCAN MIRRORS By DANIEL “WOOD D” WEBER A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2006 Copyright 2006 by DANIEL “WOOD D” WEBER Oh Muses, sing of my very own ‘divine’ twins, clear-voiced Ariel Faith and lovely-haired Gabryelle Raina, to whom I lovingly dedicate this study. TABLE OF CONTENTS page LIST OF TABLES............................................................................................................. vi LIST OF FIGURES .......................................................................................................... vii ABSTRACT....................................................................................................................... xi CHAPTER 1 INTRODUCTION ........................................................................................................1 Etruscan Bronzeworking ..............................................................................................1 The Dioskouroi/ Tinas Cliniar......................................................................................2 2 CHARACTERISTICS OF ETRUSCAN BRONZE MIRRORS..................................4 Material and Limitations...............................................................................................4 Types of Mirrors and Terminology ..............................................................................6 Inscriptions ...................................................................................................................9
    [Show full text]
  • The Metaphysical Symbolism of the Chinese Tortoise
    This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. The metaphysical symbolism of the chinese tortoise Chong, Alan Wei Lun 2018 Chong, A. W. L. (2018). The metaphysical symbolism of the chinese tortoise. Master's thesis, Nanyang Technological University, Singapore. http://hdl.handle.net/10356/73204 https://doi.org/10.32657/10356/73204 Downloaded on 10 Oct 2021 09:40:57 SGT THE METAPHYSICAL SYMBOLISM OF THE CHINESE TORTOISE THE METAPHYSICAL SYMBOLISM THE METAPHYSICAL OF THE CHINESE TORTOISE CHONG WEI LUN ALAN CHONG WEI LUN, ALAN CHONG WEI LUN, SCHOOL OF ART, DESIGN AND MEDIA 2018 A thesis submitted to the Nanyang Technological University in partial fulfilment of the requirement for the degree of Master of Arts (Research) Acknowledgements Foremost, I would like to express my gratitude to Nanyang Technological University, School of Art, Design and Media for believing in me and granting me the scholarship for my Masters research. I would like to thank my thesis supervisor Dr. Nanci Takeyama of the School of Art, Design and Media, College of Humanities, Arts, & Social Sciences at Nanyang Technological University. The door to Prof. Takeyama office was always open whenever I ran into a trouble spot or had a question about my research or writing. Her valuable advice and exceeding patience has steered me in the right the direction whenever she thought I needed it. I would like to acknowledge Dr. Sujatha Meegama of the School of Art, Design and Media, Nanyang Technological University for advising in my report, and I am gratefully indebted to her for her valuable input for my research process.
    [Show full text]
  • Chinese Bronze Mirrors
    CHINESE BRONZE MIRRORS 1st-2nd Century, Six Dynasties Han Dynasty Artist Unknown Artist Unknown Chinese Chinese G 215 G215 Acc: 52.11.6 Acc: 96.97.10 PHYSICAL DESCRIPTION Mirror One: Bronze mirror, round (8 ¾ inches) with relief pictorial decoration (Yeuh type) Mirror Two: Bronze mirror, round (6 7/8 inches) decorated with Chinese characters QUESTIONS AND ACTIVITIES 1. What might be some of the uses of mirrors by the Chinese? 2. How would you describe the decoration on the back of these mirrors? 3. Who might have owned these mirrors? KEY IDEAS 1. While the history of bronze mirrors is much less ancient than many of the ritual vessels from the Shang Dynasty (one example has been found in a tomb dating to the Zia Dynasty), mirrors have been used in China from at least the 8th century BCE. Mirrors are not as complex as the bronze bells developed at this time but were much more widespread. 2. Chinese bronze mirrors were highly burnished on the reflective side and sometimes polished with mercury. Most mirrors found today have the reflective surface pitted and corroded and have lost their original finish. The other side—cast from clay molds- -is decorated with intricate patterns and design that reveal astonishing levels of artistry and craftsmanship. Some are compact and portable enough to be held in one hand, others are large and heavy enough to require stands. 3. The majority of mirrors are round. The decorated side of the mirror was filled with symbolism in the early mirrors. The Chinese believed that by using symbols representing the universe, it would be possible to acquire some of the universe’s power to gain strength and protection from evil.
    [Show full text]
  • “Qin and Han Empires and Their Legacy” (Handout) Michael Nylan ([email protected]) Professor, History
    “Qin and Han Empires and their Legacy” (Handout) Michael Nylan ([email protected]) Professor, History NB: Many of the ideas presented to you today are brand-new, as they reflect research within the last ten years or so (mostly based on excavated documents, but also on some rethinking of the "received literature" transmitted prior to the twentieth century, when archaeological excavations began).1 Please do not hesitate to ask questions about this material, since it may contradict things you thought you knew, and also be too new to be reflected in the usual textbooks. Given the uneven spread in space and time of the excavated materials, historians of early China often find themselves making larger generalizations that the material warrants, but we can feel very confident that the generalizations that I am giving you here today represent the best and most current scholarship. Let us begin with the paradox: it was during the reigns of two emperors who are generally excoriated (Qin Shihuang or the First Emperor of terracotta fame, r. 221-210 BC, and the usurper Wang Mang, r. 9-23) that the main institutions of imperial China (221 BC-AD 1911) were devised. After the Han period (as after the Tang), there was a long period of disunion, as different rulers tried – but failed – to reinstitute empires. Still, it is noteworthy that by the time that the second Han dynasty (called "Eastern" or "Later" Han) fell in AD 220, good government by definition was "unified empire," regardless of whether the current administration had managed to unify or not.
    [Show full text]