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Bishop Otter College Guild Newsletter 2018
Bishop Otter College Guild Newsletter 2018 Guild Newsletter 2018 | 3 Welcome to the Bishop Otter College Guild Newsletter 2018 We are very excited to announce the return of the Jean Lurçat tapestry to the Chapel of the Ascension after six years. The tapestry had not been taken down since its installation in the early 1960s and although it was in very good condition it showed evidence of dye fading due to over exposure to high light levels, a few areas of abraded weft particularly at shoulder and arm height and it was very dusty. The work undertaken by conservator Zenzie Tinker (pictured below) has addressed the damage caused by dust and abrasion and the tapestry has been raised to reduce the risk of people brushing against it when using the altar. The issue of UV damage remains but the tapestry will now be checked annually by the conservator to assess its condition. The Chapel of the Ascension has played a central role in the life of the University since its creation and we are thrilled to be able to showcase the tapestry once more. We invite our alumni back to campus to view the tapestry either before or during the Bishop Otter Guild Reunion. If you would like to visit please get in touch with the Alumni Team who will be happy to arrange a visit for you. 01243 812171 [email protected] 2 | Guild Newsletter 2018 Bishop Otter College Guild President Professor Clive Behagg Vice-Presidents Dr Colin Greaves Professor Philip E D Robinson Honorary Secretary Mr Marten Lougee 11 Meadow Close Cononley, Keighley West Yorkshire BD20 8LZ 01535 636487 -
The Scottish Banner
thethethe ScottishScottishScottish Banner BannerBanner 44 Years Strong - 1976-2020 www.scottishbanner.com A’ Bhratach Albannach Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 VolumeVolumeVolume 44 36 Number36 Number Number 6 11 The 11 The world’sThe world’s world’s largest largest largest international international international Scottish Scottish Scottish newspaper newspaper newspaper December May May 2013 2013 2020 Celebrating US Barcodes Hebridean history 7 25286 844598 0 1 The long lost knitting tradition » Pg 13 7 25286 844598 0 9 US Barcodes 7 25286 844598 0 3 7 25286 844598 0 1 7 25286 844598 1 1 The 7 25286 844598 0 9 Stone of 7 25286 844598 1 2 Destiny An infamous Christmas 7 25286 844598 0 3 repatriation » Pg 12 7 25286 844598 1 1 Sir Walter’s Remembering Sir Sean Connery ............................... » Pg 3 Remembering Paisley’s Dryburgh ‘Black Hogmanay’ ...................... » Pg 5 What was Christmas like » Pg 17 7 25286 844598 1 2 for Mary Queen of Scots?..... » Pg 23 THE SCOTTISH BANNER Volume 44 - Number 6 Scottishthe Banner The Banner Says… Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 Publisher Contact: Scottish Banner Pty Ltd. The Scottish Banner Editor PO Box 6202 For Auld Lang Syne Sean Cairney Marrickville South, NSW, 2204 forced to cancel their trips. I too was 1929 in Paisley. Sadly, a smoking EDITORIAL STAFF Tel:(02) 9559-6348 meant to be over this year and know film canister caused a panic during Jim Stoddart [email protected] so many had planned to visit family, a packed matinee screening of a The National Piping Centre friends, attend events and simply children’s film where more than David McVey take in the country we all love so 600 kids were present. -
20 to 25 March Free Concert Programme Welcome Kathryn Mcdowell
LSO FUTURES 20 to 25 March Free concert programme Welcome Kathryn McDowell In the third event of the festival on Sunday 24 March, the LSO performs a unique concert, presenting music that spills off the concert stage, into the hall and out to the community beyond. We begin in the foyers with a performance of David Lang’s the public domain given by the London Symphony Chorus and singers from the local community. I would like to take the opportunity to offer a very warm welcome to all those who have joined us to participate in this project, which was developed in collaboration with Culture Mile. Continuing in the Barbican Hall, LSO Principal Guest Conductor François-Xavier Roth conducts the UK premiere of Philippe Manoury’s Ring with the Orchestra distributed elcome to LSO Futures, our triennial throughout all three levels of the concert festival of new and contemporary hall. The world premiere of Donghoon Shin’s music, which this year explores the Kafka’s Dream follows, a commission of the theme of ‘space’ over four boundary-pushing LSO’s Panufnik Composers Scheme, before events. The festival begins on Wednesday 20 Scriabin’s Symphony No 4, ‘Poem of Ecstasy’ March with Getting It Right? New Music/ closes the concert. New Technologies, a creative forum hosted by Guildhall School in collaboration with Monday 25 March brings LSO Futures to a LSO Discovery. The forum starts with a close as François-Xavier Roth joins us once sound installation devised by students more to lead a day of workshops at LSO from the Guildhall School’s Electronic Music St Luke’s. -
MONDAY 1 OCTOBER 2018 CAST AMENDMENT GÖTTERDÄMMERUNG (Richard Wagner) Monday 1 October 2018 at 4Pm
MONDAY 1 OCTOBER 2018 CAST AMENDMENT GÖTTERDÄMMERUNG (Richard Wagner) Monday 1 October 2018 at 4pm Due to the indisposition of Christina Bock, Rachael Lloyd sings Wellgunde in today’s performance. Rachael Lloyd has sung Alisa (Lucia di Lammermoor) and Kate Pinkerton (Madama Butterfly) for The Royal Opera. Other appearances include Mrs Anderssen in Sondheim’s A Little Night Music (Théâtre du Châtelet, Paris), the title role of Carmen (Raymond Gubbay Ltd at Royal Albert Hall), Miss Jessel in The Turn of the Screw, Third Lady in The Magic Flute and Pitti-Sing in The Mikado (ENO), Amastris in Xerxes (ETO, Early Opera Company), Maddalena in Rigoletto (Iford Arts), Aristea in L’Olimpiade (Buxton Festival), Meg Page in Falstaff (Glyndebourne on Tour), Woman/Mother in Dove’s The Day After (ENO Baylis) and Cornelia in Giulio Cesare (Glyndebourne Festival). Notable concert performances include Rossini’s Stabat Mater (Ulster Orchestra), Dido and Aeneas (Spitalfields Festival), Messiah (Kristiansund), Ravel’s Trois Poèmes de Stéphane Mallarmé (LPO) andSchumann’s Frauenliebe und - leben and Elgar’s Sea Pictures (Opéra de Lille). Plans include Selene in Berenice (Royal Opera). The rest of the cast remains the same with German tenor Stefan Vinke as Siegfried, Swedish soprano Nina Stemme as Brünnhilde, Austrian baritone Markus Butter as Gunther, Danish bass Stephen Milling as Hagen, American soprano Emily Magee as Gutrune, Scottish mezzo-soprano Karen Cargill as Waltraute, German baritone Johannes Martin Kränzle as Alberich, British contralto Claudia Huckle as First Norn, For all Royal Opera House press releases visit www.roh.org.uk/press German soprano Irmgard Wilsmaier as Second Norn, Norwegian soprano Lise Davidsen as Third Norn, Australian soprano Lauren Fagan as Woglinde and English mezzo-soprano Angela Simkin as Flosshilde, conducted by Antonio Pappano. -
Human Requiem (U.S
Sunday, October 16, 2016, at 7:30 pm Tuesday–Wednesday, October 18–19, 2016, at 7:30 pm Post-performance discussion on Tuesday, October 18 with Simon Halsey, Jochen Sandig, and Patrick Castillo human requiem (U.S. premiere) Rundfunkchor Berlin Simon Halsey , Conductor Marlis Petersen , Soprano Konrad Jarnot , Baritone Angela Gassenhuber , Piano Philip Mayers , Piano Nicolas Fink , Co-Conductor Jochen Sandig , Concept and Scenic Realization Brad Hwang , Spatial Concept Jörg Bittner , Lighting BRAHMS Ein deutsches Requiem for soloists, chorus, and piano four hands (1868/2004) Arranged by Phillip Moll from the original transcription by Brahms Selig sind, die da Leid tragen Denn alles Fleisch, es ist wie Gras Herr, lehre doch mich Wie lieblich sind deine Wohnungen Ihr habt nun Traurigkeit Denn wir haben hie keine bleibende Statt Selig sind die Toten This performance is approximately 70 minutes long without intermission. Please join the artists for a White Light Lounge immediately following the performance. These performances are made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Please make certain all your electronic devices Synod House, are switched off. Cathedral of St. John the Divine WhiteLightFestival.org MetLife is the National Sponsor of Lincoln Center. UPCOMING WHITE LIGHT FESTIVAL EVENTS: Artist Catering provided by Zabar’s and Zabars.com Friday, October 21 at 7:30 pm in the Church of St. Mary the Virgin American Airlines is the Official Airline of Lincoln Immortal Bach Center Rundfunkchor Berlin -
Changing Cultural Paradigms in Choral Programming
Changing Cultural Paradigms in Choral Programming Ciara Anwen Cheli Advisor: Lisa Evelyn Graham, Music Wellesley College May 2020 Submitted in Partial Fulfillment of the Prerequisite for Honors in Music © Ciara Cheli, 2020 Cheli 2 Table of Contents Acknowledgements .......................................................................................................................... 3 Introduction ..................................................................................................................................... 4 Part One: Reflecting on Our Past ................................................................................................... 7 Chapter One: An Overview of Choral Programming and Historical Trends ........................................... 7 Chapter Two: Modernism and a Choral Identity Crisis ......................................................................... 10 Chapter Three: Historical Perspectives on Concert Programming and Repertoire .............................. 15 Part Two: Looking To Our Future ................................................................................................ 19 Chapter One: Changing Cultures, Changing Choirs ............................................................................. 19 Chapter Two: Representation Matters .................................................................................................... 20 Chapter Three: Culturally Responsive Programming in the 21st Century .............................................. 24 Chapter Four: -
The Magic Flute Programme
Programme Notes September 4th, Market Place Theatre, Armagh September 6th, Strule Arts Centre, Omagh September 10th & 11th, Lyric Theatre, Belfast September 13th, Millennium Forum, Derry-Londonderry 1 Welcome to this evening’s performance Brendan Collins, Richard Shaffrey, Sinéad of The Magic Flute in association with O’Kelly, Sarah Richmond, Laura Murphy Nevill Holt Opera - our first ever Mozart and Lynsey Curtin - as well as an all-Irish production, and one of the most popular chorus. The showcasing and development operas ever written. of local talent is of paramount importance Open to the world since 1830 to us, and we are enormously grateful for The Magic Flute is the first production of the support of the Arts Council of Northern Austins Department Store, our 2014-15 season to be performed Ireland which allows us to continue this The Diamond, in Northern Ireland. As with previous important work. The well-publicised Derry / Londonderry, seasons we have tried to put together financial pressures on arts organisations in Northern Ireland an interesting mix of operas ranging Northern Ireland show no sign of abating BT48 6HR from the 18th century to the 21st, and however, and the importance of individual combining the very well known with the philanthropic support and corporate Tel: +44 (0)28 7126 1817 less frequently performed. Later this year sponsorship has never been greater. I our co-production (with Opera Theatre would encourage everyone who enjoys www.austinsstore.com Company) of Donizetti’s L’Elisir d’Amore seeing regular opera in Northern Ireland will tour the Republic of Ireland, following staged with flair and using the best local its successful tour of Northern Ireland operatic talent to consider supporting us last year. -
4 Behind the Scenes Playing in Rep 6 Your Latest School News and Stories
The Guildhall School Magazine Spring/ Summer 2016 4 Behind the Scenes 26 The Interview Playing in Rep Athole Still 6 Your latest School 30 Then & Now news and stories Debbie Wiseman PLAY32 Class Notes 35 In Memoriam Sir George Martin 12 Guildhall to the World New York, New York 14 My Legacy Gift Kevin Webb 16 Where art meets business 22 Doctor in the House 38 A Day in the Life Philip Venables Sara Lee Editorial Group Welcome to the latest edition of PLAY Short Courses Deputy Head of Development (Alumni & Supporter Relations) Recently, I spent two days meeting with current students who Rachel Dyson 2016 had applied to be involved in our Easter telephone appeal. I Head of External Affairs Jo Hutchinson asked them all the same questions and their responses, regardless of subject or level of study, were astonishingly consistent and Head of Development Summer Arts Camp Duncan Barker often quite touching. New Summer Arts Camp for 11-14 years (in association with the Barbican) Marketing & Communications Officer When asked ‘Why did you choose to study at Guildhall?’, many Drama Summer School Rosanna Chianta students spoke of loving the ‘easy-going’, ‘friendly’, ‘progressive’ Acting in Shakespeare & Contemporary Theatre Writer & Editorial Consultant Acting in Musical Theatre environment at Guildhall; how they felt at home as soon as Nicola Sinclair Drama Summer School for 16-17 years they walked in for an open day, an audition or to visit a friend Art Direction & Design who was here before them. They talked of the collaborative Music Summer School Pentagram New Brass and Percussion Week Jessie Earle opportunities that arise from the combination of conservatoire Advanced Saxophone and drama school, and from the School’s partnerships with New Advanced Viola and Performance Health Contact external organisations such as the LSO, the Barbican and the New Advanced Oboe New Oboe and Cor Anglais Artistry Email Royal Opera House. -
Digital Concert Hall Where We Play Just for You
www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca. -
Simon Butteriss Actor/Writer/Director
Simon Butteriss Actor/Writer/Director Writer/director/translator/actor/singer/presenter - Simon Butteriss read English at Cambridge, trained at the RCM Opera School and started his career as an actor in West End plays and musicals and with the RSC, OLd Vic Company and at Chichester. He has also made numerous film and television appearances. As a performer, he is perhaps best known in the Gilbert and Sullivan patter roles, which he continues to sing all over the world and he now also pursues a busy career in international opera, singing at La Scala, Milan, with English National Opera and others. Agents Nicki Stoddart [email protected] +44 (0) 20 3214 0869 Credits Opera Production Company Notes LA COLOMBE West Green House Opera Director and translator 2016 DIE FLEDERMAUS Philharmonia Orchestra Director, Royal Festival Hall; also 2014 wrote narration CARMEN RTE Orchestra wrote narration 2014 THE MIKADO/IOLANTHE National tour director 2014 THE MIKADO Raymond Gubbay Director Royal Festival 2013 Hall,Manchester Bridgewater Hall, Birmingham Symphony Hall IOLANTHE International Gilbert and Director Buxton Opera House, 2013 Sullivan Festival Harrogate Royal Hall United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes PRINCESS IDA International Gilbert and Director Buxton Opera House, 2013 Sullivan Festival Harrogate Royal Hall THE MERRY WIDOW Philharmonia Orchestra/John Director Royal Festival Hall /also wrote 2012 Wilson Narration THE MIKADO International Gilbert and Director Buxton Opera House. 2012 Sullivan Festival Harrogate Royal Hall THE YEOMEN OF THE Philharmonia Orchestra/John Director Royal Festival Hall and, with GUARD Wilson RLPO, Liverpool Philharmonic Hall 2012 HMS PINAFORE Raymond Gubbay Director Barbican Hall, Manchester 2012 Bridgewater Hall. -
Noye's Fludde
"The orchestra played with consistent verve under the confident and stylish direction of Oliver Gooch" The Guardian. British conductor Oliver Gooch is rapidly establishing a reputation as a conductor of considerable versatility in a wide range of symphonic and operatic repertoire. Following an appointment by Sir Antonio Pappano as the first Associate Young Artist at the Royal Opera House, Covent Garden in 2004, his conducting career to date has seen collaborations with many of the major UK orchestras, including the LSO, Philharmonia, BBC Symphony, Hallé, Orchestra of the Royal Opera House and Northern Sinfonia. He has also continued to have a fruitful relationship with the Royal Philharmonic Orchestra, as a regular guest conductor. Further afield, he has made highly acclaimed debuts with the Queensland and Tasmanian Symphonies in Australia, New York Sinfonietta, Orchestra i Pomeriggi Musicali in Milan, and Orchestra della Toscana. He has an ongoing relationship with Italy’s major touring company, Associazione Lirica e Concertistica Italiana (AsLico). He balances orchestral engagements with extensive work in opera in the UK and abroad. He gave the American premiere of Janáček’s Šarka with Dicapo Opera in New York, and in Europe, made his Italian debut at Teatro Ponchielli, Cremona with Die Zauberflöte (praised in Corriere della Ser). In the UK, at the age of twenty one, he came to attention as Founding Artistic Director of Opera East Productions, platforming many exciting British young singers who have since gone on to have notable careers. Between 1999-2011, he conducted over thirty productions, including an award winning Rape of Lucretia designed by Sir Terry Frost, and the world premiere of Tarik O’Regan’s Heart of Darkness, in collaboration with ROH2/Opera Genesis. -
Music by BENJAMIN BRITTEN Libretto by MYFANWY PIPER After a Story by HENRY JAMES Photo David Jensen
Regent’s Park Theatre and English National Opera present £4 music by BENJAMIN BRITTEN libretto by MYFANWY PIPER after a story by HENRY JAMES Photo David Jensen Developing new creative partnerships enables us to push the boundaries of our artistic programming. We are excited to be working with Daniel Kramer and his team at English National Opera to present this new production of The Turn of the Screw. Some of our Open Air Theatre audience may be experiencing opera for the first time – and we hope that you will continue that journey of discovery with English National Opera in the future; opera audiences intrigued to see this work here, may in turn discover the unique possibilities of theatre outdoors. Our season continues with Shakespeare’s As You Like It directed by Max Webster and, later this summer, Maria Aberg directs the mean, green monster musical, Little Shop of Horrors. Timothy Sheader William Village Artistic Director Executive Director 2 Edward White Benson entertained the writer one One, about the haunting of a child, leaves the group evening in January 1895 and - as James recorded in breathless. “If the child gives the effect another turn of There can’t be many his notebooks - told him after dinner a story he had the screw, what do you say to two children?’ asks one ghost stories that heard from a lady, years before. ‘... Young children man, Douglas, who says that many years previously he owe their origins to (indefinite in number and age) ... left to the care of heard a story too ‘horrible’ to admit of repetition.