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Bereavement Resource Manual 2018 Purpose
Richmond’s Bereavement Resource Manual 2018 Purpose This manual is designed to serve as an educational resource guide to grieving families and bereavement professionals in the Central Virginia area and to provide a practical list of available national and local support services. It is meant to be a useful reference and is not intended as an exhaustive listing. Grief is not neat and tidy. At Full Circle Grief Center, we realize that each person’s grief journey is unique and personal, based on many factors. Keep in mind that there is no “right” or “wrong” way to cope with grief. After losing a loved one, family members have varying ways of coping and may require different levels of support over time. We hope that some aspect of this manual will be helpful to those grieving in our community and the professionals, friends, and family who support them. Manual created by: Graphic Design by: Copyright © 2010 Allyson England Drake, M.Ed., CT Kali Newlen-Burden Full Circle Grief Center. Founder and Executive Director www.kalinewlen.com Revised January 2018. Full Circle Grief Center All rights reserved. Cover Art Design by: Logan H. Macklin, aged 13 2 Table of Contents Purpose Page 2 Full Circle Grief Center Page 4 Grief and Loss Pages 5 - 9 Children, Teens and Grief Pages 10 - 20 Perinatal Loss and Death of an Infant Pages 21 - 23 Suicide Loss Pages 24 -26 When Additional Support is Needed Pages 27-31 Self-Care Page 32 Rituals and Remembrance Page 33 How to Help and Support Grieving Families Page 34 Community Bereavement Support Services Pages 35-47 Online Grief and Bereavement Services Pages 48-49 Book List for Grief and Loss Pages 50-61 Thoughts from a Grieving Mother Pages 61-63 Affirmations and Aspirations Pages 64-65 3 Full Circle’s mission is to provide comprehensive, professional grief support to children, adults, families, and communities. -
The Distancing-Embracing Model of the Enjoyment of Negative Emotions in Art Reception
BEHAVIORAL AND BRAIN SCIENCES (2017), Page 1 of 63 doi:10.1017/S0140525X17000309, e347 The Distancing-Embracing model of the enjoyment of negative emotions in art reception Winfried Menninghaus1 Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt am Main, Germany [email protected] Valentin Wagner Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt am Main, Germany [email protected] Julian Hanich Department of Arts, Culture and Media, University of Groningen, 9700 AB Groningen, The Netherlands [email protected] Eugen Wassiliwizky Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt am Main, Germany [email protected] Thomas Jacobsen Experimental Psychology Unit, Helmut Schmidt University/University of the Federal Armed Forces Hamburg, 22043 Hamburg, Germany [email protected] Stefan Koelsch University of Bergen, 5020 Bergen, Norway [email protected] Abstract: Why are negative emotions so central in art reception far beyond tragedy? Revisiting classical aesthetics in the light of recent psychological research, we present a novel model to explain this much discussed (apparent) paradox. We argue that negative emotions are an important resource for the arts in general, rather than a special license for exceptional art forms only. The underlying rationale is that negative emotions have been shown to be particularly powerful in securing attention, intense emotional involvement, and high memorability, and hence is precisely what artworks strive for. Two groups of processing mechanisms are identified that conjointly adopt the particular powers of negative emotions for art’s purposes. -
Kindred Ambivalence
KINDRED AMBIVALENCE: ART AND THE ADULT-CHILD DYNAMIC IN AMERICA’S COLD WAR by MICHAEL MARBERRY A THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2010 Copyright Michael Marberry 2010 ALL RIGHTS RESERVED ABSTRACT The pervasive ideological dimension of the Cold War resulted in an extremely ambivalent period in U.S. history, marked by complex and conflicting feelings. Nowhere is this ambivalence more clearly seen than in the American home and in the relationship between adults and children. Though the adult-child dynamic has frequently harbored ambivalent feelings, the American Cold War era—with its increased emphasis on the family in the face of ideological struggle—served to highlight this ambivalence. Believing that art reveals historical and cultural concerns, this project explores the extent to which adult-child ambivalence is prominent within American art from the period—particularly, the coming-of-age story, as it is a genre intrinsically concerned with the interactions between adults and children. Chapter one features an analysis of Katherine Anne Porter’s “Old Order” coming-of-age sequence, specifically “The Source” and “The Circus.” Establishing Porter’s relevance to the Cold War period, this chapter illustrates how her young heroine (Miranda Gay) experiences ambivalence within her familial relationships—which, in turn, comes to foreshadow and represent the adult-child ambivalence within the Cold War period. Chapter two expands its scope to include a larger historical context and a different artistic mode. With the rise of cinema during the Cold War period, the horror film became a genre extremely interested in adult-child ambivalence, frequently depicting the child as a destructive force and the adult as a victim of parenthood. -
1 Rethinking Jealousy Experience and Expression
Rethinking Jealousy Experience and Expression: An Examination of Specialness Meaning Framework Threat and Identification of Retroactive Jealousy Responses Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jessica Renee Frampton Graduate Program in Communication The Ohio State University 2019 Dissertation Committee Dr. Jesse Fox, Advisor Dr. Kelly Garrett Dr. Shelly Hovick Dr. Roselyn Lee-Won 1 Copyrighted by Jessica Renee Frampton 2019 2 Abstract Extant jealousy models predict jealousy is a response to perceiving a partner’s current or anticipated involvement with a rival as threatening to a relationship’s existence, relational benefits, or self-esteem (e.g., Guerrero & Andersen, 1998; White & Mullen, 1989). Those three threats may explain cases of reactive jealousy, which occurs in response to a partner’s unambiguous involvement with a current rival (Barelds & Barelds-Dijkstra, 2007; Bringle, 1991), but they likely cannot explain cases of retroactive jealousy. Retroactive jealousy entails a negative response to information about a partner’s prior romantic or sexual experiences that occurred before the primary relationship began (Frampton & Fox, 2018b). This type of jealousy is evoked even though the partner is not perceived to be currently romantically or sexually involved with ex-partners. This difference in the nature of retroactive jealousy makes it difficult for current jealousy models to predict retroactive jealousy experience and expression. Two studies were conducted to further explore retroactive jealousy experience and expression. Study 1 experimentally tested predictions about threat to a specialness meaning framework derived from the meaning maintenance model (MMM; Heine, Proulx, & Vohs, 2006; Proulx & Inzlicht, 2012) alongside of predictions about threat to the relationship’s existence, relational benefits, and self-esteem. -
Dan Blaze's Karaoke Song List
Dan Blaze's Karaoke Song List - By Artist 112 Peaches And Cream 411 Dumb 411 On My Knees 411 Teardrops 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 911 The Journey 10 cc Donna 10 cc I'm Mandy 10 cc I'm Not In Love 10 cc The Things We Do For Love 10 cc Wall St Shuffle 10 cc Dreadlock Holiday 10000 Maniacs These Are The Days 1910 Fruitgum Co Simon Says 1999 Man United Squad Lift It High 2 Evisa Oh La La La 2 Pac California Love 2 Pac & Elton John Ghetto Gospel 2 Unlimited No Limits 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Kryptonite 3 Oh 3 feat Katy Perry Starstrukk 3 Oh 3 Feat Kesha My First Kiss 3 S L Take It Easy 30 Seconds To Mars The Kill 38 Special Hold On Loosely 3t Anything 3t With Michael Jackson Why 4 Non Blondes What's Up 4 Non Blondes What's Up 5 Seconds Of Summer Don't Stop 5 Seconds Of Summer Good Girls 5 Seconds Of Summer She Looks So Perfect 5 Star Rain Or Shine Updated 08.04.2015 www.blazediscos.com - www.facebook.com/djdanblaze Dan Blaze's Karaoke Song List - By Artist 50 Cent 21 Questions 50 Cent Candy Shop 50 Cent In Da Club 50 Cent Just A Lil Bit 50 Cent Feat Neyo Baby By Me 50 Cent Featt Justin Timberlake & Timbaland Ayo Technology 5ive & Queen We Will Rock You 5th Dimension Aquarius Let The Sunshine 5th Dimension Stoned Soul Picnic 5th Dimension Up Up and Away 5th Dimension Wedding Bell Blues 98 Degrees Because Of You 98 Degrees I Do 98 Degrees The Hardest -
Saddle up Lyrics
LYRICS - Saddle Up A Western Adventure Album The Okee Dokee Brothers 1. Saddle Up 2. Don’t Fence Me In 3. Cow Cow Yippee 4. The Great Divide 5. Jackalope 6. One Horsepower 7. The Legend of Tall Talkin’ Sam 8. Hard Road to Travel 9. Shootin’ Star 10. Sister Moon and Brother Sun 11. Good Old Times 12. Lead a Horse to Water 13. Somos Amigos 14. The Grass Is Always Greener 15. Last Lullaby Saddle Up Saddle Up, Settle In Every story must begin And this one is tall but it’s true It starts as a quest To tell the tales of the west And how it ends well nobody knows but you Tell us a good one tonight While the fire’s burning bright ‘Bout mountains and rivers of gold Sing us a good one tonight Neath the moon’s silver light Full of tall tales and legends of old Hunker down, gather round Roll the blankets out on the ground As our shadows grow taller than trees There ain’t nothing for miles So the stories run wild And the songs can roam anywhere they please (Chorus) Move em out, move em in Every story has to end But some stay in your heart They go round and round They get lost and then found Because the end is just another place to start Don’t Fence Me In Oh give me land, lots of land under starry skies above Don’t fence me in Let me ride through the wide open country that I love Don’t fence me in Let me be myself in the evening breeze Listen to the murmur of the cottonwood trees Send me off forever but I ask you please Don’t fence me in Just turn me loose, let me straddle my old saddle Underneath the western skies On my cayuse, let me wander over -
Sisters-In-Loss Roadmap to Healing
Road to Healing A E-book Guide to Healing from Pregnancy and Infant Loss and Infertility Welcome Sister in Loss, I am so sorry for your loss. I am not sure what brought you to me, but I'm thankful that you are here to learn, grow, and heal. Please know that the pain you are feeling is real, your loss is real, and you and your baby matter. God did not bring you to this e-book by accident, and you my Sister in Loss are loved, valued, resilient, and phenomenal. All of those tears you cried did not go unnoticed and all those prayers you prayed have been heard. I am not sure if you know Jesus Christ as your personal savior or if you have not prayed in a long while. No matter what your story is, God brought you to me for you to read this e-book, and give you a roadmap for healing. I started Sisters in Loss because I needed an outlet, a community of sisters who knew the pain I felt was real. I needed an outlet to express how my faith was shattered after my loss, and how I did not know how to exactly pray. I needed to know that God heard me even though I was mad and angry at him for taking my children so soon. This e-book is for you my Sister in Loss to lay a foundation, a roadmap toward healing, gain clarity and peace, and become victorious after loss. I have put together prayers, a devotional, and action plan for you to begin your healing now. -
The Ordinary Magic of Daughters
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2014 THE ORDINARY MAGIC OF DAUGHTERS Dfaye Anderson CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/567 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE ORDINARY MAGIC OF DAUGHTERS A screenplay by DFaye Anderson DFaye Anderson 1000 Park Place #7 Brooklyn, New York 11213 917.445.0036 [email protected] 1 EXT. CORNER OF THE ROOF OF A SMALL HOME IN THE SOUTH – DAY Water drips from the roof. It’s raining. Traditional gospel music, Mahalia Jackson, is heard. EXT. SIDE OF THE HOME - DAY A hen walks through the rain. Girl’s pink bike leans against the side of the home. Above and to the right is a window with an air conditioner. EXT. FRONT OF THE HOME - DAY Small, modest home. Porch with plants, vines and a few chairs. Two cars are parked outside. EXT. FRONT OF THE HOME - DAY The home is seen from above. It is in the foreground and we can see the woods behind the home and the cloudy, rainy horizon. EXT. HIGHWAYS – DAY Highways, crisscrossing in several directions. INT. CAR ON THE HIGHWAY - DAY Through the front window we see lanes of highway going in both directions. Highway signs overhead. One sign reads “New York EXIT 3A 60 MILES.” It is still raining. -
A Description of Moral Values in Mariah Carey's Selected Songs
A DESCRIPTION OF MORAL VALUES IN MARIAH CAREY’S SELECTED SONG LYRICS A PAPER WRITTEN BY MOUZA RIZIZKA REG. NO 162202006 UNIVERSITY OF SUMATERA UTARA FACULTY OF CULTURE STUDY DIPLOMA III ENGLISH STUDY PROGRAM MEDAN 2019 1 Universitas Sumatera Utara 2 Universitas Sumatera Utara 3 Universitas Sumatera Utara AUTHOR’S DECLARATION I, MOUZA RIZIZKA, declare that I am the sole writer of this paper. Except where the references in made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for awarded another degree. No other person‟s work has been used without due acknowledgement in the main text of this paper. This paper has not been submitted for the award of another degree in any tertiary education. Signed : Date : JULY, 2019 i Universitas Sumatera Utara COPYRIGHT DECLARATION Name : MOUZA RIZIZKA Title of Paper : A DESCRIPTION OF MORAL VALUES IN MARIAH CAREY’S SELECTED SONG LYRICS Qualification : D-III / Ahli Madya Study Program : English I am willing that paper should be available for reproduction at the direction the Librarian of Diploma-III English Study Program of Culture Study USU on the understanding that users made aware to their obligation under law of the Republic of Indonesia. Signed : Date : JULY, 2019 ii Universitas Sumatera Utara ABSTRACT This paper, entitled A Description of Moral Values in Mariah Carey’s Selected Song Lyrics. This paper aimed to describe the moral values and benefits of the moral values in the life portrayed in Mariah Carey song lyrics. -
Songs by Artist
Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
Attachment Theory and Art Therapy: Indications of Attachment in the Art Therapg of Two Children with Disruptive Behavior Disorders
Attachment Theory and Art Therapy: Indications of Attachment in the Art Therapg of Two Children with Disruptive Behavior Disorders Brandis Cormier A Research Paper in The Department of Art Education and Creative Arts Thrrapirs Presented in Partial Fulfillment of the Rrquirements for the Degree of Master of Arts Concordia University Montreal. Quebec. Canada O Brandie Cormier, 1999 National Library Bibliothèque nationale of Canada du Canada Acquisitions and Acquisitions et Bibliographie Senhces services bibliographiques 395 Wellington Street 395. rue Wellington Ottawa ON KIA ON4 Ottawa ON K1A ON4 Canada Canada Your file Vctre referenee Our file Noire teterence The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of ths thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts f?om it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent êîre imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Abstract Attachment Theory and Art Therapg: Indications of Attachment in the Art Therapy of Two Children with Disruptive Behavior Disorders Brandie Cormier Linking art therapy to attachment theory. this paper hypothesizes thtir childrrn re- rnact.