Bereavement Resource Manual 2018 Purpose
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Term Toxic Shame Being Mirrored by One
Donald Bradshaw Nathanson Coined the The compass of term toxic shame. shame Four universal Mark Epstein, Pema Chodron, Being behaviors to Kevin Griffin Karen Horney mirrored defend against Abiding difficult emotions to observe and learn . Four major by one shame. The Idea of PRACTICE and Right View being wise idea that when aempts of Gershen Kaufman non- or attuned. Led to Present with Self and Present with avoiding shame Find the entrances to shaming the neuro2c Others and Wise-Self you are bigger individual to governing scenes. person than or less than Whenever we are makes all come to others. Says, to soluon able to observe upon the learn from our our experience, we difference shame and "Just immediately detach love yourself." from it. Brene Brown Silvan Thomas Tony Webb Empathy opposite of Scheff/Helen Tomkins Virginia Satir The social aspects of shame; judge in Lewis Block Emotions the compass of Four coping areas most Disrupts bond are shame -- aggression, vulnerable to shame; motivators. stances: depression, isolation, Humiliated Placating, judging numbs-easier Affect and addiction. fury. Blame, Being than loss/grief; pre- Acknowledge theory: Alienation and Super- aggression broader frontal cortex off in shame then Scripts are shame. connection to begun as Reasonable, social results from Perfectionism. others soon as we Being Irrelevant avoiding shame. 'Good' shame as restored. are born. humility. Show deference to others. What does acknowledged shame look like? What is attunement? Shame-anger spirals. Governing Scenes Gershen -
Guilt, Shame, and Grief: an Empirical Study of Perinatal Bereavement
Guilt, Shame, and Grief: An Empirical Study of Perinatal Bereavement by Peter Barr 'Death in the sickroom', Edvard Munch 1893 A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Centre for Behavioural Sciences Faculty of Medicine University of Sydney November, 2003 Preface All of the work described in this thesis was carried out personally by the author under the auspices of the Centre for Behavioural Sciences, Department of Medicine, Faculty of Medicine, University of Sydney. None of the work has been submitted previously for the purpose of obtaining any other degree. Peter Barr OAM, MB BS, FRACP ii The investigator cannot truthfully maintain his relationship with reality—a relationship without which all his work becomes a well-regulated game—if he does not again and again, whenever it is necessary, gaze beyond the limits into a sphere which is not his sphere of work, yet which he must contemplate with all his power of research in order to do justice to his own task. Buber, M. (1957). Guilt and guilt feelings. Psychiatry, 20, p. 114. iii Acknowledgements I am thankful to the Department of Obstetrics and Department of Neonatology of the following hospitals for giving me permission to approach parents bereaved by stillbirth or neonatal death: Royal Prince Alfred Hospital, Royal Hospital for Women, Royal North Shore Hospital and Westmead Hospital. I am most grateful to Associate Professor Susan Hayes and Dr Douglas Farnill for their insightful supervision and unstinting encouragement and support. Dr Andrew Martin and Dr Julie Pallant gave me sensible statistical advice. -
About Emotions There Are 8 Primary Emotions. You Are Born with These
About Emotions There are 8 primary emotions. You are born with these emotions wired into your brain. That wiring causes your body to react in certain ways and for you to have certain urges when the emotion arises. Here is a list of primary emotions: Eight Primary Emotions Anger: fury, outrage, wrath, irritability, hostility, resentment and violence. Sadness: grief, sorrow, gloom, melancholy, despair, loneliness, and depression. Fear: anxiety, apprehension, nervousness, dread, fright, and panic. Joy: enjoyment, happiness, relief, bliss, delight, pride, thrill, and ecstasy. Interest: acceptance, friendliness, trust, kindness, affection, love, and devotion. Surprise: shock, astonishment, amazement, astound, and wonder. Disgust: contempt, disdain, scorn, aversion, distaste, and revulsion. Shame: guilt, embarrassment, chagrin, remorse, regret, and contrition. All other emotions are made up by combining these basic 8 emotions. Sometimes we have secondary emotions, an emotional reaction to an emotion. We learn these. Some examples of these are: o Feeling shame when you get angry. o Feeling angry when you have a shame response (e.g., hurt feelings). o Feeling fear when you get angry (maybe you’ve been punished for anger). There are many more. These are NOT wired into our bodies and brains, but are learned from our families, our culture, and others. When you have a secondary emotion, the key is to figure out what the primary emotion, the feeling at the root of your reaction is, so that you can take an action that is most helpful. . -
Counselin Services Ce Counselin Services Ce
Counseling Services Center COUNSELING UNDERSTANDING YOUR RESPONSE TO GRIEF & TRAUMA SERVICES CENTER Grief is a normal and natural, though often deeply painful, response to loss. The death of a loved one is the most common way we think of loss, but many other significant changes in one's life can involve loss and therefore grief. The more significant the loss, the more intense the grief is likely to be. For many, however the most immediate response to a substantial loss is shock, numbness, and a sense of disbelief. Physical symptoms such as heart palpitations, tightness in the throat, and shortness of breath, sweating and dizziness are common at this time. At other times in the grieving process it is normal to experience a wide range of emotional and physical reactions. Common reactions include: Emotions and Feelings Physical, Behavioral & Cognitive Sadness, yearning, depressed mood Changes in sleep or appetite Loneliness Exaggerated startle response Helplessness & loss of control Fatigue and/or loss of motivation Guilt, shame, remorse Increased physical illnesses Fearfulness, panic, anxiety Social withdrawal or isolation Apathy Preoccupation with the loss Poor concentration Secondary Trauma (Vicarious Trauma) What is Secondary Trauma? When individuals become emotionally drained from hearing about and being exposed to the pain and trauma of other people around them Who can experience it? Anyone who receives any type of indirect exposure to a traumatic event (e.g., watching news reports) What are possible signs of experiencing Secondary Trauma? Anger · difficulty concentrating · anxiety · depression · sadness · low self-esteem · emotional exhaustion · trouble making decisions · difficulty remembering things fatigue · headaches or body aches · changes in sleep habits · changes in eating habits · increase in addictive behaviors · withdrawing from others Counseling Services Center How can someone reduce its effects? Talking with others 524 W. -
Individual Differences in Empathy Are Associated with Apathy-Motivation
www.nature.com/scientificreports OPEN Individual diferences in empathy are associated with apathy- motivation Received: 1 August 2017 Patricia L. Lockwood 1,2, Yuen-Siang Ang 1,2,3, Masud Husain 1,2,3 & Molly J. Crockett1,4 Accepted: 24 November 2017 Empathy - the capacity to understand and resonate with the experiences of other people - is considered Published: xx xx xxxx an essential aspect of social cognition. However, although empathy is often thought to be automatic, recent theories have argued that there is a key role for motivation in modulating empathic experiences. Here we administered self-report measures of empathy and apathy-motivation to a large sample of healthy people (n = 378) to test whether people who are more empathic are also more motivated. We then sought to replicate our fndings in an independent sample (n = 198) that also completed a behavioural task to measure state afective empathy and emotion recognition. Cognitive empathy was associated with higher levels of motivation generally across behavioural, social and emotional domains. In contrast, afective empathy was associated with lower levels of behavioural motivation, but higher levels of emotional motivation. Factor analyses showed that empathy and apathy are distinct constructs, but that afective empathy and emotional motivation are underpinned by the same latent factor. These results have potentially important clinical applications for disorders associated with reduced empathy and motivation as well as the understanding of these processes in healthy people. Empathy – the capacity to understand and resonate with the experiences of other people – is considered essential for navigating meaningful social interactions and is closely linked to prosocial behaviour1–7. -
The Distancing-Embracing Model of the Enjoyment of Negative Emotions in Art Reception
BEHAVIORAL AND BRAIN SCIENCES (2017), Page 1 of 63 doi:10.1017/S0140525X17000309, e347 The Distancing-Embracing model of the enjoyment of negative emotions in art reception Winfried Menninghaus1 Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt am Main, Germany [email protected] Valentin Wagner Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt am Main, Germany [email protected] Julian Hanich Department of Arts, Culture and Media, University of Groningen, 9700 AB Groningen, The Netherlands [email protected] Eugen Wassiliwizky Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt am Main, Germany [email protected] Thomas Jacobsen Experimental Psychology Unit, Helmut Schmidt University/University of the Federal Armed Forces Hamburg, 22043 Hamburg, Germany [email protected] Stefan Koelsch University of Bergen, 5020 Bergen, Norway [email protected] Abstract: Why are negative emotions so central in art reception far beyond tragedy? Revisiting classical aesthetics in the light of recent psychological research, we present a novel model to explain this much discussed (apparent) paradox. We argue that negative emotions are an important resource for the arts in general, rather than a special license for exceptional art forms only. The underlying rationale is that negative emotions have been shown to be particularly powerful in securing attention, intense emotional involvement, and high memorability, and hence is precisely what artworks strive for. Two groups of processing mechanisms are identified that conjointly adopt the particular powers of negative emotions for art’s purposes. -
Kindred Ambivalence
KINDRED AMBIVALENCE: ART AND THE ADULT-CHILD DYNAMIC IN AMERICA’S COLD WAR by MICHAEL MARBERRY A THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2010 Copyright Michael Marberry 2010 ALL RIGHTS RESERVED ABSTRACT The pervasive ideological dimension of the Cold War resulted in an extremely ambivalent period in U.S. history, marked by complex and conflicting feelings. Nowhere is this ambivalence more clearly seen than in the American home and in the relationship between adults and children. Though the adult-child dynamic has frequently harbored ambivalent feelings, the American Cold War era—with its increased emphasis on the family in the face of ideological struggle—served to highlight this ambivalence. Believing that art reveals historical and cultural concerns, this project explores the extent to which adult-child ambivalence is prominent within American art from the period—particularly, the coming-of-age story, as it is a genre intrinsically concerned with the interactions between adults and children. Chapter one features an analysis of Katherine Anne Porter’s “Old Order” coming-of-age sequence, specifically “The Source” and “The Circus.” Establishing Porter’s relevance to the Cold War period, this chapter illustrates how her young heroine (Miranda Gay) experiences ambivalence within her familial relationships—which, in turn, comes to foreshadow and represent the adult-child ambivalence within the Cold War period. Chapter two expands its scope to include a larger historical context and a different artistic mode. With the rise of cinema during the Cold War period, the horror film became a genre extremely interested in adult-child ambivalence, frequently depicting the child as a destructive force and the adult as a victim of parenthood. -
PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/146047 Please be advised that this information was generated on 2021-10-09 and may be subject to change. A Longitudinal Prospective Study of the Psychological Impact of Pregnancy Loss on Women Course of grief, pathological grief and prediction of grief intensity een wetenschappelijke proeve op het gebied van de Sociale Wetenschappen proefschrift ter verkrijging van de graad van doctor aan de Katholieke Universiteit Nijmegen, volgens besluit van het College van Decanen in het openbaar te verdedigen op donderdag 2 november 1995, des namiddags om 1.30 uur precies door Henrica Johanna Emanuela Maria Janssen geboren 23 december 1964 te Groeningen, gemeente Vierlingsbeek Promotor Prof. Dr. C.A.L. Hoogduin Co-promotor Dr. M.C.J. Cuisinier Dit onderzoek is mede mogelijk gemaakt door een subsidie van het VSB-fonds. Ontwerp omslag: Hettie Janssen Druk: Drukkerij Quickprint b.v., Nijmegen CIP-GEGEVENS KONINKLIJKE BIBLIOTHEEK, DEN HAAG Janssen, Henrica Johanna Emanuela Maria A longitudinal prospective study of the psychological impact of pregnancy loss on women: course of grief, pathological grief and prediction of grief intensity / Henrica Johanna Emanuela Maria Janssen. - [S.I.: s.п.] (Nijmegen: Quickprint). - 111. Thesis Katholieke Universiteit Nijmegen. - With bibliogr., ref. - With summary in Dutch. ISBN 90-9008782-6 NUGI 733 Subject headings: pregnancy loss / mental health. Valavond Valavond veegt het landschap leeg om alleen te zijn; binnen de vorm van een bosje in het donker zit een klank in het verborgen groen hij valt druppelsgewijs een lijn aan elkaar die soms doet wenen inwendig Roland Jooris Uit Gedichten 1958-1978 Uitgeverij Lotus, Antwerpen 1978 Manuscriptcommissie Prof. -
1 Rethinking Jealousy Experience and Expression
Rethinking Jealousy Experience and Expression: An Examination of Specialness Meaning Framework Threat and Identification of Retroactive Jealousy Responses Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jessica Renee Frampton Graduate Program in Communication The Ohio State University 2019 Dissertation Committee Dr. Jesse Fox, Advisor Dr. Kelly Garrett Dr. Shelly Hovick Dr. Roselyn Lee-Won 1 Copyrighted by Jessica Renee Frampton 2019 2 Abstract Extant jealousy models predict jealousy is a response to perceiving a partner’s current or anticipated involvement with a rival as threatening to a relationship’s existence, relational benefits, or self-esteem (e.g., Guerrero & Andersen, 1998; White & Mullen, 1989). Those three threats may explain cases of reactive jealousy, which occurs in response to a partner’s unambiguous involvement with a current rival (Barelds & Barelds-Dijkstra, 2007; Bringle, 1991), but they likely cannot explain cases of retroactive jealousy. Retroactive jealousy entails a negative response to information about a partner’s prior romantic or sexual experiences that occurred before the primary relationship began (Frampton & Fox, 2018b). This type of jealousy is evoked even though the partner is not perceived to be currently romantically or sexually involved with ex-partners. This difference in the nature of retroactive jealousy makes it difficult for current jealousy models to predict retroactive jealousy experience and expression. Two studies were conducted to further explore retroactive jealousy experience and expression. Study 1 experimentally tested predictions about threat to a specialness meaning framework derived from the meaning maintenance model (MMM; Heine, Proulx, & Vohs, 2006; Proulx & Inzlicht, 2012) alongside of predictions about threat to the relationship’s existence, relational benefits, and self-esteem. -
Philosophy & Social Criticism
Philosophy & Social Criticism http://psc.sagepub.com/ Apathy: the democratic disease Jeffrey E. Green Philosophy Social Criticism 2004 30: 745 DOI: 10.1177/0191453704045763 The online version of this article can be found at: http://psc.sagepub.com/content/30/5-6/745 Published by: http://www.sagepublications.com Additional services and information for Philosophy & Social Criticism can be found at: Email Alerts: http://psc.sagepub.com/cgi/alerts Subscriptions: http://psc.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav >> Version of Record - Dec 6, 2004 What is This? Downloaded from psc.sagepub.com at UNIV OF PENNSYLVANIA on May 6, 2013 12 045763 (to/d) 2/9/04 11:38 am Page 745 Jeffrey E. Green Apathy: the democratic disease Abstract This essay turns to ancient sources in order to rethink the relation- ship between political apathy and democracy. If modern democratic theorists place political apathy entirely outside of democracy – either as a destructive limit upon the full realization of a democratic polity, or, more sanguinely, as a pragmatic necessity which tempers democracy so that it may function in a workable yet watered-down form – the ancients conceived of political apathy as a peculiarly democratic phenomenon that was likely to flourish in tandem with the expansion of egalitarian institutional structures and moral ideas. Evidence for the ancient recognition of political apathy as a uniquely demo- cratic kind of affliction centers on, but is not limited to, three main sources. In literature, the Homeric epic, and specifically the story of Achilles, present apathy for politics and commitment to human equality as synonymous forces. -
Middle School Apathy: a Phenomenological Study from Students’
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Liberty University Digital Commons MIDDLE SCHOOL APATHY: A PHENOMENOLOGICAL STUDY FROM STUDENTS’ PERSPECTIVE by Debra Graves Liberty University A Dissertation Presented in Partial Fulfillment Of the Requirements for the Degree Doctor of Education Liberty University 2018 2 MIDDLE SCHOOL APATHY: A PHENOMENOLOGICAL STUDY FROM STUDENTS’ PERSPECTIVE by Debra Graves A Dissertation Presented in Partial Fulfillment Of the Requirements for the Degree Doctor of Education Liberty University, Lynchburg, VA 2018 APPROVED BY: Christy James, Ed. D., Committee Chair David Ellena, Ph. D., Committee Member Kristina Dewitt, Ph. D., Committee Chair 3 ABSTRACT The purpose for this phenomenological study was to investigate students’ perceptions as to why some middle school students lose their intrinsic motivation to learn and develop apathy toward learning while other middle school students thrive. The following question guided the research: Based on students’ lived experiences, what are the sources for motivation and/or apathy during the middle school years? Four sub-questions were also used: (1) What are students’ perspectives about the intersection of standardized testing and report cards to their motivation/apathy to learn? (2) What are students’ perceptions of the intersection of technology and motivation/apathy? (3) What do students perceive to be necessary resources beneficial to their motivation? (4) What do students perceive to be obstacles that hinder their motivation? This qualitative study was grounded in the self-determination, self-efficacy, and student apathy theories of Bandura, Frankl, Maslow, and Ryan and Deci. The research will take place in a suburban middle school in central Virginia. -
UPRISE DIRECT - Zine
UPRISE DIRECT - Zine............Your Direct Scene Source.: End Apathy Interview 2010 8/6/12 8:04 AM Share Report Abuse Report Abuse Next Blog» SUNDAY, MAY 23, 2010 End Apathy Interview 2010 This interview with End Apathy was conducted by Rick 56 in April of 2010 . Permission to reprint is granted as long as this statement with links to http://www.myspace.com/endapathyband, http://www.label56.com/ and http://uprisedirect.blogspot.com/are included. Mp3`s from End Apathy can be heard on the End Apathy my space as well as the Label 56 website Good evening Wade, this interview is long overdue due to my own fault but with all the good stuff going on with your band now I don`t think the timing could be more perfect. I`d like to do this interview to let everyone know about End Apathy from the very beginning up until now. It was at least three years ago when I first got in touch with you after hearing your music on your my space page. Can you give the readers a quick background to End Apathy? More specifically- how long ago did you actually come up with the idea for End Apathy (and why you choose the name End Apathy) and start writing music for it? End Apathy began in 2005 and the concept was based on trying to figure out what it would take to actually accomplish positive results in society and what is holding us back. A lot of what I realized at the time was that if we could figure out how to end peoples apathetic ways it would be the start towards moving forward.