Pinewood Group Plc Annual Report & Accounts
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E-Guide Filming in London & the South East
e-Guide Filming in London & the South East London’s most iconic film locations Creating reality: What London’s studios can offer filmmakers The changing face of film: SFX, Make-up & Prosthetics Production Intelligence: What’s shooting? IN COLLABORATION WITH ... FILMING IN LONDON AND THE SOUTH EAST DESPITE VARIOUS HURDLES, LONDON AND THE SOUTH EAST STILL CREATE TOP PRODUCTIONS Britain’s TV and film production industry is on the rise. Recently the UK has seen a dramatic increase in the amount of home-grown and international productions that have been filming here, specifically at studios and locations in London and the South East. he worldwide reputation of the UK and Film London, said that drama as a filming destination has always production in London is up by 50% Tbeen strong, however, lately it on ten years ago. A huge margin if you has been so popular that line producers consider the major studios around the are worried the supply of great studios world which are readily available. and crew cannot match the increasing The thriving state of the industry also demand. throws a spanner into the works. At the same time, the recent closures With the high increase in productions of Teddington, Wimbledon, Waterloo filming, the demand for skilled crew has and other studio spaces signify the increased. Line producers have been increasing attitude of landlords to turn hard pressed at times to fill certain their land into real estate. The dramatic roles, as crew is frequently booked increase in house prices in areas on other projects. This is certainly associated with certain studios makes something the industry has to fix if it more feasible for land owners to cut London and the South East are going studios loose, thus capitalising on the to be seen as continuing dominant current revenue opportunities available. -
Pinewood Gives Free Bfi Membership to All of Its Staff to Honour Studio's
PINEWOOD GIVES FREE BFI MEMBERSHIP TO ALL OF ITS STAFF TO HONOUR STUDIO’S 80TH YEAR London, 30th September 2016: Pinewood Studios has long been regarded as a jewel in the crown of the UK’s rich film heritage and as the iconic studio celebrates the start of its 80th anniversary year, it was announced today that all full-time staff across the group will receive free membership to the BFI to honour the date. Amanda Nevill, CEO of the BFI said: “Pinewood is part of our film heritage, and at 80 years old is more active and successful than ever and plays a huge role in the creative success of the UK film industry. We are very excited that they have chosen to mark this special birthday by giving the gift of BFI Membership to every single member of their staff! We so look forward to giving them all a very special 80th years across the BFI Player, BFI Southbank and the BFI London Film Festival. Happy Birthday Pinewood!” Commenting on marking the celebrations, Andrew M. Smith, Corporate Affairs Director for Pinewood Group plc said: “As we enter our 80th year, we felt it fitting to mark the occasion by giving colleagues membership of the BFI. Pinewood is a cornerstone of the film industry here in the UK and we are proud to have helped shape it.” The BFI membership will provide staff with the best way to enjoy the special events, previews and screenings at the BFI London Film Festival, BFI Flare: London LGBT Film Festival and at BFI Southbank all year round with priority booking, no booking fees, exclusive programme guides and 10% off food and drink at BFI Southbank. -
Transatlantic Spaces: Production, Location and Style in 1960S-1970S Action- Adventure TV Series
Transatlantic spaces: production, location and style in 1960s-1970s action- adventure TV series Article Accepted Version Bignell, J. (2010) Transatlantic spaces: production, location and style in 1960s-1970s action-adventure TV series. Media History, 16 (1). pp. 53-65. ISSN 1469-9729 doi: https://doi.org/10.1080/13688800903395460 Available at http://centaur.reading.ac.uk/17666/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/13688800903395460 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Transatlantic spaces: Production, location and style in 1960s-70s Action-Adventure TV Series Jonathan Bignell Abstract This article argues that transatlantic hybridity connects space, visual style and ideological point of view in British television action-adventure fiction of the 1960s-70s. It analyses the relationship between the physical location of TV series production at Elstree Studios, UK, the representation of place in programmes, and the international trade in television fiction between the UK and USA. The TV series made at Elstree by the ITC and ABC companies and their affiliates linked Britishness with an international modernity associated with the USA, while also promoting national specificity. To do this, they drew on film production techniques that were already common for TV series production in Hollywood. -
* Hc Omslag Film Architecture 22-05-2007 17:10 Pagina 1
* hc omslag Film Architecture 22-05-2007 17:10 Pagina 1 Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema presents for the first time a comparative study of European film set design in HARRIS AND STREET BERGFELDER, IMAGINATION FILM ARCHITECTURE AND THE TRANSNATIONAL the late 1920s and 1930s. Based on a wealth of designers' drawings, film stills and archival documents, the book FILM FILM offers a new insight into the development and signifi- cance of transnational artistic collaboration during this CULTURE CULTURE period. IN TRANSITION IN TRANSITION European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, this book provides a comprehensive analysis of the practices, styles, and function of cine- matic production design during this period, and its influence on subsequent filmmaking patterns. Tim Bergfelder is Professor of Film at the University of Southampton. He is the author of International Adventures (2005), and co- editor of The German Cinema Book (2002) and The Titanic in Myth and Memory (2004). Sarah Street is Professor of Film at the Uni- versity of Bristol. She is the author of British Cinema in Documents (2000), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcis- sus (2004). Sue Harris is Reader in French cinema at Queen Mary, University of London. She is the author of Bertrand Blier (2001) and co-editor of France in Focus: Film -
(2020). Pinewood Studios, the Independent Frame, and Innovation
Street, S. (2020). Pinewood Studios, the Independent Frame, and Innovation. In B. R. Jacobson (Ed.), In the Studio: Visual Creation and Its Material Environments (1 ed., pp. 103-121). University of California Press. Peer reviewed version Link to publication record in Explore Bristol Research PDF-document This is the author accepted manuscript (AAM). The final published version (version of record) is available via University of California Press at https://www.ucpress.edu/book/9780520297609/in-the-studio . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Pinewood Studios, the Independent Frame, and Innovation Sarah Street, University of Bristol British director Darrel Catling reported to the British trade press in February 1948 on the Independent Frame (IF), a new system of film production that had been launched at Pinewood Studios. Catling had recently used it to make Under the Frozen Falls, a short children’s film that had benefited from the IF’s aim to “rationalize that which is largely irrational in film making.”1 He described how his film had been very carefully pre-planned in terms of script, storyboards, and technical plans. Several scenes were pre-staged and filmed without the main cast who were later incorporated into scenes by means of rear projection. Special effects were of paramount importance in reducing the number of sets that needed to be built. -
For Immediate Release
FOR IMMEDIATE RELEASE BOND 22 STARTS PRODUCTION TODAY AT PINEWOOD STUDIOS, LONDON CULVER CITY, Calif., Monday 07 January 2008 — Producers Michael G. Wilson and Barbara Broccoli of EON Productions Ltd, Sony Pictures Entertainment and Metro-Goldwyn- Mayer Studios announced today the start of principal photography on the eagerly anticipated 22nd James Bond adventure. Daniel Craig reprises his role as 007 in the film which is directed by Marc Forster and follows the success of CASINO ROYALE, the latest and highest grossing film in the series. Starring alongside Craig is an impressive international cast led by the critically acclaimed French actor Mathieu Amalric as the sinister villain, and the Ukranian actress Olga Kurylenko who plays 007’s leading lady. Returning to Bond 22 (working title) from CASINO ROYALE are Judi Dench in her role as M, Jeffrey Wright as Felix Leiter and Giancarlo Giannini as Mathis. Newcomer to the Bond franchise, Gemma Arterton, will play the role of MI6 Agent Fields. Commenting on the announcement, Wilson and Broccoli said "We are fortunate to continue in the Bond tradition of attracting the finest international actors for our starring roles. Mathieu in the role of Dominic Greene, a leading member of the villainous organization introduced in CASINO ROYALE, will be a powerful counterpart to Daniel’s portrayal of Bond. Olga Kurylenko will play the dangerously alluring Camille, who challenges Bond and helps him come to terms with the emotional consequences of Vesper’s betrayal." MGM and Sony Pictures will share distribution rights worldwide with Columbia Pictures and Sony Pictures Releasing International distributing the film to theaters worldwide on November 7th, 2008. -
Pinewood Group Presentation of FY 2018/19 Results Important Notice
Pinewood Group Presentation of FY 2018/19 results Important notice This presentation has been prepared by Pinewood Finco plc (the “Issuer) and Pinewood Group Limited (the “Company” and, collectively with the Issuer and its other subsidiaries, the “Group”) solely for information purposes. For purposes of this notice, the presentation that follows shall mean and include the slides that follow, the oral presentation of the slides by the Group or any person on behalf of the Group, any question-and-answer sessions that follows the oral presentation, hard and electronic copies of this document and any materials distributed at, or in connection with the presentation (collectively, the “Presentation”). This Presentation contains, and any related presentation may contain, financial information regarding the businesses and assets of the Group. Such financial information may not have been audited, reviewed or verified by any independent accounting firm. The inclusion of such financial information in this document or any related presentation should not be regarded as a representation or warranty by the Group or any other person as to the accuracy or completeness of such information’s portrayal of the financial condition or results of operations by the Group and should not be relied upon when making an investment decision. Certain financial data included in this presentation consists of “non‐IFRS financial measures” and “non-UK GAAP financial measures”. These non‐IFRS financial measures and non-UK GAAP financial measures, as defined by the Company, may not be comparable to similarly‐titled measures as presented by other companies, nor should they be considered as an alternative to the historical financial results or other indicators of the performance based on IFRS or UK GAAP. -
Slavery and Human Trafficking Statement
Slavery and Human Trafficking Statement Picture Holdco Limited and Pinewood Group Limited ("Pinewood") and their affiliates and subsidiaries listed in Appendix 1 to this Statement (together, the "Group") are committed to the prevention, deterrence and detection of slavery and human trafficking. This statement is made pursuant to Section 54, Part 6 of the Modern Slavery Act 2015 on behalf of the Group and sets out the steps taken to achieve Pinewood’s stance of zero-tolerance of all forms of slavery, human trafficking and other exploitation in Pinewood’s supply chain or in any part of Pinewood’s business for the financial year ending 31 March 2020. Our business Pinewood is one of the leading providers of studio and related services to the worldwide film and television industries. Synonymous with world class British and international productions, our studios have an impressive heritage and have been home to some of the most successful feature films and TV shows ever made. Pinewood Studios and Shepperton Studios have been home to over 2,000 films in more than 80 years and have hosted over 800 TV shows. Pinewood’s supply chain With over 80 years of experience, Pinewood’s supply chain and its relationship with its suppliers has been established and improved. The film and television production business traditionally has a close, personal relationship based upon knowledge and experience, with broad types of services and goods supplied by a large pool of suppliers both locally-sourced and from around the globe. As the Group has expanded it has increased its due diligence and ‘know your client’ checks; a formal New Supplier Process (defined below) has been improved with the intention to achieve a transparent supply chain in compliance with relevant laws. -
Pinewood Group Plc Annual Report & Accounts 2015
Pinewood Group plc Annual Report & Accounts 2015 PinewoodPinewood Shepperton Group plcplc AnnualAnnual Report Report & & Accounts Accounts 2015201 Pinewood Group plc is a leading provider of studio and related services to the global screen-based industries. Our services support film production, filmed television and studio television recording, digital content services and the provision of facilities to media-related businesses. The Group’s mission is to: • Continue to create the UK’s leading film, television and media destination; • Enhance our brand heritage; • Exceed our customers’ expectations through our commitment to professionalism, quality of service and offering sustainable advantage; and • Increase value for all our stakeholders. Contents Highlights 1 Consolidated financial statements Company financial statements Chairman’s statement 3 Independent auditor’s report 40 (UK GAAP) Strategic report 4 Group income statement 42 Parent Company balance sheet 90 Corporate governance statement 24 Group statement of other Notes to the financial statements 91 Board of Directors 29 comprehensive income 43 Forward-looking statements 102 Directors’ report 31 Group statement Company information 103 Directors’ remuneration report 35 of financial position 44 Directors’ responsibilities statement 38 Group statement of cash flows 45 Group reconciliation of movement in net debt 46 Group statement of changes in equity 47 Notes to the consolidated financial statements 48 Pinewood Group plc 1 Annual Report & Accounts 2015 Highlights • Revenue £75.0m -
UNCORRECTED TRANSCRIPT of ORAL EVIDENCE to Be Published As HC 743-I
UNCORRECTED TRANSCRIPT OF ORAL EVIDENCE To be published as HC 743-i HOUSE OF COMMONS ORAL EVIDENCE TAKEN BEFORE THE CULTURE, MEDIA AND SPORT COMMITTEE SUPPORT FOR THE CREATIVE ECONOMY TUESDAY 13 NOVEMBER 2012 IVAN DUNLEAVY and ANDREW SMITH JOHN MATHERS and MAT HUNTER Evidence heard in Public Questions 1 - 122 USE OF THE TRANSCRIPT 1. This is an uncorrected transcript of evidence taken in public and reported to the House. The transcript has been placed on the internet on the authority of the Committee, and copies have been made available by the Vote Office for the use of Members and others. 2. Any public use of, or reference to, the contents should make clear that neither witnesses nor Members have had the opportunity to correct the record. The transcript is not yet an approved formal record of these proceedings. 3. Members who receive this for the purpose of correcting questions addressed by them to witnesses are asked to send corrections to the Committee Assistant. 4. Prospective witnesses may receive this in preparation for any written or oral evidence they may in due course give to the Committee. 1 Oral Evidence Taken before the Culture, Media and Sport Committee on Tuesday 13 November 2012 Members present: Mr John Whittingdale (Chair) Mr Ben Bradshaw Angie Bray Tracey Crouch Philip Davies Paul Farrelly Steve Rotheram Mr Adrian Sanders Jim Sheridan Mr Gerry Sutcliffe ________________ Examination of Witnesses Witnesses: Ivan Dunleavy, Chief Executive, Pinewood Shepperton plc, and Andrew Smith, Director of Strategy and Communications, Pinewood Shepperton plc, gave evidence. Chair: Good morning. This is the first session of the Committee’s examination of support for the creative economy and I should like to welcome, as our first witnesses, Ivan Dunleavy, the Chief Executive of Pinewood Shepperton, and Andrew Smith, the Director of Strategy and Communications. -
Online Company Credit Reports. Speedy, Reliable and Competitively Priced!
Online company credit reports. Speedy, reliable and competitively priced! Luis Moner Parra 923009544 Director Information Title Mr Honours Name Luis Moner Parra Number 923009544 Postcode SL0 0NH Address Pinewood Studios Pinewood Road Iver Buckinghamshire United Kingdom Date of birth April 1981 Nationality Spanish Total current 32 directorships List of Current Directorships Company Name Number Company Status App. Date Res. Date Position PINEWOOD SOUTH LIMITED 12765273 Active - Newly 23/07/2020 Director Incorporated PINEWOOD PSB LIMITED 06300755 Active - Accounts Filed 29/10/2018 Director PINEWOOD SHEPPERTON LIMITED 09083961 Company is dissolved 11/09/2017 Director PINEWOOD STUDIO WALES LIMITED 08863162 Company is dissolved 06/09/2017 Director PINEWOOD FILM ADVISORS (W) 08864165 Non-Trading 04/09/2017 Director LIMITED PINEWOOD FILM ADVISORS LIMITED 08164867 Non-Trading 04/09/2017 Director PINEWOOD SHEPPERTON 07527390 Non-Trading 24/04/2017 Director FACILITIES LIMITED PINEWOOD KYF LIMITED 08599286 Company is dissolved 24/04/2017 Director PINEWOOD PRESSURE LIMITED 08519564 Company is dissolved 24/04/2017 Director PINEWOOD FILMS NO.16 LIMITED 09443615 Company is dissolved 24/04/2017 Director PINEWOOD RIOT CLUB LIMITED 08446929 Company is dissolved 24/04/2017 Director PINEWOOD FILMS NO.14 LIMITED 09176261 Active - Accounts Filed 24/04/2017 Director PINEWOOD FILMS NO.13 LIMITED 09006529 Non-Trading 24/04/2017 Director PINEWOOD FILMS NO.11 LIMITED 08865342 Non-Trading 24/04/2017 Director PINEWOOD ROBOT OVERLORDS 08370083 Company is dissolved -
FULMER NEWSLETTER December 2016 – Issue 60
FULMER NEWSLETTER December 2016 – Issue 60 www.fulmervillage.org INTRODUCTION This is the 60th edition of the Fulmer Newsletter – which was started by Edward Guinness 30 years ago and we are delighted that he has written another fascinating article for us about his life in Fulmer. We thank him for creating such a helpful and, we hope, much appreciated publication and hope that he continues to entertain us with his writing. It is good to see that we have another layer of communication in the village, and thank you to David Kelly for spearheading ‘next door’ which after only a few weeks has been very helpful in reuniting lost pets and owners; helping villagers with assorted recommendations for tradespeople; etc. There are almost 100 people signed up and do take a look at this helpful initiative. The village, of course, has its own website – www.fulmervillage.org which will be having a ‘makeover’ soon – if anyone has ideas or would like to help with this please contact Francesca Hall-Drinkwater [email protected]. Our usual thanks go to our very loyal advertisers and contributors without whom the newsletter would not exist. Thank you also to the band of helpers who deliver the newsletter around the village. We wish everyone a Merry Christmas and good wishes for 2017 Susie & Ronnie Simkins LIST OF ADVERTISERS Chiropody, Adriana Rozek 01753 652754 Hamptons Estate Agents, Gerrards Cross 01753 886464 Hibiscus beauty salon, Wexham 01753 664166 Physio – Jill Frew 01753 643238 South Bucks Physio, Wexham 01753 664114 Stoke Poges Memorial Gardens 01753 523744 We are very grateful to our advertisers, many of whom have been supporting the Newsletter for a number of years.