Representing Today's Greatest Labels

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APRIL 2017 REPRESENTING TODAY’S GREATEST LABELS BBC Music Magazine: March 2017 RECORDING OF THE MONTH BIS2247 SHOSTAKOVICH Violin Concertos Nos 1 & 2 Frank Peter Zimmermann NDR Elbphilharmonie Orchester, Alan Gilbert ‘Frank Zimmermann’s vividly recorded performances, drawn from concerts in Hamburg in 2012 and 2015, stand out as formidable achievements.’ DOUBLE 5 STAR RECORDING 8226134 BENT SØRENSEN Mignon Katrine Gislinge Lapland Chamber Orchestra, John Storgårds ‘exquisite collection of works for piano, violin and chamber orchestra’ 5 STAR RECORDING ODE 1286 -2 ARVO PÄRT Da pacem Domine Latvian Radio Choir Sigvards Kļava ‘You’ll be hard-pushed to find a disc of Pärt choral music more enjoyable than this.’ REWIND: HANNU LINTU – MY FINEST MOMENT ODE12275 BERIO Sinfonia for 8 voices and orchestra Quattro version originali della Ritirata Notturna di Madrid di L. Boccherini, Calmo for mezzo-soprano and 22 instruments Virpi Räisänen, Finnish Radio Symphony Orchestra, Hannu Lintu ‘We realised we had a perfect recording hall and achieved something special with this’ @selectmusicuk APRIL 2017 Gramophone: March 2017 EDITOR’S CHOICES BERG Wozzeck 8.660390-91 Roman Trekel, Anne Schwanewilms, Marc Molomot, Nathan Berg, Gordon Gietz, Robert McPherson, Katherine Ciesinski, Calvin Griffin, Samuel Schultz, Brenton Ryan, Houston Symphony, Hans Graf ‘One of the finest Wozzecks on record… Graf could hardly have left a more dedicated testament of his commitment to the opera and to his work in Houston.’ LISZT 2 SONATAS for 2 PIANOS MELCD 1002463 Ludmila Berlinskaya & Arthur Ancelle ‘This is one of the finest two-piano recitals to come my way for quite some time…this will be among my discs of the year.’ SCHOENBERG Guerre-Lieder OA1227D / OABD7215D Burkhard Fritz, Emily Magee, Anna Larsson, Markus Marquard, Wolfgang Ablinger-Sperrhacke, Sunnyi Melles, Chorus of the Dutch National Opera, Netherlands Philharmonic Orchestra, Marc Albrecht ‘It makes for fascinating viewing…A very impressive achievement all round.’ News This April, in celebration of the label’s 30th anniversary, Naxos releases The Anniversary Collection : 30 CDs for £30 (RRP). Featuring thirty CDs recorded from 1987 to 2016, the box offers a representative selection of landmark recordings from the label’s history. To celebrate the anniversary, we are offering stores the chance to participate in a ‘Roll Back the Years’ price campaign. Please get in touch with your sales representative for further details. This month the Select Marketing & Press department welcomed a new member to its team. Contact Emily Longmore on [email protected] with any marketing or press enquiries. @selectmusicuk .

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Academy of Theatre and Dance Theatre
Academy of Theatre and Dance Theatre TechniekTechnical enTheatre Theater - 2828 ScenografieScenography 24 AssociateArts - Associate Degree Degree Academy of Theatre and Dance ProductieProduction PodiumkunstenPodiumkiunsten and Stage Management 2222 TheaterdocentTheatre in Education Verkort 1818 Abbreviated 2 Dance Academy of Theatre and Dance National Ballet Academy Urban Contemporary (JMD) 42 46 Modern Theatre 44 5 O’Clock Class 52 Dance School for New Dance 48 Development (SNDO) Dance in Education 50 DAS Choreography 60 1 Creative team Techniek en Theater 26 Regie Opleiding 20 Uitvoerenden Amsterdamse Toneelschool &Kleinkunstacademie 12 Makers Mime Opleiding 14 Docenten Theaterdocent 16 Masters DAS Theatre 58 Theater Techniek en Theater - 28 Scenografie 24 Associate Degree Academy of Theatre and Dance Productie Podiumkunsten 22 Theaterdocent Verkort 18 1 Nine reasons to study at the Academy of Theatre and Dance Academy of Theatre and Dance The Academy of Theatre and Dance (formerly de Theaterschool) is the Netherlands’ premier training school for all theatre and dance disciplines at bachelor and master’s degree level. As a student, you are the star of our show: we’ve built our courses to service your artistic talent, your ambitions and your dreams. Here are nine reasons why you should study with us. 2 Academy of Theatre and Dance 1 We’re one of a kind! Our academy is the only one of its kind in the Netherlands: we are the only theatre and dance academy in the country with all disciplines and relevant resources under one roof. Students from fifteen specialisms can meet and inspire one another here, break new ground and challenge conventional thinking.
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Dutch National Opera Le Nozze Di Figaro
Gary Cooper The Irresistible A New Documentary by Julia and Clara Kuperberg Maria Cooper Janis, Cooper's daughter, INTERNATIONAL Poorhouse opens up to talk about the acting career of her father Newsletter No48 April - September 2019 AMERICAN TAP A uniquely American story that illustrates the vibrant and powerful nature of a cultural melting pot “At a time when America is ivy films struggling with its cultural identity 2 - when anti-immigrant and nativist sentiment boils over into outright racism and xenophobia - we are compelled to look inward to unpack what it means to be American.” Mark Wilkinson Mark Wilkinson Fights of Nations AMERICAN TAP Performers include Jason Samuel Smith and This documentary by William Henry Lane aka Master Juba, Aida Mark Wilkinson traces Overton Walker, Bill Bojangles Robinson, John W Bubbles, Baby Laurence, Chuck Green, tap dancing from The Copasetics, Gregory Hines, Savion Glover, Ginger Rogers, Anne Miller, Vera its origins, through Ellen and Eleanor Powell. Tap dance experts its evolution, to the and historians round off this entertaining and As we dig into the heritage of American instructive documentary. current form. It is a tap dancing, we discover that elements of our history which have the potential to tear us directed by Mark Wilkinson uniquely American apart - the stigma of slavery and the friction produced by Annunziata Gianzero story that illustrates caused by immigration - are the same forces for Ivy Films Inc. which bind us together and fuel our dynamic the vibrant and society. This shared experience is the cultural running time 58' and 88' Shot in HD fire that forged the art form of tap dancing.
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ROBIN DE RAAFF Entangled Tales
World premiere ROBIN DE RAAFF Entangled Tales Rotterdam Philharmonic Orchestra Residentie Orkest, The Hague Het Gelders Orkest Yannick Nézet-Séguin | Neeme Järvi Antonello Manacorda Marien van Staalen cello 1 ROBIN DE RAAFF Entangled Tales Rotterdam Philharmonic Orchestra Residentie Orkest, The Hague Het Gelders Orkest Yannick Nézet-Séguin | Neeme Järvi Antonello Manacorda Marien van Staalen Yannick Nézet-Séguin conductor Marien van Staalen cello Neeme Järvi conductor Antonello Manacorda conductor Cello Concerto (2012-2013)* [1] I (Q = 44) 6:53 [2] II (Q = 88) 6:31 [3] III (Q = 44) 8:46 [4] IV (Q = 88 - Q = 132) 2:57 [5] Coda (Q = 44) 4:55 [6] Entangled Tales, for large orchestra (2007) 8:42 Symphony No 3 “Illumination...Eclipse”, for large orchestra (2014-2015) [7] I (Q = 60) 9:13 [8] II (Q = 42) 10:34 [9] III (Q = 80) 5:32 [10] Coda (Q = 42) 4:20 total time 68:28 4 5 Cello Concerto For a cello, Robin’s concerto is innovative and challenging from a technical In the Ardennes, the wooded hills south of Holland, you hear the silence. point of view. The cello plays all conceivable harmonics. The double stops are The wind rustles through the trees, nature breathes. There, in my tiny cottage, extremely difficult, demanding different dynamics on each string. All of this is I practised new sounds: the solo part of Robin’s concerto. Robin emailed me modern, ground-breaking cello technique; in this respect the concerto reminds his beautiful manuscript page by page, and I sought a solution to each me of Dallapiccola’s work for solo cello.
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MARC ALBRECHT Conductor
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NEWSLETTER > 2019
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Lilian Farahani, Soprano
Lilian Farahani, soprano Dutch-Iranian soprano Lilian Farahani graduated cum laude with distinction from the Royal Conservatory in The Hague and the Dutch National Opera Academy in Amsterdam. In summer 2021, she is singing the role of The Bride in the opera 'Innocence', a new creation by Kaija Saariaho, at the Festival d'Aix en Provence. In the 2021/2022 season, she sings Zerlina (‘Don Giovanni’) at Dutch National Opera, Elvira (‘L’italiana in Algeri’) at NTR ZaterdagMatinee and in Aalto-Musiktheather Essen the roles of Lauretta (‘Gianni Schicchi’) and Zdenka (‘Arabella’). In recent years, Lilian has sung on the major Dutch stages with companies such as Dutch National Opera, Opera Zuid and Dutch Touring Opera, but also in the opera houses of Nancy, Bern, Essen, the Festival d’Aix-en- Provence and the International Maifestspiele Wiesbaden. Her repertoire includes Mozart roles such as Pamina (‘Zauberflöte’), Despina (‘Così fan tutte’), Zerlina (‘Don Giovanni’) and Susanna (‘Le nozze di Figaro’). But also Gretel (‘Hänsel und Gretel’), Carolina (‘Il matrimonio segreto’), Musetta (‘La bohème’) and Frasquita (‘Carmen’). Lilian worked with stage directors such as Simon McBurney, Lotte de Beer, Monique Wagemakers, Laurent Pelly, Simon Stone and Theu Boermans, with conductors such as Raphaël Pichon, Antony Hermus, Ed Spanjaard, Patrick Fournillier, Kenneth Montgomery, Antonello Manacorda, Sacha Goetzel and Susanna Mälkki, with orchestras like The Hague Philharmonic, the Orchestra of the Eighteenth Century, Ensemble Pygmalion, London Symphony Orchestra, the Netherlands Philharmonic Orchestra, The Netherlands Wind Ensemble, Essener Philharmoniker, the Netherlands Chamber Orchestra and members of the Rotterdam Philharmonic Orchestra. Besides opera, operette and the classical repertoire of Lieder, Lilian feels at home singing contemporary works.
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ANDRÉ DE RIDDER Conductor
ANDRÉ DE RIDDER Conductor “One of the world’s most daring conductors” Wall Street Journal André de Ridder occupies a unique position amongst today’s conductors. His stylistic versatility from baroque to contemporary music, his projects and collaborations make him much in demand by the BBC Proms, the Holland, Sydney and Manchester International Festivals, and orchestras such as the New York Philharmonic and Hong Kong Philharmonic Orchestra, Finnish Radio Symphony Orchestra, BBC Symphony Orchestra, Orquesta Nacional de España, Ensemble Intercontemporain and Royal Concertgebouw Orchestra. He is Artistic Director of Musica Nova Helsinki, and in 2018 he received a Royal Philharmonic Society Award for his work as Artistic Curator of London's Spitalfields Festival. In the 19/20 season, de Ridder will return to such orchestras as Chicago and Melbourne Symphony Orchestras and Orchestre de Paris, and notable debuts will include Rotterdam Philharmonic Orchestra, Orchestre Symphonique de Québec, Orquestra Simfònica de Barcelona and Cincinnati Symphony Orchestra. He furthermore continues established collaborations with Damon Albarn and with Max Richter. In collaboration with the Southbank Centre, he launches a series of genre-defying concerts, ‘Unclassified Live’, based on the Radio 3 progamme, and co-curated and presented by the programme’s presenter Elizabeth Alker. The 'livewire conductor' (The Times 2017) is equally active in the field of opera and music theatre, forming close relationships with some of the most prominent opera composers of our time, including Kaija Saariaho, Daníel Bjarnason, Michel van der Aa, and also performing repertoire works such as ‘The Magic Flute’, ‘Bluebeard’s Castle’ and ‘Nixon in China’. In recent seasons, he has therefore worked with directors such as Kasper Holten, Barrie Kosky, Peter Sellars, Marco Štorman and Enda Walsh, and appeared at houses such as Staatstheater Stuttgart, Finnish National Opera, Dutch National Opera, Irish National Opera and Den Jyske Opera.
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Schoenberg and the Gesamtkunstwerk Path to Abstraction By
Schoenberg and the Gesamtkunstwerk Path to Abstraction by John Blythe A thesis submitted to the University of Birmingham for the degree of MA by Research in the History of Art Dept. of Art History, Curating and Visual Studies, College of Arts and Law, University of Birmingham. February 2019. University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. To the technicians Tom and Marlowe Contents Lists of Figures Lists of Illustrations Introduction page 1 Schoenberg’s First Exhibitions page 3 Review of literature page 14 National Gallery Exhibition page 20 Berlinische Exhibition page 27 Richard Gerstl page 29 Schoenberg’s Jewish Antecedents page 35 Research Methodology page 43 Thesis Structure page 51 Chapter 1 Schoenberg’s fin-de-siècle Vienna and Harmonielehre. page 53 The Discourse on Synaesthesia in fin-de-siècle Vienna page 53 Austrian culture and politics page 56 Origins of Viennese Discourse on Synaesthesia page 60 A Widening Discourse page 66 Schoenberg’s Harmonielehre page 76 Honoré de Balzac’s Seraphita page 90 Summary page 92 Chapter 2: First Triad – Wagner, Schopenhauer and Schoenberg. page 94 Gesamtkunstwerk page 94 Overtones to the First Triad page 116 Gurrelieder, a new redemption page 125 Summary page 128 Chapter 3: Second Triad and the Idea of Language.
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HANS SCHELLEVIS Cv
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ANDRÉ MORSCH Bass-Baritone
ANDRÉ MORSCH Bass-Baritone German baritone André Morsch concluded both his studies in Austria as well as his studies at the Amsterdam Conservatory with Margreet Honig and The New Opera Academy in The Hague with distinction. In 2007 he was the winner of the prestigious 'Internationaler Wettbewerb für Liedkunst' in Stuttgart where he also received the Hermann- Reutter- Prize after previously winning the Prix Bernac at the Académie Ravel in Saint-Jean-de-Luz. In 2005 he was part of Le Jardin des Voix, led by William Christie and Les Arts Florissants. In the season 2014/2015 André Morsch will make his role-debut as Figaro in Rossini’s Il Barbiere di Siviglia at Oper Stuttgart, he will sing Pompeo in Berlioz’ Benvenuto Cellini at the Dutch National Opera and on the concert platform is scheduled to sing Christus in the Matthäus-Passion with the Hague Philharmonic and Die Schöpfung with the Orchestra of the 18th Century. Further ahead a recital is scheduled together with Sarah Connolly and Julius Drake at the Concertgebouw Amsterdam, the role of Figaro in Le Nozze di Figaro in a tour through Holland with the Orchestra of the 18th Century and Guglielmo in Cosi fan tutte at Oper Stuttgart. Recent highlights include a.o. Guglielmo in a semi-staged production of Cosi fan tutte with the Orchestra of the 18th Century, Leporello in Don Giovanni, Papageno in Die Zauberflöte, Harlekin in Ariadne auf Naxos, Schaunard in La Bohème, Dandini in La Cenerentola, Verva in Janáček’s Osud as well as Cithéron in Platée, all at Oper Stuttgart.
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Symphony No. 2 “Lobgesang” Complete Symphonies Vol
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De Nationale Opera — Nº 94 / 2014
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