CURRICULUM VITAE Assistant Professor Dr Hugh Hudson
ACADEMIC QUALIFICATIONS
Doctor of Philosophy, Art History, 2002–2006, The University of Melbourne, Thesis: Paolo Uccello: The Life and Work of an Italian Renaissance Artist
Master of Arts, Art History, 1999–2001, The University of Melbourne, Thesis: Re- examining Van Eyck: A New Analysis of the Ince Hall Virgin and Child
Postgraduate Diploma in Arts, Art Curatorship and Museum Management, 1997– 1998, The University of Melbourne, Thesis: Frank Rinder and the Felton Bequest 1918-1928: International Acquisition Policy
Bachelor of Arts, Art History Major, 1987–1988, 1995–1996, The University of Melbourne, Dean’s List 1996
PROFESSIONAL HISTORY
Assistant Professor, ‘Iconography,’ ‘Northern Renaissance Art,’ ‘Curatorship,’ ‘Conservation of Art and Architecture,’ ‘Italian Early Renaissance Art’ and ‘Book Arts’ courses, Graduate Institute of Art History, National Taiwan Normal University, Taipei. August 2018–present
Adjunct Assistant Professor, ‘Italian Early Renaissance Art’ and ‘Book Arts of the West from the Middle Ages to the Present’ courses, Graduate Institute of Art History, National Taiwan Normal University, Taipei. September 2017–July 2018
Lecturer in ‘Visual Culture 1’ and ‘Visual Culture 3’ courses, for Nelson Marlborough Institute of Technology, New Zealand, in partnership with
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Dr Hugh Hudson
International College at Hubei Polytechnic University, Huangshi, and International College at Hunan University of Technology, Zhuzhou, China. September 2016–May 2017
Lecturer in English for Special Purposes, for Nelson Marlborough Institute of Technology, New Zealand, in partnership with International College, Hunan University of Technology, Zhuzhou, China. April–June 2016
Lecturer, Pathway Program Convenor, and Information and Research Development Coordinator, Photography Studies College, Melbourne: teaching the ‘Visual Cultures 1,’ and ‘Visual Thinking 2: Research Seminar’ courses, overseeing the Pathway Program for students continuing from advanced diploma to degree level, and coordinating research resources and activities within the College July 2011–September 2015
Sessional Lecturer, Research Assistant, and Honorary Research Fellow Art History Program, School of Culture and Communication, The University of Melbourne: researching and teaching in various roles within the Art History program 2000–2016
Cataloguer, Manuscripts, State Library of Victoria, Melbourne: researching and writing an electronic catalogue for over 1800 manuscripts dating from the fifteenth to the twentieth centuries in the Autograph Collection of the State Library of Victoria, July 2011–February 2013
Research Assistant, on the Australian Research Council Linkage Grant Project ‘Medieval and Renaissance Manuscripts in Australia: Researching and Relating Australia’s Manuscript Holdings to New Technologies and New Readers’, based at The University of Melbourne: preparing online detailed records for Australia’s medieval and Renaissance manuscripts July 2010–November 2011
Supervisor of Fourth Year Honours Research Student—Italian Renaissance Art History, thesis and reading course School of Historical and European Studies La Trobe University, Melbourne March–November 2007
Art History Tutor—nineteenth-century European Art History Centre for Indigenous Education The University of Melbourne October 2006
Art History Tutor—Baroque and nineteenth-century European Art History Queens College The University of Melbourne
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July–October 2006
Researcher—Italian Renaissance Art and Social History ‘Engaging with Place—An Interdisciplinary Framework for Place Based Research & Practice’, ARC Linkage Project. March–June 2006
Research Assistant, ‘Australia’s Patrimony Exemplified by the History of the Multicultural Collections at the National Gallery of Victoria’, ARC Discovery grant, 2005
Art History Tutor—Art History from the Renaissance to the present Newman College The University of Melbourne March–May 2005
Corporate Support Officer (VPS 3) Centenary of Federation Victoria Department of Premier and Cabinet, State Government of Victoria December 2000–June 2001
Research Assistant, Band 1 (casual), Relocation Assistant (part-time), and Registration Assistant (casual) Marketing, Relocation, and Registration Departments, respectively National Gallery of Victoria 1998–2000
Assistant Registrar (part-time) Melbourne International Biennial, Ian Potter Museum of Art March–July 1999
GRANTS, FELLOWSHIPS, AND SCHOLARSHIPS
Ministry of Science and Technology, Government of the Republic of China, Research Grant, 2020–2023
State Library of Victoria, Melbourne, Dr Joseph Brown AO Fellowship, 2010– June 2011
British Museum, London, Prints and Drawings Department, Harold Wright Scholarship, 2008
Melbourne Research Scholarship, The University of Melbourne, Ph.D., 2002–2006
Peggy Guggenheim Collection, Venice, Palladio Trust Scholarship, September – October 2002
Alma Hansen Scholarship, The University of Melbourne, 2003
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TRIPS Grant, The University of Melbourne, 2004
Australian Postgraduate Award, Australian Federal Government, M.A., 1999–2000
PUBLICATIONS
books
Paolo Uccello: Artist of the Florentine Renaissance Republic, V.D.M. Verlag, Saarbrücken, 2008.
Jan van Eyck: The Ince Hall Virgin and Child and the Scientific Examination of Early Netherlandish Painting, V.D.M. Verlag, Saarbrücken, 2009 (first edition 2008).
refereed articles, chapters, and conference papers
‘Amateur Photography in the Nineteenth-Century Jewish Diaspora: The Colonial, National, and Transnational Aspects of a Montefiore Family Album’, History of Photography, vol. 43, no. 3, forthcoming in 2020.
‘Elusive Tears: Lamentation and Impassivity in Fifteenth-Century Passion Iconography,’ in Fluid Bodies: Rethinking Expressions of Bodies and Their Fluids in Pre-Modern Literature, Theology, and Art, Michael D. Barbezat and Anne Scott (eds), Kalamazoo and Bradford, 2019, pp. 31–53.
‘Manuscripts and Realia of the Pre-Raphaelites and their Circle in the State Library of Victoria,’ Australasian Journal of Victorian Studies, vol. XXII, no. 2, 2018, pp. 47–70.
‘A Note on the Identity of the Donor in a Triptych from the Cologne School in the National Gallery of Australia’, Parergon, vol. XXXIII, no. 1, 2016, pp. 183–90.
‘The Classical Ideal of Male Beauty in Renaissance Italy: A Note on the Afterlife of Virgil’s Euryalus’, Journal of the Warburg and Courtauld Institutes, vol. LXXVI, part 2, 2013, pp. 263–68.
‘Solidarity, Betrayal, and Opportunism in the Commissioning of Two Florentine Renaissance Manuscripts’, Parergon, vol. XXX, no. 1, 2013, pp. 91–119.
‘A Processional Cross Attributed to Bernardo Daddi and his Workshop’, Art Journal of the National Gallery of Victoria, vol. LI, 2012, pp. 9–15 and 91.
‘A Jewish Philanthropist in Colonial Australia: Eliezer Levi Montefiore’s Papers in the Autograph Collection of the State Library of Victoria’, Australian Jewish Historical Society Journal, vol. XX, part 3, 2011, pp. 349–94.
‘From Assisi to Melbourne: Friar Pietro Teutonico’s Nativity; Crucifixion Reliquary Diptych in the National Gallery of Victoria’, in Interpreting Francis and
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Claire of Assisi from the Middle Ages to the Present, C. Mews and C. Renkin (eds), Melbourne, 2010, pp. 242–54.
‘Paolo Uccello and the Confraternity of Saint Peter Martyr: Themes of Reciprocal Obligation in Life and Art’, in Sociability and its Discontents: Civil Society, Social Capital and their Alternatives in European and Australian Society, N. Eckstein and N. Terpstra (eds), proceedings of a conference held at the University of Sydney 19–21 August 2005, Turnhout, 2009, pp. 129–48.
‘Paolo Uccello and Fra Angelico in the Early Quattrocento’, Art, Site and Spectacle: Studies in Early Modern Visual Culture, David R. Marshall (ed.) (Melbourne Art Journal, vols IX–X), 2007, pp. 17–33.
‘From Via della Scala to the Cathedral: Social Spaces and the Visual Arts in Paolo Uccello’s Florence’, PLACE, www.eslewhereonline.com.au, April 2007, pp. 1–12. ‘The Monuments of Florence, Real and Imagined, in the Early Renaissance: The Development of Single-Point Perspective’, PLACE, www.elsewhereonline.com.au, April 2007, pp. 1–13.
‘The Politics of War: Paolo Uccello’s Equestrian Monument for Sir John Hawkwood in the Cathedral of Florence’, Parergon, vol. XXIII, no. 2, 2006, pp. 1– 34.
‘A Knight in Shining Armour, A Virgin: Paolo Uccello’s Melbourne Saint George and the Dragon and Oxford Annunciation’, Art Bulletin of Victoria, vol. XLVI, 2006, pp. 7–15. other international publications
‘Jan van Eyck (e bottega?), Vergine e bambino con libro. Identificato un dipinto proveniente dalla collezione del Cardinale Alberoni,’ Auxilium a Domino, vol. III, 2019, pp. 113–24.
‘Paolo Uccello’s Maternal Lineage: The Del Beccuto’, in Officina pratese: tecnica, stile, e storia, P. Benassai, M. Ciatti, A. De Marchi, C. Gnoni Mavarelli, and I. Lapi Ballerini (eds), conference papers, Palazzo Communale, Prato, 6–7 December 2013, Florence, 2015, pp. 309–28.
‘Further Research on the Italian Medieval Manuscripts in the State Library of Victoria’, Manuscripta, vol. LVIII, no. 1, 2014, pp. 1–37.
‘Un Lévitique de Pontigny trouvé à Melbourne’, Scriptorium, vol. LXVII, no. 1, 2013, pp. 141–43.
‘Paradise for Ever: More on the Patronage and Iconography of the ‘Triptych with the Miracles of Christ’ in the National Gallery of Victoria’, Oud Holland, vol. CXXVI, no. 1, 2013, pp. 1–16.
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‘Lifelong Learning: The Pilgrimage Manuscript in the State Library of Victoria’, Scriptorium, vol. LXVI, 2012, pp. 382–89.
‘A Drawing Attributed to Marco Zoppo and its Former Owners’, Master Drawings, vol. L, no. 1, Autumn 2012, pp. 9–20.
‘An Unpublished Letter from Salvator Rosa’, The Burlington Magazine, vol. CLIII, no. 1294, January 2011, pp. 30–31.
‘Giovanni Battista Gaulli: Remaking the Image of a Cardinal Saint in Seventeenth- century Rome’, Master Drawings, vol. XLVII, no. 1, 2009, pp. 70–78.
‘The Materials and Technique of Two Panel Paintings Attributed to Paolo Uccello: The Oxford Annunciation and the Melbourne Saint George’, in H. Verougstraete and R. van Schoute (eds), La Peinture ancienne et ses procedés: Copies, répliques, pastiches, Leuven: Uitgeverij Peeters, 2006, pp. 8–17.
‘The Chronograms in the Inscription of Jan van Eyck’s Portrait of Jan de Leeuw’, Oud Holland, vol. CXVI, no. 2, 2003, pp. 96–99.
‘Shedding Light on an Eyckian Virgin and Child: The Infrared Reflectography of the Ince Hall Virgin and Child’, in H. Verougstraete and R. van Schoute (eds), Le Dessin sous-jacent et la technologie dans la peinture: Jérôme Bosch et son entourage et autres études, Colloque XIV, Leuven, Paris, Dudley MA, 2003, pp. 260–72.
‘30, La Virgen con el Niño de Ince Hall–Aspectos tecnicos de La Virgen con el Niño de Ince Hall’, in M. Natale (ed.) El Renacimiento Mediterráneo, exh. cat., Thyssen-Bornemisza Museum, Madrid, 31 January–6 May 2001 and Museo de Bellas Artes, Valencia, 18 May to 2 September 2001, pp. 267–69. reviews
‘Silver, Larry and Jeffrey Chipps Smith, eds, The Essential Dürer, Philadelphia, University of Pennsylvania Press, 2010; cloth; pp. 304; 88 illustrations; R.R.P. US$55.00, £36.00; ISBN 9780812241877.’, Parergon, vol. XXVIII, no. 1, 2011, pp. 256–58.
Martin Kemp and Pascale Cotte, with contributions by Peter Paul Biro, Eva Schwan, Claudio Strinati, and Nicholas Turner, Leonardo da Vinci: ‘La Bella Principessa’, The Profile Portrait of a Milanese Woman, World of Antiques and Art, 79, August 2010–February 2011, pp. 131–32.
‘Nicholas A. Eckstein et al., The Brancacci Chapel: Form, Function and Setting, Acts of an International Conference, Florence, Villa I Tatti, June 6, 2003, N.A. Eckstein (ed.), Villa I Tatti, The Harvard University Center for Italian Renaissance Studies, 22, Leo S. Olschki, Florence [2007]. ISBN 978 88 222 5650 8’, Parergon, vol. XXV, no. 2, 2008, pp. 145–49.
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‘Ecstasy and Melancholy from the Masters of Emotion at the Mornington Peninsula Regional Gallery, Victoria’, Art Monthly, no. 203, September 2007, pp. 3–6.
‘Anne Gray and John Gage, with essays by Mark Evans, Ann Galbally, Conal Shields, and MaryAnne Stevens, Constable: Impressions of Land, Sea and Sky’, World of Art and Antiques, vol. LXXI, August 2006-February 2007, pp. 166–67.
‘The Felton Illuminated Manuscripts in the National Gallery of Victoria, by Margaret M. Manion, published by Macmillan Art Publishing and the National Gallery of Victoria, Melbourne, 2005’, World of Art and Antiques, vol. LXX, February–August 2006, pp. 164–67.
with E. Szabo, ‘Bill Henson, Three Decades of Photography’, E-MAJ, Issue 1, July-December 2005, 8.1-8.3, www.melbourneartjournal.unimelb.edu.au/E-MAJ.
other
‘Art Sleuth’, Australian Art Review, 24, August–October, 2010, pp. 48–49.
‘A Continuing Tradition of Benefaction to the National Gallery of Victoria’, in D. Webster (ed.) The New National Gallery of Victoria: One Vision, Two Galleries, Melbourne, 2000, pp. 7–8.
DETAILS OF TEACHING
Assistant Professor, graduate level, cohort of six students, ‘Book Arts of the West from the Middle Ages to the Present’ course, Graduate Institute of Art History, National Taiwan Normal University, Taipei. Total hours: ongoing Semester 1, 2020
Assistant Professor, graduate level, cohort of six students, ‘Italian Early Renaissance Art’ course, Graduate Institute of Art History, National Taiwan Normal University, Taipei. Total hours: 54 Semester 2, 2019
Assistant Professor, graduate level, cohort of five students, ‘On the Conservation of Art and Architecture’ course, Graduate Institute of Art History, National Taiwan Normal University, Taipei. Total hours: 54 Semester 2, 2019
Assistant Professor, graduate level, cohort of sixteen students, ‘Theory and Praxis in the Contemporary Curatorship of Art’ course, Graduate Institute of Art History, National Taiwan Normal University, Taipei. Total hours: 54 Semester 1, 2019
Assistant Professor, graduate level, cohort of ten students, ‘Iconography’ course, Graduate Institute of Art History, National Taiwan Normal University, Taipei. Total hours: 54
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Semester 2, 2018
Assistant Professor, graduate level, cohort of seven students, ‘Northern Renaissance Art’ course, Graduate Institute of Art History, National Taiwan Normal University, Taipei. Total hours: 54 Semester 2, 2018
Adjunct Assistant Professor, graduate level, cohort of four students, ‘Introduction to Book Arts of the West from the Middle Ages to the Present’ course, Graduate Institute of Art History, National Taiwan Normal University, Taipei. Total hours: 54 Semester 1, 2018
Adjunct Assistant Professor, graduate level, cohort of four students, ‘Early Renaissance Art in Italy’ course, Graduate Institute of Art History, National Taiwan Normal University, Taipei. Total hours: 54 Semester 2, 2017
Lecturer and seminar leader, second year, cohort of eighty-four students, ‘Visual Culture 3’ course, International College, Hunan University of Technology, Zhuzhou, China. Total hours: 140 Semester 1, 2017
Lecturer and seminar leader, first year, cohort of a hundred and thirty-one students, ‘Visual Culture 1’ course, International College, Hubei Polytechnic University, Huanghsi, China. Total hours: 140 Semester 2, 2016
Lecturer and seminar leader, first year subject, cohort of ninety students ‘Visual Culture’ and Contextual English courses, International College, Hunan University of Technology, Zhuzhou, China. Total hours: 140 Semester 1, 2016
Lecturer and seminar leader, third year subject, cohort of thirty-two students, ‘Visual Thinking 2: Research Seminar’, Photography Studies College, Melbourne. Total hours: 30 Semester 1, 2015
Lecturer and seminar leader, third year subject (Pathway Program), cohort of ten students, ‘Visual Thinking 2: Research Seminar’, Photography Studies College, Melbourne. Total hours: 15 Semester 1, 2015
Lecturer and seminar leader, third year subject (Pathway Program), cohort of ten students, ‘Image Cultures 1: History and Context of Representation’ course, Photography Studies College, Melbourne. Total hours: 20 Semester 2, 2014
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Lecturer and seminar leader, third year subject (Pathway Program), cohort of ten students, ‘Visual Thinking 2: Research Seminar’ course, Photography Studies College, Melbourne. Total hours: 20 Semester 1, 2014
Lecturer and seminar leader, first year subject, cohort of fifty students, Image ‘Cultures 1: History and Context of Representation’ course, Photography Studies College, Melbourne. Total hours: 20 Semester 2, 2013
Lecturer and seminar leader, third year subject (Pathway Program), cohort of twelve students, ‘Image Cultures 1: History and Context of Representation’ course, Photography Studies College, Melbourne. Total hours: 20 hours Semester 2, 2013
Lecturer and seminar leader, third year subject (Pathway Program), cohort of fourteen students, ‘Visual Thinking 2: Research Seminar’ course, Photography Studies College, Melbourne. Total hours: 20 hours Semester 1, 2013
Lecturer and seminar leader, third year subject (Pathway Program), cohort of fourteen students, ‘Image Cultures 1: History and Context of Representation’ course, Photography Studies College, Melbourne. Total hours: 20 hours Semester 2, 2012
Thesis Supervisor, and Reading Course Supervisor, Fourth Year Honours Student in Italian Renaissance Art History School of Historical and European Studies La Trobe University total hours: 26 and 7.5 hours, respectively Semesters 1 and 2, 2007
Tutor, second and third year subject, individual student—nineteenth-century European Art History Centre for Indigenous Education The University of Melbourne total hours: 3 Semester 2, 2006
Tutor, second and third year subjects, cohort of seven students, ten one-hour classes and ten individual appointments—Baroque and nineteenth-century European art history Queens College The University of Melbourne total hours: 20 Semester 2, 2006
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Guest Lecturer, Italian Renaissance Painting, second and third year subject, cohort of forty students, 14 March 2005, Seeing Things Differently: The Development of Perspective in Florence in the Fifteenth Century School of Art History, Cinema, Classics and Archaeology, The University of Melbourne total hours: 1 Semester 1, 2005
Tutor, Art History A: The Work of Art, first year subject, cohort of sixty students, thirty-three one-hour tutorials School of Art History, Cinema, Classics and Archaeology, The University of Melbourne total hours: 33 Semester 1, 2005
Tutor, first year subject, cohort of seven students, ten two-hour tutorials—Art History from the Renaissance to the present Newman College, The University of Melbourne total hours: 20 Semester 1, 2005
Guest Lecturer, Van Eyck to Bosch: Early Netherlandish Painting, fourth year honours subject, cohort of twenty-five students, three two-hour seminars: 11 March 2004, Hubert and Jan van Eyck: The Ghent Altarpiece, the Turin-Milan Hours and Other Works; 18 March 2004, Jan van Eyck and His Workshop; and 1 April 2004, Originals, Copies and Variants by Rogier van der Weyden, His Workshop and Followers. School of Art History, Cinema, Classics and Archaeology, The University of Melbourne. Total hours: 6 Semester 1, 2004
Guest Lecturer and Tutor, Histories and Theories of Conservation, third and fourth year subject, cohort of sixty students, one one-hour lecture and sixty one-hour tutorials, 5 April 2004, The Ince Hall Virgin and Child: The Interpretation of Conservation Evidence for the Purpose of Attribution, School of Art History, Cinema, Classics and Archaeology, The University of Melbourne. Total hours: 61 Semester 1, 2004
Guest Lecturer and Tutor, Histories and Theories of Conservation, third and fourth year subject, cohort of sixty students, one one-hour lecture and sixty one-hour tutorials, 7 April 2003, ‘The Van Eyck – is it genuine?’ – The Interpretation of Conservation Evidence for the Purpose of Attribution in the Case of the Ince Hall Virgin and Child, School of Art History, Cinema, Classics and Archaeology, The University of Melbourne. Total hours: 61 Semester 1, 2003
Guest Lecturer and Administrator, Bologna: Study Abroad, third and fourth year subject, cohort of fifteen students, two-week intensive subject taught on location in Italy, one one-hour lecture and ten five-hour days; 8 July 2003, Paolo Uccello’s
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Adoration of the Child in San Martino Maggiore, School of Art History, Cinema, Classics and Archaeology, The University of Melbourne. Total hours: 51 Mid-Semester Break, 2003
Guest Lecturer and Tutor, Histories and Theories of Conservation, second and third year subject, cohort of sixty students, one one-hour lecture and sixty one-hour tutorials, 4 September 2001, Shedding Light on an Eyckian Virgin and Child: The Critical Reception and Scientific Analysis of the Ince Hall Virgin and Child and its Signature, School of Art History, Cinema, Classics and Archaeology, The University of Melbourne. Total hours: 61 Semester 2, 2001
COURSE DEVELOPMENT
Wrote ‘Iconography,’ ‘Northern Renaissance Art,’ ‘Curatorship,’ ‘Conservation of Art and Architecture,’ ‘Italian Early Renaissance Art’ and ‘Book Arts of the West from the Middle Ages to the Present’ courses, Graduate Institute of Art History, National Taiwan Normal University, Taipei. September 2017–present
Revised Image Cultures 1: History and Context of Representation (for first and third year levels) and Visual Thinking 2: Research Seminar (third year level) Photography Studies College (Melbourne) 2012, 2013
Project Manager for the development of The Virtual Condition Report on-line art conservation teaching and learning program The University of Melbourne, School of Art History, Cinema, Classics and Archaeology 2004
Co-wrote Van Eyck to Bosch: Early Netherlandish Painting, fourth year honours subject, with Professor Nigel Morgan and Dr Kate Challis The University of Melbourne, School of Art History, Cinema, Classics and Archaeology 2004
Revised Histories and Theories of Conservation, third and fourth year subject, with Professor Jaynie Anderson The University of Melbourne, School of Art History, Cinema, Classics and Archaeology 2003
EXHIBITIONS
Henri Cartier-Bresson: China, 1948-1949, 1958, curated by Michel Frizot and Ying-lung Su, Taipei Fine Arts Museum. Taipei, originally scheduled for 11 April 2020–19 July 2020 (postponed), translatior of the catalogue from French to English
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How We Got Here, Bachelor of Photography Pathway Program Graduate Show, curated by Hugh Hudson and Jane Poynter, Photography Studies College (Melbourne), July–August 2015: co-curator
Da Donatello a Lippi: officina pratese, curated by Andrea de Marchi and Cristina Gnoni Mavarelli, Palazzo Pretorio, Prato, 13 September 2013–13 January 2014: contributor to research.
The Arthur Boyd Tapestries of St Francis of Assisi, curated by Professor Emeritus Margaret Manion, The Chapel of the Holy Spirit, Newman College, The University of Melbourne, 2 November - 4 December 2009: curatorial assistant
The Medieval Imagination, curated by Professor Emeritus Margaret Manion, The State Library of Victoria, from March 2008: editorial assistant
Jan van Eyck, Early Netherlandish Painting and Southern Europe, curated by Till- Holger Borchert, Groeningemuseum, Bruges, 15 March–30 June 2002: symposium paper
Peggy Guggenheim Collection Venice, permanent collection, curated by Dr Phillip Rylands, June–July 2002: floor talks
El Renacimiento Mediterraneo, curated by Mauro Natale, Thyssen-Bornemisza Museum, Madrid, 31 January to 6 May 2001 and Museo de Bellas Artes, Valencia, 18 May–2 September 2001: contribution to exhibition catalogue
Melbourne International Biennial, curated by Juliana Engberg, Ian Potter Museum of Art and other venues, Melbourne, 14 May–27 June 1999: Assistant Registrar
Reiki Wara: Aboriginal Longcloth from Aboriginal Australia and the Torres Strait, curated by Judith Ryan, National Gallery of Victoria, Melbourne, and other venues, 1998: installation
[email protected], curated by Hugh Hudson, University of Melbourne Postgraduate Association, 15–30 October 1998: Curator
Postcard Show, coordinated by Martina Copley, Linden - art centre and gallery, Melbourne, January 1998: administrative assistant
Requiem for Ghosts, curated by Claire Williams, Australian Centre for Contemporary Art, Melbourne, February 1998: installation
Deacons, Graham and James/Arts 21 Award, curated by Rachel Kent, University of Melbourne Museum of Art, 13 June–27 July 1997: administrative assistant
CONFERENCE PAPERS, SEMINAR PAPERS, AND GUEST LECTURES
1 November 2019, Taiwan Association of Classical, Medieval and Renaissance Studies, Conference, ‘An Apothecary’s Altarpiece: On the Iconography and
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Historical Context of Masolino and Masaccio’s Carnesecchi Altarpiece from Santa Maria Maggiore in Florence’
15 June 2018, National Taiwan Normal University, College of Arts Festival, ‘The Translation of Texts and Transformation of Images between France and England in the late Middle Ages: The Grace dieu Manuscript in the State Library of Victoria, Melbourne’
22 December 2016, Graduate Institute of Art History, National Taiwan Normal University, Taipei, special seminar, ‘A Teenage Patron of the Arts In Renaissance Florence: The Evidence of Lorenzo Morelli’s Giornale 1463–65’
22 June 2016, Graduate Institute of Art History, National Taiwan Normal University, Taipei, Italian Renaissance Sculpture subject, ‘Elusive Tears: Lamentation and Impassivity in a Lamentation Attributed to Bartolomeo Bellano and Fifteenth-Century Passion Iconography’
7 October 2015, Echo Chamber: Emerging Research on Photography, Centre for Contemporary Photography, Melbourne, ‘The Backwards Glance: Art History and Australian Photography’
29 August 2015, Borderless Futures: Reimaging the Citizen, Ballarat International Foto Biennale Symposium, ‘Vernacular Photography in the Nineteenth-Century Jewish Diaspora: The Montefiore Album’
14 April 2014, Italian Renaissance Art History subject, The University of Melbourne, ‘‘Myths and Realities Created by Scientific Analysis of Paintings’: The Contribution of Conservation Science in Making Attributions’
7 December 2013 Convegno officina pratese: tecnica, stile, storia, Palazzo comunale, Prato, ‘Divini tesori’: Uccello’s Melbourne Saint George and Oxford Annunciation in Context’
2 August 2013 Medieval and Renaissance Centre Seminar, Monash University, Melbourne, ‘Renaissance, Mannerist, and Elizabethan Portrait Paintings in Australian Collections’
15 February 2013 Australia and New Zealand Association of Medieval and Early Modern Studies Conference, Melbourne, ‘Serenity in Mourning: The Lamentation Attributed to Bartolommeo Bellano in the National Gallery of Victoria and Early Modern Sculpture in Australian Public Collections’
15 October 2012 European Visual Culture Seminar, The University of Melbourne, ‘Solidarity, Betrayal, and Opportunism: Deluxe Manuscript Production for Two High-Status Couples in Renaissance Florence’
21 June 2010 Early Modern Circle, History program, The University of Melbourne, ‘The Del Beccuto of Florence: More on the Maternal Family of the Renaissance Artist Paolo Uccello’
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15 February 2010 National Gallery of Victoria, Volunteer Guides Induction Seminar, ‘Highlights of the Late Medieval and Early Renaissance Collections of the National Gallery of Victoria’
20 November 2009 Centre for Studies in Religion and Theology, Monash University and Yarra Theological Union, Melbourne College of Divinity, Interpreting St Francis and St Clare in a Multi-Religious Society: From the Middle Ages to the Present, ‘From Assisi to Melbourne: Fra Pietro Teutonico’s Nativity; Crucifixion reliquary diptych in the National Gallery of Victoria’
12 June 2009 Next Wave Festival, Tape Projects, Bouverie Studios Inc, with Ceri Hann, ‘Curiosity, Conflict and Counter Culture’
20 October 2008 European Visual Culture Seminar, School of Culture and Communication, The University of Melbourne, ‘A Review of the Van Gogh Museum’s Summary Report on the Head of a Man in the National Gallery of Victoria’
13 December 2007 Early Europe Research Forum, The University of Melbourne, part of the Network for Early European Research, ‘Connections between Panel Painters and Illuminators in Early Renaissance Florence’
5 July 2007 Australian Research Council funded Network for Early European Research Inaugural International Conference, Networks, Communities, Continuities: Europe 400—1850, University of Western Australia, ‘A Perspective on Suffering: Paintings in Early European Hospitals’ and ‘A Prayer for Peace: Arbitrating Conflict in the Chiostro Verde of Santa Maria Novella in Florence’
23 March 2007 University of Melbourne Fine Arts Network Floortalk at the National Gallery of Victoria, ‘Paolo Uccello’s Saint George and the Dragon and the Threat of the Pagan’
2 February 2007 Connections: Exploring Illuminated Manuscripts, The Research Cluster for Manuscript Studies, The University of Melbourne, convened by Margaret Manion, ‘Connections between Early Netherlandish Panel Painters and Illuminators: The Case of Hand G, Van Eyck, and the Ince Hall Virgin and Child’
16 November 2006 Art and Culture in Renaissance Tuscany. New Directions in Research, convened by David R. Marshall, for the Fine Arts Network, University of Melbourne, Australia, ‘Beyond Florence: Paolo Uccello in the Contado and Further Afield’
19 April 2006 Early Modern Circle, History Department, The University of Melbourne, Australia, ‘The Politics of War: Paolo Uccello’s Equestrian Monument for Sir John Hawkwood in the Cathedral of Florence’
20 August 2005 Sociability and its Discontents: Civil Society, Social Capital and their Alternatives in European and Australian Society, School of Philosophical and Historical Inquiry, University of Sydney, Australia, ‘Paolo Uccello and the
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Confraternity of Saint Peter Martyr: Themes of Reciprocal Obligation in Life and Art’
20 July 2005 AHCCA Postgraduate Association Symposium, The University of Melbourne, Australia, ‘It Is Not Always What You Know: Patterns of Patronage in the Renaissance’
9 March 2005 Seminar Program, the School of Art History, Cinema, Classics and Archaeology, The University of Melbourne, Australia, ‘ “Solitary, Strange, Melancholy and Poor”? New Evidence for the Early Life and Career of the Italian Renaissance Artist Paolo Uccello’
3 February 2005 Australia and New Zealand Association of Medieval and Early Modern Studies Conference, Auckland, New Zealand, ‘Art, Archaeology and the Archive: New Pieces in the Puzzle of Paolo Uccello’s Early Life and Career’
10 June 2004 AHCCA Postgraduate Association Symposium, The University of Melbourne, Australia, ‘When Good Neighbours Become Good…Patrons: Paolo Uccello’s Neighbours and Patrons in the 1430s and 1440s’
11 September 2003 Colloque XV, Le Dessin Sous-Jacent et la Technologie dans la Peinture: Copies, Répliques, Pastiches, Bruges, Belgium. ‘The Materials and Technique of Two Panel Paintings Attributed to Paolo Uccello: The Oxford Annunciation and the Melbourne Saint George’
5 June 2003 Postgraduate Symposium, The University of Melbourne, Australia, ‘“ALC/IXH/XAN”: Coded Messages in Jan van Eyck’s Inscriptions’
12 April 2003 A Day of Magnificence, Graduate Centre Symposium, The University of Melbourne, ‘Jan van Eyck’s Luxurious Virgins’
7 February 2003 Australia and New Zealand Association of Medieval and Early Modern Studies Conference, Melbourne, Australia, ‘Back from the Dead: The Iconography of the Saint George and the Dragon Attributed to Paolo Uccello in the National Gallery of Victoria’
6 December 2002 Art Association of Australia and New Zealand Conference 2002, Sydney, Australia, ‘Back from the Dead: the Saint George and the dragon Attributed to Paolo Uccello in the National Gallery of Victoria’
6 November 2002 Fine Arts Classical Studies and Archaeology Postgraduate Symposium, Melbourne, Australia, ‘Back from the Dead: The Saint George and the Dragon Attributed to Paolo Uccello in the National Gallery of Victoria’
25 June 2002 Symposium Jan van Eyck, Early Netherlandish Painting And The South Of Europe, 1430-1530, Bruges, Belgium, ‘The Chronology of Van Eyck’s Most Domestic Compositions: Ince Hall Virgin and Child, Giovanni (?) Arnolfini and his Wife, Woman at her Toilet (Bathseba?)’
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6 March 2002 Renaissance Seminar Program, Melbourne, Australia, ‘Et Aula Lucis Fulgida: Jan van Eyck’s Ince Hall Virgin and Child’
5 October 2001 Art Association of Australia and New Zealand Annual Conference: Visual Arts In The 21st Century From Museum To Cyberspace, Melbourne, Australia, ‘Re-examining Van Eyck A New Analysis of the Ince Hall Madonna’
14 September 2001 Colloque XIV Pour l’Etude de la Technologie et du Dessin Sous-Jacent dans la Peinture: Jérôme Bosch et son entourage, Bruges, Belgium, ‘Shedding Light on an Eyckian Virgin and Child: The Infrared Reflectography of the “Ince Hall Madonna”’, National Gallery of Victoria, Melbourne
OTHER APPOINTMENTS
Referee EurAmerica Academia Sinica 2020
Volunteer Tutor Clemente Program Australian Catholic University, Melbourne 2012–2016
Referee Diacritics Cornell University 2015
Referee Parergon University of Western Australia 2010, 2012, 2014, 2015
External Examiner Masters by Coursework Thesis Faculty of Humanities and Social Sciences The University of Adelaide 2008, 2013, 2016
Co-Judge Michael Scott Art Prize Newman College, The University of Melbourne 2006, 2007, 2008, 2011
Editorial Assistant G. Kratzmann (ed.), Imagination, Books and Community in Medieval Europe, papers of a conference held at the State Library of Victoria, 29–31 May 2008, State Library of Victoria and Macmillan Art Publishing, South Yarra, 2008.
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Editorial Assistant B. Stocks and N. Morgan (eds), The Medieval Imagination: Illuminated Manuscripts from Cambridge, Australia and New Zealand, exh. cat., State Library of Victoria and Macmillan Art Publishing, South Yarra, 2008.
External Examiner Fourth Year Honours Thesis School of Historical and European Studies La Trobe University 2007 (on two occasions)
Referee Australia and New Zealand Journal of Art School of English, Media Studies and Art History University of Queensland 2007
Co-Convenor Early Modern Circle History Department, The University of Melbourne 2006
Co-Judge Queens College Art Prize Queens College, The University of Melbourne 2006
Postgraduate Representative Australian Research Council funded Network for Early European Research Management Committee 2005
Postgraduate Representative for the School of Art History, Cinema, Classics and Archaeology Arts Faculty Postgraduate Research and Graduate Studies Consultative Group The University of Melbourne 2004
Convenor of Exhibit A: Art History, Cinema, Classics and Archaeology Postgraduate Conference The University of Melbourne 2004
Nominated Representative, Treasurer, President AHCCA Postgraduate Association Committee School of Art History, Cinema, Classics and Archaeology The University of Melbourne 1998, 2003, 2004, respectively
Page 17 of 18 Dr Hugh Hudson
Research Assistant Professor Jaynie Anderson, Tiepolo’s Cleopatra Macmillan, Melbourne 2004
Research Assistant Francis Lindsay, Rachel Kent and Elizabeth Aders, Arts Industry and Science: The Grimwade Legacy Melbourne University Museum of Art 1998
LANGUAGES
French and Italian
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