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Hands Clasped, Holding a Book Representation of the Sitter(S)

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Catalogue dlvii Type of person(s): lay (family) Attitude of the sitter(s): hands clasped, holding a book Representation of the sitter(s): full-length Gaze of the sitter(s): into space Object(s): yes (prie-dieu, book, sword) Coat(s) of arms: yes Environment: landscape, no sacred connotation Structuring of the pictorial space: distinct spaces (different techniques: painting/sculpture) Patron saint(s): John the Baptist, Lawrence, George, Michael Gesture of the patron saint(s): introducing, holding his/her attribute Type of religious scene: narrative Religious scene(s) depicted: scenes of the Passion, the Annunciation, St. Anne, St. Catherine, St. Margaret, St. Martin Cat. 681—Type 3B [Link to the Friedländer 3.0 Database] VAN DER WEYDEN, Rogier (follower of) Epitaph of Johanna van Horne and her Family (shortly after 1461) 87 × 94 cm Berlin, Staatliche Museen zu Berlin, Gemäldegalerie (destroyed in 1945) Bibl.: FRIEDLÄNDER II, no. 121c; GEURTS 1968, 109; DE VOS 1999, 358. Historical information: The coats of arms and the inscription on the frame identify the sitters as Jacob I van Horne (1420–1488), Johanna van Meurs († 1461) and their children. They belonged to the high nobility of Holland. Jacob was Lord of Horne and Count of Horne from 1450 onwards. The couple is depicted with eight children, but only seven of them are known: Willem (1449–1453), Jacob II, Count of Horne (c. 1450–1502), Jan (1458–1505), Bishop of Liège from 1482 onwards, Maria, Margaretha (1461–1518), Frederik († 1487) and Walburga. Horne was a little city in Limbourg. According to Geurts, the castle depicted in the background on the left is the castle of Horne, and the one on the right is the castle of Weert. Identity of the sitter(s): Johanna van Horne and her family Provenance: unknown Number of portrait(s): 10 Type of person(s): mixed (family) Attitude of the sitter(s): hands clasped Representation of the sitter(s): full-length Gaze of the sitter(s): towards the scene Ingrid Falque - 9789004409736 Downloaded from Brill.com10/10/2021 11:14:38PM via free access dlviii Catalogue Object(s): yes (book) Coat(s) of arms: yes Environment: enclosed garden Structuring of the pictorial space: not applicable Patron saint(s): Jerome, Elizabeth of Hungary Gesture of the patron saint(s): introducing Type of religious scene: hieratic Religious scene(s) depicted: the Virgin and Child Cat. 682—Type 6A [RKD work no. 69649] VAN DER WEYDEN, Rogier (follower of) One Wing. A Man in Prayer with St. Augustine (1450–1500) 80.5 × 28.5 cm Paris, sale Piasa (17 December 2008), lot no. 4 Bibl.: Sale cat. Piasa (Paris, 17 December 2008), no. 4 (with bibl.). Identity of the sitter(s): unknown Provenance: unknown Number of portrait(s): 1 Type of person(s): lay (man alone) Attitude of the sitter(s): holding a book Representation of the sitter(s): full-length Gaze of the sitter(s): indeterminate Object(s): yes (book) Coat(s) of arms: no Environment: landscape, no sacred connotation (incomplete) Structuring of the pictorial space: indeterminate Patron saint(s): Augustine Gesture of the patron saint(s): holding his/her attribute Type of religious scene: indeterminate Religious scene(s) depicted: none Ingrid Falque - 9789004409736 Downloaded from Brill.com10/10/2021 11:14:38PM via free access Catalogue dlix Cat. 683—Type 3C VAN DER WEYDEN, Rogier (follower of) The Lamentation with a Man in Prayer (c. 1470) 47 × 35 cm Madrid, Museo Nacional del Prado, inv. no. 2540 Bibl.: FRIEDLÄNDER II, no. 20d; BERMEJO 1980, 111–12; DE VOS 1999, no. B12 (with bibl.). Identity of the sitter(s): unknown Provenance: unknown Number of portrait(s): 1 Type of person(s): lay (man alone) Attitude of the sitter(s): hands clasped Representation of the sitter(s): full-length Gaze of the sitter(s): towards the scene Object(s): no Coat(s) of arms: no Environment: historical setting Structuring of the pictorial space: not applicable Patron saint(s): none Gesture of the patron saint(s): not applicable Type of religious scene: narrative Religious scene(s) depicted: the Lamentation Cat. 684—Type 3D VAN DER WEYDEN, Rogier (follower of) The Virgin and Child with a Man in Prayer (c. 1500–1510) 48.5 × 42.5 cm Tongeren, Stedelijk Museum Bibl.: ULRIX-CLOSSET 1962. Identity of the sitter(s): unknown Provenance: unknown Number of portrait(s): 1 Type of person(s): lay (man alone) Attitude of the sitter(s): hands clasped Representation of the sitter(s): half- length, small scale Gaze of the sitter(s): towards the scene Ingrid Falque - 9789004409736 Downloaded from Brill.com10/10/2021 11:14:38PM via free access dlx Catalogue Object(s): no Coat(s) of arms: no Environment: neutral space Structuring of the pictorial space: not applicable Patron saint(s): none Gesture of the patron saint(s): not applicable Type of religious scene: hieratic Religious scene(s) depicted: the Virgin and Child Cat. 685—Type 3C VAN DER WEYDEN, Rogier (follower of) Triptych of the Crucifixion (‘Sforza Triptych’) (c. 1460) 54 × 46 cm (centre panel) and 54 × 19.5 cm (wings) Brussels, MRBAB, inv. no. 515 Bibl.: FRIEDLÄNDER II, no. 93; STROO et SYFER D’OLNE 1996, 130–51 (with bibl.); Exh. cat. Brussels 2013, no. 5. Historical information: The coat of arms on the centre panel is that of the Sforza family. The man on the right is the condottiere Alessandro Sforza (1409–1473), who was also a bibliophile and a poet. The identity of the two other persons has led to some discussions. It is now assumed that they are Alessandro’s son, Costanzo Sforza (1447–1483) and his daughter, Battista Sforza (1446–1472). The condottiere probably commissioned the triptych in 1458, dur- ing a journey he made through France and the Low Countries, in the service of his brother, the Duke of Milan. Identity of the sitter(s): Alessandro Sforza and two members of his family Provenance: unknown Number of portrait(s): 3 Type of person(s): lay (family) Attitude of the sitter(s): hands clasped, particular gesture Representation of the sitter(s): full-length Gaze of the sitter(s): into space, towards the scene Object(s): yes (hat, sword) Coat(s) of arms: yes Environment: historical setting Structuring of the pictorial space: not applicable Ingrid Falque - 9789004409736 Downloaded from Brill.com10/10/2021 11:14:38PM via free access Catalogue dlxi Patron saint(s): none Gesture of the patron saint(s): not applicable Type of religious scene: narrative Religious scene(s) depicted: the Crucifixion, the Nativity, St. Bavo, St. Francis, St. John the Baptist, St. Catherine, St. Barbara, St. Jerome, St. George Cat. 686—Type 2C VAN DER WEYDEN, Rogier (follower of) Triptych of the Crucifixion with a Man in Prayer (‘Abegg Triptych’) (c. 1438–1440) 103 × 31.1 cm (centre panel) and 103 × 70 cm (wings) Bern, Kunstmuseum, Abegg Stiftung, inv. no. 14.2.63 Bibl.: FRIEDLÄNDER II, supp. 131; DHANENS 1984, 73–93; DE VOS 1999, no. 10; Exh. cat. Frankfurt and Berlin 2009, no. 31 (with bibl.). Historical information: The stained-glass window on the left wing pres- ents a coat of arms similar to that of the da Villa family (see cat. 487). Many members of this lineage commissioned Flemish artworks destined for founda- tions in Flanders or in Chieri, where they came from. Hulin de Loo proposed in an unpublished paper from 1936 that the young man depicted here is Oberto da Villa. More recently, Campbell has demonstrated that the coat of arms does not belong to this family. The man wears the collar of the Order of the Porcupine, but he has not been identified. Identity of the sitter(s): unknown Provenance: unknown Number of portrait(s): 1 Type of person(s): lay (man alone) Attitude of the sitter(s): particular gesture Representation of the sitter(s): full-length Gaze of the sitter(s): towards the scene Object(s): yes (hat) Coat(s) of arms: yes Environment: architectural space, no sacred connotation Structuring of the pictorial space: unified space with discontinuities Patron saint(s): none Ingrid Falque - 9789004409736 Downloaded from Brill.com10/10/2021 11:14:38PM via free access dlxii Catalogue Gesture of the patron saint(s): not applicable Type of religious scene: narrative Religious scene(s) depicted: the Crucifixion Cat. 687—Type 3A VAN DER WEYDEN, Rogier (or workshop) The Lamentation with Saints and a Man in Prayer (c. 1470) 37 × 46.5 cm London, NG, inv. no. NG 6265 Bibl.: FRIEDLÄNDER II, no. 20; CAMPBELL 1998, 440–46; DE VOS 1999, 370–71 (with bibl.). Identity of the sitter(s): unknown (Girolamo Vento?) Provenance: unknown Number of portrait(s): 1 Type of person(s): lay (man alone) Attitude of the sitter(s): hands clasped Representation of the sitter(s): full-length Gaze of the sitter(s): into space Object(s): no Coat(s) of arms: no Environment: historical setting Structuring of the pictorial space: not applicable Patron saint(s): Jerome Gesture of the patron saint(s): interceding Type of religious scene: narrative Religious scene(s) depicted: the Lamentation, St. Dominic Cat. 688—Type 6A VAN DER WEYDEN, Rogier (workshop of) Fragment or Wing. Portrait of a Couple in Prayer (c. 1470) 18.2 × 12 cm New York, Acevado collection, lot no. 11 Bibl.: Exh. cat. Leuven 2009, no. 1 (with bibl.). Ingrid Falque - 9789004409736 Downloaded from Brill.com10/10/2021 11:14:38PM via free access Catalogue dlxiii Historical information: The face of the man bears some similarities with Rogier van der Weyden’s portrait in the Recueil d’Arras (fol. 276) and in Dominique Lampson’s Pictorium aliquot Germaniae inferioris effigies (1572). In Lampson’s work, the engraved portrait is oriented in the same direction as in this panel.
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  • Bruegel in Black and White Three Grisailles Reunited 2 Bruegel in Black and White Three Grisailles Reunited

    Bruegel in Black and White Three Grisailles Reunited 2 Bruegel in Black and White Three Grisailles Reunited

    Bruegel in Black and White Three Grisailles Reunited 2 Bruegel in Black and White Three Grisailles Reunited Karen Serres with contributions by Dominique Allart, Ruth Bubb, Aviva Burnstock, Christina Currie and Alice Tate-Harte First published to accompany Bruegel in Black and White: Three Grisailles Reunited The Courtauld Gallery, London, 4 February – 8 May 2016 The Courtauld Gallery is supported by the Higher Education Funding Council for England (hefce) Copyright © 2016 Texts copyright © the authors All rights reserved. No part of this publication may be transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any storage or retrieval system, without the prior permission in writing from the copyright holder and publisher. isbn 978 1 907372 94 0 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Produced by Paul Holberton publishing 89 Borough High Street, London se1 1nl www.paul-holberton.net Designed by Laura Parker www.parkerinc.co.uk Printing by Gomer Press, Llandysul front cover and page 7: Christ and the Woman Taken in Adultery (cat. 3), detail frontispiece: Three Soldiers, 1568 (cat. 8), detail page 8: The Death of the Virgin, c. 1562–65 (cat. 1), detail contributors to the catalogue da Dominique Allart ab Aviva Burnstock rb Ruth Bubb cc Christina Currie ks Karen Serres at-h Alice Tate-Harte Foreword This focused exhibition brings together for the first At the National Trust, special thanks are due to David time Pieter Bruegel the Elder’s three surviving grisaille Taylor, Christine Sitwell, Fernanda Torrente and the staff paintings and considers them alongside closely related at Upton House.