newsletter Volume 10, Number 3 Fall 1985 nominations for eAA board of directors

The 1985 Nominating Committee has submitted its initial slate of principal or co-organizer: The Calotype in France and Great Britain, twelve nominees to serve on the CAA Board of Directors from ]986 to 1984 (also cat); Degas in The Art Institute ofCht'cago, 1984 (also cat); 1990. Of these, six will be selected by the Committee as its final slate A Day in the Country: Impressionism and the French Landscape, and formally proposed for election at the Annual Members Business 1984-85 (also cat); installation design for The Golden Age ofNaples, Meeting to be held in New York City on February 13, 1986. Mauritshuis: Dutch Painting of the Golden Age, others. PUBLICA­ This year the Nominating Committee has invited candidates to TIONS: catalogues above, plus The Drawings of Camille Pissarro in submit brief statements of their views concerning present and future The Ashmolean Museum, 1980; co-author Painters and Peasants in directions for the Association. The preferential ballot is in the form of the Nineteenth Century, 1983; others; in preparation: Nineteenth­ a prepaid business reply card and is being mailed separately. Please Century European Paintings in The Art Institute of Chicago,. articles return it promptly; ballots must be postmarked no later than and reviews in Museum Studies, Bulletin of The Yale University Art I November. Gallery, Art journal, Visual Resources, others. AWARDS: fellowships from Carnegie Foundation (teaching), Yale, Kress, Whiting Founda­ PAT ADAMS tion, NEH, Getty Mus. CAA ACTIVITIES: speaker, 1984 annual Bennington College meeting; to chair 1986 session "The Politics of Display: The Tempo­ rary Exhibition and the Art Museum." BA Univ California, Berkeley, 1949. POSITIONS; It is vital that the College Art Association take the initiai£ve to pro­ Bennington CoIl, faculty painting and draw­ mote interchanges between the art museum, the university, and the ing, 1964-; also visiting artist-instr Yale, art school. The museum is the place where the vast majority ofAmeri­ Queens Coll, CUNY, RISD, Univ Iowa, Univ cans learn about art, and, if the CAA cares about education in the New Mex, Western Kentucky Univ, Columbia, broadest sense, it must be critically involved with issues of collecting, Kent State. EXHIBITIONS: biennial shows, permanent display, and temporary exhibition of works of art. Zabriskie Gall, NYC, 1956 -; numerous group shows at Whitney, MoMA, Hirshhorn, others. NORMA BROUDE COLLECTIONS: Whitney, Hirshhorn, Univ Calif-Berkeley, Yale Gall The American University \rt, Brooklyn Mus. AWARDS: Fulbright fel, France, 1956-57; paint­ .ng award, Natl Council Arts, 1968; NEA grant, 1976; Childe Has­ BA Hunter, 1962; MA Columbia, 1964; PhD sam purchase, Amer Acad Arts & Ltrs, 1980; CAA Distinguished Columbia, 1967. POSITIONS: Connecticut CoIl, Teaching of Art Award, 1984. PUBLICATIONS: articles in Art Now; instructor, 1966-70; Oberlin, visiting asst prof, Quadrille; Art Journal. 1969-70; Vassar, visiting asst prof, spring 1971, A primary function among the many undertahngs of the College 1973-74; Columbia, visiting asst prof, 1972- Art Association is the celebrative gathering ofits members at the year­ 73; Amer Univ, asst to assoc prof, 1975-. PUB­ ly convention. No other occasion permits such wide-ranging and LICATIONS: Feminism and Art History: Ques­ deeplyfelt intellectual exchange on visual events and their facture. In tioning the Litany, co-editor, 1982; Seurat in that exchange the work of art itself is absent-seemingly of necessity. Perspective, 1978; The Macchiaioli: Italian Painters of the Nine­ Slides, reproductions, words abound and rebound. My concern is to teenth Century, to appear 1986; numerous articles and reviews inArt bring considerations of theory, history, connoisseurshtp closer to Bullett'n, Gazette des Beaux-Arts, Art Journal, Arts Magazine, practice, to draw the work's presence into discussion. others. AWARDS: several fellowships, incl NEH fel for call teachers, Perhaps it would be possible to arrange ways to focus upon partic­ 1981-82. PROFESSIONAL ACTIVITIES: Women's Caucus for Art, affirm­ ular major works in museum collections or local sites in the area ofthe ative action officer, 1972-75; national advisory board member, meetings, moving participants to the work or the work to an institu­ 1974-78,1980-83,1984-87; other WCA committees and program tion's auditorium. Large public galleries could host panels and audi­ activities. CAA ACTIVITIES: speaker, 1975 and 1977 annual meetings; ence as papers are read concerning artists and issues of the region. A WCA liaison with CAA newsletter, 1978-80, 1982-83; member, modest annual "Artist I Curator I Critic Selects" exhibition installed Committee on the Status of Women. in convention halls could provoke efforts to define themes, values, I believe that the CAA can be an effective and inspirational voice ruptures. These accounts, close upon the artifact, would engage us for our discipline andfor the concept oftraditional liberal arts educa­ all in the vital pleasures oj the making and placing of art. tion, in an era when declintng levels offederal support and tncreasing emphasis on vocational traintngin universities may be plactng the arts RICHARD R. BRETTELL and humanities in unprecedented jeopardy. I would like to see the The Art Institute of Chicago CAA jotn forces with other disctpltnary associations to become a con­ spicuous advocate Jor the concept of arts and humanities education, BA Yale, 1971; MA, PhD Yale, 1977. POSI­ an advocacy that should be of particular importance over the next TIONS: Univ Texas, Austin, acad prog dir and four years. I support the ongotng work of the organization in such asst prof, 1976-80; Art lnst Chicago, Searle vz~al areas as the preservation of monuments and the legal rights of Curator European Ptg& Sculp, 1980-; North­ artists and authors In our disctpline. As a twenty-year member ofthe 'estern Univ, permanent faculty 1984-; also CAA and afounding member ofthe WCA, I have been and shall con­ dught Wesleyan, Univ Chicago, Yale. EXHIBI­ tinue to be committed to the princtple and practice of equal oppor­ TIONS ORGANIZED: member org comm: Camille tunity tn the college art professions. Pissarro, 1830-1903, 1980-81 (also cat);­ Camz'lle Pissarro: The Last Decade, 1982- 83; Cam£lle Pissarro, 1984; Contlnued on p. 2, col. 1 {nominations for CM board of directors {nominations for CM board of directors

Cross-Cultural Images of Women, 1980; "The Relation of Meso­ JAMES MC GARRELL WALTER B. CAHN Phila Art Alliance, 1980; Printed by Women: A National Exhibition american Art History to Archaeology in the U. S., " in Pre -Columbian Washington University, St. Louis Yale University of Prints and Photography, 1983; others. CAA ACTIVITIES: session 1rt History: Selected Readings, 1982; "The Identity of the Central chair, 1983 annual meeting, Philadelphia. Jeity on the Aztec Calendar Stone," Art Bulletin, 1976; other arti­ BA Indiana Univ. 1953; MA Univ California, BFA Pratt Inst. 1956; MA NYU. 1961; PhD cles. PROFESSIONAL ACTIVITIES: Assoc Latin American Art Exec Los Angeles, 1955. POSITIONS: Reed CoIl, visit­ As a professional organization CAA serves its members well. My NYU, 1967. POSITIONS! Ravensbourne Coll Art, Comm, member-at-Iarge for pre-Columbian art, 1980-83; organ­ ing artist, 1956-59; Indiana Univ, prof, 1959- interest would be in contributing to the continuing analysis and England, senior lecturer, 1963-65; Yale, a~t­ ized UCLA symposium, "Depictions of the Dispossessed: Image and 80; Washington Univ, St. Louis, prof, 1981-. updating of its programs and se:vices, I~ particular, I se.e a ?eed. to ing instructor to full prof, 1965 -; dept chair, Self-Image of Euroamerica's Colonized Natives, 1985. cAA ACTIV­ EXHIBITIONS: Allan Frumkin Gall; Venice Bien­ encourage growth in membershzp, both tn numbers an~ tn dwerstty. 1968-70,1978-81; dir, art history grad stud­ ITIES: speaker, 1977 and 1983 annual meetings; session chair, "Art nale; Dokumenta nl, Kassel, Germany; Tate CAA could more actively seek other visual arts professzonals, recog­ ies, 1971-73; dir, art history undergradstudies, and Social Identity in Reaction to State Control: Peru A.D. 500- Gall, London; Carnegie Inst International; nizing that some, trained as art historians or artists an 1975-76; acting chair, medieval studies pro­ ~nd expect~~g Chicago Art Inst; five Whitney surveys; others. academic career,fi'nd themselves curators, gallery dtrectors, crtlzcs or 1985," 1985 meeting, Los Angeles. gram, 1983-84; Columbia Univ, visiting assoc COLLECTIONS: MoMA; Pennsylvania Acad Fine Arts; Whitney; Hirsh­ conservators, and often combine these with teacMng positions, To The CAA should respond more directly to the changing state of prof, fall 1974; Centre d'Etudes Romanes, Univ Poitiers, lecturer, horn; Hamburg Art Mus, Germany; Centre Pompidou; other public them CAA could be a congenial intellectual home, and our members studio art and art history as they are being redefined and currently summer 1981. PUBLICATIONS: Romanesque Wooden Doors of museums and numerous univ collections. AWARDS: National Inst Arts and organization would benefit from the varied, and broader, per­ practiced. Attent£on to new methodologies, media, and subject mat­ Auvergne (CAA Monograph), 1974; co-author, Sculpture in t~e & Letters Grant, 1963; Guggenheim fellowship, 1964; NEA teaching spectives. Also, a continued and energetic needed to ter will ensure that our disciplines are healthy and stimulating rather Isabella Stewart Gardner Museum, 1978; Romanesque Sculpture zn effort~. attr~ct award, 1966; member correspondent, French Acad des Beaux-Arts. and involve minorities in our programs, In addttzon and regardtng American Collections. I. New England Museums (wi Linda Seidel), than stagnant, In particular, the CAA must address the fact that the PROFESSIONAL ACTIVITIES: governor, Skowhegan School; past member. act£vit£es, I would wish for an increase in opportunUies for rank and 1979; Masterpieces. Chapters on the History of an Idea, 1979; traditional teacMng of art and art history as essentially wMte male natl bd of advisors, Tamarind Institute. CAA ACTIVITIES: member, bd fi'le participation, beyond the annual meeting, to insure both the con­ Euroamerican enterprises is being transformed by growing recog­ Romanesque Bible Illumination, 1982; Radiance and Reflection: of directors 1969-72 and member exec comm; chair, Distinguished t£nued interest ofour most energetic members, and the openness and Medieval Art from the Raymond Pitcairn Collection, exh cat, MetTO­ nition that art is a human phenomenon-made by and observable Teaching of Art Award comm, ]981; speaker at three annual meet­ among peoples of both sexes and all races, social classes, cultures and politan Museum, co-author, 1982; numerous articles in Gesta, Art receptivity of the organization to its members. ings; session chair, 1982 annual meeting, NYC. Bulletin, Connaissance des arts, Speculum, others. AWARDS: several places, Were future CAA activities, meetings and publicat£ons to bet­ fellowships, incl Fulbright, 1962-63, Guggenheim 1981-82, PROFES­ ELIZABETH JOHNS ter reflect this, manyformer as well as potential new members might The CAA's concern with the problems of the creative artist in SIONAL ACTIVITIES: Intematl Ctr Med Art, secretary, 1966- 67; board, University of Maryland rejoin / Join, I would move as well that CAA in the future fully inform academic institutions is complementary to its already established 1970-; vice pres, 1978-81; Medieval Acad America, councillor, its members of all Board act£ons (includtng vote counts and the min­ and very proper interest in those ofscholarshtp and research. When I 1984-87; Gesta, editor, 1967. CAA ACTIVITIES: Morey Award comm, BA (English) Birmingham-Southern Call, utes), so as to become even more responsive to Us constituency. served on the Board previously, in the early 1970s, Ifocused my efforts chair, 1971; Distinguished Teaching of Art History comm,. member, 1959; MA (English and Amer lit) Univ Califor­ in this dt'rection. I was £nvolved then with the original conception of 1983; Art Bulletin editorial board, member, 1970-84; MeISS Awards nia, Berkeley, 1965; PhD (Amer art and stud­ LEONARD LEHRER the establishment of minimal standards for the MFA degree, its rec­ comm, member 1976-80, 1983-; speaker at several CAA annual ies) Emory Univ, 1974. POSITIONS: Albany State Arizona State University ogmtion as the term£nal one in studio practice, and the institution of meetings and session chair, 1974 annual meeting. CoIl, instructor, 1968-71; Clayton Jr Coll, an award for distinguished artist/teachers. instructor, 1971-72; Savannah State ColI, asst BFA Phila CoIl Art, 1956; MFA Univ Pennsyl­ I have been a member of the CAA long enough to have grown prof, 1972-75; Univ Maryland, asst to assoc vania, 1960. POSITIONS: Phila CoIl Art, co-dir, THOMAS F. REESE vaguely sent£mental about the organizat£on, to regard it as a useful prof art, 1975-84; assoc prof American, Stud- , foundation program 1956-70; Univ New Mex­ University of Texas at Austin tht"ng, occasionally irritat£ng in a mild sort of way, but presumably tn­ ies, 1984-. PUBLICATIONS: Thomas Eaktns: The Her01sm of Modern "CO, prof. 1970-74; dept chair, 1970-73; Univ dispensable. Can it do z'ts business better, in a mO.re intellig~nt and Life, 1983; numerous articles and reviews in Art journal, A.rt Bulle- ( 'exas at San Antonio, prof, 1974-77; dir, div BA Tulane Univ, 1965; MA Yale, 1969; PhD responsive manner? I would wish the Annual Meetmgs more mter~st­ tin, Arts Magazine, Archives of America~ A~tjournal, W~ntert~ur art & design, 1974-75; Arizona State Univ, Yale, 1973, POSITIONS: Univ Texas-Austin, asst ing the Art Bulletin more readable, the Art Journal less unpredtct­ Portfoit'o, others. AWARDS: ACLS grant-ill-aId, 1980; SmlthSOnlan prof and chair, dept art, founding dir, school to full prof, 1970-. PUBLICATIONS: The Archi­ able, There are surely other dues-payers who crab in this fasht'on, postdoctoral fellow, 1981-82; visiting fellow, Natl Mus A~er Art, of art (1980), 1977 -. EXHIBITIONS: more than tecture of Ventura Rodriguez, 1976; Libro de since we have seen these concerns receive some welcome attention in 1983; Mitchell Prize in the History of Art for the most promlsmg first thirty solo shows and numerous group shows, nationally and inter­ diferentes pensamientos unos imbentados y the recent past, for which we should rightl'! feel gr~teful. We woul~ book, 1984; Guggenheim fellow, 1-985-86; Woodrow Wilson inter­ nationally. COLLECTIONS: represented in more than fifty, incl Metro­ otros deit'neados por D£ego de Villaneuva (fac­ all like the CAA to continue and expand lts work m areas of publtc national scholar, 1985-86; PROFESSIONAL ACTIVITIES: Baltimore Mus politan; Natl Gallery Art; MoMA; Cleveland Museum Art; Phila simile edition with intro, chronology, and policy towards the arts. We should try, to the extent that we can, to Ait, fine arts accessions comm, 1978-83; Southeastern 19th-Century Museum Art; Utah Museum Fine Arts; Library of Congress; Sprengel notes), 1980; editor, Studies in Ancient Amer­ comprehend the role of art and art instruction within ~ur raPi~ly Studies Assoc, board, 1980-82; NEH panel member, 1982-84; Museum. Hannover, Germany; Yale Art Gallery; Grunwald Ctr ican and European Art; The Collected Essays of George Kubler, changing culture, and jt'nd the means to dem~r:strate thelr centr.altty Smithsonian Inst Press, editorial advisory board; referee for various Graphic Arts, UCLA: Phoenix Art Museum, AWARDS: Heitland 1985; articles in various journals; co-editor, Newsletter for the A mer­ to our somet£mes dub£ous or obtuse fellow attzens. But a candtdate presses and publications. CAA ACTIVITIES: s~eaker at several CA~ Foundation prize, Celle, West Germany, 1980; gold medal, Natl Soc ican Society of Hispanic Art Histort'cal Studies, 1974-76. PROFES­ for offi'ce should not promise too much, He can only hope to add his annual meetings; session chair, "Thomas Eakms: New Approaches, Arts & Ltrs, Ariz Chapter, 1981; printmaking fellowship award, SIONAL ACTIVITIES: numerous scholarly papers and lectures; cofoun­ modest efforts to those of others, past and present, who have valiantly 1983 and session co-chair, "Methodologies in American Art History," Western States Arts Foundation, 1978. PROFESSIONAL ACTIVITIES: der, Amer Soc Hispanic Art Historical Studies; cOITesponding mem­ worked for our common cause. 1985; Distinguished Teaching of Art History Award Comm, 1984. organized exh Modern American Printmaking for Amerika Haus, ber Real Acad de Bellas Artes de San Fernando, Madrid; member, advisory comm on acquisitions and exhibitions, 1978-79, and acces­ The annual meeting of the CAA is one of its most important activ­ Hannover; Mid-America College Art Assoc, pres, 1979; member bd OFELIA GARCIA sions comm, 1984-85, Univ Art Mus. ities; I wholeheartedly support .two dt'rections the meetinl5, sessions of directors, 1980-83; member bd of directors, Contemporary The Print Club. Philadelphia Forum, Phoenix Art Museum. CAA ACTIVITIES: speaker, 1974, 1977, have taken in recent years, parttcularly under Harvey Stahl s leader­ I support the new directions that the CAA has taken in its annual 1982 CAA annual meetings: overall chair, studio sessions, 1974 annu­ sh£p: that ofgreater inclusivity in all areas of art history, and that of meetings and publications. Harvey Stahl's innovative L.A, programs BA Manhattanville ColI, 1969; MFA Boston al meeting; member, Comm on Standards for MFA degree; member, insist£ng that sessions include discussion. As a Board member I would opened the doors of American art history to new subject matter and Mus School/Tufts Univ, 1972. POSITIONS: New­ Comm on Standards for BA and BFA degress; member, Nominating ton Coll, asst prof, 1969-75; dir, div humani­ also encourage that either at annual meetings or t~ ot,her forums CAA approaches, and experimented with a wide variety ofpresentational members return to an earit'er concern of the assoczatton and study the Comm, 1972. ties and fine arts and chair, art dept, 1971-75; formats-the most successful of which encouraged critical discussions way we teach art history, an enterprise that presently needs desperate Boston Coll, asst prof and dir studio art, 1975- Over the years the CAA has evolved into the most active and influ­ of the central issues of our discipline. The movement towards the­ 76; The Print Club, director, 1978-; Pennsyl­ attention on both the undergraduate and graduate levels. ential organization in our fi'eld. It has taken on a myp'ad of responsi­ matic integration t'n CAA 's Journals proTJl'des the promise of similar vania Acad Fine Arts, general critic 1982 - ; bilities in representing the needs and maintaining the standards ofart fruitful critical exchanges, I am less familiar with the goals of studio AWARDS: Kent fellowship, Danforth Founda­ CECELIA F. KLEIN history and studt'o art; it is one ofthe primary sources oft'nformation, artists with£n the organization, but would favor programs that sup­ tion, 1975-80; PROFESSIONAL ACTIVITIES: Women's Caucus for Art, University of California, Los Angeles studies and statistics in art-related activities in A mer-ican universities, ported continued freedom and innovation-artistic, educational, national pres, 1984- 86; panelist, Penn Council on Arts and NJ State Its scope is national and the Board of Directors should reflect such and economic. Council on Arts, 1985; bd of governors, Philadelphia Area Cultural BA (studio art) Oberlin, 1960; MA (art history) representation. The Southwest, wht"le relat£vely small in population, Continued on p. 4, col, 1 Consortium; participant, American Assembly on U.S. Policy on the Oberlin, 1967; PhD Columbia, 1972. POSI­ is TJl'tal and actt've t'n the visual arts and representation from this region Arts, 1984; juror, 15 national or regional print and drawing competi­ TIONS: Oakland Univ, Rochester, Mich, asst ~llill contt'nue to assure a balanced overvt'ew from the perspect£ve of tions' 1978-84. EXHIBITIONS: numerous solo and group shows. COL­ prof, 1972-76; UCLA, asst to assoc prof, ,e Board of Dt'rectors. LECTIONS: Princeton Univ Graphic Arts Collection; NJ State Mus; 1976-; vice-chair, art history area, 1981-83. NOMINATIONS for the Board of Directors for 1987 may be Barnard CoIl; The Free Library, Phila; Museo Grafico, Inst Puerto PUBLICATIONS: The Face of the Earth: Frontal­ REMINDER: The Preferential Ballot is being mailed separately. addressed to: 1986 Nominating Committee, clo CAA, 149 Rican Culture; others. EXHIBITIONS ORGANIZED: 1981: Recent Gifts, ity in Two-Dimensional Mesoamerican Art, Please retain information on nominees until you receive it. Madison Avenue, New York, N.Y. 10016. prints at Univ of Pennsylvania, ICA Gall; In Celebration of Prints 1976; editor, Mother, Worker, Ruler, Witch:

CAA newsletter Fall 1985 3 2 I Inominations for CAA board of directors announcements

ACTIVITIES: Morey Book Award Comm, 1984-85; chair, "Architec­ CHARLES TALBOT Getty Postdoctoral Fellowships Fellowships for Research on Women Rome Prize Fellowships tural Decoration and Program in Ancient Art," 1983 annual meet­ Smith College Twenty J. Paul Getty Postdoctoral Fellow­ Two Rockefeller Foundation Humanist-in­ For 1986-87, the American Academy in ing; co-chair, "Art History and Anthropology: The Intersection of ships in the History of Art and the Humanities Residence Fellowships for 1986-87 are of­ Rome will award residency fellowships in BA Princeton, 1958; MA Yale, 1962; PhD Two Disciplines," 1985 annual meeting. I will again be offered for the 1986-87 aca­ fered at the Institute for Research on Women Architecture, Landscape Architecture, Yale, 1968. POSITIONS: Yale, acting instructor At a time when recent -intellectual history has been characterized demic year. This program has parallel com­ at Rutgers University. For either junior or Painting, Sculpture, Musical Composition, to assoc prof, 1966-76, dir undergrad studies, by disaplines mOVlng out from their respective centers to touch the ponents: Institutional Awards and an Open senior scholars, primarily to work on original, Literature, Classical Studies, Classical Art & 1967-70, dir grad studies, 1973-75; Smith boundar-ies of other disclplines, spawning such fields as bio-chem­ Competition. Each component comprises ten book-length manuscripts about significant Archaeology, History of Art, Post-Classical Coll, assoc to full prof, 1976 - , dept chr, 1980- istry, astro-physt'cs, socio-ltnguistt'cs, I feel that Art History, too­ non-renewable, one-year awards, to be held questions in women's studies and the human­ Humanistic Studies, Medieval and Renais­ 82; Univ Hamburg, guest prof, 1983. AWARDS: while in no way abandomng what have been its central methodol­ by scholars who received their Ph.D. degree ities; some institutional and public obliga­ sance Studies, and Modern Italian Studies. In research fel, National Gall Art, 1965. PUBLICA­ og£es, corpora and general concerns-must rise to the challenge of in the periodJanuary 1980 to January 1986, or tions. For application materials: Catharine addition, Andrew W. Mellon Foundation and TIONS: co-author, Drawingsfrom the Clark Art ne-ighbort'ng disclpltnes and new horzzons. In some measure, we have those with acceptable equivalent qualifica­ R. Stimpson, IRW, RU, New Brunswick, NJ National Endowment for the Humanities Institute, 2 vols., 1964; co-editor, Prints and Drawings afthe Danube achieved this zn recent CAA meettngs. Andent art, once const'dered a tions. All awards are portable and normally 08903. (201) 932-9072. Application dead­ post-doctoral fellowships, Samuel H. Kress School (exh cat), 1969; editor, Diirerin Amerz'ca: His Graphic Work, "pertpheral field" relegated to biennial general sessions, has for the provide a $21,000 stipend for the Fellow and line: 1 December. two-year pre-doctoral fellowships, and Na­ 1971; co-author, From a Mighty Fortress: Prints, Drawtngs, and past several years been the subject of thematt'c sessions focussed upon a subvention of up to $4,000 to the institu­ tional Endowment for the Arts six-month fel­ Books in the Age oj Luther J483-1546, 1983_: several articles. CAA concerns central to the disctpline; non- Western sessions have prolifer­ tion(s) at which the Fellow is based during the lowships in the design arts will be awarded. ACTIVITIES; speaker at CAA annual meetings 1973, 1975, 1978, 1985. ated, addzng perspectt've and new methodologies; conceptual issues award year. Candidates for Getty Fellowships Fellowships include stipend, transportation, Especially in view of some other professional, academic organi­ have -increastngly shared the podium wz'th substantive topics: practt'­ are limited to one application each year. Fellowship for Study in Holland room, board, studio or study, and participa­ zations here and abroad, we have reason to be grateful to the CAA tt'oners and historians have come together in more jotnt fora. While The universities designated to offer Insti­ The Friends of the Mauritshuis Foundation tion in the Academy's community of artists and to those who have led it for the atmosphere of civility that is char­ these are all post'tt've trends in my Vl'ew, continued t'nvestment of time tutional Awards for the 1986-87 academic annually awards fellowships enabling stu­ and scholars. For further information, please acteristic ofits meetings and publt"cations. Since the mainfunction of and energy withtn the CAA seems -important zn order to maintain this year are: Bryn Mawr, Berkeley, Columbia, dents to study an aspect of Dutch art from the state field of application and contact: Fellow­ the organization is to keep its members in touch with each other and vitality and reflexiveness. Harvard, Johns Hopkins, Univ. Michigan, sixteenth through the eighteenth century in ships Coordinator, AAR, 41 East 65 Street, to prov£de opportunities for the exchange of all sorts of informat-ion N.Y.U., Princeton, Stanford, and Yale. Holland. Applicants must hold an M.A. in New York, NY 10021. Application deadline: essent£al to our work, this sp-irit of respect and even-handedness, even Those eligible for the Open Competition the history of art and must be working 15 November. asformidable egos or ideologt'es are colliding, makes al~ the difference CURRENT BOARD OF DIRECTORS comprise all scholars in art history and related towards a Ph.D. Stipend $6,000, including PRESIDENT: John Rupert Martin, Princeton University fields from the United States and abroad who and will continue to do so as the orgamzation seeks to meet the diverse travel expenses, for six months. Recipients Dumbarton Oaks Fellowships received their Ph.D.s during the six years needs ofits members tn the future. Should I become a member of the VICE PRESIDENT: Paul B. Arnold, Oberlin College will be affiliated with the Mauritshuis. Send The Studies in Landscape Architecture pro­ noted above except those individuals who Board, I would favor actions and policies to maintain and enhance SECRETARY: Phyllis Pray Bober, Bryn Mawr College applications with description of project, aca­ gram at DO offers research fellowships for have been affiliated within the past three this record. TREASURER: Richard Ravenscroft, Philadelphia National Bank demic background, and two letters of recom­ students working on dissertations or other COUNSEL: Gilbert S. Edelson, Rosenman Colin Freund Lewis & Cohen years with any of the universities designated mendation to the selection committee chair: final projects for their degrees. In addition to administer the program's Institutional IRENE J. WINTER E. Haverkamp-Begemann, Inst. Fine Arts, 1 postdoctoral fellowships are available for ad­ TO SERVE UNTIL 1986: Oleg Grabar, Harvard University; Isabelle Awards. Further information on both compo­ University of Pennsylvania East 78th Street, New York, NY 10021. Dead­ vanced research. Subject areas include His­ Hyman, New York University; Christiane L.Joost-Gaugier, New Mex­ nents of the program is available from Judith line for 1986- 87 academic year: 1 January. tory of Gardens and Landscape Architecture, ico State University; Franz Schulze, Lake Forest College; Barbara A. Himes, Woodrow Wilson National Fellow­ BA Barnard, 1960; MA (Oriental languages & Garden Ornament and Sculpture, Literature ,hip Foundation, P.O. Box 642, Princeton, lit) Univ Chicago, 1967; PhD (art hist/arch· Zucker, University of Vermont. and Gardens, and History of Botanical Illus­ NJ 08542 (609) 924-4714. Application dead· aeol) Columbia, 1973. POSITIONS: Jewish Mus, tration and Horticulture. For further infor­ asst curator, 1966-67; Queens ColI, CUNY, TO SERVE UNTIL 1987: William Bailey, Yale University School of Art; line in the Open Competition is 10 January. National Museum Act Grants mation: Asst. Dir., DO, 1703 32nd Street James Cahill, University of California, Berkeley; Nancy Graves, New instructor to asst prof, 1971-76; Univ Penn The National Museum Act, administered by NW, Washington, DC 20007. Application Mus, research assoc, 1976-82 and consulting York City; Eleanor S. Greenhill, University of Texas, Austin; Henry Stanford External Faculty Fellowships the Smithsonian Institution, is a technical deadline: 15 November. scholar, Near East section, 1982-; Univ Penn, A. Millon, Center for Advanced Study in the Visual Arts, National The Stanford Humanities Center offers five to assistance program that makes grants for asst to assoc prof, 1976-; Inst. Fine Arts, Gallery of Art; A. Richard Turner, New York University. seven residence fellowships for 1986-87 pri­ projects that will improve museum opera­ NYU, visit lecturer, spring 1978; Hebrew Univ Jerusalem, visit lec­ Harvard Mellon Fellowships marily intended to enable fellows to pursue tions. Funds are granted to museums, profes­ turer, spring 1979; Harvard, visit lecturer, 1982- 83 and visit scholar, TO SERVE UNTIL 1988: Cynthia Carlson, Philadelphia College of Art; For non-tenured, junior scholars who have their own research and writing. Recipients sional museum-related organizations and Alan M. Fern, National Portrait Gallery, Smithsonian Institution;Joei 1984-85, 1985-86. PUBLICATIONS: Ingatherzng: Catalogue of an are also expected to devote about one-sixth of associations, and academic institutions. Pro­ completed, at the time of appointment, at Exhibt'tion ofJewish Ceremont'al Objects in New York City Publt'c Isaacson, University of Michigan; Martha Kingsbury, University of least two years of postdoctoral teaching at a their time to teaching or in some other way to grams usually have mid September or mid Collections, 1968; co-editor and supervisor, Catalogue of the Glass Washington, Seattle; James Marrow, University of California, Berke­ college or university and received their Ph.D. contribute to intellectual life at Stanford. For December application deadlines; this year, Collection at Queens College, 1976; A Decorated Breastplate from ley; Catherine Wilkinson Zerner, Brown University. prior to June 30, 1984. One-year appoint­ application materials: Morton Sosna, Asso­ those with December 14A/Ds are Stipends to Hasanlu, Iran, 1980; numerous articles and reviews. AWARDS: Kress ment, July 1986-June 1987, with limited ciate Director, SHC, Mariposa House, SU, Individuals for Conservation Studies, Special fellow, 1977; Lindback award for exell in teaching, 1978; MacArthur TO SERVE UNTIL 1989: Sam Gilliam, Washington, D.C., Egbert Haver­ teaching duties, departmental affiliation, op­ Stanford, CA 94305. Application deadline: Studies and Research, and Services to the prize fellow (first art historian to win this award), 1983-88; numerous kamp-Begemann, Institute of Fine Arts, New York University; Joyce portunity to develop scholarly research, Sti­ 14 December. Field. For further information: NMA, Arts others. PROFESSIONAL ACTIVITIES: several archaeological digs, 1958- Kozloff, New York City; Irving Sandler, S.U.N.Y., College at Pur­ pend $22,000. For further information: Rich­ and Industries Building, SI, Washington, DC 74; Archaeol Inst Amer,' various committees, 1972-83; editorial chase; Barbara Maria Stafford, University of Chicago; Ruth vVeis­ ard M. Hunt, Program Dir., HU Mellon Fac­ 20560. (202) 357·2257. board, Bulletin of the American Schools of Oriental Research. CAA berg, University of Southern. California. II Grants for Foreign Students ulty Fellowships, Lamont Library 202, Cam­ To Attend CAA Annual Meeting bridge, MA 02138. Deadline: 1 November. The first section of the Studio Guide dis­ The CAA has been awarded a grant by the new studio safety guide cusses general principles and approaches to Institute of International Education's Short health and safety in the studio. The second Term Enrichment Program (STEP) that will Jewish Museum Metalwork Fellowships Mellon Fellowships at Penn consists of guides to fifteen (15) specific enable us to assist foreign graduate students Two fellowships of $500 each are available For scholars who have held the Ph.D. 3- 8 to attend the 1986 CAA Annual Meeting. Re­ annually to artists with experience in silver­ years. Proposals are invited in all areas of Some things are worth waiting for . . . Author Julian A. Waller is professor of mediums-in chart form; each chart lists cipients must be citizens of a foreign country smithing, metalwork, or metal sculpture who We are happy to report that the second edi­ medicine at the University of Vermont and types of exposure, the nature of the problems humanities; special consideration to applica­ who are enrolled as full-time graduate stu­ are interested in creating contemporary Jew­ tions that are interdisciplinary or do not fit tion of Safe Practt'ces tn the Arts & Crafts: A former chair of the Department of Epidemi­ that may arise, and "what to do" to avoid or dents at a U.S. institution of higher education ish ceremonial objects. Fellowships run either Studio Guide, by Julian A. Waller, M.D., is ology and Environmental Health at that mitigate those problems. The final section, into normal academic programs and to candi· and they must not be receiving any other U.S, November through February or March dates who have not previously utilized the now availablel schooL He is an amateur potter, and he is comprising appendices, gives extensive pub­ Government funds, for either academic or through June and offer an opportunity to The first edition of this popular Guide, maITied to a professional fiber artist. lished references and other resources for addi­ resources of this university. Stipend $18,500. tTavel expenses. Maximum award is $300, Eli- work with master silversmith Moshe Zabari. For further information: Saul Morson, Chr., written by Gail Coningsby Barazani and pub­ The Studt'o Guide seeks to alert practicing tional information. ible students who are planning to attend the Prior knowledge of Jewish ritual not essential. lished by the CAA in 1978, has been out of artists and art students to the potential prob­ Safe Practices In the Arts & Crafts: A Humanities Coordinating Committee, 16 1986 CAA Annual Meeting (New York City, For more information: Tobe Pascher Work­ College Hall/CO, University of Pennsyl­ print for some time. We are sorry that it took lems of ill health associated with various Studio Guide is 812 x 11", 80 pages, and February 12-15) should write for application us so long to come up with its successor, but we materials and processes involved in the pro­ spiral-bound for easy reading of charts. shop, Fellowship Program, JM, 1109 Fifth vania, Philadelphia, PA 19104. Application forms to CAA, 149 Madison Ave., New York, Avenue, New York, NY 10028. Application deadline: 1 December. are proud indeed of the final product. duction of art works, Price: $7.00 prepaid. JIll NY"10016. deadline: 18 November. Conttnued on p. 12, col. 3

CAA newsletter 4 Fall 1985 5 conferences and symposia Iconferences and symposia eM monograph

The Roman de Fauvel Since the Harlem Renaissance: 50 Years of Photo History Michelangelo Rediscovered: Most Recent Raphael's Bible: A Study of the Vatican An interdisciplinary conference on the Afro-American Art The sixth PhotoHistory symposium will be Findings in the Sistine Chapel Logge by Bernice F. Davidson - the thirty­ Roman de Fauvel will be held November 14- A symposium to be held Friday-Saturday, held at George Eastman House in Rochester, ( A day-long conference to be held on Monday, ninth volume in the CAA Series of Mono­ 15 at the University of North Carolina, October 4-5, at Penn State University, in October 11-13, 1985; the accompanying October 21, at the Metropolitan Museum of graphs on Archaeology and the Fine Arts­ Chapel Hill. Speakers will incude Edward conjunction with a major exhibition of the special exhibition at the International Art. Speakers will be Andre Chastel, College has been published by Pennsylvania State Roesner (musicology, N,Y.C.), Nancy Free­ same title at the University Museum. Mary Museum of Photography will be on the con­ de France; Michael Hirst, Courtauld; Fabri­ Univeristy Press. man-Regalado (French, N.Y. U.), Elizabeth Schmidt Campbell, director of the Studio temporary French photographer Lucien zio Mancinelli, Vatican Museums; John ~ A.R. Brown (history, Brooklyn College), Ali­ Museum in Harlem, will be keynote speaker. Clergue. Among scheduled speakers are Shearman, Princeton; Pieroluigi de Vecchi, o son Stones (art history, Univ. Pittsburgh) and Workshop topics are The Harlem Renais­ Naomi Rosenblum, Parsons School of Univ. Milan, and Kathleen Weil-Garris Literature on the Vatican palace Logge is Tilman Seebass (musicology, Duke), Music sance, with artist David Driskell; historian Design, "From Mentor to Friend: Alfred Brandt, N. Y. U. For reservations: Education already vast, extending from contemporary from Paris, Bibl. Nar" fis.fr. 146 will be per­ David Levering; and curator- critic Samella Stieglitz and Paul Strand" and, speaking on Dept., MMA, Fifth Avenue at 82nd Street, comments-recorded as the last brush strokes fOill1ed by Ann Monoyios, soprano, and the Lewis; AJro-American Art of the 1940s and their own museums, Robert A. Sobieszek, N,Y,C_ 10028_ (212) 879-5500 x 3307, were drying- up to our own day. From the Newberry Consort. For more infonnation: 50s, with artists Romare Bearden, Elizabeth "Treasures from the Eastman House Vaults" beginning, however, discussions of the Logge Jaroslav Folda, Dept, Art, Hanes Art Center, Catlett, Ernie Crichlow, and Jacob Lawrence; and Walter Naef, "The New Getty Museum Dislocated Sources: Historicism in Post­ have failed to explore the ideas that were in­ 079A, UNC, Chapel Hill, NC 27514, AJro-American Art oJthe 1960s, with artists of Photography." On October 13 there will be tended to be conveyed by the decoration and Modern Art & Architecture Margaret Taylor Burroughs and Sam Gilliam an all-day photographic trade fair. Fee for A three-day symposium, sponsored by the instead have concentrated almost exclusively and curator Edmund B. Gaither; and AJro­ symposium and fair: $40; students $20. For Professional Development Foundation of Vir­ on two issues: sources (chiefly the antique The Fantastic in the Arts American Art and the Contemporary Scene, more infonnation: Photographic Historical sources for figures and ornament) and attri­ ginia, to be held October 10-12 at the Mount For a conference to be held at the University with artists Benny Andrews and Richard Society, Box 39563, Rochester, NY 14604; or Lake Hotel near Newport. Speakers will be butions (attempts to assign specific portions of Houston at Clearlake, Texas, March 12- Mayhew, art historian Michael Chisolm, and call Barbara Hall, (716) 271-3361. of the decoration to individual artists working artist John Baldessari, architect Allan Green­ 16, 1986, papers of approximately 25 minutes curator Lowry Sims. Other symposium events Raphael, Moses and the Burning Bush (detail). berg, and historian-critics Dan Cameron, in Raphael's studio). Furthermore, previous are invited for the following sessions: Illus­ include a slide presentation and discussion by Carroll William Westfall, Donald Kuspit, admirers of the Logge have seldom tried to tration oj the Fantastic 1400-1700, Jane Romare Bearden, and, on Saturday night, a Tri-State Sculptors and Elaine King. Conference fee $20; accom­ examine the work as a whole but rather have the Logge. This approach to the subject is Goldsmith, Dept. Art History, TrinityUniv., "Meet the Speakers" dinner ($7.50, reserva­ The T -S Sculptors, representing South Caro­ modations additional. Fonns from PDFV, revealed a distorting bias toward either the oblique, the arguments being presented 715 Stadium Drive, San Antonio, TX 78284; tions required) and a performance by the lina, North Carolina and Virginia, are hold­ 3600 West Broad Street, Suite 635, Rich­ biblical scenes painted in the vault or, more through a study of the ecclesiastical concerns Illustration oj the Fantastic 1700 to the Pres­ Count Basie Orchestra ($10.00). For further ing their annual conference October 4-6, mond, VA 23230, (804) 355-4895_ often, the grotesques that surround them and and deep spirituality expressed in Raphael's ent, Louisa Smith, English Dept., Mankato information: Dept. Public Information, with an accompanying exhibit October 5 - 25 descend to cover the Logge walls with stucco portrait of Leo X and through a survey of the State Univ., Mankato, MN 56001; The Mir­ PSU, 312 Old Main Bldg., University Park, at the Fine Arts Center of Kershaw County, and painted ornament that imitates the an­ issues and propaganda stressed in contempo­ ror: A Symbol oj Fantasy in Art and Litera­ PA 16802. Or call Kathryn McClintock (814) Camden, S.C. Workshops, panels, demon­ Women's Changing Roles in Museums tique, in style, technique, and motifs. Writers rary literature and festivals. The second ture, Liana Cheney, Dept. Art, Univ. Lowell, 865-7672, strations, including "Sky Sculpture." For A seminar cosponsored by the Smithsonian tend to view these two basic components of chapter offers a brief summary of the basic Lowell, MA 01854; Fantasy in Contemporary registration information: Mary Valk, 514 Institution's Office of Museum Programs and the decoration separately: at times as though surviving evidence concerning the commis­ Art, Dorothy M. Joiner, Dept. Art, West Marston Moor Lane, Columbia, SC 29210. the Smithsonian Women's Council, to be held they were in actual conflict with one another; sion, its execution, and the alterations to Georgia College, Carrollton, GA 30118; Sym­ Spanish Civil War (803) 781-3730, sO)lletime in March, 1986. Among seminar nearly always as though any logical or system­ Raphael's design for the Logge, made in later bolism in Art and Architecture, Joiner, as A multidisciplinary conference commemo­ topics: Images of Women in Museums; Set­ atic relation between the two zones were un­ years, which should of course be discounted in above; Fantastic Erotic Imagery, Francine rating the fiftieth anniversary of the Spanish ting a Career Path: How to Get There; Must any endeavor to reconstruct the original pro­ Medieval-Renaissance Studies imaginable. In sum, no one to date has made Koslow, Dept. Art, Pine Manor College, Civil War will be held at Siena College, June Women Raise their Voices to be Heard: a serious effort to analyze the meaning of gram. The third chapter-and major portion The fifth biennial New College Conference Chestnut Hill, MA 02167; Computer Art, Jim 12-13, 1986. Papers, presentations, panels, Communication as a Tool and Developing a of the book - is intended to show that in the on Medieval-Renaissance Studies will be held Raphael's Bible. Gibson, Dept. Fine Arts, Northern State Col­ etc. dealing with film, art, popular culture, Leadership Style; How to Establish a Network In the present monograph, an attempt is Logge decorations Raphael presents ideas at the University of South Florida, March 6- lege, Aberdeen, SD 57401; The Occult in and related topics are invited. Address propo­ and Set up a Power Base; Women as Col­ made to identify the most significant cohesive and employs a figurative vocabulary not only 8, 1986. Proposals for papers on all aspects of Art, Laurinda Dixon, Dept. Fine Arts, Syra­ sals and inquiries to Thomas Kelley, History leagues and Supervisors; Balancing Personal themes of the Logge decorations and to long familiar at the Vatican court but known Europe and the Mediterranean, 1000-1600 cuse Univ., 411 Hall of Languages, Syracuse, Dept., SC, Loudonville, NY 12211. and Professional Life in Museum Work; demonstrate that the program was essentially in theology and the arts for many centuries, in A.D., are invited (special themes include ur­ NY 13210. Send paper and 100-word ab­ Women as Scholars; Funding Agencies as a traditional and conservative one. The first many places; yet through his genius the artist ban studies and courtly culture). Send one­ stract to chairpersons listed above. Papers on Advocates for Women's Programs; and chapter of the monograph provides an intro­ transforms this common language and imag­ page abstract to Lee Snyder, DiL, MRS, New additional topics are welcome; write to Amy Off the Walls: Historic Wallpapers in Where are We Going? Presentors will include duction to certain fundamental beliefs held at ery into one of the greatest masterpieces of his College, USF, Sarasota, FL 33580. Deadline: Golahny, Dept. Art, Lycoming College, Wil­ New England museum professionals from the Smithsonian the time that are elaborated more fully in career. II1II liamsport, PA 17701. Deadline for abstracts A.symposium to be held October 4-5, in con­ 1 December. There is also a national under­ and other museums as well as experts in and proposals: 28 October. junction with an exhibition of the same title at graduate student paper contest, with cash related fields. To receive the program an­ The Word Becomes Flesh: Radical Physi­ Color Conversation the Museum of Our National Heritage in prizes, papers due 1 February; write for rules. nouncement and registration materials, write cality in the Religious Art of the Later Mid­ A three-day conference to be held at the Pratt Lexington, Mass. The first day's program will to OMP, Arts and Industries Building, Room dle Ages Institute, November 1-3, in conjunction with New England Art Historians focus on new research on 18th- and 19th-cen­ 2235, SI, Washington, DC 20560. A symposium to be held on Saturday, Novem­ the exhibition Illuminating Color_ The con­ The conference "How Is Art History?," spon­ tury American wallpapers; the second day's ber 9, in conjunction with an exhibition of the ference will examine the psychology and per­ sored by the art historians of the Land Grant program will deal with issues of conservation NOMINi\.TJQNS INVITED Museum Archives Task Force same title at the Cantor Art Gallery of the Col­ ception of color, language issues, color Universities of New England, has been resche­ and reproduction. For more information: FOR > ..•...... • In January 1981 the Society of American Ar­ lege of the Holy Cross. Four papers will exam­ theory, color sensibility in contemporary art, duled from October 18-20, 1985 to April Society for the Preservation of New England CAATJlACHINGAWARDS chivists established a Museum Archives Task ine the influence of women's spirituality on color reproduction, and color in fashion and 4- 6, 1986 at the University of Massachusetts, Antiquities, 141 Cambridge Street, Boston, Force, the objectives of which are to survey artistic taste and iconography. Discussants in computer art. Participants will include Amherst. Session topics and chairs are Art MA 02114, (617) 227-3956, ,.N~lTIi~a#~IlS', from, ;th~ '>~e~betSlti~',"a,re museum archival programs and report on will be Colin Eisler, Inst. Fine Arts, N.Y.U., Faber Birren, Mary Buckley, Juan Downey, and Politics, Joyce Brodsky, Univ. Connecti­ }!\yit~JlJar, the})istj~gui~~,~d te,~chb:l,!f, of their state, to establish ties with organizations . and Valerie Lagorio, Editor, Mystics Quar­ Janet Fish, Barbara Kasten, Max Kozloff, cut; Artists and Biography, Ruth Butler, AT,t\ a,Ild','5h~' Distin~h,e?""T~,~,chinl{""of suchasAAM, ARLIS, andAAMD, and to act terly. For more information: Marie Travers, Helen Levitt, George McNeil, Elizabeth Mur­ Univ. Massachusetts, Boston; I Never Saw It Boundaries of American Culture :-:Art,"J;iist?ry a,~ards,:, ' '"~",,, \""", ',', """" :'\ ,\>', " as a general clearinghouse for infonnation on ray, Richard Prince, Lillian Schwartz, Sandy that Way BeJore, Iris Cheney, Univ. Massa­ The theme of the tenth biennial convention of ",\" :t',~~t,~r,s" 'bC te,coi;n,(tlen,cla,tiolls',':alld,:,a~:~, :' CAG, CHC, Worcester, MA 01610, (617) museum records. Each year the Task Force Skoglund. Fee $60; full-time students $30. chusetts, Amherst; Literary to Visual Analy­ the American Studies Association, to be held '~, p:r6rTia~e suppo~~ing materia,~"sh()~ld, be 793-3356_ sponsors an open house at the SAA annual For more information: PI Gallery, 200 Wil­ sis, David Ebitz, Univ. Maine; Fem£nist Art October 31-November 3 in San Diego. In "se~t,"to:, the',:PAt\';: 14~"lVf~,d.isop'", Ave~lle;< meeting. At this year's meeting, scheduled to loughby Avenue, Brooklyn, NY 11205, or call History, Mara Witzling, Univ. New Hamp­ number and range of sessions, it's the biggest N~w:"Y()rk:> N .Y: 10016, bY/:Jqvernb,er':l~, Lalique & The Art Nouveau convene in Austin, Texas, 28 October-1 Nina Prantis (718) 636-3635. shire; Patronage and the Art Market, Wendy ASA convention ever; most topics are inter­ Tre' ~

6 CAA newsletter Fall 1985 7 T

grants and awards igrants and awards information

ACLS FELLOWSHIPS orientalizing period; Dorinda Evans, Emory Glass, S.U.N.Y., Buffalo (NEH postdoc­ wooden furniture from Gordion, Turkey, and For a systematic catalogue of the art of Mau­ Sixty-seven fellowships were awarded, in a Univ.: Visionary eccentrics in 19th-century toral): Monograph on Romanesque sculpture Michael Hoff, Boston Univ., who works on rice and Charles Prendergast, information is competition in which nearly 800 applications American art; Stephen Gardner, Columbia: in Campania; Kathryn Louise Gleason, the Roman agora in Athens. The Harriet sought on works in all mediums, correspon­ were considered, for research in the humani­ Architecture in the Paris region, 1125-1150, Ph.D. cand., Oxford (Kress, art and arch­ Pomerance Fellowship was awarded to dence and other documents. Owners' identi­ ties and related social sciences. Recipients the context for the birth of Gothic; Anne D. aeology): Analysis of design principles in Judith Weinstein Balthazar, Univ. Penn­ ties will be kept confidential. Charles Park­ include: Richard O. Abel (Dept. English), Hedeman, Univ. Illinois, Urbana: The illus­ Roman gardens and place of the garden in sylvania, for study of the copper-base objects hurst, Dir., Prendergast Project, Williams Drake Univ.: Systems of spatial-temporal tration of early copies of the Grandes Chro­ landscape, architecture, and ritual of daily from Early through Middle Bronze Age College Museum of Art, Williamstown, MA representation and narrative continuity in the niques de France; Robert B. Koehl (Dept. Roman life; Carole Paul, Univ. Pennsylvania Cyprus. 01267. (413) 597·2429. French cinema, 1908-1929; Alden R. Gor­ Classics), Florida State Univ.: The fonns and (predoctoral): The 18th-century redecora­ don, Trinity College, Hartford: The Marquis tion of the Villa Borghese. functions of Aegean Bronze Age rhyta; Mere­ AAAS FELLOWS For a catalogue raisonne of the work of Ernst de Marigny and French royal art patronage dith P. Lillich, Syracuse Univ.: The stained Among the eighty-five new Fellows of the Oppler (1867-1929), owners of paintings, under Louis XV; Madelyn Gutwirth (Dept. glass of Eastern France-Saint-Die, Toul; American Academy of Arts and Sciences drawings and graphic works are kindly re­ French), West Chester State Univ.: Images of Margaret M. Miles (Dept. Classics), Univ. NATIONAL HUMANITIES CENTER elected on May 8, at the 205th annual meet­ quested to get in touch with Jochen Bruns, women in art and letters before, during, and California, Berkeley: A study of temples A Forty-one scholars will work at the NHC in ing, were the art historians Michael Fried, Woldsenweg 1, D-2000 Hamburg 20, West after the French Revolution; Lawrence R. and 0 at Selinous, Sicily; John H. Oakley Research Triangle Park in North Carolina as Johns Hopkins, and William Rubin, Muse­ Germany. (Biographic information also ap­ Hoey, Univ. Wisconsin-Milwaukee: The evo­ (Dept. Classical Studies), College of William Fellows or Associates for the academic year um of Modern Art, and the painter Robert preciated.) lution and aesthetic significance of pier and Mary: Public dining pottery from Class­ 1985-86. Among them: Ann Wharton Ep­ Motherwell. design in early English Gothic architecture; ical Athens; Archer St. Clair Harvey, Rut­ stein, Duke Univ.· Communicating the For a catalogue marking the 250th anniver­ John H. Kroll (Dept. Classics), Univ. Texas, gers: Corpus of Pyxides; Myron Schwartz­ sacred in word and image, continuities from sary of the birth of George Romney, infor­ Austin: Publication of the Greek coins from man (Dept. English), Baruch College, the third to fifth centuries; Madelyn Gut­ INDIVIDUAL AWARDS mation on the whereabouts of the following the Agora excavations in Athens; Sarah C.U.N .Y.: A painter's odyssey, Romare Bear­ wirth (Dept. French) West Chester Vniv.: canvases is sought: Major P£erson Conversing Bradford Landau, New York Univ.: The den's life and art; Molly T. Smith, Michigan The fall from grace, images of women in art Evelyn M. Kain, Ripon College, Wisc., is the with a Brahmin (ca. 1771), A Mohawk Brave New York skyscraper, 1870-1910; Sydel State Univ.: Four paintings by Robert Cam­ and letters before, during, and after the recipient of a Translations Program grant (1776), The Indian Waman (1793), and a Silverman (Dept. Anthropology), Graduate pin; Martha Woodmansee (Dept. Gennan), French Revolution; Lawrence R. Hoey, from the National Endowment of the Hu­ version of the portrait of Col. Sir Alexander Center, C.U.N.Y.: Politics, class, and culture Columbia: Studies in the social, economic, Univ. Wisconsin-Milwaukee: Pier design in manities for her annotated translation of Still­ Hope (1795). Also appreciated would be any in Italian urban festivals; Joan Allen Smith and political conditions of the emergence of early English Gothic architecture; Robert S. fragen: Grundelgungen zu einer Geschichte data on Lady Rumbold (1771/81), Col. Sir (Dept, Music), Univ. California, Santa Bar­ "art. " Stella Kramrisch Lopez (Dept. History), Yale: Economics and der Ornamentt'k (Problems of Style: Founda­ Paul Aemilius Irvt'ng (1783), and Miss Lush­ bara: Alban Berg and other 20th-century culture in the Italian Middle Ages and Re­ tions for a History of Ornament) by Alois t'ngton (1786), about which very little is pub­ Viennese artistic and cultural figures. naissance; Townsend Luding (Dept. Amer­ Riegl, 1893. On May 13 the Smithsonian Institution pre­ lished. Confidentiality will be observed. Con­ Thirty-five fellowships were awarded to re­ ACLSADDENDA ican Literature), Univ. North Carolina, sented its Charles Lang Freer Medal to Stella tact Jennifer C. Watson, Curator, Kitchener­ cent recipients of the Ph.D.; nearly 200 ap­ Under one of several programs in Chinese Chapel Hill: A biography of Marsden Hart­ Kramrisch, the eighth person and the first Waterloo Art Gallery, 101 Queen Street plications were received. Among the award studies, a fellowship was awarded to Kathlyn The Art Libraries Society of New York pre­ ley; Stefan T. Morawski, Polish Academy of Indianist to receive this prestigious award North, Kitchener, Ontario N2H 6P7, recipients: Marcia Kupfer, Boston Vniv.: Liscomb, School of the Art Institute of Chi­ sented its 1984 award for excellence to The Sciences and Letters: The crisis of art and since it was first established in 1956 to recog­ Canada. Romanesque mural painting in the vicinity of cago; her project: Science and self-realization Art oj Satire: Painters as Caricaturists and present-day civilizational transformations; nize scholars of international stature for Bourges; Margaret R. Olin, School of the in the painting and theory of Wang Lu. Cartoonists Jrom Delacroix to Picasso, by Murray Roston (Dept. English), Bar-Ilan "distinguished contribution to the knowledge For a catalogue raisonne of the American Art Inst. of Chicago: The artistic theories of ]n addition, in the March 1985 competi­ Ralph E. Shikes and Steven Heller (New Univ., Israel: Renaissance perspectives in and understanding of Oriental civilizations as modernist Arthur B. Carles, 1882-1952, Alois Riegl; Catherine R. Puglisi, Rutgers: tion, travel grants to attend international York: Horizon Press). literature and the visual arts; Richard A. reflected in their arts." Kramrisch (Ph.D. information on the location of paintings and A monograph and catalogue raisonne on conferences were awarded to four of the ten Shiff, Univ. North Carolina, Chapel Hill: Vniv. Vienna) has been curator of Indian Art pastels is sought by Barbara Wolanin, Art Francesco Albani; Lauren E. Talalay, Indi­ art historian applicants. Recipients are: The "classic" in modem art, a study of the Lena Torslow Hansen, exhibition director at the Philadelphia Museum of Art since 1954 Dept., James Madison Vniv. Harrisonburg, ana Univ.: Deities and dolls-prehistoric fig­ Thomas F. Hedin, Unlv. Minnesota, critical evaluation of artistic styles; Roger for A Broad Spectrum: Contemporary Los and has taught at N.Y,U.'s Institute of Fine VA 22807. urines from Franchthi Cave; William E. Duluth; Betsy Rosasco, Art Museum, Prince­ A. StaIley, Trinity Coil., Dublin: Regional Angeles Painters and Sculptors '84, has been Arts since 1964. She first went to India in 1922 Wallace, Washington Univ.: The workshops ton Univ.; and Dora Wiebenson, Univ. Vir­ expressions of the Early English Style. awarded NEA fellowship for arts managers to teach at the newly founded university, San­ Information on prehistoric metal artifacts and assistants of Michelangelo. ginia -- all to attend the Colloque Versailles, for fall 1985. tiniketan, and from 1923 to 1950 taught at from Afghanistan is sought by Paul Yule, In addition, twelve fellowships were award­ to be held at the chateau-and Eloise the University of Calcutta. In 1950, Kram­ Corpus of Prehistoric Asian Metalfinds, ed to recent recipients of the doctorate whose Quinones Keber, Columbia Univ., to attend Goethestrasse 30, 5300 Bonn 1, FRG. On re­ research is intended to illuminate and assess the 45th International Congress of American­ Marcia Allentuck has been elected an Hon­ risch accepted a professorship at the Univer­ GETTY MUSEUM STUDENT sity of Pennsylvania, where she taught until quest, owners' names will be kept confiden­ social and cultural ideas of 19th- and 20th­ ists, to be held in Bogota, Colombia. PROGRAMS orary Fellow of the Institute for Advanced tial. II century society. The sole recipient for a topic Studies in the Humanities of the University of 1969. Among her numerous exemplary publi­ The J. Paul Getty Museum offers several resi­ cations are The Hindu Temple, the standard that impinges on art history: Sally Price dency programs for students at various levels. Edinburgh. work on Indian sacred architecture, and The Rudolf Arnheim gave the commencement (Dept. Anthropology), Johns Hopkins: Prim­ ROME PRIZE FELLOWSHIPS Among appointments for the 1985-86 aca­ Presence oj Siva, the first comprehensive in­ address at the centennial of the Kansas City itive arts in civilized places. Fellowships to live and work at the American demic year: Fellowsht'p Program: Gary D. Academy in Rome for periods of from six James H. Marrow, Univ. California, Berke­ vestigation of the meaning, origin, and Art Institute and received an honorary doctor Sampson, Univ. California, Santa Barbara, ley, and a member of the CAA Board of ACLS GRANTS-IN-AID months to two years beginning in fall 1985 nature of the complex Hindu god Siva. of fine arts degree at the Massachusetts School photographs; Student Interns: Marcelle Directors, has been awarded the Internation­ Ninety-three grants-in-aid for postdoctoral have been awarded to twenty-six American of Art in Boston. Andreasson, graduate, Istituto per l'arte e al Eugene Baie Prize for 1978-1982 for his research were awarded. Recipients include: artists and scholars. Among the recipients: restauro, Florence, and Univ. of Lund. Swe­ Alan Wallach, Kean College of New Jersey, Passion Iconography in Northern European has been awarded a Smithsonian postdoctoral Irina Andreescu-TreadgoId, no academic ARTISTS: J. Brit Bunkley, Brooklyn, N. Y.: den, paintings conservation; Lisa Ezell, Syr­ ERRATA Art oj the Late Middle Ages and Early Re­ fellowship for a 1985-86 residency at the affiliation: Monuments related to the Church sculpture; Lizbeth Marano, N.Y.C.: sculp­ acuse Univ., drawings; Lynn F. Jacobs, New naissance: A Study oJ the TransJormation oj National Museum of American Art. He plans of Santa Maria Assunta in Torcello; Gregory ture; Franc Dominic Palaia, Elizabeth, York Univ., manuscripts; and Maria Lucia In the announcement of the Getty Postdoc­ T. Armstrong (Dept. Religion), Sweet Briar N.J.: painting; Philip Lawrence Sherrod, Sacred Metaphor into Descrtptive Narratt've. to continue his research on Thomas Cole's toral Fellowship awarded to Patricia Leigh­ Ferruza, Univ. Rome, antiquities. In addi­ The prize, which carries a cash award of College: The Book of Genesis in early Chris­ N.Y.C.: painting. patronage. ton, the title of her project was listed incor­ tion, several undergraduates were appointed 100,000 Belgian francs, is given to a foreign tian art; Darice E. Birge (Dept. Classics), ART HISTORIANS: Caroline Astrid Bruze­ rectly. It is "Art and Social Radicalism in student assistants. author who has written in his/her native lan­ Columbia: The sacred square in the sanctu­ lius, Duke (Mellon): The Gothic churches The Society of Architectural Historians' France, 1900- 1914." guage on Flemish history, art, or culture. ary of Zeus at Nemea; Marcus B. Burke, erected by Charles d'Anjou and his succes­ Founders' Award - the equivalent of our own S.U.N.Y., College at Purchase: Iconography sors, both as a group and individually; Joan­ Porter Prize --.. went to Christine Smith, The name of Ulrich F. Keller, University of and collecting in 17th-century Spain; Walter na Dougherty, Unlv. Virginia, landscape ARCHAEOLOGICAL INSTITUTE OF Paul Yule, Corpus of Prehistoric Asian Georgetown University, for "East or West in California, Santa Barbara, was inadvertently Cahn, Yale: Romanesque book illumination architecture: 18th century French town plan­ AMERICA Metalfinds, has received a grant (DM 73110) 11th-Century Pisan Culture: The Dome of omitted from the listing of recipients of Gug­ in France, 1100-1200; Jane B. Carter, ning in Italian cities and towns; Isabelle J. This year, AlA's Olivia James Traveling Fel­ from the Deutsch Forschungsemeinschaft for the Cathedral and Its Western Counter­ genheim Fellowships. His project is "A Re­ Tulane: Humbaba in Sparta: connections Frank, Harvard (Kress predoctoral): 15th­ lowship was split between Elizabeth Simp­ a study of the metalwork of the second millen­ parts," which appeared in the October 1984 construction of Nadar's 'Figures Con tempo­ between Sparta and the Phoenicians in the century artist Mellozo da Forli; Dorothy F. son, Univ. Pennsylvania, who is working on niuIIl B.C. in India. issue of the SAHJournal. raines' Series." III

8 CAA newsletter Fall 1985 9 people and programs Ipeople and programs free-lance curator. Prentice-Hall will publish At the University of Missouri-Columbia, Material fOT inclusion in People and Pro­ his introduction to the visual arts Visual Im­ Norman E. Land (Ph.D. Virginia) has been grams should be sent to College Art Associa­ agination, in the fall of 1986, tion, 149 Madison Avenue, N.Y.C. 10016. appointed chair of the department of art his­ tory and archaeology. He replaces Vera B. DeadlineJornext issue: 15 November. Anne Coffin Hanson is serving as acting Townsend, who plans to retire in 1986. director of the Yale Art Gallery through June Kathleen Slane has received a grant from the IN MEMORIAM 1986, Jules Prown is chair of the committee Howard Foundation to study Roman ceram­ that is seeking a replacement for former ics at Corinth; she will be on leave for the Laurence P. Leite, professor emeritus of art director, Allen Shestack. at George Washington University, died in academic year 1985-86. Visiting assistant professor Barbara Lee Johnson will serve as February at the age of 78. His major publica­ Patrick D. Cardon, formerly deputy director her replacement. Howard Marshall and Os­ tions were on Christian iconography, and his of The Brooklyn Museum, became secretary­ mund Overby have established on the grad­ final research project on St. Francis de Sales. general of the International Council of Muse­ Leite (Ph.D. Johns Hopkins) joined GW in uate level an interdisciplinary minor in Cul­ tural Heritage Studies to prepare students for ums (ICOM), which is headquartered in 1956, and served as chair of the department Paris, on June 17th, Cardon began his career from 1966 to 1977. In recognition of his C,on­ careers in preservation agencies, historical museums, and related organizations. Please at Brooklyn in 1967 as an Egyptologist and tributions to the study of art history, a Lau­ joined the Museum's administration in 1980. note: the name of Nancy E. Locke, who rence P. Leite Memorial Prize Fund has been He was named vice-director of curatorial graduated UM-C in June, was inadvertently established; contributions may be sent to affairs in 1982, and deputy director in 1984, Dept. Art, GWU, Washington, DC 20052. Gabriel P. Weisberg, University of Minnesota omitted from the list of Mellon predoctoral fellows in the summer issue of this newsletter. Marjorie Acker Phillips, who with her hus­ She is attending Harvard University. band founded the Phillips Collection in Gabriel P. Weisberg, for the past two years Washington, D.C., died in June at the age of director of the NEH Museums and Historical Visiting appointments at the University of Diane Lesko, St. Petersburg Museum 90 .... James F. Parker, painter and director Organizations Program, has joined the Uni­ Delaware during 1985-86 include Robert W. of Fine Arts Photo: Raymond Wenzel of the Paris campus of the Parsons School of versity of Minnesota as professor of art his­ Jensen, who will be teaching modern art all Edgar Peters Bowron, Harvard University year; Nicolai Cikovsky, Jr., who will be Design, died in July. He was 51 years old, tory. A specialist in nineteenth-century Art Museums At the Museum of Fine Arts inSt. Petersburg, teaching a seminar on Winslow Homer in the French art, he curated and wrote the cata­ Fla., Diane Lesko is the new curator of col­ fall; Margaret Denton Smith, who will be logue for The Realist Tradition: French lections, Lesko (Ph.D. Binghamton) was pre­ teaching a seminar on the Roots of Romanti­ ACADEME Painting and Drawing, 1830-1900. Until Edgar Peters Bowron, formerly director of viously assistant professor at Lycoming Col­ cism, also in the fall; and two full-time faculty recently a member of the CAA Board of the North Carolina Museum of Art, is the new lege in Williamsport, where she also organ­ members in the spring: Sarah E. Bassett, Directors (his term expired in 1984), Weis­ director of the Harvard University Art Muse­ ized exhibitions for the college museum. Her medieval, and Nicola Courtright, baroque. berg has served for several years as chair of the ums (HUAM-one of our least favorite acro­ james Ensor: The Creative Years is due from These are primarily replacements for Nina CAA Committee for the Preservation of Art. nyms- comprises the Fogg, the Busch-Reis­ Princeton University Press this fall. Athanassoglou-Kallmyer and Patricia inger, and the soon-to- be-opened Arthur M. Leighten, both of whom have Getty postdoc­ Sackler Museum,) Bowron (Ph.D. N,YU.) Joining the faculty in studio art at S,U,N.Y. toral fellowships this year, and Lawrence was earlier associated with the Metropolitan, There have been several promotions and ad­ Stony Brook this fall are painter Vee Jan Bao, Nees, who will be at the Center for Advanced the Minneapolis Institute of the Arts, the ditions to the staff at the Snite Museum of a former Guggenheim and NEA fellow; metal Studies in the Visual Arts in the spring. In Walters Art Gallery, and the Nelson Gallery­ Art, University of Notre Dame. TeriDoug1as sculptor Molly Mason, and printmaker addition Linda Pellecchia, a specialist in Atkins Museum. His most recent publication, Larkin, formerly administrative assistant to the director, has been named assistant direc­ Michi Itami. Faculty member Howardena Italian Renaissance architecture, has joined based on the papers of the late Anthony M. Richard Putney, Toledo Museum of Art Pindell was visiting artist at the Vermont the faculty for the next two years, Clark, is the Complete Catalogue of the tor. Larkin (MFA Notre Dame) has been at Studio School during the summer, and Mel the museum for three years, working on such Paintings and Drawings of Pompeo Batoni The Toledo Museum of Art has announced Pekarsky was visiting artist at the University Blanche Brown, since September 1 professor special exhibitions as Renaissance Drawings (1708-87), published this year. He is pres­ two new appointments: Richard Putney, the of Alaska at Fairbanks. Art historian Anita from the Ambrosiana and George Rickey in emerita of New York University, and Milton ently preparing a history of painting in eigh­ new chair of university education, will admin­ Moskowitz is on leave for the year to work South Bend. Robert Smogor, registrar, has Brown, resident professor at the C.U.N,Y. teenth-century Rome. ister the Museum's joint degree programs full-time on the Census of Gothic Sculpture Graduate Division and senior fellow of the added the responsibility of business manager with the University of Toledo in art, art edu­ in American Collections. Nina Mallory con­ Williams College Museum of Art, will be visit­ to his duties, New to the staff are Peggy Man­ Archaeologist and art historian John Cars­ cation, and art history. Putney (Ph.D. Univ. tinues her leave, under NEH and Kress grants ing professors at Hebrew University in Jeru­ ulikow-To1bert (MA Univ. Iowa), as educa­ well has been named director of the David Delaware) was co-chair of the program and this semester, to complete research in Spanish salem during December 1985 and January' tion coordinator; artist Leonard Han (MFA and Alfred Smart Gallery at The University of assistant professor of art history at the Muse­ baroque art. 1986. This is their second stint at Hebrew Univ. Pennsylvania) as administrative assis­ Chicago. Carswell has been curator of the um for the past six years. His fields of special­ University; they taught there during the tant to the director, in charge of the design University's Oriental Institute since 1977, He ization are medieval art and Christian incon­ spring semester in 1982, program; Ginger Weidler as auditorium Louise George Clubb, formerly professor of will retain an appointment there as research manager/librarian; and Louise Joyner ography. Rose M. Glennon (MA Syracuse comparative literature at the University of associate, with the rank of full professor. Univ,), who has been with the Museum since Stanley Edwards has been appointed assis­ (MFA Notre Dame) as assistant to the curric­ Edward Colker, Cornell University California, Berkeley, is the new director of I 1976, is the new chair of museum education. tant professor of art and design at Winthrop ulum structured tour coordinator, Tatti. She succeeds Craig Hugh Smyth, who College in Rock Hill, S.C. And Robert Bald­ Mark M. Johnson is the new director of the Ann Abid is the new head librarian at The has retired, Muscarelle Museum of Art, College of Wil­ Painter and graphic artist Edward Co1ker win, formerly at Kent State University, has Leaving a museum directorship is Robert D. Cleveland Museum of Art. For the past has been named chair of the department of been appointed to a tenure-track position at liam and Mary. He had been assistant direc­ Kinsman, who has resigned that position at twenty-two years she had been at The St. art at Cornell University. For the past five At Duke University, William Pressly has Connecticut College in New London, tor of the Krannert Art Museum and has also the Sheldon Swope Art Gallery in Terra Louis Art Museum, where she recently com­ held positions in the art history and education years Colker had been dean of visual arts at joined the department as associate professor. Haute, Ind" effective September 5th. pleted supervision of the design and instal­ S.U.N,Y., Purchase, and before that director His specialties include British and nine­ departments of The Cleveland Museum of lation of the new library facilities, III Art and the Art Institute of Chicago, of the School of Art and Design at the Univer­ teenth-century art. David Castriota, whose MUSEUMS Bruce D. Kurtz is the new curator of twenti­ sity of Illinois, Chicago, from 1972 to 1977, In field is ancient art, has been hired as assistant eth-century art at the Phoenix Art Museum, Sally L. Perisho is the new director at the To insure receipt of all CAA publica­ 1960, he founded Editions du Grenier, now professor. Judy Sund, who is completing her Robert H. Frankel moves to the Dade Coun­ Previously assistant professor for fifteen years Gallery of Contemporary Art, University of tions and announcements, please be the Haybarn Press, for publication of illus­ dissertation at Columbia, will teach modern ty Center for the Fine Arts in Miami, Florida, at Hartwick College in Oneonta, N.Y., and Colorado, She also holds the title of professor trated books of poetry made in collaboration art. Kathryn HOTSte, a medievalist, is visiting as director. He leaves the Delaware Art Muse­ visiting professor at the University of Dela­ sure to keep us informed of your cur­ of art history. Perisho (MA Univ. Illinois) was with the poets. He was also one of the first assistant professor for the year, And visiting um in Wilmington, where he was director for ware, Southern Illinois University, and else­ rent address. previously director of the Colorado Gallery of guest editors for the A rtjournal: he edited the artists are printmaker Merrill Shatzman and five years, where, Kurtz has been extremely active as a issue on "The Education of Artists." painter Yvonne Muller. the Arts at Arapahoe Community College. II CAA newsletter Fall 1985 10 solo shows by artist members classifieds lannouncements

A listing of exhibitions by artists who are The CAA newsletter will accept classiJieds of Fellowships for Study in Middle East members of the CAA. Those sending tnfOr­ a professt"onal or seml·-professional nature The American Schools of Oriental Research mation Jor listing should include name oj (sale of libraries, summer rental or exchange is offering more than $170,000 in research, artist, gallery or museum, city, dates of exhi­ of homes, etc.). The charge is 50f per word, study, and travel grants for the 1986-87 bition, and medium. minimum charge $10.00, advance payment academic year and the summer of 1986. For requhed. Make checks payable to CAA. details and applications: Coordinator of Katherine T. AndrIe. R Street Gallery, Academic Programs, ASOR, 4243 Spruce Washington D.C., July 1-28. "Beyond Self! St., Philadelphia, PA 19104. (215) 222 ·4643. Crossing Boundaries." Application deadline for most awards: 1 Historically valuable catalogue of 1977 exhi­ Walter Askin. Long Beach Museum of Art November. bition "Then and Now" of N.Y. WPA ART­ Bookshop/Gallery, Calif., June 2-August 18. ISTS at the Parsons School, N.Y. 103 pages. ACLS Program Booklet "Another Art Book To Cross Off Your List." Biographies, comments, 2 reproductions (of Aids to Individual Scholars, the booklet Patricia Frischer. Quinton Green Fine early and later period) by each of 200 exhibit­ describing all fellowships and grant competi­ Art, London, July 3-August 3. ing artists. These include Milton Avery, IIya tions to be held in 1985-86 by the American Bolotowsky, Stuart Davis, Philip Evergood, Council of Learned Societies, is now avail­ Fred Gutzeit. 55 Mercer St. Artists, Chaim Gross, Lee Krasner, Louis Lozowick, able. ACLS, 228 East 45 Street, New York, N. Y.C'" June 4-22. "Paintings/Findings." Alice Nee!. Essays by Greta Berman, Emily NY 10017. Nicholas Hill. State University Union Gal­ Genauer, Audrey McMahon, Norman Barr. Fellowships in Archaeology lery, Manhattan, Kansas, September 16-27. Catalogue $15.00; mailing, handling $2.00; The Archaeological Institute of America Paintings. total $17.00. Make checks payable to N.Y. annually offers two fellowships: the Olivia WPA Artists Corp. Send to M.A. Cohn, Sec'y, Lila Katzen. Huntsville Museum of Art, James Traveling Fellowship ($8,000) for 311 W. 24 St., apt. 14B, N.Y.C. 10011. Alabama, June 30-August 25. University of travel and study in Greece, the Aegean North Carolina, Chapel Hill, January 12- Islands, Sicily, south~rn Italy, Asia Minor, February 20, 1986. Stamford Museum of Art, or Mesopotamia; and the Harriet Pomerance Conn., June I-August 20,1986. "Ruins and EXHIBITION DIRECTORY 7TH EDI­ Fellowship ($2,750), for study of Aegean Reconstructions," Sculpture. TION. The working resource of selected Bronze Age archaeology. Applications avail­ juried art and photographic competitions. Betty LaDuke. Stevenson Union Gallery, able from AlA, P.O. Box 1901, KenmoreSta­ This edition expanded to include festivals and Ashland, Oregon, May 5·"22. Paintings. tion, Boston, MA 02215. (617) 353-9361. exhibit screenings. September 1985- 86. Application deadline: 31 January. • Leslie Lerner. Janet Steinberg Gallery, $7.50 plus $1.50 Shipping. Prepaid. The San Francisco, June 5-July 3. Paintings and Exhibit Planners, Box55, Delmar, NY 12054. SAFE PRACTICES: architectural installation. IN THE ARTS & CRAFTS Miriam Schapiro, Brentwood Gallery, St. A STUDIO GUIDE Louis, May 17-June 30. "Femmages 1971- FOR SALE. Seven-volume set of Berenson's 1985." Italian Pt"ctures of the Renaissance ($1,000 or Single Copies: $7.00 each b/o) and Freedberg, Andrea del Sarto ($25). Fritz SchoIder. Marilyn Butler Fine Art, Bulk Orders 00 or more): $5.50 each Robert Baldwin, Art History Dept., Connec­ Santa Fe, New Mexico, June. New work. ticut College, New London, CT 06320. Prices include postage and handling. Sylvia Sleigh. Zaks Gallery, Chicago, Sep­ tember 13-0ctober 3. "Portraits & Nudes," Prepayment required. Send orders to paintings. CAA, 149 Madison Avenue, New ART BOOKS AT DISCOUNT. Used and York, NY 10016. Please allow 2-4 Idelle Weber. Ruth Siegel Gallery, 24 out-of-print. We also order and search. Gry­ weeks for delivery on domestic orders; West 57 Street, N.Y.C. November 13-De­ phon Bookshop, 2246 Broadway, New York, 4 - 6 weeks on foreign orders. cember 4. Paintings and drawings. • NY 10024. (212) 362·0706. III

G44 nCWRletter

© 1985 College Art Association of America 149 Madison Avenue, New York, N.Y. 10016 Editor: Rose R. Weil Associate Editor: Minerva Navarrete

Fall 1985