5 Face to Face CAA with Ellen Protests Lanyon Denial of Grants fter eleven years of dedicated service, Ellen Lanyon is A leaving the editorial board of Art Journal. Lanyon is an artist whose s requested at the CAA first show was at the cooperative Ellen Lanyon Annual Business Meeting, Superior Street Gallery in Chicago in PHOTO: JOANNE SAVIO February 14, 1992, CAA THE COOPER UNION A 1958; in 1962 she had what she consid­ president Larry Silver sent a letter to ers her first true solo exhibitions, at partner with his wife in the site-specific John Frohnruayer, then chair of the Zabriskie Gallery in New York and sculpture collaborative Kristin Jones/ National Endowment for the Arts, B. C. Holland in Chicago. Her works Andrew Ginzel, and their daughter, questioning the procedures allegedly have been feahrred in over 50 other Lisa Ginzel, is a painter living in used when grants, which had been exhibitions, and she has shown over the Chicago. recommended by a peer review panel, years at Richard Gray, Chicago, and Several weeks ago Lanyon and were denied to Franklin Furnace and Odyssia and Susan Caldwell, both in I discussed Art Journal, its editorial Highways. The letter, dated February New York. Currently, Berland-Hall board, and her personal involvement 28,1992, reads: Gallery in New York is hosting an with both. She began her service in "On behalf of the artists and art exhibition of Lanyon's paintings, April 1981, when she joined the board as historians who are members of the 3D-May 23,1992, and a monograph is representative of CAA's Artists' College Art Association, thirteen being published. Having taught at the Committee. The other board members thousand strong, I write to express our School of the Art Institute of Chicago, were Anne Coffin Hanson, George concerns regarding the rejection by the Parsons, and the School of Visual Arts Sadek, and Irving Sandler. In the early Council of the National Endowment for as well as having been a visiting artist at 1980s, the quarterly had reached a the Arts of two grants-one to the numerous universities, she is now crossroads, and its mission-to serve Franklin Furnace Archive, New York, associate professor of painting at the the modernist field and the CAA artist the other to Highways, Santa Monica­ Cooper Union. To her, "Teaching is the membership-was examined. It was that had been recommended for reflection of one's self, a reaching out, to decided that its structure was not well approval by an endowment peer panel transmit experience and knowledge so defined and content was not focused of experts. that it will not die with you." Time on the needs of the constituency. "According to information pub­ away from teaching and the studio (a Therefore, theme issues were institut­ lished in reliable newspaper accounts, loft in SoHal is absorbed by participat­ ed, with guest editors recruited to irregular procedures were employed in ing in activist groups and enjoying her, organize individual issues. Art Jour­ the evaluation of materials from eight personal life. Lanyon is married to the nal's philosophy, centered around grant applications, including the two artist Roland Ginzel, with whom she the idea of theme issues, has been that were rejected. What we in the arts has raised two children-their son is a developing ever since. With recent community and the CAA find particu- CONTINUED ON PAGE 8 CONTINUED ON PAGE 9 art criticism; Arthur Kingsley Porter proposal is received from two or more and Ideology in Early Medieval Spain (Penn ({i':ontents CAA Prize for an Art Bulletin article; Artist Guidelines individuals, preference may be given to State Press, 1991); winner of the Award for a Distinguished Body of the individual from the region in which ASHAHS Distinguished Publication Volume 17, Number 3 Work, Exhibition, Presentation, or the conference will be held. Where Award; editor of Al Andalus: The Islamic May/June 1992 News Performance; Distinguished Artist for the 1994 proposals overlap, the chairs reserve the Arts of Spain (Metropolitan Museum of Award for Lifetime Achievement; Alfred right to select the most considered Art, 1992) and Essays in Honor of Whitney H. Barr, Jr., Award for museum scholar­ version or, in some cases, to suggest a Stoddard (Gesta, 1986); and co-editor, ship; Charles Rufus Morey Award for a Annual fusion of two or more versions from with V. Mann and T, Glick, of Conviven­ Face to Face with Ellen Lanyon book in the history of art; and CAA and among the proposals submitted. The cia: Art and Society in Medieval Iberia 1 CAA Protests Denial of Grants National Institute for Conservation Joint Conference program chairs may invite submissions (Jewish Museum, 1992). She has Award for Distinction in Scholarship from people who have not submitted published and lectured widely on early Sydelle Zemering Retires and Conservation. Nominations for proposals but whose experience, medieval and Romanesque architecture With April 1992 marking the beginning award recipients should be sent to: expertise, and outreach would, in the and arts produced by and for Christians, CAANews 2 of her 25th year at the College Art College Art Association, 275 Seventh chairs' opinion, be important to shaping Muslims, and Jews. Association, Sydelle Zemering, place­ Ave., New York, NY 10001. Deadlille: an interesting and balanced program. In Dodds was special consultant to the ment coordinator, has decided to retire. October 1, 1992. doing so, program chairs wi11 consider a Metropolitan Museum of Art for the Guidelines for the he 1994 annual conference will After working for the United Parents number of factors, including which exhibition"Al Andalus," and is consult­ 1994 Annual Conference be held in New York, with the 3 Association doing newsletters, she came topics were not covered in recent CAA ing curator (with Vivian Mann) to the New York Hilton and Towers to CAA on April 1, 1968, as a part-time Affiliated Society News T conferences. All other things being Jewish Museum for the upcoming serving as headquarters. Sessions will I CAA wishes to extend special thanks to "Convivencia" exhibition, Particularly clerical worker overseeing a staff of take place Thursday, January 27, equal, preference may be given to Legal Update 5 three. Early on she did bookkeeping and the American Society for llispanic Art through Saturday, January 29. Chair of artists I scholars from the region in concerned with issues surrounding the Historical Studies (ASHAHS) for its co­ which the conference will be held. representation of art on film, she has catalogued the review books that came the art history program is J errilynn D. sponsorship of the session "Old World­ into the office. She eventually moved on Dodds, and the studio art program is co­ Deadline for program chairs to receive collaborated on two documentary films: to placement, New World--Old World: Cultural chaired by Archie Rand and Lowery S. session proposals: September 1, 1992. a screenplay written with Pablo Romero 7 From the Executive Director Interaction between Europe and where over the Sims. for Canal + Espana titled Al Andal"s: Las years she worked Colonial rbero-America," at the 1992 Artes Islamicas de Espai1a, and A Mosque Solo Exhibitions by Artist Members with Gene CAA annual conference in Chicago. For Art History in Time, created with filmmaker Edin 10 People in the News Lessard, Nanette their contribution, the acknowledgment Proposal Submission Program Chair Velez under the auspices of the Program RodneyI Rose of which was inadvertently omitted for Art on Film. Her current area of Weil,and from the Marchi April newsletter, we Guidelines Jerrilynn D, Dodds is associate professor research centers on issues of representa­ Programs, New & Revised Minerva express our appreciation. Session proposals should be submitted of architectural history at the School of tion and the meaning of monumental Architecture of City College of the City 12 Grants, Awards, & Honors Navarette, CAA would like to remind its to the program chairs in the form of a painting for Christians and Muslims on among others. affiliated societies that they are eligible one-to-two page letter I essay framing of New York. She has taught at Colum­ the medieval Iberian peninsula. Zemering attended her first CAA to receive meeting space at the annual the topic of the session and explaining bia University, Duke University, and Conferences & Symposia conference in 1973 in New York, and she conference in 1993 in Seattle for either a any special or timely significance it may University of North Carolina at Chapel Opportunities Hill, and will be visiting associate 13 has been the placement coordinator ever session or a business meeting. Affiliated have for a particular field andlor Art History since. She has worked with hundreds of societies are also encouraged to submit discipline. When possible, potential professor at Harvard University in fall people in the CAA office over the comse proposals to the art history andlor panelists and procedures should be 1992. Her research centers on the Program Statement meaning of artistic interchange between The CAA annual conference has in­ Classified Ads of her career, and she says, "It's been an studio art program chairs for sessions to outlined. Explanatory or supportive 15 experience." She said that she will miss be co-sponsored at the 1994 conference materials may be included. Send a c.v., divergent cultures, in particular as it creasingly come to be one of the terms her co-workers, the excitement of the in New York (see page 3 for guidelines). biographical statement, mailing address, occurs in the arts of medieval Spain. through which art historians express a Information Wanted conferences, and the people with whom and work and home telephone numbers. Dodds is the author of Architecture sense of bewilderment and disenfran­ 16 Datebook she has developed relationships over the It is recommended that you enclose a chisement concerning a field of study years. Her plans for the future include a Corrections self-addressed stamped postcard so that that is protean, that has lost many of trip to Europe with her husband and Two addresses of session chairs, which chairs may acknowledge receipt of your those theoretical, ideological, and fulfilling numerous other goals she has were announced in the calls for papers proposal, and an SASE if you wish any geographical boundaries that once set for herself. The College Art Associa­ insert to the Marchi April newsletter, materials returned. offered a measure of professional CAA News, a publication of the tion is proud to have had Sydelle were incorrect. For Julie Harris, art To summarize CAA procedures: identity within the discipline, College Art Association, is published There is, first, a tension between a Zemering serve it with such dedication history session chair of II Art and chairs will consider proposals only from six times a year. Material for and selflessness, and she will be sorely CAA members and, once selected, session nostalgia for the center of the disci­ inclusion should be addressed to: Legends about Art in the Middle Ages," missed. her address is 1738 Chicago Ave., Apt. chairs must remain members in good pline-or for the time when a center Editor 702, Evanston, IL 60201. For James standing through the 1994 annual could be legitimately and unapol­ CAANews Sturm, studio art session chair of conference. No one may chair a session ogetically defined-and the emergence 275 Seventh Avenue 1993 CAA Awards- "Commix/' his address is 2202 N. 40th more than once every three years (for of subjects from the geographical, social, New York, New York 10001 and economic "margins." And there is, Telephone: 212/691-1051 Send in Your Nominations St., Seattle, WA 98103. example, individuals who were session second, a growing perception that the Fax: 212/627-2381 Nominations are sought for the follow­ chairs in 1992 or 1993 cannot chair study of the work of art as a physical ing CAA awards to be presented at the sessions in 1994), Submissions from Editor-in-Chie! Susan Ball object with formal properties and 1993 annual conference in Seattle: CAA affiliated societies for co-sponsored Managing Editor Virginia Wageman intentional meaning is separate from, or Distinguished Teaching of Art Award; sessions are welcome. Program chairs Editor Nancy Boxenbaum even incompatible with, its consider­ Distinguished Teaching of Art History will make their selections from among eligible proposals solely on the basis of ation within social history or a theoreti­ © 1992 College Art Association, Inc. A ward; Frank Jewett Mather Award for merit; however, if essentially the same Jerrilynn D. Dodds cal structure, as if most traditional art

CAA NEWS MAY/JUNE 1992 2 CAANEWS MAY/JUNEl992 3 historians were not interested in history excluded from the field, such as Endowment for the Arts, His writings or social art historians were uncon­ commercial arts, traditional crafts, film, on art have appeared in Arts and Tema Contemporary Art in New York, interactions between artists and cerned with the object, and decorative arts, among others; and Celeste. A frequent university lecturer, he California Museum of Afro-American institutions in terms of cultural preroga­ Legal Update Indeed, a recent survey of CAA by exploring the historiography of the is on the graduate faculty of the School History and Culrnre, Mint Museum, and tives, artistic intentions, and institu­ members indicates that both art histori­ founders of the discipline and the of Visual Arts, New York, and is the Contemporary Art Center, New tionallogistics? What are the protocols ans who perceive themselves as implications of their work. currently graduate program artist-in­ Orleans, She has served as a member of for artists working with communities? "traditionalists" and those who see Finally, both the art history and residence at the Maryland Institute the New York City Commission on the The role of pedagogy in this Publishing themselves as "theorists" find serious studio art program chairs wish to College of Art's Hoffberger School of Starns of Women and has sat on the situation cannot be overlooked. The problems in the CAA conferences encourage the creation of joint sessions Painting and Mount Royal School of Art. boards of the Caribbean Center and Art manner in which the coordinates Contracts related to the tension between "quality" that explore the mission of the artist and Lowery S, Sims is associate curator Table. In 1987 she was appointed by between art making and career are and "democracy" in session program­ the art historian, and those issues of the in the Department of 20th-Century Art Governor Mario Cuomo to a five-year predicated by curricula and program­ ming. The problem is, of course, that communication of the work of art that at the Metropolitan Museum of Art, term on the New York State Council on ming in art schools is an important both traditionalists and theorists see binds them. Send proposals to: Jerrilynn where she has been on the staff since the Arts. consideration. This impinges on a AA is in the process of their approach as "quality" and the D. Dodds, c/o CAA, 275 Seventh 1972, She received her B,A, from Queens Sims has written extensively on determination of the intentions and revising its Guidelines on Fair necessary inclusion of the other as the Avenue, New York, NY 10001, Deadline College (1970), where she was elected to contemporary artists, with a special expectations of students and faculty in Use of Visual Materials: exasperating lapse of standards neces­ for receipt of proposals: September 1,1992. Phi Beta Kappa, and her M.A from interest in African, Latino, Native, and art schools. What are the stipulations for C Reproduction Rights in Scholarly Publica­ sary to maintain democracy, -Jerrilynn D. Dodds Johns Hopkins University (1972). She is Asian-American artists, and was the an appropriate studio education? What tions. In that connection, the more Such polarization effects the way a doctoral candidate at the Graduate 1991 recipient of CAN s Frank Jewett systems are accountable for the promi­ general subject of publishing contracts our discipline is structured and taught, Center of the City University of New Mather Award for distinction in art nent directions in studio educations? has been identified as a subject of and influences its complexion for York. Sims has taught at Queens criticism, How do these avenues become suscep­ Studio Art Program discussion, particularly the special generations, Entrenched attitudes College, City University of New York, tible to transformation? What has been concerns of authors of scholarly art Co-Chairs the result of the emphasis on theory in concerning what is at the center or the and at the School of Visual Arts, New texts. This column sets forth a general Archie Rand is a painter, muralist, and York, and has lectured at, among other art pedagogy? Finally, what are the margins of art history will determine the Studio Art Program overview of the clauses in a publishing allocation of a teaching position of forty graphic artist from New York. He has places, Princeton University, Vassar sources of artistic inspiration today, had over 40 solo museum and gallery Statement contract and the legal and business years duration, or of acquisition funds College, Detroit Institute of Arts, What sources remain viable? Which During the 1970s and 1980s the practice issues in connection with those clauses, that leave a deep mark on an important exhibitions and has been showing for 25 Columbus Museum of Art, University of provide new input? years. He attended the Art Students' of art was influenced by questions of A deal between an author and a public art collection. We feel that these are among the theory, strategy, and discourse, For the publisher is created by the negotiation It is clear by now that art history League of New York and received a most pertinent and relevant questions of the publishing contract. It is beyond B.F,A, from Pratt Institute, His work is 1994 CAA annual conference, the studio within our field today. We anticipate cannot exclude, as a discipline, the study the scope of this article to discuss the represented in many museums and art sessions will reconsider the missions challenging and varied submissions on of any society, culture, or group that benefit of lawyers versus agents in con­ private collections. He has done work in and purposes of art. Emphasis will be these topics and look fonvard to creates art, and would be weakened tract negotiation, Usually, lawyers enormously by the establishment of an illustration, animation, stained glass, placed on issues that highlight less significant and practical responses from charge an hourly rate and agents a per­ and sculpture, and has been cited for concepts and tactics, and more personal the field. Send proposals to Archie official hierarchy of subjects, Nor can it centage of the deaL Lawyers, however, put anyone approach or method in original contributions in the fields of and relational. even ethical, aspects of Rand, 326 55th Street, Brooklyn, NY art making and exhibiting, These will be may act in the capacity of agents and isolation, What we can do, however, is religious iconography and acrylic 11220. Deadline for receipt of proposals: illuminated through a discussion of the charge a percentage if the lawyer places bring the debate back to CAA-not so technology. His murals at the Jerusalem September 1, 1992. the book with the publisher. Teachers' College were the world's first relationship between artists and their -Archie Rand and Lowery S. Sims much through a struggle for the turf of The purpose of this article is to so many ballrooms at the New York permanent full-spectrum exterior audiences, The complexity of this murals, relationship suggests many approaches make the process of negotiating a Hilton, though this no doubt will Rand is the recipient of the to mediating the act of making art and publishing contract less mysterious and continue----but by providing a number of Engelhard Award, Awards in the Visual pursuing a career in the arts. difficult, Publishers usually have a sessions that act as forums for debate One consideration would be the printed standard form contract, al­ that can channel energies within the Arts 6, a fellowship from the New York State Foundation for the Arts, and an effects of the current situation in though the form differs from publisher discipline away from polarized charac­ determining artistic endeavor, another to publisher. There is leeway in negoti­ terization of one another and toward award in sculpture from the National the prognosis for future corporate and ating these standard form contracts with generative discourse, individual support of the arts. This, in respect to both the business and the In addition to a wide range of Lowery S. Sims turn, leads to the questions of whether legal issues, although some clauses are familiar sessions, we would like to there might be new avenues of patron­ more negotiable than others, The propose a limited number of sessions in Pennsylvania, University of Arizona at age for artists, The situation with regard principal terms of the publishing two molds: (1) sessions on single Tucson, and the Hirshhorn Museum and to public funding has raised questions of contract set forth the services required problems, works of art, moments, Sculpture Garden. subject matter, content, and the assumed of the author, the business terms of the themes, or ideas that incorporate Sims has served on panels for New audience for art. The phenomenon of agreement, and the scope of the grant of divergent and opposed approaches-in York City's Department of Cultural public funding should be examined, rights in the work to the author. which colleagues who style themselves Affairs, the New York State Council On assessing the influence it has had on the The Copyright Act of 1976 grants to as "traditionalists" and "theorists" the Arts, the National Endowments for artist. Questions that should be ad­ the author of original works of author­ would share the podium; (2) sessions the Arts and the Humanities, the dressed: Who is the public in public ship the original copyright in the work exploring the origins and boundaries of Metropolitan Transit Authority of New funding? How might the projected The rights of copyright include the the discipline in three ways: by address­ York City, and the Metropolitan Life changes in public funding policies rights to reproduce the work, to create ing our internal polemics in very specific Foundation. A juror for exhibitions impact on the interactions between derivative works, and to distribute the terms; by mining those values, materi­ nationally, she has also been a guest artists and audiences? Furthermore, the work in copies, This act also provides als, and methods that we will require curator at Queens Museum, Studio working arrangements within the field the author with the right to grant exclu­ from other disciplines as we embrace Museum in Harlem, Pratt Institute, need to be considered in the light of sive and nonexclusive rights as well as places and subjects occasionally Archie Rand Cooper Union, New Museum of artistic intentions, How do we define the the right to retain rights. The publishing

4 CAANEWS MAY/JUNE1992 CAA NEWS MAY/JUNE 1992 5 contract sets forth which rights are to be provide editorial assistance before provide and advertise the work in breadth of experience to their work on representing a range of viewpoints who granted to the publisher and which rejecting a manuscript. In the event the accordance with the highest standards From the Executive Director the Council. The diversity of Council are actively engaged in scholarship as rights are to be retained by the author, manuscript is unacceptable, the advance of scholarly publishing and the profes­ members' interests and backgrounds well as the public humanities." as wen as who will market the rights in should be recouped, if at all, only from sional reputation of the author. determines the kind of advice they can We are publishing this statement in the work and the percentage split on the the author's sale of the book to a third provide on grant decisions, policies, and the newsletter so that om members will marketing of those rights. party. Warranty and Indemnity: These clauses procedures. be aware of this important issue. There are negotiable. The author's responsibil­ National "Scholars, educators, and other are nine critical positions open on the Grant of Rights: Rights are usually di­ Permissions and Documentation: The ity should be limited only to an actual citizens working in the humanities view National Council on the Humanities to vided into primary rights and subsidi­ obtaining of permissions and documen­ breach of warranties (usually copyright, the Council as serving the Endowment be filled by the President of the United ary rights. Primary rights usually tation is of particular concern to the au­ privacy, and libel) and to no more than Council and the general humanities community States. We will keep you up to date include the exclusive right to publish in thor of art history and art publications. the amount received under the contract in a way that parallels the leadership regarding the nominees; please stay on trade books in the English language in This subject is more funy documented in (more difficult). provided by the National Science Board, top of this issue, and let the U.s. pres­ the United States. Authors should be the CAA guidelines. The author should on the although they recognize that the science ident know your views. wary of a grant of rights broader than request that the publisher secure per­ Free Copies: The author should try to panel is vested with far greater author­ -Susan Ball the publisher's traditional expertise, missions and pay the entire cost of negotiate for more than the ten free cop­ Humanities ity as well as resources. particularly in the granting of rights to permissions up to a stated amount, or at ies that may usually appear in the stan­ "The legislation requires that NEH media other than in book form, i.e., least one half of the permission fees. dard form and for a discounted price of Council members be appointed by the Notes television, audio, and film. Subsidiary More likely, the form contract will 40 percent on author's purchases. The President with the advice and consent of 1. The National Humanities Alliance (NHA) was rights may include nonexclusive or require that the author pay for permis­ number of copies will depend on the the Senate. The statute requires that formed in 1981 to unify the public interest in exclusive rights and may include foreign sions and documentation. At a mini­ number of books published. he National Humanities Council members must: (1) be private support of federal programs in the humanities. The language rights, dramatic rights, and mum, an advance should cover the Alliance has issued the follow­ U.s. citizens; (2) be 'recognized for their NHA is the only coalition that represents the radio and television rights. While pri­ author's costs for permissions, if the Other Clauses: Clauses on revisions, T ing position statement, dated broad knowledge of, expertise in, or humanities as a whole: Scholarly and professional mary rights are generally for the life of publisher has not agreed to pay the tab. authorship credit, retmn of materials, December 18, 1991, on the National commitment to the humanities'; and (3) associations; organizations of museums, libraries, the copyright (life of the author plus 50 Alternatively, fees may be deducted and competing works are of importance Council on the Humanities: 'have established records of distin­ historical societies, higher education, and state years), subsid-iary rights provisions from the author's royalties as received. to authors of art history and art texts "Since its establishment in 1965, the guished service and scholarship or humanities councils; university and independent may provide for their termination if the The publisher may also be given the and are negotiable. The Author's Guild National Endowment for the Humani­ creativity.' Further, Council members centers for scholarship; and other organizations publisher fails to exercise such rights. responsibility of securing permissions contract does not contain an option ties (NEH) has become the single most must 'provide a comprehensive repre­ concerned with national humanities policies. The Each right granted should have a royal­ for reproduction rights outside the clause or a noncornpetition clause. The important institution supporting sentation of the views of scholars and Alliance also speaks in behalf of individuals ty attached to it, and the licensing of English language rights for North latter must be particularly carefully scholarship and other humanities professional practitioners in the humani­ engaged in research, writing, teaching, and public such rights by the publisher should be America. The following is an example of drafted for the author, who intends to activities in the United States.1 In the ties and of the public throughout the presentations in the humanities. subject to the prior written approval of a negotiated clause: "Any permissions write in his or her area of expertise, words of William G. Bowen, President United States.' In other words, Council 2. William G. Bowen's testimony was presented 17 the author. required for the the inclusion, in the publishing additional works on the of the Andrew W. Mellon Foundation: members must bring not only the March 1988 on behalf of the National Humanities Work, of any copyrighted material shall same subject. Concerning return of the lIt is not an exaggeration to say that the highest qualifications but also a broad Alliance before the Interior and Related Agencies Royalties: Specific royalties should be be obtained by the Author, and any fees manuscript and materials, since the decisions made concerning the budget range of perspectives, which is critical to Subcommittee at a hearing regarding the Fiscal Year left to negotiation in each case, although payable therefore shall be borne as materials may consist of original for NEH ... and subsequent administra­ the effectiveness of such a body. We 1989 appropriation for NEH. 10 to 18 percent is not uncommon for follows: X percent by the Author, and X artwork, it is important that the pub­ tion of the funds have an absolutely recognize that the legislation calls for 3. The National Foundation on the Arts and scholarly publications, using a sliding percent by the Publisher. The Author's lisher be obligated to return the original decisive impact on the health and representation of the views of both Humanities Act of 1965 (P.L. 89-209). All quotations scale based on the number of copies share shall be paid in the first instance manuscript and be held accountable for character of the humanities in America.'2 scholars and the public, and, in fact, the of the legislation are drawn from the compilation of sold. From the author's perspective, by the Publisher, and shall be debited any loss of materials or original artwork. "For this reason, the National Council has included both scholarly and the law through 1986 (the most recent compilation) royalties should be based on a percent­ against his account." It is also important that the author be Humanities Alliance (NHA), a coalition public members since the beginning, but with cognizance of changes enacted through the age of retail list price and not on provided with royalty statements every of seventy scholarly and other organiza­ although there are no reserved 'schol­ 1990 reauthorization. discount or net price. Publishers Obligation to Publish: The six months and further impose a penalty tions concerned with the humanities in arly' or 'public' seats on the Council. 4. The legislation states that 'the term "humanities" publisher should be obligated to publish for the failure to provide accurate this country, wishes to reiterate its full "The National Humanities Alliance includes, but is not limited to, the study and Advances: This is the money paid to the the manuscript within a certain time statements as agreed to in the contract. support for the NEH and to emphasize mges that scholars nominated to serve interpretation of the following: language, both author as an advance against future period after the receipt of a "satisfac­ the importance of the composition of the on the Council have the credentials modern and classical; linguistics; literature; history; royalties earned. The size of the advance tory" manuscript. The period is usuaUy In conjunction with the anticipated National Council on the Humanities to called for in the legislation. Likewise, jurisprudence; philosophy; archeology; comparative often represents the publisher's commit­ between 9 and 18 months. In the event revision of the CAA guidelines, CAA is the general functioning of the NEH. We individuals nominated from among the religion; ethics; the history, criticism, and theory of ment to the book and its anticipated that the work is not published, the interested in collecting data on authors' do so now because the terms of nine of general public should have records of the arts; those aspects of the social sciences which profit. The larger the advance, the more agreement should provide for its auto­ experiences with either obtaining the twenty-six members of the Council strong commitment to the humanities. have humanistic content and employ humanistic likely that the advertising budget for the matic termination with all rights granted permissions or with publishing agree­ expire in January 1992. Further, we urge on-going attention to methods; and the study and application of the book will also be significant. to revert to the author. The author ments, specifically focusing on problem "The authorizing legislation3 achieving the comprehensive represen­ humanities to the human environment with should be entitled to retain all payments areas and any successful resolution of assigns the following responsibilities to tation-across disciplines4 and intellec­ particular attention to reflecting our diverse Delivery of Manuscript: The delivery of made to him or her in addition to any such difficulties. the National Council on the Humanities: tual viewpoints-that is called for in the heritage, traditions, and history and to the relevance manuscript clause often causes the most other remedies he or she may have. (a) advising the Chairman of the NEH legislation. of the humanities to the current conditions of legal problems between author and pub­ (Other situations should also permit Case Update: For those of you who have on policies, programs, and procedures "Finally, the NHA notes the national life.' lisher. The author is required to deliver rights to revert, such as the bankruptcy been following the Art Rogers v. Jeff for carrying out the Chairman's func­ directive in the legislation to consider a satisfactory or acceptable manuscript of the publisher.) Most scholarly authors Koons case in this column, an appellate tions and (b) reviewing and making lrecommendation~' on Council appoint­ to the publisher. Until recently, court do not have enough clout to influence court recently ruled in favor of Art recommendations to the Chairman on ments 'by leading national organizations cases have held that a publisher was re­ production decisions, such as the Rogers on his claim of copyright the applications for financial support concerned with the humanities.' Such quired only to act in "good faith" in re­ number of books printed or the advertis­ infringement. submitted to the Endowment. These organizations, whose primary commit­ jecting a manuscript. Two recent cases ing budget; however, a clause may be -Barbara Hoffman, CAA Honorary responsibilities call for Council members ments are to the work of the humanities, in New York required a publisher to obtained requiring the publisher to Counsel who bring a range of expertise and can be helpful in identifying individuals

6 CAA NEWS MAY IJUNE 1992 CAA NEWS MAY IJUNE 1992 7 Ellen Lanyon lauded." Another hurdle has been the journaL" The issue that she guest edited Denial of Grants which go beyond the question of the recommends rejecting an application, the CONTINUED FROM PAGE 1 CONT!NUED FROM PAGE 1 restructuring of the editorial board, as in 1985, "The Visionary Impulse: An rejection of these specific grants to Chairman cannot, by law, overturn that mandated by the recently revived CAA American Tendency," reflects the allegations that a conservative staff with recommendation and fund such a project. issues dedicated to censorship and Publications Committee, which, as sensibility of that part of the country. As larly distressing is the allegation of un­ ties to the White House and Congress is "As part of our efforts to be more upcoming issues that will tackle Lanyon explained, "has brought about a she explains, "It was focused on the equal treahnent and unusual prior screen­ asserting bureaucratic control of policy accountable to Congress and the public, as ecology, Native American art, Latin more bureaucratic attitude toward the Imagists of Chicago, the Bay Area, and ing by NEA staff officers of materials from and process in contravention of NEA well as to improve our processes, we have American art, and political jomnals, the production of CAA periodicals." the Southern rim, as they related to the these organizations, the majority of which mandate, which prohibits partisan instituted working groups composed of publication is concerning itself with Volunteering is the key concept to influences of Surrealism, but who, in have played significant roles in prior arts viewpoint discrimination in arts funding. members of the National Council to review politically charged, critical issues in understanding the depth of appreciation turn, established a truly American controversies. We would appreciate clari­ In addition, we request clarification of the in depth each of the program categories modern society. According to Lanyon, owed to Lanyon, and the entire editorial vision. I felt very strongly about fication from you about these disturbing Council's role in relation to the careful under consideration of a particular session "Historically, the art world has always board. Lanyon said, "I hope for the most bringing this sensibility into the reports-in particular the establishment of decisions made by a peer review panel, of the Council. These working groups have responded to the pressing issues of the part the membership realizes how much mainstream and having it recognized as so-called working groups of National and assurances that such decisions are not the opportunity to look closely at the work times. The art community can speak out of a volunteer effort this [Art Journal] is an established 'ism.' It is so rewarding Council members, which meet outside the made based on fear of political reprisal. of the panel and to review any applica­ as a political entity via words and for the people who work on it." Why do when a visual artist can make that formal Council structure to discuss un­ "CAA is opposed to the adoption of tions. In this way, we anticipate a more imagery. We hope to fortify this political they do it? She says it is because of a contribution. It gives one a sense of specified matters of internal concern. We procedures that have the effect of side­ fully informed discussion at the Council voice. However, we have also planned genuine interest in making a contribu­ another available dimension." Lanyon would like to inquire specifically about stepping public scrutiny and have the meeting over the relative merits of theme issues dealing with Romanticism, tion to the profession. "We all have an doesn't think the journal will change the meeting that occurred on January 30, potential to make the National Endow­ applications. poet and artist collaborations, perfor­ investment in this activity. It energizes much once she leaves the board; she 1992, with certain members of the Nation­ ment for the Arts a 'political' tooL Vague "Your letter complains about the mance, Soviet photography, and old me because I feel I'm reaching out. I feels that new generations will bring al Council, and we request an explanation standards such as 'decency' or 'artistic National Council's recent decision to reject age." With regard to the controversy work in the studio all day, so I commu­ new issues. "I'm going to miss being on concerning the circumstances, if any, that excellence' can too easily become a applications to the Visual Arts Program. over "political correctness," Lanyon nicate through activism. Also, I like the board, but I'm glad to make way for led Randy McAusland, Deputy Program subterfuge for unconstitutional discrimi­ The Council discussed at length the two points out that each issue is planned being part of the publishing world." As new energies." As to where Art Journal Director, to identify the applications of nation based on viewpoint unless applications that were ultimately rejected. three years in advance, and that "the she explains, each member of the needs to go from here, Lanyon hopes these organizations for special review. accompanied by fair and explicit proce­ It reviewed in depth the materials submit­ journal strives to be politically respon­ editorial board has a particular in-depth that it will remain a conscientious voice "By what circumstances was the dures of decision making. ted by the applicants, and on that basis, sible and aware-a current label for this knowledge and perception, which helps of CAA, stay as nonsubjective as it has Council made aware of the content of the "Allegations of inequity at the NEA found them without sufficient artistic activity is 'PC'" to make each issue the best possible been, and continue to be scholarly and controversial tape from Franklin Furnace on the staff level suggest that a review of merit to receive funding. While it is true Lanyon continually emphasized document. There used to be four topicaL when the peer panel did not review the both formal and informal, stated and un­ that most recommendations to reject are that Art Journal is not a commercial members of the board, now there are With the end of Lanyon's term of tape? According to an article in the Phila­ stated procedures with a full disclosure of made at the panel level (panels reject magazine, but rather a scholarly eight. "This expansion is an effort to service to Art Journal comes the end of delphia Inquirer, February 7, 1992, there has criteria used in the selection process nearly 2/3 of the applications we receive), quarterly that serves the CAA member­ encompass a wider geographic and an important stage in its history, which been an effort underway to retool the En­ needs to be offered publicly in order to the Council does have a deliberative re­ ship and the profession. From every­ multicultural representation, and we Lanyon has greatly helped to shape. In dowment's procedures, tighten the control counter the appearance of impropriety or sponsibility and an obligation to recom­ thing she's heard, it has been well pay strict attention to gender. There is a her words, her legacy to Art Journal has of information, sidestep public scrutiny of unconstitutional political considerations mend which grants should or should not received, even the controversial censor­ genuine concern for this democratiza­ been "helping to create the journal as it advisory panel decision making, and in the awarding of NEA grants. Only with be funded. On the rare occasions when the ship issues, which people appreciated tion, which has led to a new system of is today. Since it seems to be well ferret out potential 'problem grants.' fuil public disclosure to CAA and to the Council chooses to overturn a panel for their uncompromising aesthetic. She open nominations and self-nomina­ received, my editorial board colleagues 'We would like to signal our regret at general arts community can you fully recommendation, it does so only through explained, however, that the journal tions." and I seem to have been successful in the denial of funds to umbrella arts organ­ reestablish the impartiality, integrity, and extensive information-gathering, review of always tries to respond to the feedback As for her experiences on the board, what we set out to do. I spent the 1970s izations, such as Franklin Furnace and authority of the NEA. In the context of the the application and supporting materials, of the membership. After the Artists' she is quick to say that it has been easy, as an activist in the feminist movement; Highways, based on individual items in announcement of your departure in May and open debate. Committee of the Board of Directors but also a challenge and very educa­ in the 1980s it was Art Journal, and that their portfolios. We do not wish to argue 1992, full disclosure and discussion of "The Council's open and informed criticized the journal for being too tionaL "Having the opportunity for a was part of making a change with the the merits of any individual organization these issues becomes all the more decision in these two cases does not historical, the editorial board created a dialogue with art historians, sharing freedoms gained in the 1970s through but rather to insist on a general principle. imperative." demonstrate any disregard for the panel ten-page artist-generated section, information and ideas, is what makes feminism. Now in the 1990s-there's a Inasmuch as these and similar organiza­ In response to this letter, Silver process. Some have argued that this is an usually with a special editor. The board the editorial board so productive. The new group that is becoming very active, tions support the creative work of large received the following form letter from instance of politicizing the process. This is emphasizes to guest editors that they are atmosphere is always charged with and they are out to make a lot of numbers of artists over an entire season, Anne-Imelda Radice, NEA senior deputy not true. Rather it is a normal part of the not to dwell on historical issues alone, collaborative effort." Her advice to changes-the Women's Action Coali­ to deny funding for such groups on the chair, dated March 6, 1992 (the same letter check and balance system of decision­ but rather should serve the entire future board members: "Bring your own tion." If Lanyon accomplishes with that basis of segments of individual perfor­ was sent by Radice to many other making. Every step of our system depends constituency by maintaining balance in lunch! No, all kidding aside, be flexible, group all that she has done with Art mances does viol~nce to any notions of individuals and nonprofit organizations): upon individuals making subjective each issue. anticipate a lot of creative conceptualiz­ Journal, they could not ask for a better due process and freedom of artistic "Chairman Frohnmayer has asked aesthetic judgments about the merits of Art Journal has faced many chal­ ing, and enjoy the challenge." volunteer. The College Art Association expression. me to respond to your recent letter applications. The Council did its job, just lenges in the eleven years that Lanyon When asked what of her personally applauds Ellen Lanyon for her dedica­ "In light of previous support of simi­ concerning the decision by the National as the panel did before. It is entirely rea­ has worked on it. Among them was the was evident in Art Journal, she said: "I tion and acknowledges with gratitude lar and varied endeavors of such organi­ Council on the Arts to reject two applica­ sonable that from time to time there will be journal's redesign, which was instituted was able to introduce the sensibility of her many contributions Art Journal and zations by the NEA, we have reason to tions at its February meeting. disagreements as to quality and merit. with the spring 1991 issue. The new look midwestern and western art to the CAA. doubt the stated criteria of artistic merit as "First of all, applications are judged Some have also said that this is an instance inside and out was aimed at attracting attention of the editorial board. When I -Nancy Boxenbaum the basis for overturning the panel recom­ on the basis of artistic merit as evidenced of homophobia or blacklisting. Agaln, this more advertisers in the hope that added joined, I was sti1lliving in Chicago. I mendation at the level of the Council. by materials submitted for consideration is not true. The Council and the Arts revenue would allow for more color was able to talk about artists, historians, Such instances of the Council overriding and the track record of the organization. Endowment do not discriminate on the printing and increased distribution, and writers who hadn't had a voice the considered recommendations of the By statute, panels make the initial basis of an applicant's sexual orientation. possibly to specialty bookstores, before. Now there are others from these peer review panel arouse grave concerns recommendations as to which applica­ "The question in this case was the newsstands, and museum shops. regions on the board as welL It's no in the CAA and general arts community. tions should be funded, but after that, artistic merit of two particular applica­ Referring to the design firm that longer an 'East Coast consortium: I "We therefore call upon you to their work is finished. It is the statutory tions. The Council recommended to reject, undertook the journal's transformation, think I may have been brought on for respond to the College Art Association in role of the National Council on the Arts to and the process was fair." Lanyon said, "Harakawa Sisco is to be that reason-to broaden the scope of the writing within the next month regarding make the final recommendations to the these allegations of irregular procedures, Chairman. In cases where the Council

8 CAANEWS MAY/JUNEl992 CAA NEWS MAY/JUNE 1992 9 Ellen Lanyon. Sioux City Art Center, Sioux City, Hank De Ricco. 55 Mercer Street Gallery, New numerous awards, including first prize in the Sewell SiIIman, a painter, art teacher, and print York, March 10-28, 1992. "Here to There," Iowa, April II-June 1, 1992. Prints and 1943 Artists for Victory National Graphic Art publisher, died April 5, 1992, at the age of 67. He Solo installation. drawings. Exhibition and the Pennell Prize of the Library executed, along with partner Norman lves, print Margaretta GUboy. Print Club, Philadelphia, Laura Ruby. Honolulu Community College. of Congress. His works have been exhibited at editions for Josef Albers, Walker Evans, Piet March 20-April25, 1992. "Dreamers, Singers, "Stage Set~Mise en Scene," mixed-media instihttions around the world, among them the Mondrian, Ad Reinhardt, Jean Dubuffet, Jacob Exhibitions sculpture. Metropolitan Museum of Art, the Smithsonian Lawrence, and Romare Bearden. Sillman studied and Drummers."

-----~--- Institution, the Boston Museum of Fine Arts, and at Black Mountain College and finished his stud­ Louise Hamlin. Blue Mountain Gallery, New the Victoria and Albert Museum. Born in ies at Yale University, from which he received a York, March 20--Apri18, 1992. Paintings and by Artist Vienna, where he studied at the Academy of B.A. in 1951 and an M.F.A. in 1953. He remained pastels. Applied Art and the University of Vienna, he at Yale on the faculty until 1966, when he left for Ann-Elizabeth Nash. Community Darkroom, came to the United States in 1938 and became a the Rhode Island School of Design. He then Members Rochester, N.Y., Aprill0-May 15, 1992. "Free medical illustrator at the University of Virginia. went on to the University of Pennsylvania in Woman and American," photographs. People in In 1945 he moved to New York and was a 1985 as professor of art. He retired in 1990. His Miriam Schapiro. Guild Hall, East Hampton, professor at City College for 31 years. He also work is in the collections of the Museum of Only artists who are eAA members are included N.Y., April 25--June7, 1992. "The Politics oHhe taught at the New School for Social Research Modern Art, the Whitney Museum of American in this listing. When submitting in/ormation, Decorative." the News and the National Academy of Design. Art, and the Phillips Collection. include name afartist, gallen) or museum name, Libby Seaberg. Merrill Hall Lobby, Stern School city, dates of exhibitioll, medium. Please indicate EIIen Hulda Johnson, professor emerita of Evelyn Lord Smithson, a professor of classics of Business, New York University, New York, CAA membership. Oberlin College and honorary curator of modem and an archaeologist who studied Greece in the April6--May 1, 1992. "Bubbles, Blisters, and Photographs are welcome but will be used 0I11y if art at the Allen Memorial Art Museum, died of Homeric age, died March 9, 1992. She was 68 Pearls," installation. space allows. Photographs cannot be returned. cancer on March 23, 1992, in her Frank Lloyd years old. For over 40 years, Smithson worked Judith Shea. Whitney Museum of American Art In Memoriam Wright horne in Oberline, Ohio, at the age of 81. summers on the excavations of the ancient at Philip Morris, New York, February 20-June Her death came two weeks after the opening at Agora in Athens. She received a B.A. from the 20,1992. "Monuments and Statues," sculpture. the Allen of "TIle Living Object: TIle Art Ellen Hulda Johnson, 1910-1992 University of WaShington in 1944, an M.A. in ABROAD/ Aaron Bohrod, a realist painter, died April 3, Collection of Ellen H. Johnson," which she was 1946, and a PhD. in 1956 from Bryn Mawr Diane McGregor. Solani, Atelier Mischa Nogin, Regina Silveira. Queens Museum of Art, 1992, at age 84. After training at the Art Institute Vienna, April 1992. "Celestial Sojourn," mixed able to attend. attention to French wine, the Greek islands, College. From 1951 to 1962 she was a researcher Flushing, N.Y., June 25-September 13, 1992. of Chicago and the Art Students League in New Born in 1910 in Warren, Pennsylvania, snorkeling, and many close friendships with at the Institute for Advanced Study in Princeton, media on paper. Drawings and silhouette distortions. York, he was artist-in-residence at Southern Johnson taught art history at Oberlin College artists, students, and colleagues. She loved life and then worked at the State University of New Illinois University in 1941. In 1948 he went to the Jeffrey Silverthorne. Print Club, Philadelphia, from 1938 until her retirement in 1977. A famous and loved people very deeply. Her presence York at Buffalo, where she served two terms as University of Wisconsin, Madison, as artist-in­ MID-ATLANTIC/ March 20-April25, 1992. Photographs. and influential teacher, Johnson's survey of transformed the Oberlin community and is now chair of the Classics Deparhnent. residence, from which he retired in 1973. His Jeff Gates and Lisa Lewenz. Baltimore Museum modem art grew so popular that it could only be most sorely missed. Idelle Weber. Anthony Ralph Gallery, New works were exhibited internationally, induding of Art, March ll-May 24,1992. held in the main auditorium. Her vastly popular ~Elizabet/J Brown, Oberlin College Margaret Thompson, curator, died February 29, York, April I-May 2, 1992. "The Golden Bough at the Metropolitan Museum of Art, the Whitney and oversubscribed courses inspired a remark­ 1992. Thompson received her B.A. from Rad­ Fred Wilson. Maryland Historical Society, Series," drawings. Museum of American Art, and the Brooklyn able number of her students to become artists, Lucy M. Lewis, a Native American potter, died cliffe College in 1931. She worked on the Ameri­ Baltimore, April3-May 30, 1992. "Mining the Gina Werfel. Prince Street Gallery, New York, Museum. Bohrod also won numerous awards historians, and dealers, as well as devoted and March 12, 1992. Although her birth date was can School of Classical Studies' excavation of the Museum," installation. March 20-April8, 1992. and two Guggenheim Fellowships. insightful collectors. In 1978 she was awarded never recorded, she was believed to be 93 years Athenian Agora. In 1949 she was appointed the College Art Association Award for old. Her works have been exhibited in numerous curator of Greek coins at the American Numis­ James Brooks died March 9, 1992. He was 85. A Distinguished Teaching in Art History. museums and embassies internationally, and are matic Society, which awarded her the Archer M. MIDWEST/ SOUTH/ member of the New York School of Abstract As a member of the collection committee at in the collections of the Smithsonian Institution Huntington Medal in 1961. She was made chief Chris Berti. Northern Indiana Arts Association, Jack Beal. Muscarelle Museum of Art, ExpreSSionists, he first studied art at Southern the Allen Memorial Art Museum, Johnson was in Washington, D.c., and the Museum of the curator at the society, and at her retirement was Munster, June 7-27, 1992. Sculpture. Williamsburg, Va., April II-May 24, 1992. Methodist University and the Dallas Art instrumental in the acquisition of many of the American Indian, New York. She grew up in the named chief curator emerita. Thompson served Works on paper. Institute, and then went to New York in 1927 to Charles Gniech. McHenry County College modem and contemporary works in the Acoma, New Mexico, pueblo, a Pueblo Indian as adjunct professor of art history and archaeol­ attend classes at the Art Students League. Gallery, Crystal Lake, ilL, July 17-August 14, Virginia Derryberry. Cumberland Gallery, permanent collection. Her strongest support and community. Lewis was a self-taught artist who ogy at Columbia University, 1965-87, which Brooks worked during the Depression for the 1992. Paintings and drawings. Laura A. Sprague Nashville, Tenn., May 16--June 14. Asheville Art enthusiasm was always reserved for the art of won many awards, including the New Mexico honored her with an honorary doctorate in 1986. Federal Art Projects of the Works Progress Art Gallery, Joliet Junior College, Joliet, Ill., Museum, Asheville, N.C., July 7-August 30, the present. An early defender and chronicler of Governor's Award in 1983. Administration. He had his first solo exhibition February 10-28, 1992. Paintings, drawings, and 1992. Paintings. contemporary art, with a discerning eye for at the Peridot Gallery, New York, in 1950. In lithographs. quality, Johnson identified and championed Thomas W. Lyman, a well-known scholar in Audrey Flack. Wight Art Gallery, UCLA, March 1951 he participated in the artist-organized Academe James Juszczyk. Jan Cicero Gallery, Chicago, many artists on the brink of their mature careers. Romanesque sculpture and architecture, died 22-May 17, 1992; Butler Institute of American "Ninth Street Exhibition." His work was part of February 14-March 14, 1992. Paintings. The "Young Americans" exhibitions she February 6, 1992, at age 65. A professor in the Art, Youngstown, Ohio, June 28-August 9,1992; the 1956 show "Twelve Americans," at the Robert W. Baldwin was promoted to associate organized featured Robert Rauschenberg, Larry Art History Department at Emory University, he Phyllis Plattner. Elliot Smith Contemporary Art, National Museum of Women in the Arts, Museum of Modern Art, New York, as well as professor with tenure in the Art History Depart­ Poons, Bruce Nauman, and Jackie Winsor, contributed repeatedly to the medieval sessions St. Louis, March 6--Aprill, 1992. "Shifting Washington, D.C., January 12-February 28, 1993. the museum's "New American Paintings," show ment at Connecticut College, New London. among others. Under Jolmson's influence the at the CAA annual conferences. His major work Perspectives," works on paper. "Breaking the Rules: A Retrospective, 1950- in 1959, which traveled throughout Europe. He Allen was the first museum to show Frank was on the Romanesque pilgrimage church of 1990." received numerous awards during his career, Glenn T. Dasher, a SCUlptor and associate John R. Roth. Wisconsin Academy Gallery, Stella's Black Stripe paintings and to commis­ Saint-Sernin in Toulouse. In addition to Suzanne Hanson. Gallery II, University of including one from the Carnegie International professor, has been appointed chair of the Madison, May 3-29, 1992. Sculpture and sion a permanent monumental sculpture by numerous articles, abstracts, and contributions Tennessee, Chattanooga, March 4-30, 1992. Exhibition in 1956 and the Art Institute of Department of Art and Art History at the furniture. Claes Oldenburg; in the"mid-1970s Johnson to scholarly compilations, he wrote French Mixed media on canvas. Chicago in 1957. University of Alabama in Huntsville, where he helped to select Robert Venturi to design his first Romanesque Sculpture: An Annotated Bibliography. has been on the faculty for the past 6 years. He Frank Hobbs and Tim Ford. Peden Gallery, museum building, the addition to the Allen that His Sail'lt-Sel11in ill Toulouse: The Art of tile Marie-Helena Vieira da Silva, a painter replaces Richard C. Pope, who retired after 25 NORTHEAST/ Raleigh, N.C., June S-July 11, 1992. Paintings. bears Johnson's name. Romunesque Builder is being published by Penn associated with the School of Paris, died March years of service to the university. Sara Baker. Children's Museum, Boston, April A pioneer scholar of contemporary art, State Press. He was a member of the Academie Lila Katzen. Muscarelle Museum of Art, 6, 1992. The Portuguese-born artist was 83 years 1992-97. N eon installation. Johnson's writings were distinguished by des sciences, inscriptions, et belles lettres de Williamsburg, Va., February 29-April5, 1992. old and had lived in Paris since 1928. Her work Ann Gibson, formerly with the Department of Les Barta. Pittsburgh Filmmakers, Pittsburgh, rigorous research, wide-ranging criteria, and Toulouse and on the board of directors of the "Isabel, Columbus, and the Statue of Liberty," is in numerous collections including the Musee the History of Art at Yale University, has joined Pa., May 6-30, 1992. Instructional Building extraordinary clarity of language. In her International Center for Medieval Art. sculpture. des Arts Modernes in Paris, the Tate Gallery in the Art Department of the State University of Gallery, Odessa College, Odessa, Tex., April 13-­ monographs on Paul Cezanne, Oldenburg, and London, the Stedelijk in Amsterdam, and the New York at Stony Brook as an associate May 8,1992. Photographic constructions. Carolyn Manosevitz. Caldwell Arts Council, Eva Hesse, and her books Modem Art and the David Stone Martin, an illustrator, died March Lenoir, N.C., December 1991. Solomon R. Guggenheim Museum in New York. professor in the Program in Art History and Elizabeth (Sue) Collier. Upper Jewett Exhibition Object and American Artists 011 Art, she stressed 6, 1992. He was 78 years old. His work is in the Criticism. the importance of the individual artist's collections of the Museum of Modern Art, the Corridor, Hopkins Center, Darhnouth College, Hans Jelinek, a graphic artist and professor personality and intentions. Metropolitan Museum of Art, the Art Institute of Hanover, N.H., March 9-April19, 1992. emeritus of art at City College, New York, died James Hutchens has been named associate dean WEST/ Johnson undertook everything she did Chicago, and the Smithsonian Institution. He Kyung Sun Cho. Untitled, San Francisco, April March 13, 1992, at the age of 81. Jelinek was in the College of Arts at Ohio State University. Michael Davis. Newark Museum, Newark, N.J., with intense enthusiasm, catholic taste, won numerous awards from the Society of I-May 2, 1992. Paintings and drawings. famouS for his woodcuts, which garnered He was previously assistant dean of the college. April I-May 31, 1992. Baskets. generosity, and humor. Along with her Illustrators and the Art Directors Clubs of New scholarship and teaching, she bestowed devoted York, Boston, and Detroit.

10 CAA NEWS MAY IJUNE 1992 CAANEWS MAY/JUNE1992 11 Phoebe Dufrene, assistant professor of art and To Attend Anthony Jones has resigned as president of the manner concerning potentially harmful practices in the restoration and preservation of artworks. design at Purdue University, received a Conferences Opportunities School of the Art Institute of Chicago. He has Textiles in Daily Life is the focus of the Textile By informing the interested public via the inter­ Fulbright to conduct research on art education/ accepted an appointment as director of the Society of America's 3rd biennial symposium, to national press of potentially harmful practices, it art therapy for special populations in Mexico. Royal College of Art in London. be held September 24-26, 1992, at the Seattle Art is hoped that the cultural and political institu­ She will be working with professors at the & Symposia Museum's new downtown facility. A diverse tions responsible for the sponsorship and treat­ Universidad de Nuevo Leon and the group of scholars, museum professionals, and ment of the works of art will reconsider the Universidad de Colima. Dufrene also received a Museums and Galleries artists from North America and abroad will be Awards consequences of their activities before perma­ Purdue Global Initiative/MUCIA Grant to in attendance. Panels will address themes such nent damage can occur. For information: James conduct similar research at the Universidade de Elaine Cobos is curator of the art collection and as reconstructing daily life through archaeologi­ Beck, Dept. of Art History, 931 Schermerhorn Sao Paulo in Brazil. Calls for Papers The Reba and Dave Williams Prize has been cal textiles; textiles and daily life in early archives at the Musernns at Stony Brook. She Hall, Columbia University, New York, NY established for the best article on American was formerly a registrar and lecturer at the Santa America; and textiles in the daily life of artisans. 10027; 212/854-4569; fax 212/749-5024. Carma C. Fauntleroy, assistant director of The Third Front Range Symposium in the Printmaking submitted to Print Quarterly during Barbara Museum of Art in California. For information: Suzanne Baizerman, 2236 each calendar year. The competition will be administration and development at the Jane History of Art, September 18-19, 1992, seeks pa­ Commonwealth Ave., St. Paul, MN 55108. judged by the editor and the editorial board, and The Census of Antique Art and Architecture Voorhees Zimmerli Art Musernn, New pers in the history of art. Faculty in fields other Douglas Dreishpoon, formerly curator of Known to the Renaissance is an art-historical Brunswick, N.J., has been awarded the 1991 than art history are encouraged to participate. the winning article will be published in the exhibitions and research at Hirschi and Adler The New England Renaissance Conference will journal. The winner will also receive $1,000. The database of text and video images sponsored by President's Award for Excellence in Administra­ Papers should be 20 min. max. Send abstracts: Galleries, New York, has been appointed curator be held October 9-10,1992. For information: the Warburg Institute, the Bibliotheca Hertziana, tion by Rutgers, the State University of New Erika Doss, Dept. of Fine Arts, Campus Box 318, conhibution, which must be based on original of contemporary art at the Tampa Museum of Patricia Emison, Dept. of the A.rts, University of research and thinking, may be devoted to any and the Getty Art History Information Program. Jersey, in recognition of exceptional creativity University of Colorado, Boulder, CO 80309-0318' New Hampshire, Durham, NH 03824. aspect of American printmaking from its origins Art in Florida. The census is a database of Antique monrnnents, and initiative in administrative contributions to 303/492-4483. Deadline: June 19, 1992. ' sculpture, reliefs, and objects, with Renaissance university programs. to the present day. Its length must not exceed Peter H. Gordon is curator at the San Jose Disaster Prevention, Response, and Recovery: 5,000 words, including footnotes; up to 12 black­ sketchbooks, manuscripts, drawings, and The 3rd International Conference on Word and Museum of Art in California. He was assistant Principles and Procedures for Protecting and and-white illustrations are allowed, and these documents related to them. It is a tool for the J. Eugene Grigsby, Jr., has been honored by the Image will be held August 15-21, 1993, at Carle­ director of special exhibitions at the New York Preserving Historic/Cultural Properties and study of the influence of classical art and citizens of Arizona and the Arizona Historical ton University, Ottawa, Canada. It will center on can be submitted initially as photocopies. Collections is a conference to be held at the Applicants must be undergraduate or graduate State Museum. architecture to be used by scholars, artists, Society as one of the 1992 Arizona the coexistence of words and images in one (not Massachusetts Institute of Technology, architects, and others. For information: Historymakers. Historymakers are living men necessarily aesthetic) object: the interface and students at the time of submission, and must Dwight P. Lanmon, director of the Corning Cambridge, October 24-25, 1992. All lecturers Bibliotheca Hertziana, via Gregoriana 28, 00187 and women with substantial ties to Arizona who fusion of word and image. Send abstracts of 250 submit proof of this status. Send submissions to: Musernn of Glass for the past 11 years, has been are involved with safeguarding historic/cultural Print Quarterly, 80 Carlton Hill, London NW8 Rome, Italy; 39 6 679 83235; fax 39 6 679 0740; or have been chosen for exceptional accomplish­ words for papers of 25 min. duration: A. W. named director of the Winterthur Musernn, works and sites from damage and loss caused by Warburg Institute, University of London, ments in various fields. Halsall and David A. Goodreau, Centre for OER, England; 071 625-6332; fax 071 624-0960. Garden, and Library. He succeeds Thomas A. natural and human-induced hazards. For Woburn Sq., London WC1H OAB, England; 071 Rhetorical Shldies, 1611 Dunton Tower, Deadline: December 31,1992. Graves, who is retiring. information: Technology and Conservation, One 5809663; fax 071 436 2852. Christopher Thomas has received 2 Carleton University, Ottawa, Ontario K1S 5B6, Emerson Pl., 16M, Boston, MA 02114. postdoctoral fellowships for 1992-94 from the Canada. Deadline: June 30,1992. The Shimada Prize, sponsored by the Freer Gal­ Jerome R. Selmer, executive director of the Social Sciences and Humanities Research lery of Art and the Arthur M. Sackler Gallery Southwest Museum, is leaving that institution to Educom will hold its annual conference Council of Canada. He has also been appointed The 2nd World Congress on Art Deco will be and the Metropolitan Center for Far Eastem Art October 28-31, 1992, at Johns Hopkins pursue personal interests. visiting assistant professor in the Department of held in Perth, at the University of Western Aus­ Studies in Kyoto, Japan, will award $10,000 University, Baltimore. The theme is "Charting biennially for scholarship in the history of East History in Art, University of Victoria, Canada. tralia, October 1-4, 1993. The conference will be Christine Swenson has been appOinted curator Our Course: Setting a National Agenda for a forum for discussion on international, Asian art to the author of an outstanding recent of graphic arts at the Toledo Museum of Art. She Information Technology and Higher Education." publication in the field. While the prize may be James B. Thompson has been granted a national, and regional issues related to the Art was formerly associate curator of graphic arts at Grants, commission from the Oregon Arts Commission The conference will include sessions, discus­ awarded to the author of a publication covering Deco style and its place within the debates about sions, and a plenary meeting in which attendees the Detroit Institute of Arts. to produce a series of paintings for the Public modernism. Send abstracts of 200 words max.: any topic related to the history of East Asian art, will debate, define, and vote on a national special consideration will be given to publica­ Utility Commission Building in Salem, Oregon. Coordi-nator of Conference Papers, Art Deco agenda for information technology and higher Awards, & Society of Western Australia, 182 Broome St., tions on East Asian painting. For information: education in the 1990s. This emerging agenda Organizations Tom Wolf, associate professor of art history at Cottesloe, 6011, Western Australia. Deadline: July Office of the Director, Arthur M. Sackler Gallery will target four critical areas: inter- and intra­ ---- Bard College and director of the college's 1,1992. and the Freer Gallery of Art, Smithsonian institutional organization and change; teaching Kenneth M. King has resigned as president of Honors Proctor Art Center, has been awarded an Institution, Washington, DC 20560. and leaming; access to resources for learning Educom, the association for information Andrew W. Mellon Fellowship by the Metro­ The American Society for Hispanic Art Histori­ and research; and new scholarship and the technology in·higher education. politan Museum of Art, New York. Wolf will use cal Studies is sponsoring a session titled "New changing nature of information. For information: the grant to continue his work on a book about Research on the Art and Architecture of the Calls for Entries Publication policy: Only grants, awards, or honors Educom, 202/872-4200; CONF92@EDUCOM --_. ._------Judy Neiswander, former associate curator of the Japanese immigrant painter/photographer Iberian Peninsula," to be held in conjunction __ received by individual or institutional members of the (Bitnet); or [email protected]. Yasuo Ktmiyoshi, who was active in the United decorative arts and sculpture at Harvard College Art Association are listed. The grant/award/ with the 1993 CAA annual conference in Seattle. Counterpoint is a national juried photography, University Art Museums, is area editor for States during the 1930s and 1940s. Both members and nonmembers of ASHAHS printmaking, and drawing exhibition open to hOlwr amount is not included. Please note The Museum Computer Network is holding its interior decoration for Dictional1j of Art. are invited to propose papers that reveal new works in color, black-and-white, or alternative the follOWing format: annual conference October 28-31, 1992, at the approaches and new ideas about the art of the photographic methods; all drawing and print Individual members: cite name, institutional Pittsburgh Hilton, in conjunction with the con­ Iberian Peninsula during any time period. Pa­ media; or mixed eligible media executed within affiliation, and title of the grant, award, or IlOnor. ference of the American Society for Information pers must be limited to 15 min. max. Send one­ the last 2 years. Fee: $22 for up to 3 entries; all Institutional members: cite name of organization, Science to be held October 25-29,1992. There page abstracts: Janice Mann, Dept. of Art and entries must be 35-mm slides, labeled with title of tile grant, award, or honor, and (optional) will be workshops, sessions on all aspects of Art History, 150 Arts, Wayne State University, name, title, medium, and dimensions (indicate lise or purpose of grant. Please indicate that you musernn computing, special interest group Detroit, MI 48202. Deadline: September 1, 1992. top of work). SASE for return of slides. For in­ Programs, are a CAA member. meetings, and exhibits of museum software and formation: Hill Country Arts Foundation, Smith­ automation services. For information: Lynn Cox, Italian Art in American Public and Private Ritch Theatre, Jeaneane B. Duncan-Edith Mc­ MCN, 5001 Barnn Blvd., Pittsburgh, PA 15213- Les Barta has received the Best of Show award Collections: New Attributions/New Iconogra­ Ashan Visual Arts Center, PO Box 176, Ingram, 1851; 412/681-1818; fax 412/681-5758. New & for his work a Cibachrome of a Bike/Rider, phy is a symposium planned for November 19- TX 78025; 512/367-5121. Deadline: June 24, 1992. computer-generated photographic construction 20,1993. Sponsored by the Instituto della Mastenvorks of Urban Furniture: But Not at the "Computer Art from the Western States" Enciclopedia Italiana in association with Quilts in Art is an exhibition to be held October Where You Think is the theme of Historic Revised juried exhibition, Brigham City Museum, Utah. Fordham University, the meetings will be held 31, 1992-January 3, 1993, at the Schweinfurth Deerfield's 1992 fall forum, which will highlight The award included a $500 prize. at Fordham's Lincoln Center Campus in Memorial Art Center. Selection will be based on urban craftsmanships in the 18th-century towns midtown New York. Speakers will receive design, creativity, and workmanship. Limit of 2 of Portsmouth, Baltimore, and Hartford. The Van Deren Coke is the recipient of the 1991 honoraria, and papers will be co-published by entries. Fee: $8 for first entryj $5 for second program will take place November 6-8, 1992. Distinguished Career in Photography Award, a the institute and Fordham University Press. entry. Send SASE for information: Quilt Show For infonnation: Fall Forums, Historic Deerfield, Friends of Photography peer award given to a Talks should be 30 min. Send abstracts or Coordinator, Schweinfurth Art Center, 205 ArtWatch International has been formed by Box 321, Deerfield, MA 01342j 413/774-5581. Professor James Beck of Columbia University, senior figure who has demonstrated through a inquiries: Irma Jaffe, 880 Fifth Ave., New York, Genesee St., Auburn, NY 13021; 315/255-1553. New York. The purpose of ArtWatch Interna­ lifetime of work the highest standards of NY 10021. Deadline: Februanj 15, 1993. Deadline: October 1, 1992. tional is to disseminate information in a timely achievement in creative photography.

CAANEWS MAY/JUNE 1992 13 12 CAANEWS MAY/JUNE199Z E-6, B+W, C-prints, computer imaging. Call 212/ Stipends and housing will be available. Appli­ Classified Ads 941-7000, or visit 560 Broadway, New York, NY cants working in any art form, medium, or style ~=--'------statement describing the nature of the proposed 10012. Grants and Fellowships scholars who are completing, or who have will be considered. For information: Imagine endeavor and the significance of the project to already completed, terminal degrees in a wide Yellowstone, Box 168 Yellowstone National The National Endowment for the Humanities the field and the applicant's professional The eM newsletter accepts classified ads of a For Rent-Boston Area. For artist or art range of disciplines. Applications may concern Park, WY 82190; 307/344-7381, ext. 2105. has upcoming deadlines for the following grants development. For application materials: U.K. any aspect of the study of landscape architec­ professional or semiprofessiol1alllafure (sales of historian. Beautifully furnished 3-bedroom and fellowships: NEH Fellowships for Uni­ Fulbright Professional Arts Award, Council for ture. Grant assistance in studies in landscape libraries, slimmer rental or exchange of /James, etc.): house near Harvard, avail. 9/1/92---6/30/93, 2 versity Teachers provide support for members lnternational Exchange of Scholars, 3007 Tilden 75t/word ($1.25Jword for nOl1members); $15 offices, library, 2 1/2 baths, fireplaces, all architecture is also available for scholarly Workshops and Schools of the faculty of Ph.D.-granting universities to St., NW, Suite 5M, Box N-UKVA, Washington, projects not associated with a degree or library --- minimum. All ads must be prepaid. appliances, Steinway grand, parking, large undertake full-time independent study and DC 20008-3009; 202/686-7878; for information: research. For information: Studies in Landscape artist's studio with excellent light (optional). research in the humanities. Deadline: June 1, Karen Adams, 202/686-6245, or TIlitaya Rivera, Architecture, Dumbarton Oaks, 1703 32nd St., The 1993 Summer Institute in Italian Archival $1,800/mo. 617/926-0188. MemberCAA. 1992. 202/686-6239. Deadline: August 1,1992. NW, Washington, DC 20007; 202/342-3280. Sciences will be held June 28-August 6, 1993, at Aparhnent with Roof Garden in Rome. July NEH Fellowships for College Teachers Deadline: November 15, 1992. the Newberry Library Center for Renaissance through September 15. 5 minutes from the Fresco Painting Workshop-Ceri, Italy, 40 and Independent Scholars provide grant The Michigan Society of Fellows will offer 3- Studies, for intensive training in the reading, Vatican. $1,800/month. TeL 011-396 345-1965. kilometers north of Rome, August 1992. support for teachers in 2-year, 4-year, and 5-year year postdoctoral fellowships at the University The Mid Atlantic Arts Foundation offers transcribing, and editing of Italian vernacular Intensive 3-week workshop offered in an colleges and universities that do not grant the of Michigan to begin September 1993. Four support to arts administrators through its Visual manuscripts (1300-1650). There will also be a Art Bulletin, Complete set September 1968 to unusual 16th-century palazzo. All aspects of Ph.D.; for individuals employed by schools, fellowships will be awarded. The fields of study Arts Travel Fund. The program assists curators thorough orientation in the organization of present. Sale or library donation. Write: Barbara fresco painting wiIl be covered. Deadline for museums, libraries, etc., and also for indepen­ include all deparhnents within schools and and administrators from small to mid-si70ed Italian archives, libraries, and manuscript Meyer, Box 227, Warrenton, VA 22186. application-May 15. Write or call immediately dent scholars and writers to undertake full-time colleges at the university. Candidates should be organizations to attend conferences, workshops, collections. The course will be conducted in for further details. Fresco Associates of Ceri, 133 independent study and research in the near the beginning of their professional careers. and special exhibitions. Applicants must be Italian. Full-time faculty members and librarians Art Workshop, Assisi, Italy. August 4-31, 1992. Greene St., New York, NY 10012; teL/fax 212/ humanities. Deadline: June 1, 1992. To be eligible for consideration, one must have employed as an administrator or curator of a with instructional responsibilities employed in Live/work in a 12th-century hill town 473-5657; or 914/762-2970. The NEH Division of Research Programs received the PhD. or comparable professional or visual or media arts organization that meets the American institutions of higher learning are surrounded by the Umbrian landscape. supports the preparation for publication of artistic degree between January 1, 1990, and following criteria; nonprofit; located in eligible to apply for stipends of $1,500, plus Instructional courses in painting and drawing Landscape Painting on Location Workshop. important texts and documents in the humani­ September 1, 1993. Fellows are appointed as Delaware, the District of Columbia, Maryland, travel expenses and a $1,200 allowance for room for all levels in all media, art history, creative August 14-16. The Sedalia Center in the Blue ties, the preparation of reference materials, the assistant professors and as postdoctoral scholars New Jersey, New York, Pennsylvania, Virginia, and board (for nonlocal scholars only). Faculty, writing, and the Italian language. Independent Ridge Mountains of Virginia. Led by Ron conduct of large or complex interpretive studies, in the Michigan Society of Fellows. The equiva­ West Virginia, or the U.S. Virgin Islands; offers research scholars, and advanced graduate program for those wishing to work without Boehmer and Frank Hobbs. 804/528-4795. research conferences, and research opporhlnities lent of one academic year is dedicated to teach­ at least 3 professionally organized visual or students at universities affiliated with either the instruction. Housing, most meals, studio space, offered through independent research centers ing or departmental research; the balance of time media arts exhibitions and / or includes Newberry Library Center for Renaissance Stu­ critiques, lectures. Art Workshop, 463 West St., New York City Sublet. Live/work aparhnent, and scholarly organizations. Instihltions of is available for independent scholarly research exhibition as at least 50 percent of its annual dies or the Folger Institute are eligible to apply 1028H, New York, NY 10014; 212/691-1159. West 70s, photographer's space, 3 rooms with higher education, nonprofit professional and creative work and to participate in the intel­ programming; and is an artist-flm or small to for special funds to attend. For information: large darkroom, June-August, 2 or 3 months, associations and scholarly societies, and lectuallife of the society of fellows. The a1UlUal mid-sized contemporary arts organization Newberry Library Center for Renaissance Books on the Fine Arts. We wish to purchase one person, $1,000 negotiable. 212/874-9025. individuals are eligible. Deadline: June 1,1992. stipend is $26,000 plus a small supplement for (annual budget less than $350,000). Applicants Studies, 60 W. Walton St., Chicago, IL 60610- scholarly out-of-print books on Western The NEH Travel to Collections Program is travel and research costs. For information: Mich­ may apply for support to attend exhibitions 3380; 312/943-9090. Deadline: March 1,1993. European art and architecmre, also library Robert Beverly Hale's world-famous lectures on to assist American scholars meet the cost of igan Society of Fellows, 3030 Rackham Bldg., within the region and conferences and duplicates and revie-..y copies. Please contact: 10 videotapes, artistic anatomy and figure long-distance travel to the research collections of University of Michigan, Ann Arbor, MI 48109- workshops on a national basis. These events The Arts Extension Service will hold its annual Andrew Washton Books, 411 E. 83rd St., New drawing, given by him at the Art Students libraries, archives, museums, or other reposito­ 1070; 313/763-1259. Deadline: October 15, 1992. must be scheduled to take place outside the summer program in arts management, July 8-10, York, NY 10028; 212/751-7027; fax 212/861-0588. League, NY Thirteen hours of instruction. Call ries throughout the United States and the world applicant organization's state. For information: 1992. Introductory workshops and advanced­ Catalogues available upon request. 212/532-5003; or write Jo-An Pictures, Box 6020, to consult research materials of fundamental The School of Historical Studies at the Institute Mid Atlantic Art Foundation, 11 E. Chase St., track discussions and presentations will cover FOR, New York, NY 10150. importance for the progress of their scholarly for Advanced Study has 2 types of member­ Suite 2A, Baltimore, MD 21202; 410/539-6656. issues such as developing a community cultural Educational Video: One-Piece Head Molds work. Deadline: July 15, 1992. ships: memberships for one or two terms (Sep­ plan; making the arts accessible; audience from Live Models. Instructional video by Sunny Loft. Quiet, open space, 1,400' live/work, NEH Summer Stipends support 2 months tember-December, January-April) are available development and the multicultural challenge; internationally known master sculptor, Mark seven 71/2' x 4 1/2' windows (north plus east of full-time work on projects that will make a to qualified candidates of any nationality Call for Manuscripts community arts presenting; arts festivals; raising Prent, takes you step-by-step through the exposure), exposed brick, custom shoji, significant contribution to the humanities. In specializing in the history of Western or Near --- corporate funds; and the artist as cultural process of molding the entire head, including bookcases and storage, original maple floors, 1 most cases, faculty members of colleges and uni­ Eastern civilization with particular emphasis on worker. The fundamental workshop topics hair, ears, and interior of the mouth. Employs bath, renovated kitchen (Garland stove), Masters of American Art is an full-color series versities in the United States must be nominated Greek and Roman civilization, the history of include planning, programming, board safe materials. Includes innovative techniques washer/dryer, air condo $430 main. $285,000. that will examine the life, times, and art of 12 by their institutions for the competition, and Emope, Islamic culture, and the history of art. development, marketing, funding, and financial and tips to simplify the process; prevents 212/929-8718. American artists. The following artists will be each of these institutions may nominate 3 appli­ Approx. 40 visiting members are appointed each management. For information: Arts Extension "drippiness" associated with conventional induded: Thomas Cole, George hmes, Winslow cants. Individuals employed in nonteaching year. The PhD. or equivalent and substantial Service, Div. of Continuing Education, 604 alginate molds. Resulting mold is also "lost­ Sunny Custom Saltbox. Mountainside Homer,John La Farge,Jolm Sloan, Edward capacities in colleges and universities and publications are required of all candidates. They Goodell Bldg., University of Massachusetts, wax" suitable. Includes one-piece hand and arm overlooking Rondout Reservoir, 15 acres, Hopper, Albert Bierstadt, James Whistler, individuals not affiliated with them may apply may receive member awards .funded by the Amherst, MA 01003; 413/545-2360. molds of adults and ell/ldren. No plaster bandages streams, cathedral ceilings, oak floors, living TIl0mas Eakins, Albert Pinkham Ryder, George directly to the program. Deadline: October 1, institute or NEH. Deadline: October 15, 1992. required. Unassisted, you can even make a mold (fireplace), dining, foyer. Gourmet kitchen, Wesley Bellows, and Maurice Brazil 1992, for 1993. For information about each grant: Two-year memberships for 1993-95 are also of your own hand and arm. Also included is a granite counters, oak cabinets, Garland stove. 2 Prendergast. Authors must provide incisive 202/786-0466. available to two assistant professors in the revolutionary new system for making fast, easy tile bathrooms, 2 bedrooms (master fireplace). biographical monogrilphs that will also give Miscellaneous above-mentioned areas. At the time of their one-piece foot and leg molds. A materials source Full basement, washer/dryer, oil/hot water. inshuctive critical analysis of the artists' works. The United Kingdom Fulbright Commission arrival, members must have selVed at least two list is provided right on the tape. Mark Prent has Decks and screened porch. Low taxes. 2 hr. For information: James J. Kery and Company, Alternatives for Art Historians is a document has announced the availability of a professional and not more than four years as assistant received many awards, including the John NYC. $195,000. 212/929-8718. Westover Plantation, 15 Independence Pl., At­ written in response to queries from students and arts fellowship for 1993-94 for an artist working professor in institutions of higher learning in the their parents as to what they can do with an Simon Guggenheim Memorial Foundation lanta, GA 30318; 404/351-8729; or 350 Fifth Ave., Translations. Specialized in art history / in the fields of drawing, painting, or sculpture. United States or Canada and must submit a undergraduate degree in art history. Comments, Fellowship. Better One-Piece Head Molds from Life, Suite 3304, New York, NY 10118; 212/971-9702. criticism. French, German, Spanish, English. The grantee will be provided the opportunity to written assmance from their dean or departmen­ corrections, and additions are sought. Send VHS tape (approx. 75 minutes); $49.95 plus $3 Fast, reliable, available on disk or by fax. Call pursue extended professional work in the U.K. tal chair that they may return to their positions SASE for a copy: Charles M. Rosenberg, Dept. of shipping. Send check or money order to: Pink Applicants must hold U.S. citizenship and have after holding their membership at the institute. Art, Art History, and Design, University of House Studios, Dept. NL, 35 Bank St., St. Albans, 718/797-1306. a minimum of 3 years professional experience. Appointments are for two successive academic Residency Notre Dame, Notre Dame, IN 46556; fax 219/ VT 05478. Vt. residents add 5% sales tax. Two Weeks in Russia. For artists working in The successful candidate will be a yet-to-be fully years (September-April) and for the intervening 239-8209; [email protected]. established individual who has strong summer. TIle stipend will match the combined Yellowstone National Park is accepting applica­ Exhibition Announcements. Full-color repro­ 2-D media. Studios and excursions to historical sights around Moscow and St. Petersberg. Mid­ professional credentials and has produced salary and benefits at the member's home tions for its 1992 artist-in-residence program. The Sodety of Historians of British Art was duction-12 pt., mated stock, 200-line separa­ several professional works but has not yet June. Lynne Allen, Rutgers University, 908/932- institution. Deadline: November 1, 1992. Residencies (May 20-June 25, June 26-August 1, established during the 1992 CAA annual tions-varnished. Write for samples: Images for gained a major national or international For information about both types of and August 2-September 7) will be awarded to conference in Chicago. Art historians engaged in Artist, 2543 Cleinview, Cincinnati, OH 45206. 8449. reputation. The fellowship is for professional membership: Administrative Officer, School of professional artists whose work interprets or research regarding any aspect of this field are activity, creative exchange of ideas with British Historical Studies, Institute for Advanced Study, suggests a provocative and intimate relationship welcome. For information: Jody Lamb, School of For All Things Photographic. Use Duggal c01.mterparts, and professional development Princeton, NJ 08540. with the wildlife, scenes, and processes of the Art, 436 Seigfred Hall, Ohio University, Athens, Downtown, Inc. CAA members receive a 20 throUgh work. Applicants must submit one copy natural environment. Selected artists will work OH 45701; 1-800/766-8278. percent discount on all services. Slide duplicates, of a sample slide portfolio of recent work (with Studies in landscape architecture will be at the park's Madison Museum. During the resi­ SASE for their return); slides should be labeled supported by Dumbarton Oaks with residential dencies, artists will be asked to schedule short and a slide list enclosed; include a 5-page project fellowships for the academic year 1993-94 to interactive programs for the visiting public. CAA NEWS MAY/JUNE 1992 15

14 eAA NEWS MAY IJUNE 1992 Information Wanted Datebook

A catalogue of drawings by Alexandre Calame June 1 is being prepared by Valentina Anker, following Deadline for submitting material for the July / the 1987 publication of the catalogue of his August newsletter, to be published June 26 paintings. Le Catalogue des dessins du peintre genevois Alexandre Calame (1810-1864) is August 3 sponsored by the Swiss National Fund for Deadline for submitting material for the Scientific Research and the Museum of Art and September/October newsletter, to be published History of Geneva. All information regarding September 2 these drawings, including a photograph if possible, is sought. Send to: Catalogue des June 12 dessins d t Alexandre Calame, Bolte pastale 251, Deadline for submissions to Careers, to be CH-1233 Bemex, Switzerland. published July 10

Women Artists and Aging is the subject of Septemberl current research for an article and a book. Deadline for program chairs to receive session Women artists over 50 who deal with aging in proposals for the 1994 annual conference (see their art and/or wish to respond to a question­ page 3) naire, state your willingness to participate. Anonymity will be protected if a subject so October 1 desires. Contact: Joanna Frueh, Dept. of Art/224, Deadline for nominations for 1993 CAA awards University of Nevada, Reno, NV 89557-0007. (see page 2)

February 3-6, 1993 CAA annual conference, Seattle

Nonprofit Organization U.S. Postage Paid s New York, N.Y. Permit No. 4683

College Art Association 275 Seventh Avenue New York, New York 10001

College Art Association Board of Directors

Larry Silver, President Judith K Brodsky, Vice-President Leslie King-Hammond, Secretary John W. Hyland, Jr., Honorartj Treasurer Barbara Hoffman, Esq., Honoranj Counsel Susan Ball, Executive Director

Suzanne Preston Blier Clarence Morgan Phyllis Bramson Keith Maxey Whitney Chadwick Debra Pincus John Clarke MariCarmen James Cuno Ramirez-Garda Murry DePillars Jock Reynolds Samuel Edgerton Moira Roth Sarah Greenough Emily J. Sana Samella Lewis Kenneth E. Silver Catherine Lord Jaune Quick-To-See Margo Machida Smith Patricia Mainardi Judith E. Stein James Melchert Ruth Weisberg