The Jewish Federation of San Antonio Will “Gift” $1000 to First Time Jewish Overnight Campers Through One Happy Camper Grants

Total Page:16

File Type:pdf, Size:1020Kb

The Jewish Federation of San Antonio Will “Gift” $1000 to First Time Jewish Overnight Campers Through One Happy Camper Grants INSIDE: What’s been happening in your community? PAGE 20 The Jewish Journalof san antonio TISHREI - CHESHVAN, 5777 Published by The Jewish Federation of San Antonio NOVEMBER 2016 More than $194,000 raised in a single day Making an Impact MORE PHOTOS! and Changing Lives See photos of volunteers who TODA RABA! Thank helped make an impact at you to the more than 100 Super Sunday! PAGE 22-23 community volunteers who collectively raised a record the community came breaking $194,229 at Super together to reach out to their Sunday, on September 25, at fellow community members The Campus, representing – to Make an Impact and a 23% increase over last Change Lives. year’s achievement. Super Super Sunday co-chairs, PARTNERSHIP CORNER Sunday was truly a day Greg Davis & Liz Rockstroh San Antonio and Israeli of “Community”, where children build new volunteers from all parts of See SUPER SUNDAY, page 22 friendships and understanding. PAGE 11 CELEBRATE HMMSA teams with educators Jewish community to gather SHABBAT GRANTS and AT&T to promote to commemorate Kristallnacht Host a Shabbat get Learn together compliments and Remember and other The San Antonio to more than thousands of of PJ Library. Holocaust Memorial Jewish businesses, hundreds Museum, in partnership PAGE 7 of synagogues and schools, education programs with Congregation Agudus and murdered dozens of The Holocaust Memorial Museum of Achim and Temple Beth- Jews. San Antonio (HMMSA) has received El, will host a Kristallnacht Approximately a $15,000 grant from AT&T which Commemoration program 30,000 Jewish men were will ensure area teachers continue to for the entire community at rounded up and sent to have access to an innovative Learn and 5:30 p.m. Wednesday, Nov. concentration camps. Remember program and other teaching 9 at Temple Beth-El. The program at Temple tools provided by the Museum. Kristallnacht refers to Beth-El, geared towards the night of November 9, religious school students GET YOUR TICKETS Area educators, community leaders and Holocaust survivor Anna Rado 1938, when the sounds of and their families, will Still need tickets to the breaking glass shattered the JCC’s Main Event? See REMEMBER, page 15 air, as German Nazis set fire See GATHERING, page 15 PAGE 26 12500 N. W. NON PROFIT WHAT’S INSIDE Military ORGANIZATION U.S. POSTAGE Highway, #200 CANDLE LIGHTING 4 SENIOR NEWS 34 San Antonio, PAID ARTS & CULTURE 19 PERSPECTIVE 36 TX 78231 SAN ANTONIO, TEXAS WHAT’S HAPPENING 20 US & WORLD 38 Change PERMIT NO. 17 IN THE COMMUNITY 26 MAZAL TOV 43 Service Requested Home- Requested Delivery By YOUTH NEWS 32 Nov. 5, 2016 Also read the Journal online at: www.jfsatx.org PAGE TWO The Jewish Journal of san antonio PUBLISHED BY SUPPORTED BY The Jewish Federation of San Antonio Grants from the Helen Arronge 12500 N. W. Military Highway, #200 Fund, the Eilenberg Family San Antonio, TX 78231 Memorial Endowment Fund, the Charles Atkin Memorial Trust (210)302-6960 Fund, the Freeman Education www.jfsatx.org Fund and the Jewish Federation Annual Campaign. RONIT SHERWIN, CEO JONATHAN GURWITZ, Board Chair LESLIE KOMET AUSBURN, Editor/Director of Marketing & Communication ADVERTISING SALES PROOFREADERS Sandy Leigh Idelle Abramson Eleanor Komet Debbie Linck GRAPHIC DESIGNER Barbara Argo Marsha Surad Lauren Sandoval is a proud member of the Jewish Federations of North America. EDITORIAL SUBMISSIONS: The submission deadline for the DECEMBER 2016 issue of the Jewish Journal is NOV. 12, 2016 at noon. All materials submitted after this date will be considered for the following issue. How to submit: Email submissions to [email protected] • Articles & Announcements - Email as word documents. Articles submitted for consideration are subject to editing. • Photos - Email high resolution images (300 dpi) in jpg attachments only. ADVERTISING: To place an advertisement or request ad rates, contact Sandy Leigh at (240) 498-8999 or [email protected]. Ad deadlines for DECEMBER 2016 ISSUE: • Ad space reservations due no later than NOV. 12, 2016 by noon; • Press ready ads due by NOV. 16, 2016. Please include a contact name and phone number with all submissions. Emerge Yourself The Jewish Journal is a free publication of the Jewish Federation of San Antonio, and is published in print and online 11 times a year In Elegance as a public service to the community. Donations to offset production and mailing costs are always welcome. at the JEWISH JOURNAL EDITORIAL POLICY The Jewish Journal of San Antonio is a monthly publication created Éilan Hotel & Spa and paid for by the Jewish Federation of San Antonio. The Journal's primary focus is creating awareness and engagement within the local Jewish community about activities, programs and issues with which the Jewish Federation is involved. As a service to the broader Jewish community, area synagogues and organizations are invited to submit content relevant to the Jewish 18603 La Cantera Terrace community at large for publication consideration. San Antonio, Texas 78256 Items selected for publication are done so solely at the discretion of the Journal Editor and the Jewish Federation. Submissions may be edited and/or re-written for content and length. 210-598-2900 We aim to fairly reflect the breadth and depth of activities and Jewish www.eilanhotel.com life taking place in the San Antonio Jewish community. 2 NOVEMBER 2016 A publication of the Jewish Federation of San Antonio THE JEWISH JOURNAL THE JEWISH JOURNAL A publication of the Jewish Federation of San Antonio NOVEMBER 2016 3 YOUR FEDERATION DOLLARS AT WORK CANDLE LIGHTING A time of gratitude and calm Friday, Nov. 4 Friday, Nov. 25 Light Candles at: 6:27 p.m. Light Candles at: 5:17 p.m. We are almost there – Letter from can help us unite, at Shabbat, Nov. 5 Shabbat, Nov. 26 the conclusion of the 2016 our CEO least before the holiday Shabbat Ends: 7:21 p.m. Shabbat Ends: 6:13 p.m. Presidential Campaign! decorations emerge and RONIT While talking politics is SHERWIN remind us that we are not Friday, Nov. 11 Friday, Dec. 2 tricky business, I think it all of the same faith and Light Candles at: 5:22 p.m. Light Candles at: 5:16 p.m. is safe to say that many, if traditions. Thanksgiving Shabbat, Nov. 12 Shabbat, Dec. 3 not most, of us are ready typical work weeks, each is one of my favorite Shabbat Ends: 6:17 p.m. Shabbat Ends: 6:13 p.m. for the campaign season capped by Shabbat. My holidays because it has to be completed. I eagerly family knows that I cherish no ‘yontif.’ Thanksgiving Friday, Nov. 18 await the chance to move a “normal” week, a week is for all Americans, no Light Candles at: 5:19 p.m.. forward and work towards without an event or a matter what religion you Shabbat, Nov. 19 a sense of unity that series of meetings. I love a practice or where you may Shabbat Ends: 6:14 p.m. highlights the strength of Shabbat without plans and fall on any spectrum of our great democracy and a Sunday at home, reading observance. the leadership responsibility the newspaper and cooking Gratitude is something we carry in our world. lunch and dinner. I am for which we can all Looking for As a Jewish people, we grateful for a non-eventful aspire. I often times do not have also moved beyond day. properly acknowledge the the community the High Holiday season Though our Jewish plenty I have. I have much CALENDAR OF EVENTS? and are now entering the calendar is calm this to be thankful for at this slower paces of the winter month, we have reason to moment, and November The monthly calendar for the San month. Between now and celebrate as Americans. I helps me to remember Antonio Jewish Community is now Hanukkah, we have fairly hope that Thanksgiving those blessings. available online on the website of the Jewish Federation of San Antonio. Keep up with the most up to date happenings IN LOVING MEMORY at www.jfsatx.org. Elie Guggenheim Rivian “Cookie” Markey Simply click on “Community Calendar” for a comprehensive listing of Jewish community events. Robert Gernsbacher Edmund Serfaty Submissions for consideration may be emailed to Dr. Gary Gossen / 2x2 units (4 units) Caitlin Strayer at [email protected]. Jewish Journal - April16 Interest-Free Loans. Because ‘Life Happens!’ Gastroenterology Clinic of San Antonio, P.A. 8550 Datapoint Dr. Suite 200 San Antonio, TX 78229 210-615-8308 We help make the impossible Fax: 210-615-8313 POSSIBLE! Hebrew Free Loan Association of San Antonio Please visit our website at drgossen.com 210.736.4352 | www.hfla-sa.org | info@hfla-sa.org 4 NOVEMBER 2016 A publication of the Jewish Federation of San Antonio THE JEWISH JOURNAL YOUR FEDERATION DOLLARS AT WORK Front right to left: Docent Committee Chair, Marge Gregerman and Kristin Becky Hoag and Survivor, Rose Williams; Hernandez Docents Ed and Lynn Scheiber Docent in training Jody Reddy and Ellen Back right to left: Docents in training Ollervidez Phyllis and Steve Cole. HMMSA: Month at a Glance September was a busy month for the Holocaust Memorial Museum of San Antonio staff and docents. The month included a docent education planning meeting, a field trip to Austin to see a temporary HMMSA Chairs and Docents meet to plan Docent Education (Clockwise from bottom Holocaust exhibit at the Bullock left): Vicki Aarons (Education Committee Chair), Matthew Faulkner (Programs Museum, and an exciting reception Coordinator), Kristin Hernandez (Collections Manager), Gene Festa (Docent), Ed where the Museum was awarded Scheiber (Docent), Lynn Scheiber (Docent), Marge Gregerman (Exhibits Committee grant funds from the Charity Ball. Co-Chair), Becky Hoag (Docent Committee Chair), Juana Rubalcava (Education HMMSA volunteers Barbara and Burt Arnow.
Recommended publications
  • World Conference!
    The Noahide Nations Magazine LEARNING GEORGEGEORGE TORAH WITH RABBI AVINER BROCKBROCK CONFRONTING PEOPLE WITH KIRUV TORAH AN ESSENTIAL FOR THE GROWING NOAHIDE MOVMENT OPERATION N.O.AH. The 2008 Noahide Nations World Conference! PHOTOS REVIEW AND WHERE DO WE GO FROM HERE? Confrontational Torah George Brock brings his vast experi- ence as a teacher and martial artist to explain hot to talk to sosmeone about Torah. page 4 Devar Torah Rabbi Aviner shares with us secrets from the Torah and the unity of God. page 6 N.O.A.H.’s Neighborhood A place for parents and kids to come learn with one another. Kristine and Elisa Jay introduce themselves. page 9 Bubbie’s Kosher Kitchen Darla shares Kosher Kitchen Knowl- edge collected for the benefi t of Noahides. page 12 Kiruv Russell Kirk introduces the concept of Noahide Kiruv and why it’s so important to the future of B’nei Noah page 14 On the Cover: Rabbis Richman, Hollander, and Bakst form a special Beit Din at the First World Conference of Noahide Nations. Overr half of those attending the conference chose Coming together Individually to take a pledge declaring their committment to keeping the Seven Laws of Noah. Photo by Jim Long Jim Long reviews the Conference. page 15 Fellowship and Unity Abounds Russell Kirk discusses the World Conference. page 18 Hebrew Calendar A Hebrew Calendar for use trough Noahide Nations...In the the month. page 22 Beginning Layout and Editing Editor Ray Pettersen reveals the mystical Adam Penrod Debbie January beginnings of the Noahide Nations project.
    [Show full text]
  • Noahidism Or B'nai Noah—Sons of Noah—Refers To, Arguably, a Family
    Noahidism or B’nai Noah—sons of Noah—refers to, arguably, a family of watered–down versions of Orthodox Judaism. A majority of Orthodox Jews, and most members of the broad spectrum of Jewish movements overall, do not proselytize or, borrowing Christian terminology, “evangelize” or “witness.” In the U.S., an even larger number of Jews, as with this writer’s own family of orientation or origin, never affiliated with any Jewish movement. Noahidism may have given some groups of Orthodox Jews a method, arguably an excuse, to bypass the custom of nonconversion. Those Orthodox Jews are, in any event, simply breaking with convention, not with a scriptural ordinance. Although Noahidism is based ,MP3], Tạləmūḏ]תַּלְמּוד ,upon the Talmud (Hebrew “instruction”), not the Bible, the text itself does not explicitly call for a Noahidism per se. Numerous commandments supposedly mandated for the sons of Noah or heathen are considered within the context of a rabbinical conversation. Two only partially overlapping enumerations of seven “precepts” are provided. Furthermore, additional precepts, not incorporated into either list, are mentioned. The frequently referenced “seven laws of the sons of Noah” are, therefore, misleading and, indeed, arithmetically incorrect. By my count, precisely a dozen are specified. Although I, honestly, fail to understand why individuals would self–identify with a faith which labels them as “heathen,” that is their business, not mine. The translations will follow a series of quotations pertinent to this monotheistic and ,MP3], tạləmūḏiy]תַּלְמּודִ י ,talmudic (Hebrew “instructive”) new religious movement (NRM). Indeed, the first passage quoted below was excerpted from the translated source text for Noahidism: Our Rabbis taught: [Any man that curseth his God, shall bear his sin.
    [Show full text]
  • Modernism 1 Modernism
    Modernism 1 Modernism Modernism, in its broadest definition, is modern thought, character, or practice. More specifically, the term describes the modernist movement, its set of cultural tendencies and array of associated cultural movements, originally arising from wide-scale and far-reaching changes to Western society in the late 19th and early 20th centuries. Modernism was a revolt against the conservative values of realism.[2] [3] [4] Arguably the most paradigmatic motive of modernism is the rejection of tradition and its reprise, incorporation, rewriting, recapitulation, revision and parody in new forms.[5] [6] [7] Modernism rejected the lingering certainty of Enlightenment thinking and also rejected the existence of a compassionate, all-powerful Creator God.[8] [9] In general, the term modernism encompasses the activities and output of those who felt the "traditional" forms of art, architecture, literature, religious faith, social organization and daily life were becoming outdated in the new economic, social, and political conditions of an Hans Hofmann, "The Gate", 1959–1960, emerging fully industrialized world. The poet Ezra Pound's 1934 collection: Solomon R. Guggenheim Museum. injunction to "Make it new!" was paradigmatic of the movement's Hofmann was renowned not only as an artist but approach towards the obsolete. Another paradigmatic exhortation was also as a teacher of art, and a modernist theorist articulated by philosopher and composer Theodor Adorno, who, in the both in his native Germany and later in the U.S. During the 1930s in New York and California he 1940s, challenged conventional surface coherence and appearance of introduced modernism and modernist theories to [10] harmony typical of the rationality of Enlightenment thinking.
    [Show full text]
  • Tim Gardner's Transformative Paintingstim GARDNER
    3 6 From Photo to Fine Art: Tim Gardner’s Transformative Paintings 65 TIM GARDNER, The Nature of Things, 1998, watercolor on paper, 27.3 × 18.4 cm. Copyright the artist. Courtesy 303 Gallery, New York. BY PAUL LASTER PAUL BY INSIDE BURGER COLLECTION BURGER INSIDE FEATURES artasiapacific.com He used these paintings toward his graduate school applications for Yale and Columbia. While he was accepted by both, he chose the latter for its “laid-back” atmosphere and its location, which puts New York’s vibrant art scene close at hand. While at Columbia, he started making watercolors from earlier snapshots of his brothers and friends in Ontario, where the Gardner family had lived before moving to Manitoba. Partly inspired by the voyeuristic paintings of suburban adolescent sexuality by Eric Fischl, and the punk, homoerotic paintings of skinheads and military cadets by Attila Richard Lukacs—whom he worked for as a studio assistant while at Columbia—Gardner’s watercolors caught the attention of photographer Collier Schorr, the 1999 visiting artist at Columbia’s MFA program. Schorr went on to acquire Gardner’s works for her private collection, and recommended him to New York’s 303 Gallery, where she also showed. The gallery presented a selection of Gardner’s realistic watercolors of people in rural settings in its May group exhibition, even before he graduated. His first solo show with 303 Gallery in January 2000 sold out and garnered critical acclaim. Exhibiting sensitively rendered TIM GARDNER, Untitled (Sto with Girl and Liquor), 1999, watercolor on paper, paintings and watercolors depicting carefree middle-class youths 14.6 × 15.2 cm.
    [Show full text]
  • Virtual Yeshiva On-Line Torah Education Forum | Google Groups
    http://webcache.googleusercontent.com/search... 06/08/2013 00:24 Virtual Yeshiva On-Line Torah Education Forum... http://groups.google.com/group/virtualyeshiva/tree/browse_frm/month עבור Google זהו העותק השמור של /2004-12?_done=%2Fgroup%2Fvirtualyeshiva%2Fbrowse_frm%2Fmonth%2F2004-12%3Fscoring%3Dd%26& ייתכן כי הדף הנוכחי השתנה .GMT זוהי תמונת מצב של הדף כפי שהופיע בתאריך 12 מאי scoring=d& . 22:43:04 2013 בינתיים . מידע נוסף . והשתמש בסרגל החיפוש (F (Mac-⌘ או על Ctrl+F טיפ : כדי למצוא במהירות את מונח החיפוש בדף זה , לחץ על על גירסה טקסטואלית Weekly Schedule for Free On-Line Torah Education Learning - Email updates to me 1. Ephraim ben Laibl Dec 15 2004, 5:25 am womansection - Email updates to me 1. None View profile More options Dec 23 2004, 4:17 pm B"H Im new as a woman member and i like to propose the idea of a womansection. With tpoics as for example: Practical low budget menu low budget clothings low budget educational materials and so on Etics seperateted Q/A for girls and ladies advices about serious matters advices about practical matters and so on Kids and family TORA 2. None View profile More options Dec 26 2004, 10:01 pm hi Tora, I think you have a great idea for topics. Im new and also woman. I'm not familiar with how a group forum works.. I wonder if someone could give me some hints -----BFM Rabbi Pinchas Winston of thirtysix.org on the End of Days tonight in Paltalk! - Email updates to me 1. Ephraim ben Laibl View profile More options Dec 29 2004, 8:26 pm B"H December 29, 2004 ------------------------------------------------------------ The Virtual Yeshiva welcomes Rabbi Pinchas Winston of www.thirtysix.org .
    [Show full text]
  • R.B. Kitaj Papers, 1950-2007 (Bulk 1965-2006)
    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf0wf No online items Finding Aid for the R.B. Kitaj papers, 1950-2007 (bulk 1965-2006) Processed by Tim Holland, 2006; Norma Williamson, 2011; machine-readable finding aid created by Caroline Cubé. UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2011 The Regents of the University of California. All rights reserved. Finding Aid for the R.B. Kitaj 1741 1 papers, 1950-2007 (bulk 1965-2006) Descriptive Summary Title: R.B. Kitaj papers Date (inclusive): 1950-2007 (bulk 1965-2006) Collection number: 1741 Creator: Kitaj, R.B. Extent: 160 boxes (80 linear ft.)85 oversized boxes Abstract: R.B. Kitaj was an influential and controversial American artist who lived in London for much of his life. He is the creator of many major works including; The Ohio Gang (1964), The Autumn of Central Paris (after Walter Benjamin) 1972-3; If Not, Not (1975-76) and Cecil Court, London W.C.2. (The Refugees) (1983-4). Throughout his artistic career, Kitaj drew inspiration from history, literature and his personal life. His circle of friends included philosophers, writers, poets, filmmakers, and other artists, many of whom he painted. Kitaj also received a number of honorary doctorates and awards including the Golden Lion for Painting at the XLVI Venice Biennale (1995). He was inducted into the American Academy of Arts and Letters (1982) and the Royal Academy of Arts (1985).
    [Show full text]
  • Dona-Nelson CV 2020.Pdf
    DONA NELSON Born 1947, Grand Island, Nebraska. Lives and works in Philadelphia. EDUCATION 1968 B.F.A., Ohio State University, Columbus, Ohio 1968 The Whitney Museum Independent Study Program, New York SOLO EXHIBITIONS 2019 Dona Nelson: Days, textures and patterns, Tajan, The Gallery, Paris, France, Fall, 2019 Painting the Magic Mountain, Michael Benevento Gallery, Los Angeles, CA 2018 Stand Alone Paintings (curated by Ian Berry), Tang Teaching Museum at Skidmore College, Saratoga Springs, NY Armory Show 2018 (solo presentation), Focus Section, New York, NY 2017 models stand close to the paintings, Thomas Erben Gallery, New York, NY 2016 Erasing Tracing Racing Painting (with Polly Apfelbaum), Michael Benevento, Los Angeles, CA 2015 New Paintings, Thomas Erben Gallery, New York, NY 2014 Phigor, Thomas Erben Gallery, New York, NY 2010 Volta New York, with Thomas Erben Gallery, New York, NY 2008 in situ: paintings 1973 – present, Thomas Erben Gallery, New York, NY 2006 Brain Stain, Thomas Erben Gallery, New York, NY 2003 Tactile Image, Cheim & Read, New York, NY 2001 Stations of the Subway, Cheim & Read, New York, NY 2000 The Stations of the Subway, Octopuses and Arrangements (curated by Ron Platt), Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC 1999 Parks and Portraits: Dona Nelson, 1983 – 88, Pennsylvania Academy of Fine Arts, Philadelphia, PA 1996 Michael Klein Gallery, New York, NY Thomas Erben Gallery Inc. 526 West 26th Street, 4th floor New York, NY 10001 212.645.8701 www.thomaserben.com [email protected] 1995 Michael Klein Gallery, New York, NY 1993 Michael Klein Gallery, New York, NY 1990 Michael Klein Gallery, New York, NY Scott Hanson Gallery, New York, NY 1989 Scott Hanson Gallery, New York, NY 1985 PS1, Long Island City, New York, NY 1983 Hamilton Gallery, New York, NY 1982 Oscarsson Hood Gallery, New York, NY 1975 Rosa Esman Gallery, New York, NY SELECTED GROUP EXHIBITIONS 2020 A Focus on Painting, September-October, curated by Julia Peyton-Jones, Special Projects, Galerie Thaddeus Ropac, London.
    [Show full text]
  • MFA-Thesis-BC-Catalog2020
    BROOKLYN COLLEGE ADJUNCT STUDIO FACULTY Michelle J. Anderson, Arnold Brooks President, Brooklyn College, CUNY Anthony Discenza Dr. Maria Conelli, Stuart Elster Dean, School of Visual, Media & Performing Arts Tamar Ettun Kathleen Gilrain Karen Heagle Diana Horowitz FACULTY Tom McGrath Derrick Adams Steve Mumford Jennifer Ball Wilfredo Ortega Janet Carlile Peter Rostovsky Georgeen Comerford Michael Solo Patricia Cronin Mona Hadler, Chair Ronaldo Kiel ART DEPARTMENT STAFF Rachel Kousser Elena Shereshevskaya Jennifer McCoy, Graduate Deputy Eto Otitigbe Kathleen Smith, MFA Coordinator Archie Rand Elizabeth Vittorioso Christopher Richards Doug Schwab Malka Simon VISTING ART SERIES Katelyn Alain Eleanna Anagnos STUDIO TECHNICIANS Katherine Bradford Amy Cutler Edward Coppola, Photography Nicole Eisenman Stephen Keltner, Sculpture Catherine Haggarty David Lantow, Printmaking Nicole Laemmle Stephen Margolies, Art History Brigitte Mulholland Mitch Patrick, Digital Sarah Potter Troy Squire, Studio Tech Jack Robinson Harriet Salmon See you soon. This simple yet hopeful farewell is now fraught with anxiety and confusion. Because, in what seemed like a matter of femtoseconds[1], the immense but intimate COVID-19 pandemic shocked so many facets of our lives. What if we reimagined this parting phrase as a mantra for creative practice? An invocation to refocus ourselves and connect to others. A reminder that simple gestures can be powerful and disruptive, capable of inspiring permanent shifts in perspective. 2020 Vision is this digital catalog and the forthcoming exhibition of the MFA Program in Studio Art at Brooklyn College. Contributing artists hail from Atlanta, Bogota, Hartford, and New York City. Full disclosure: I have an affinity for these artists. They were among my first group of students when I began my full-time teaching position in the Art Department in 2018.
    [Show full text]
  • Jerusalem Chronicles Newsletter
    F I R S T Q U A R T E R E D I T I O N J A N U A R Y 2011 JERUSALEM CHRONICLES NEWSLETTER COPYRIGHT © 2011 “A MAJOR SIGN OF THE RETURN OF CHRIST” By W. L. “Sonny” Payne T THE COMING LAST-DAYS TEMPLE People the world over are interested to know if we are living in the last days. With all that is happening--the economic crash, the continuing formation of a one-world government, the turmoil in the Middle East--we hear the question more frequently than ever. Is Armageddon upon us? It is true that much is taking place that is fulfilling biblical prophecy, but there is one event soon to come that will play a major role in ushering in the return of our Lord Jesus Christ, and that is the rebuilding of the Temple in Jerusalem, Israel. Probably, the most controversial city on the face of the earth is Jerusalem and the 35 acres in the Old City that make up the Temple Mount where the First and Second Jewish Temples stood before the Babylonians destroyed them in 586 B.C. and 70 A.D. When Israel became a sovereign nation again in 1948, after over 2,000 years of exile, the eastern portion of Jerusalem was still controlled by Jordan until the Six Day War of 1967. At that time Israel captured East Jerusalem and the Temple Mount, thus bringing all of Jerusalem under Israeli control. With the hope of bringing about a “Peace” between them and the Muslim nations, Israel gave jurisdiction of the Temple Mount to the Muslims.
    [Show full text]
  • Heaven for Seven
    Heaven for Seven Share This Story, Choose Your Platform! Heaven for Seven By Michael Kress Sitting at a table at Mendy’s Kosher Delicatessen in New York, Jim Long pauses to say a blessing in Hebrew before biting into a massive hamburger topped with fried pastrami. “This pastrami is better than bacon,” he declares in his warm voice tinged with an Arkansan accent. The 58-year-old filmmaker—who no longer permits himself bacon—is in the city with his wife Carol, who sits primly beside him. They are here to speak at several Orthodox synagogues about their documentary, Riddles of the Exodus, which examines the biblical account through the lens of Egyptian archaeological finds. The Longs are an observant couple. Hebrew phrases pepper their conversation—a b’ezrat Hashem (with God’s help) here, a baruch Hashem (praise God) there. Back in Arkansas, they keep a traditional Jewish home. “We’ve got blessings in ivrit [Hebrew] hanging on the walls, and menorahs on display,” Long explains. Each year, they build a sukkah and attend a Passover seder. “Our oldest grandson just turned six and already knows his aleph-bet,” Long boasts. But despite the baruch Hashems, the menorahs, the sukkah, the avoidance of pork and the intimate familiarity with advanced rabbinic texts, Jim and Carol Long are not Jewish, nor do they have any plans to convert. They are Noahides: non-Jews who accept the authority of Jewish law and focus their lives around the Jewish concept of Sheva Mitzvot B’nei Noach or the Seven Commandments for the Children of Noah.
    [Show full text]
  • IMA 10 106-108 Sperber.Indd
    106 David Sperber Notes on an Exhibition: ‘New York/New Work: Contemporary Jewish Art from NYC’ at the Jerusalem Biennale for Contemporary Jewish Art, 2015. Curators: Dvora Liss and David Sperber. The Jerusalem Biennale for Contemporary Jewish Art to the Biennale, and it goes without saying that the provides a platform for artists who examine aspects Israeli art world ignored it completely. Jewish art is of Judaism and the Jewish world through their work. an established discipline in academia outside of Israel, Ram Ozeri, the Biennale’s founder, described it as “an and yet Israeli academia views the field with suspicion. opportunity for the world of Jewish content and the In 2015, the Department of Jewish Art at Bar-Ilan world of contemporary art to meet. [. .] The term ‘con- University held a conference entitled “Constructing temporary Jewish art’ challenges the Israeli art world and Deconstructing Jewish Art.” Organized to examine and offers an alternative to the prevailing definitions of what exactly constitutes Jewish art, the conference was belonging.” The second Jerusalem Biennale was held in held following an assessment of the department by 2015, for six weeks, beginning on September 24. Atypi- the Council for Higher Education, which questioned cally for Biennale exhibitions, most of the participating whether the university was justified in maintaining a artists were women. Held in seven locations around separate department for Jewish art at all. Jerusalem, nearly 150 Israeli and international artists Biennale exhibitions of contemporary
    [Show full text]
  • Vanessa Garcia [email protected] [email protected] Vanessagarcia.Org Thekrane.Com Cell: 305-450-9931
    CV * Vanessa Garcia [email protected] [email protected] vanessagarcia.org thekrane.com cell: 305-450-9931 Education University of California, Irvine PhD, English (focus Creative Nonfiction). August, 2015. Dissertation Committee: Barry Siegel, Amy Wilentz, and Erika Hayasaki (references available upon request). University of California, Irvine MA, English, 2011 Studied Under: Barry Siegel, Rodrigo Lazo, Michael Szalay, and others (references available upon request). Golden Key Honor Society University of Miami, Fl. MFA Creative Writing, Fiction, 2009 Studied Under: A. Manette Ansay, Edwidge Danticat, and Jane Alison (references available upon request). Barnard College, Columbia University, New York, NY Bachelor of Arts, 2001 Graduated Summa Cum Laude and Phi Beta Kappa Double Major: English (concentration in Writing) and Art History (concentration in Visual Arts) Studied Under: Mary Gordon, Caryl Phillips, Peter Carey, Elizabeth Peyton, Archie Rand and others (references available upon request). Published Fiction, Non-Fiction & Other Lit Journal Publication - White Light, a novel. 2015. Shade Mountain Press. ISBN: 9780991355549 - Skin, short story. Forthcoming in Southern Humanities Review, 2016. - Patty & Lorrie, short story. i think it’s in my head (exhibition catalog), 2014. Published by Girls’ Club Art Collection, designed by Augusto Mendoza. - Roadtrip and Key West, two poems. Through a Distant Lens: An Anthology Washington: Write Wing Publishing, 2014. ISBN: 9781495933424 - Four Legged Flamingos, short story. Intro to catalog for photography show for Francie Bishop Good: Not On Allen Street @ Art and Culture Center of Hollywood, 2013. Printed by creativecreative.com - Sticks & Stones, poem. Shady Side Review, 1st issue [The Whirligig Installment], Fall 2009. www.shadysidereview.com - Canopies, poetry. Damselfly Press, Fifth Issue, Oct.
    [Show full text]