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Dances & States
DANCES & STATES 1. Odisha Odissi Bhaka Wata Dandante 2. Kerala Chakiarkoothu Kathakali Mohiniattam Ottam Thullal Chavittu Natakam Kaikotti Kalai Koodiyattam Krishnavattam Mudiyettu Tappatri Kai Theyyam 3. Tamil nadu Bharatnatyam Kummi Kolattam Devarattam Poikkal Kuthirai Attam Therukkoothu Karakattam Mayilattam Kavadiattam Silambattam Thappattam Kaliattam Puliyattam cracktiss.wordpress.com 4. Andhera pradesh Kuchipudi Veethi-Bhagavatham Kottam 5. Karnataka Yakshagana Bayalata Simha Nutrya Dollu Kunitha Veeragase 6. Assam Bihu Ojapali Ankia Nat 7. Bihar Jat Jatin Faguna or Fag Purbi Bidesia Jhijhian Kajari Sohar-Khilouna Holi Dance Jhumeri Harvesting Dance 8. Gujrat Dandya Ras cracktiss.wordpress.com Garba Lasya Nritya Bhavai Garba Rasila Trippani 9. Haryana Swang Khoria Gugga dance Loor Sang Dhamal 10. Himachal pradesh Luddi Dance Munzra Kanayala Giddha Parhaun 11. Jammu and Kashmir Hikat Rouf Chakri 12. Maharashtra Tamasha Dahi Kala Lavani Lezim cracktiss.wordpress.com 13. Madhya Pradesh Lota Pandvani 14. Meghalaya Wangala Laho Shad Nongkrem Shad Sukmysiem 15. Manipur Manipuri Maha Rasa Lai Haroba 16. Mizoram Chiraw (Bamboo Dance) 17. Punjab Bhangra Gidda 18. Rajasthan Khayal Chamar Gindad Gangore Jhulan Leela Jhumar (Ghumar) Kayanga Bajayanga cracktiss.wordpress.com 19. Uttar Pradesh Kathak Nautanki Chappeli Kajri Karan Kumaon 20. West bengal Jatra Chau Kathi 21. Goa Fugdi Dekhnni Tarangamel Dhalo. 22. Arunachal Pradesh Bardo Chham Aji Lamu Hiirii Khaniing Pasi Kongki Lion and Peacock dance Chalo Popir Ponung Rekham Pada 23. Chhattisgarh cracktiss.wordpress.com Karma Panthi Pandavani Rawat Nacha Soowa Nacha or Suwa Tribal dance 24. Jharkhand Paika Chhou Santhal 25. Nagaland Zeliang Nruirolians (Cock dance) Temangnetin (Fly dance) 26. Sikkim Singhi Chham Yak Chaam Maruni Rechungma 27. Telangana Perini Thandavam Dappu Lambadi Tappeta Gullu 28. -
Mask: a Creative Representation of Functional Art
[Pandey *, Vol.7 (Iss.4): April 2019] ISSN- 2350-0530(O), ISSN- 2394-3629(P) DOI: https://doi.org/10.29121/granthaalayah.v7.i4.2019.878 Arts MASK: A CREATIVE REPRESENTATION OF FUNCTIONAL ART Dr. Anjali Pandey *1 *1 Associate Prof & H.O.D., Department Drawing &Painting, Govt. M.L.B. Girls P. G. Autonomous College Bhopal, India Abstract Masks are used all over the world for their expressive power. It is an important part of theatre and rituals. It is generally used to conceal the identity or to transform the character. In India the festival mask are used to represent the deities and mythological character in dance and drama performance as well as in many ceremonial functions, religious and social rituals and in entertainment since ancient time. The evidences of mask could also be seen since prehistoric age. Many tribes of India mask are used in rituals and performances. The masks of different region are distinct and peculiar in size, shape, form, design and material used. In early era the masks were made in simplified form, now some innovative decorations have changed their aesthetic value. Keywords: Living Culture; Prehistoric Era; Ceremonial Functions; Costumes; Entertainment; Transform; Regional; Paper Machie; Wood; Zari Painting; Designs. Cite This Article: Dr. Anjali Pandey (2019). “MASK: A CREATIVE REPRESENTATION OF FUNCTIONAL ART.” International Journal of Research - Granthaalayah, 7(4), 90-96. https://doi.org/10.29121/granthaalayah.v7.i4.2019.878. 1. Introduction Http://www.granthaalayah.com ©International Journal of Research - GRANTHAALAYAH [90] [Pandey *, Vol.7 (Iss.4): April 2019] ISSN- 2350-0530(O), ISSN- 2394-3629(P) DOI: 10.5281/zenodo.2653124 “The word ‘mask’ has a foreign origin. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
CBSE NET Performing-Art December-2013 Solved Paper III Download All the Papers to Prepare for NET 2021
9/17/2021 CBSE NET Performing-Art December 2013 Solved Paper III Download All the Papers to Prepare for NET 2021- Examrace Examrace Paper 3 has been removed from NET from 2018 (Notification)- now paper 2 and 3 syllabus is included in paper 2. Practice both paper 2 and 3 from past papers. CBSE NET Performing-Art December-2013 Solved Paper III Download All the Papers to Prepare for NET 2021 Online Paper 1 complete video course with Dr. Manishika Jain. Lifetime subscription. Includes tests and expected questions. Join now! 1. Select the correct sequence from the following as per Natyashastra (A) Rasa, Tandava Lakshmana, Nandi, Nayaka Bheda (B) Tandava Lakshmana, Rasa, Nandi, Nayaka Bheda (C) Nandi, Tandava Lakshmana, Rasa, Nayaka Bheda (D) Nandi, Rasa, Nayaka Bheda, Tandava Lakshmana Answer: C 2. The “Nandi” of Natyashastra can be called (A) “Avanu” of Bhavai (B) Preliminary of a Play (C) Purvaranga of Dance (D) All of above Answer: D 3. Assertion (A) : The nature and degree of transformation from martial trait to stylised and aesthetic has great range. Reason (R) : Indian theatrical styles favour martial arts. Codes: (A) Both (A) and (R) true. (B) Both (A) and (R) false. (C) (A) true (R) false. (D) (A) false (R) true. Answer: C 4. Pick the odd one out: 1 of 9/17/2021 CBSE NET Performing-Art December 2013 Solved Paper III Download All the Papers to Prepare for NET 2021- Examrace (A) Gangavataran (B) Talapushpaputa (C) Udhvahita (D) Bhujangatrasit Answer: C 5. Match the following: List – I List – II List I a. -
Ezhumattoor Padayani Panamattathukavu Temple
EZHUMATTOOR PADAYANI PANAMATTATHUKAVU TEMPLE Panchayat/ Municipality/ Ezhumattoor Grama Panchayat Corporation LOCATION District Pathanamthitta Nearest Town/ Mallappally Town – 7 Km Landmark/ Junction Ezhumattoor Bus Stop – 300 m Nearest Bus station Nearest Railway Chengannur Railway Station – 21 Km station ACCESSIBILITY Cochin International Airport – 114 Km Nearest Airport Panamattathukavu Devi Temple Ezhumattoor Pin – 689586 Phone : +91-469-2650528 CONTACT DATES FREQUENCY DURATION TIME March/April/May (Meenam-Medam) Annual 7 Days ABOUT THE FESTIVAL (Legend/History/Myth) Ezhumattoor is famous for Padayani, which is a combination of music, dance, painting etc. Padayani in Ezhumattoor is performed during the Vishu festival in the Panamattathukavu temple with utmost enthusiasm and devotion by the people of Ezhumattoor. Kolamezhuthu, Kolamthullal, Kolappattu, Thappumelam etc. are the essential parts of Padayani. Thompil House from where the renowned astrologer Late.Shri. Bhaskaran Shastry hailed, is authorized for Kolamezhuthu by the temple authorities of Ezhumattoor. But nowadays other inhabitants of this place have also started this divine art for their livelihood. According to Hindu Mythology evolution of Padayani is related to the birth of Kali .Once an Asura (Demon) named Darika delighted Lord Brahma through his hand practice of penance and gained blessings that, he would be killed only by a women. Darika went on with his these atrocities. Failings to defend Darika, Devas approached Lord Shiva for help. Hearing the atrocities of Darika, Lord Shiva kindled with anger and opened his third eye bursting out fire. It is from this third eye, Kali was born. Accepting the request of Devas and obeying the instruction of her father Shiva, Kali left for the abode of Darika mounting herself on Vethal accompanied by Koolee Gana. -
Static GK: Dances in India
For More Study Material Static GK: Dances in India Classical Dance: Classical Dance State Mohiniyattam Kerala Bharatanatyam Tamil Nadu Kathak Uttar Pradesh Kathakali Kerala Kuchipudi Andhra Pradesh Manipuri Manipur Odissi Orissa Chhau West bengal Sattriya Assam Folk Dance: State Folk Dance Andhra Pradesh Kolattam, Gobbi Dance, Dhimsa, Dhamal Dance Assam Bihu, Jhumur Naach, Ali Ai Ligang, Bagurumba Arunachal Pradesh Bardo Chham, Lion and Peacock dance Chhattisgarh Raut Nacha, Gaur Maria Dance, Panthi Join Telegram Channel For More Study Material Gujarat Garba, Dandiya ras, Tippani Dance, Kinnauri Nati, Namgen Goa Tarangamel, Dekhni, Dhalo, Dhangar, Fugdi Haryana Jhumar Dance, Gugga dance, Saang, Teej, Loor dance, Dhamal Dance, Phag dance Himachal Pradesh Luddi dance, Munzra, Kanayala, Giddha Parhaun, Hikat Karnataka Yakshagana, Bayalata, Dollu Kunitha, Veeragaase dance Kerala Theyyam or Kaliyattam, Thullal, Thirayattam, Oppana, Mar- gamkali, Thitambu Nritham, Chakyar Koothu, Chavittu Na- dakam Madhya pradesh Tertali, Charkula, Matki dance, Phulpati dance, Grida dance, Maanch Maharashtra Pavri Nach, Lavani Manipur Thang Ta, Dhol Cholom Mizoram Cheraw dance or Bamboo dance Nagaland Chang Lo or Sua Lua Odisha Ghumura dance, Goti Pua, Nacni, Baagh Naach or Tiger dance, Dalkhai dhap, Karma Naach, Keisabadi Punjab Bhangra, Giddha, Malwai Giddha, Jhumar, Karthi, Kikli Puducherry Garadi Sikkim Singhi Chham Rajasthan Ghoomar, Kalbelia, Bhavai, Kachchhi Ghodi Tamil Nadu Kamandi, Kummi, Kolattam, Karagattam or Karagam, Oyi- lattam, Puliyattam, Mayil Attam or Peacock dance, Pampu Attam or snake dance West Bengal Jatra, Chau, Kathi Join Telegram Channel For More Study Material Lakshadweep Lava Uttar Pradesh Nautanki, Raslila, Jhora, Chhapeli, Jaita Jammu Kashmir Rouf, Chakri Jharkhand Karma Telengana Perini Thandavam, Dappu, Lambadi Tripura Hojagiri, Goria, Lebang Boomani Uttrakhand Chholiya, Jagars, Thali-Jadda, Jhainta, Barada Nat Bihar Kajari, Jaat- Jaatin, Jhijhian, Jhumeri, Souhar- Khilouna Uttrakhand Barada Nati, Bhotiya, Chancheri, Chhapeil Join Telegram Channel . -
GK Power Capsule for KVS Exams 2018 GK Power Capsule for the KVS Exams 2018| Content GK Power Capsule for KVS Exams 2018
GK Power Capsule for KVS Exams 2018 GK Power Capsule for the KVS Exams 2018| Content GK Power Capsule for KVS Exams 2018 ............................................................................................................................ 2 Topic 1: Most Important Current Affairs .................................................................................................................... 2 Topic 2: NEW APPOINTMENTS: NATIONAL.........................................................................................................10 Topic 3: NEW APPOINTMENTS: INTERNATIONAL .............................................................................................10 Topic 4: AWARDS & RECOGNITION .......................................................................................................................11 Topic 5: SUMMITS|EVENTS|FESTIVALS Held (NATIONAL/INTERNATIONAL) ..........................................14 Topic 6: NATIONAL CURRENT AFFAIRS ................................................................................................................18 Topic 8: CURRENT AFFAIRS RELATED TO STATES IN INDIA ...........................................................................20 Topic 9: INTERNATIONAL CURRENT AFFAIRS ...................................................................................................21 Topic 10: OBITUARIES (NATIONAL/INTERNATIONAL) ....................................................................................23 Topic 11: LIST/INDEXES ANNOUNCED RECENTLY ...........................................................................................24 -
Department of Sanskrit
DEPARTMENT OF SANSKRIT Dr. K. I. Treesa Asst. Professor In Sanskrit PERFORMING ARTS • KOODIYATTAM • CHAKYAR KOOTHU • NANGIAR KOOTHU • KRISHNANATTAM KOODIYATTAM Koodiyattam, also transliterated as Kutiyattam, is a traditional performing artform in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of Koothu, a Malayalam performing art which is as old as Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity. Koodiyattam (Kutiyattam), meaning "combined acting" in Malayalam, combines Sanskrit theatre performance with elements of traditional Koothu. It is traditionally performed in temple theatres known as Koothambalams. It is the only surviving art form that uses drama from ancient Sanskrit theatre. It has a documented history of a thousand years in Kerala, but its origins are unknown. Koodiyattam and Chakyar Koothu were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both Koodiyattam and Chakyar Koothu originated from ancient south Indian artform Koothu which is mentioned several times in ancient Sangam literature, and the epigraphs of the subsequent Pallava, Pandiyan, Chera, and Chola periods. Inscriptions related to Koothu can be seen in temples at Tanjore, Tiruvidaimaruthur, Vedaranyam, Tiruvarur, and Omampuliyur. They were treated as an integral part of worship services, alongside the singing of Tevaram and Prabandam hymns. MIZHAVU Traditionally, the main musical instru ments used in Koodi yattam are mizhavu, kuzhitalam, edakka, k urumkuzhal, and sankhu. Mizhavu, the most prominent of these is a percussion instrument that is played by a person of the Ambalavas Nambiar caste, accom panied by Nangyaramma playing the kuzhithalam (a type of cymbal). -
Fifth Annual Report 2013-2014
Fifth Annual Report 2013-2014 ANNUAL REPORT 2013-14 The Visitor President of India His Excellency Shri Pranab Mukherjee ANNUAL REPORT 2013-14 Chancellor Dr. Sam Pitroda ANNUAL REPORT 2013-14 Founder Vice Chancellor Prof. M. M. Salunkhe ( 02.03.2009 - 01.03.2014 ) Vice Chancellor (i/c) Prof. A. P. Singh (from 02.03.2014 onwards) ANNUAL REPORT 2013-14 Visit of Hon'ble President of India to the University for the Second Convocation Ceremony The President of India and other dignitaries during the Second Convocation Ceremony t of India Vice Chancellor welcoming the Presiden The President of India deliv essing the gathering ering the Con Vice Chancellor addr vocation address ANNUAL REPORT 2013-14 The President of India inaugurating the Innovation Exhibition The President of India receiving the cheque for Prime Minister's National Relief Fund The President of India inspecting the Innov ation Exhibition Release of Innov ation Bookle t by the dignitaries The President of India addressing the Innovators The Pr esident of India pr esenting the degr ees Gold Medalists of the University ANNUAL REPORT 2013-14 Recognition of the University Ar. Ritu B. Rai and Ar. Vivekanand Tiwari receiving the GRIHA Award for Exemplary Demonstration of Water Management at CURaj Campus on behalf of CURaj Ms. Anuradha Mittal, Public Relations Officer receiving the Appreciation Award for the Annual Report 2012-13 of CURaj being selected in the Annual Report category of Corporate Collateral Awards 2014 during the 8th Global PR Conclave of Public Relations Council of India in Mumbai on 15th February 2014 on behalf of CURaj ANNUAL REPORT 2013-14 Contents S. -
SSR St.Thomas College, Kozhencherry September 2014
1 St. Thomas College KOZHENCHERRY, KERALA STATE- 689 641 Phone: 0468-2214 566 Fax: 0468-2215 543 Website: www.stthomascollege.info E-mail: [email protected] (Affiliated to Mahatma Gandhi University) Re-accredited by NAAC with B++ (2007) SELF STUDY REPORT Submitted to National Assessment and Accreditation Council Bangalore -560 072, India NAAC-SSR St.Thomas College, Kozhencherry September 2014 5 PREFACE he Malankara Mar Thoma Syrian Church, a staunch ally of an epoch- T making social movement of the nineteenth century, was led forward by the lamp of Reformation popularly known as „Naveekarana Prasthanam‟. Mar Thoma Church, part of the great tradition of the Malankara Syrian Church which had been formulated by St. Thomas, one of the twelve apostles of Jesus Christ, wielded education during the progressive period of Reformation in Kerala, as a mighty weapon for the liberation of the downtrodden masses from their stigmatized ignorance and backwardness. The establishment of St.Thomas College at Kozhencherry in 1953, as part of the altruistic missionary zeal of the church during Reformation, was the second educational venture under the auspices of Mar Thoma Church. The founding fathers, late Most Rev. Dr. Juhanon Mar Thoma Metropolitan and late Rev. K.T.Thomas Kurumthottickal, envisaged the college as an instrument for the realization of a bold vision that aimed at providing quality education to the people of the remote hilly regions of Eastern Kerala. The last six decades of the momentous historical span of the college has borne witness to the successful fulfilment of the vision of the founding fathers. The college has gone further into newer dimensions, innovations and endeavours which are impactful and relevant to the shaping of the lives of contemporary and future generations of youngsters. -
Types of Banks in India and Their Functions
IBPS PO 2014 BANKING AWARENESS NOTES Bank Rate : 9.0% Repo Rate : 8.0% Reverse Repo Rate : 7.0% Marginal Standing Facility Rate : 9.0% CRR : 4% SLR : 22% Base Rate : 10.00% - 10.25% Savings Deposit Rate : 4.00% Term Deposit Rate : 8.00% - 9.05% 91 day T-bills : 8.5201 % 182 day T-bills : 8.6613% 364 day T-bills : 8.6485 % 364 day T-bills : 8.6485 % Call Rates : 4.00% - 8.70% (ONE BANK FROM ANOTHER BANK) AS ON 02ND OCT.2014 Types of Banks in India and their functions Reserve Bank of India: RBI is the Central Bank of India, which acts as a banker to the government It is also called as ―Bankers bank‖, because all banks will have accounts with RBI. It provides funds to all banks hence it is called as BANKERS BANK RBI was established by an act of Parliament in 1934 It has four zonal offices at Mumbai, Kolkata, Chennai and Delhi and 19 regional offices Current Governor: Dr. Raghuram Rajan Deputy Governors: H R Khan, Dr Urjit Patel, R Gandhi and S S Mundra Head office: Mumbai Functions: Issues currency notes Acts as bankers bank Maintain foreign exchange reserves Maintains CRR and SLR Its affairs are regulated by 21-member central board of directors: Governor (Dr. Raghuram Rajan), 4 deputy Governors, 2 Finance Ministry representatives, 10 Government-nominates directors,4 directors to represent local boards Scheduled Commercial Banks: Scheduled Commercial banks are State Bank of India and its associates (State bank of India has got 7 subsidiaries they are State bank of Hyderabad, State bank of Mysore, State bank of Travancore, State bank of Indore, -
State Dance (S) Andra Pradesh Kuchipudi, Kolattam, Ghantamardala, (Ottam Thedal, Mohiniattam, Kummi, Siddhi, Madhuri, Chhadi
BHARAT SCHOOL OF BANKING STATIC GK Indian Cultural/Classical Dances - Folk Dances in India State Dance (S) Andra Pradesh Kuchipudi, Kolattam, Ghantamardala, (Ottam Thedal, Mohiniattam, Kummi, Siddhi, Madhuri, Chhadi. Arunachal Pradesh Bardo Chham Assam Bihu, Ali Ai Ligang, Bichhua, Natpuja, Maharas, Kaligopal, Bagurumba, Naga dance, Khel Gopal, Tabal Chongli, Canoe, Jhumura Hobjanai etc. Bihar Chhau,Jata-Jatin, Bakho-Bakhain, Panwariya, Sama-Chakwa, Bidesia, Jatra etc. Chhattisgarh Panthi, Raut Nacha, Gaur Maria, Goudi, Karma, Jhumar, Dagla, Pali, Tapali, Navrani, Diwari, Mundari. Goa Tarangamel, Dashavatara, Dekhni, Dhalo, Dhangar, Fugdi, Ghodemodni, Goff, Jagar, Kunbi, Mando, Musal Khel, Perni Jagar, Ranamale, Romta Mel, Divlyan Nach (Lamp dance), Veerabhadra, Morulo, Tonayamel , Mandi, Jhagor, Khol, Dakni, , Koli Gujarat Garba, Dandiya Ras, Tippani Juriun, Bhavai. Haryana Saang, Chhathi, Khoria, Ras Leela, Dhamal, Jhumar, Loor, Gugga, Teej Dance, Phag, Daph, Gagor Himachal Pradesh Kinnauri, Mangen, Jhora, Jhali, Chharhi, Dhaman, Chhapeli, Mahasu, Nati, Dangi, Chamba, Thali, Jhainta, Daf, Stick dance Jammu & Kashmir Kud, Dumhal, Rauf, Hikat, Mandjas, Damali Jharkhand Chhanu, Sarahul, Jat-Jatin, Karma , Munda, Danga, Bidesia, Sohrai. Karnataka Yakshagan, Bayalatta, Dollu Kunitha, Veeragasse, Huttar, Suggi, Kunitha, Karga, Lambi Kerala Mohiniyattam, Kathakali, Thirayattam, Theyyam, Thullal, Koodiyattam, Duffmuttu / Aravanmuttu, Oppana, Kaikottikali, Thiruvathirakali, Margamkali, Thitambu Nritham, Chakyar Koothu, Chavittu Nadakam, Padayani