Dylan Show Complete Schedule

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Performer TIME Songs Jacob Hendrickson 6:00 PM Series Of Dreams Idiot Wind Time Passes Slowly 6:15 Nate Nelson, Neil Rowley, Rich Larson & John Hiscox 6:25 Just Like Tom Thumb's Blues Forever Young Tom Quinn, Roger Holmes and Kevin Mincke 6:40 Don't Think Twice, It's Alright If Not For You I'll Be Your baby Tonight Barb Piper 6:55 Tangled Up In Blue To Make You Feel My Love Marv Gohrman 7:10 Oh Sister All Along The Watchtower Jim Lenway 7:25 One More Night My Back Pages Chimes Of Freedom New Moon Trio 7:40 Outlaw Blues You Ain't Goin' Nowhere You're Gonna Make Me Lonesome When you Go Bill McGrath 7:55 Just Like A Woman Mr. Tambourine Man Tim Taggart 8:05 The Ballad Of Hollis Brown Restless Farewell Phil Daniel 8:20 Desolation Row Ross Willits 8:35 I Threw It All Away I Shall Be Released Jerry Johnson & Joel Cooper 8:50 Girl From The North Country Tomorrow's Such A Long Time Jamy Whatton from Bitter Roots 9:05 Mama You Been On My Mind Up To Me Wagon Wheel Ray Coudret 9:15 Simple Twist Of Fate Boots Of Spanish Leather Love Minus Zero/No Limit The Counterfactuals 9:25 He Was A Friend Of Mine Tonight I'll Be Staying Here Jordan Taylor 9:40 Fourth Time Around To Ramona Farewell Angelina The Steve Delwiche Band 9:55 All Along The Watchtower Alison Rae 10:05 Shelter From the Storm Don't Think Twice, It's Alright I Was Young When I Left Home Marty Anderson & The Goods 10:20 Sweetheart Like You Hurricane Watchin' The River Flow Meredith Fierke 10:35 Buckets Of Rain Mark Breitinger 10:50 Highway 61 One More Cup Of Coffee Like A Rolling Stone The Bratlanders 11:05 Quinn The Eskimo Let Me Die In My Footsteps Master's Of War Finale?.

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Bob Dylan and the Nobel Prize
BOB ENNOBLED BOB DYLAN AND THE NOBEL PRIZE I am a Dylan fan and I know many of his songs by heart. I have seen him perform and have heard him mangle his own work in Birmingham, England, and then delight the Hammersmith Odeon. I have watched him forget some of the words to ‘Mr Tambourine Man’ in the Leisure Centre at Bournemouth. Indeed, since about 1963 and The Freewheelin’ Bob Dylan I have spent many leisure hours and vital pounds, first of pocket money and then of earned income, keeping up with much of Dylan’s copious output. I’ve even tried to read his ‘novel’ Tarantula. While I am aware of his vocal and musical limitations and the way he can move from brilliant to dire, I love some of his songs, his phrasing and intonation this side of idolatry and sometimes beyond. I think the first four Dylan tracks I bought were on an 1963 EP called Dylan (Extended Play: remember those?) which rotated on the turntable at 45 rpm as his astonishing twenty-one-year old-voice sang: ‘Don’t Think Twice, it’s alright’, ‘Blowin’ in the Wind’, ‘When the Ship Comes in’ and then was it ‘Corinna, Corinna’? His way with song words has long held my qualified admiration and I enjoyed reading his Chronicles (Volume One) when they came out in 2004. For me, even with Dylan at his uneven best, it’s the words that matter most and the way he delivers them in the best of his supremely memorable songs. If I had to name my current top ten of his tracks, chosen with particular attention to the words and to do so rapidly from memory, I’d probably go for the following: ‘Boots
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The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ...............................................................................................................................
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Still on the Road 1990 Us Fall Tour
STILL ON THE ROAD 1990 US FALL TOUR OCTOBER 11 Brookville, New York Tilles Center, C.W. Post College 12 Springfield, Massachusetts Paramount Performing Arts Center 13 West Point, New York Eisenhower Hall Theater 15 New York City, New York The Beacon Theatre 16 New York City, New York The Beacon Theatre 17 New York City, New York The Beacon Theatre 18 New York City, New York The Beacon Theatre 19 New York City, New York The Beacon Theatre 21 Richmond, Virginia Richmond Mosque 22 Pittsburg, Pennsylvania Syria Mosque 23 Charleston, West Virginia Municipal Auditorium 25 Oxford, Mississippi Ted Smith Coliseum, University of Mississippi 26 Tuscaloosa, Alabama Coleman Coliseum 27 Nashville, Tennessee Memorial Hall, Vanderbilt University 28 Athens, Georgia Coliseum, University of Georgia 30 Boone, North Carolina Appalachian State College, Varsity Gymnasium 31 Charlotte, North Carolina Ovens Auditorium NOVEMBER 2 Lexington, Kentucky Memorial Coliseum 3 Carbondale, Illinois SIU Arena 4 St. Louis, Missouri Fox Theater 6 DeKalb, Illinois Chick Evans Fieldhouse, University of Northern Illinois 8 Iowa City, Iowa Carver-Hawkeye Auditorium 9 Chicago, Illinois Fox Theater 10 Milwaukee, Wisconsin Riverside Theater 12 East Lansing, Michigan Wharton Center, University of Michigan 13 Dayton, Ohio University of Dayton Arena 14 Normal, Illinois Brayden Auditorium 16 Columbus, Ohio Palace Theater 17 Cleveland, Ohio Music Hall 18 Detroit, Michigan The Fox Theater Bob Dylan 1990: US Fall Tour 11530 Rose And Gilbert Tilles Performing Arts Center C.W. Post College, Long Island University Brookville, New York 11 October 1990 1. Marines' Hymn (Jacques Offenbach) 2. Masters Of War 3. Tomorrow Is A Long Time 4.
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Bound for Glory Bob Dylan 1962
BOUND FOR GLORY BOB DYLAN 1962 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, RELEASES, TAPES & BOOKS. © 2001 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Bound For Glory — Bob Dylan 1962 page 2 CONTENTS: 1 INTRODUCTION..................................................................................................................... 3 2 YEAR AT A GLANCE ............................................................................................................. 3 3 CALENDAR .............................................................................................................................. 3 4 RECORDINGS ......................................................................................................................... 7 5 SONGS 1962 .............................................................................................................................. 7 6 SOURCES .................................................................................................................................. 9 7 SUGGESTED READINGS .................................................................................................... 10 7.1 GENERAL BACKGROUND .................................................................................................... 10 7.2 ARTICLE COMPILATIONS ...................................................................................................
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Hollis Brown :: 3 Shots Blue Rose/Sonic Rendezvous
Hollis Brown :: 3 Shots Blue Rose/Sonic RendezVous Since New York-based band Hollis Brown started out in 2009, they have grown into one of the most convincing current young rock’n’roll acts. While their music is based on an almost inexhaustible pool of 60ies and 70ies influences yet anchored in the here and now, their releases show a clear development from the raw, direct sound of their debut to the complex, multi-faceted approach on their new album 3 Shots. The album’s eleven songs document Hollis Brown’s grown creativity, more substantial songwriting and a more clearly-defined identity. 3 Shots is their fourth full-length album, the first to be released in Europe on Blue Rose Records. Named after an early Bob Dylan song (The Ballad Of Hollis Brown), school friends Mike Montali and Jon Bonilla founded this band as a quartet in 2009 in Queens, NY. Their eponymous debut and a few privately released EPs indicate great passion and drive as well as a search for musical direction. With the widely distributed 2013 album Ride On The Train Hollis Brown started a-rolling – with very fresh- sounding first-class American rock’n’roll. Combining 60ies and 70ies virtues with No Depression and alt.Americana sounds, the foursome convey a deep appreciation and knowledge of Creedence Clearwater Revival, Neil Young, The Band, Tom Petty, Rolling Stones and The Kinks. Produced by the experienced Adam Landry (Allison Moorer, Deer Tick) Hollis Brown are entering a garage-y, blues- and southern rock-drenched terrain with an indie-rock-meets-alt.country-vibe not unlike Marah, Middle Brother, Felice Brothers, Delta Spirit, even Whiskeytown or Green On Red.
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Keep on Keepin' On
KEEP ON KEEPIN ’ ON BOB DYLAN 1994 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES , RELEASES , TAPES & BOOKS . © 2001 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Keep On Keepin’ On — Bob Dylan 1994 CONTENTS 1 A SHORT SUBJECTIVE RETROSPECTIVE ................................................................................ 4 2 THE YEAR AT A GLANCE .............................................................................................................. 4 3 CALENDAR ......................................................................................................................................... 5 4 RECORDINGS..................................................................................................................................... 9 5 NEW TAPES ........................................................................................................................................ 9 5.1 GENUINE BOOTLEG SERIES ............................................................................................................. 9 5.2 INFIDELS SESSIONS .......................................................................................................................... 9 6 THE NEVER-ENDING TOUR CONTINUES ............................................................................... 11 6.1 INTRODUCTION ............................................................................................................................
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Dignity and the Nobel Prize: Why Bob Dylan Was the Perfect Choice
Dignity and the Nobel Prize: Why Bob Dylan Was the Perfect Choice Michael L. Perlin, Esq. Professor Emeritus of Law Founding Director, International Mental Disability Law Reform Project Co-founder, Mental Disability Law and Policy Associates New York Law School 185 West Broadway New York, NY 10013 212-431-2183 [email protected] [email protected] This paper is adapted from Tangled Up In Law : The Jurisprudence of Bob Dylan, 38 FORD. URB. L.J. 1395 (2011), reprinted in part, in in PROFESSING DYLAN 42 (Frances Downing Hunter ed. 2016). In awarding the Nobel Peace Prize to the International Labour Organization (ILO) in 1969, the Nobel Committee referred to the motto enshrined in the foundations of the ILO's original building in Geneva, "Si vis pacem, cole justitiam" - "If you desire peace, cultivate justice." When Elie Weisel was awarded the Nobel Peace Prize in 1986, he said, in his acceptance speech, “When human lives are endangered, when human dignity is in jeopardy, national borders and sensitivities become irrelevant.” Just last year, when Svetlana Alexievich was awarded the Nobel Prize in Literature, the journal Independence wrote, “Nobel Prize is a symbol of fighting for human dignity and freedom! Free soul and literature always combating with dictatorship!" I share this with you, because there is a theme in Nobel Prize choices, in both the peace and the literature categories: dignity and justice. I believe that the Michael Perlin, 2016 Why Bob Dylan Was the Perfect Choice 2 selection of Bob Dylan as this year’s Nobel Prize winner in literature perfectly reflects both of these themes.
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Protest V Písních Boba Dylana Ze 60. Let 20. Století
Západočeská univerzita v Plzni Fakulta pedagogická Bakalářská práce PROTEST V PÍSNÍCH BOBA DYLANA ZE 60. LET 20. STOLETÍ Jan Hartman Plzeň 2012 University of West Bohemia Faculty of Education Undergraduate Thesis PROTEST IN SONGS OF BOB DYLAN FROM THE 1960s Jan Hartman Plzeň 2012 Zadání práce Prohlašuji, že jsem práci vypracoval samostatně s použitím uvedené literatury a zdrojů informací. V Plzni dne 23. dubna 2012 ……………………………. Jan Hartman ACKNOWLEDGMENTS I want to thank my supervisor, William Bradley Vice, Ph.D., for his assistance and support. ABSTRACT Hartman, Jan. University of West Bohemia. April, 2012. Protest in Songs of Bob Dylan from the 1960s. Supervisor: William Bradley Vice, Ph.D. This thesis deals with Bob Dylan's protest songs that can be found on his first seven albums from the years 1962 – 1966. Those years were the most important in Dylan's career – he composed his most famous songs and gained a status of a controversial yet ingenious songwriter. The thesis is divided into three chapters. The first chapter describes Dylan's musical beginnings and influence of Woody Guthrie and Jack Kerouac on Dylan's music. The second chapter deals with Dylan's folk singer career, when most of his protest songs were written. The songs are organised by their theme (militarism, racism, poverty and society) and analysed. Also, a brief introduction to each of the themes is included to provide the reader with context. The third chapter follows progress of Dylan's career, his transformation into a rock musician and his eventual cease of public appearances. There are basic biographical information in all three chapters and in introduction, that present the most important events of Dylan's life.
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The Jurisprudence of Bob Dylan, 38 Fordham Urb
Fordham Urban Law Journal Volume 38 Article 9 Number 5 Symposium - Bob Dylan and the Law 2012 Tangled Up In Law: The urJ isprudence of Bob Dylan Michael L. Perlin New York law School Follow this and additional works at: https://ir.lawnet.fordham.edu/ulj Part of the Civil Rights and Discrimination Commons Recommended Citation Michael L. Perlin, Tangled Up In Law: The Jurisprudence of Bob Dylan, 38 Fordham Urb. L.J. 1395 (2012). Available at: https://ir.lawnet.fordham.edu/ulj/vol38/iss5/9 This Article is brought to you for free and open access by FLASH: The orF dham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Urban Law Journal by an authorized editor of FLASH: The orF dham Law Archive of Scholarship and History. For more information, please contact [email protected]. Tangled Up In Law: The urJ isprudence of Bob Dylan Cover Page Footnote Director, International Mental Disability Law Reform Project; Director, Online Mental Disability Law Program, New York Law School. The uthora wishes to thank Kaydi Osowski for her superb research help. This article is available in Fordham Urban Law Journal: https://ir.lawnet.fordham.edu/ulj/vol38/iss5/9 PERLIN_CHRISTENSEN 1/30/2012 10:10 AM TANGLED UP IN LAW: THE JURISPRUDENCE OF BOB DYLAN Michael L. Perlin* Introduction ........................................................................................... 1395 I. Civil Rights ...................................................................................... 1399 II. Inequality of the Criminal Justice System .................................. 1404 III. Institutions .................................................................................... 1411 IV. Governmental/Judicial Corruption ........................................... 1415 V. Equality and Emancipation ......................................................... 1417 VI. Poverty, Environment, and Inequality of the Civil Justice System .......................................................................................... 1424 VII.
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The Recording Sessions
Bob Dylan: The Recording Sessions by Michael Krogsgaard, compiled from files available at http://www.punkhart.com/dylan/sessions.html 1 2 Some general information regarding the different sources made available for the study: 1. The Columbia Studios Recording Diaries are books, which for each day of the year (since 1941) list every planned session in the different studios. Information includes: time of the day, name of the studio, name of the producer and the engineers and the name of the artist. For the New York studios one diary is missing, that which covers the period January 1967 to December 1970. For the Nashville studios, the diary for the period 1969 to 1971 is missing. 2. Recording Sheets are lists made during each session and put into each tape box. The sheet records the date, the studio, the artist, which tracks were recorded and the CO number (Columbia's own reference number) for each composition (of which, more later). Each recorded take is marked as complete (C), with a short false start(b) or a long false start (B). It is indicated on these sheet which takes are removed to other tapes for further use. 3. The Tape Boxes themselves also usually contain information about each take and which takes are removed for further use. 4. CO Cards contain information about the CO (CO=Columbia) number and title for each composition and usually also the recording date. The CO numbers are basically a secure identification of each composition but they are not always chronological (for instance: the CO numbers for songs recorded in Nashville are generally higher than CO numbers for songs recorded at the same time in New York), and, confusingly, sometimes one composition has several CO numbers, especially (but not always) if it has been recorded several times at different sessions.
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Bob Dylan: a Modern Realistic Vision الرؤية الواقعية الحذيثة لذى بوب ديلن
Journal of Kerbala University , Vol.9. No.3. Humainies . 2011 Bob Dylan: A Modern Realistic Vision الرؤية الواقعية الحذيثة لذى بوب ديلن سحص عثر اﻷييص حصض جايعح انقاذسيح/كهيح انرصتيح/قسى انهغح اﻻَكهيزيح Abstract Although his family was considered as middle-class, Bob Dylan's choice of writing style and topics tended to be influenced by a smaller-voiced, more suffering group- that of the working class. His lyrics that have included many protest and finger-pointing messages, have always been looked upon as influential in the shaping of cultural views of the time. Because he has used his lyrical poetry to inspire people to make changes, and to right the wrongs of the world. Most of Dylan's lyrics were dedicated to speaking out against infractions committed by the world at large. And the vast amount of his lyrics has been written with the interest of social justice in mind. His work illustrates working-class literature themes as composing the majority of the people in America in particular and the world in general referring ,also, implicitly to the other suffering classes, such as emphasizing the collective, being experimental in terms of style, being written in working voices, resisting the powers that be, and calling to action those who are reading his messages. And such is his modern realistic vision. الخﻻصة يًيم اخرياش تٕب ذيهٍ ﻻسهٕب انكراتح ٔيٕاضيعٓا إنٗ انرأشص تانطثقح انعايهح ْٔي يمًٕعيح زاخ وايٕاخ ضيعيذح ٔزاخ يعاَاج كثيصج عهٗ انصغى يٍ كٌٕ عائهرّ زاخ وإل ذعٕذ إنٗ انطثقيح انٕسيطٗثكصيصا ييا كياٌ يُليص إنيٗ قصيائر وغُياذيّ انبيعثيح انر كاَد
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I Shall Be Released Bob Dylan 2005
I SHALL BE RELEASED BOB DYLAN 2005 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES , NEW RELEASES , RECORDINGS & BOOKS . © 2010 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. I Shall Be Released — Bob Dylan 2005 page 2 of 69 1 INTRODUCTION ............................................................................................................................................................ 3 2 2005 AT A GLANCE ....................................................................................................................................................... 3 3 THE 2005 CALENDAR ................................................................................................................................................... 3 4 NEW RELEASES AND RECORDINGS ....................................................................................................................... 6 4.1 LIVE AT THE GASLIGHT 1962 .................................................................................................................................... 6 4.2 MUSIC FROM THE MOTION PICTURE NORTH COUNTRY .............................................................................................. 6 4.3 THE BOOTLEG SERIES VOL . 7: NEW DIRECTION HOME : THE SOUNDTRACK .............................................................. 7 4.4 LIVE AT CARNEGIE HALL .........................................................................................................................................
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