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Rudyard Kipling's Techniques
Rudyard Kipling's Techniques The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Friedman, Robert Louis. 2016. Rudyard Kipling's Techniques. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33797390 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA ! Rudyard Kipling’s Techniques: Their Influence on a Novel of Stories An Introductory Essay and an Original Novel, Answers Lead Us Nowhere Robert Louis Friedman A Thesis in the Field of Literature and Creative Writing for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2016 ! ! Copyright 2016 Robert Louis Friedman ! ! Abstract This thesis investigates the techniques of Rudyard Kipling and his influence on my “novel of short stories”. How did Kipling advance the short story form over a half-century of experimentation? How did his approaches enliven the reader’s experience to such a degree that his greatest works have remained in print? Beginning in 1888 with Plain Tales From the Hills, Kipling utilized three innovative techniques: the accretion of unrelated stories into the substance of a novel; the use of tales with their fantastical dreamlike appeal (as opposed to standard fictional styles of realism or naturalism) to both salute and satirize characters in adult fiction; and the swift deployment of back story to enhance both the interwoven nature and tale-like feel of the collection. -
Mapping Psychic Spaces in Rudyard Kipling's Fiction Elizabeth Welby
Out of Eden: Mapping Psychic Spaces in Rudyard Kipling's Fiction Elizabeth Welby Thesis submitted for the degree of Doctor of Philosophy School of Literature and Creative Writing University of East Anglia 30 June 2010 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author’s prior, written consent. Part of Chapter 2 has been previously published in The Kipling Journal as ‘The Lords of Misrule and the Pleasant Isle of Aves’, June 2010. A version of part of Chapter 4 has been previously published as ‘Solar Midnight: Traversing the Abject Borderline State in Rudyard Kipling’s “The City of Dreadful Night”’, in The Domination of Fear, ed. by Mikko Canini (Amsterdam: Rodopi Press, 2010), pp. 147-177. Acknowledgements I owe debts of gratitude to many people. First and foremost, I would like to thank my supervisor, Professor John Thieme, whose dedication to my project coupled with his unfailing energy and tireless perseverance would have, I am certain, surprised even Kipling. John took over the project during the latter stages of my PhD and I am sincerely grateful for his unending enthusiasm and willingness to read, consider and constructively comment on my numerous drafts. I would also like to acknowledge The Kipling Society, both for its electronic research tool, ‘The Reader’s Guide’ and its warm human contact. Many thanks are due to, in particular, John Walker, David Page, John Radcliffe and John Lambert who replied to my frequent questions, large and small, about Kipling’s life and art with grace, good humour and speedy efficiency. -
Kipling, the Story-Writer
UNIVERSITY OF CALIFO! AT LOS ANGELES SEMICENTENNIAL PUBLICATIONS OF THE UNIVERSITY OF CALIFORNIA 1868-1918 42 1 6 KIPLING THE STORY-WRITER BY WALTER MORRIS HART UNIVERSITY OF CALIFORNIA PRESS BERKELEY 1918 28412 TO A. B. H. VA PREFACE In the course of an attempt to trace the history of the Short- Story in English it came to seem desirable, three or four years ago, to examine with some thoroughness, as the terminus ad quern, the work of Rudyard Kipling. The results of this study were rather fully set forth in the form of notes intended for class-room lectures. Revision and publication of these notes was advised by Professor Bliss Perry of Harvard College and by Professor Charles Mills Gayley of the University of Califor- nia. To these good friends of the writer this little book owes its being. Without their criticisms and suggestions, moreover, it would have been even less worthy than it is of the author with whom it is concerned. To him, to Mr. Kipling himself, thanks are due for gracious permission to take from his works the many illustrative passages with which these pages are adorned. CONTENTS PAGE Introduction 1 PART ONE: THE INDIAN PERIOD CHAPTER I Settings 5 CHAPTER II Characters and Psychology 12 CHAPTER III Plots and Their Significance 33 CHAPTER IV General Characteristics of the First Period Ill PART TWO: THE PERIOD OF TRANSITION CHAPTER V The Transitional Technique 131 PART THREE: THE ENGLISH PERIOD CHAPTER VI Settings 160 CHAPTER VII Characters and Psychology 170 CHAPTER VIII Plots and Their Significance 192 CHAPTER IX Conclusion 2 1 7 KIPLING THE STORY WRITER 53-2./. -
Rudyard Kipling's Techniques
Rudyard Kipling's Techniques The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Friedman, Robert Louis. 2016. Rudyard Kipling's Techniques. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33797390 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA ! Rudyard Kipling’s Techniques: Their Influence on a Novel of Stories An Introductory Essay and an Original Novel, Answers Lead Us Nowhere Robert Louis Friedman A Thesis in the Field of Literature and Creative Writing for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2016 ! ! Copyright 2016 Robert Louis Friedman ! ! Abstract This thesis investigates the techniques of Rudyard Kipling and his influence on my “novel of short stories”. How did Kipling advance the short story form over a half-century of experimentation? How did his approaches enliven the reader’s experience to such a degree that his greatest works have remained in print? Beginning in 1888 with Plain Tales From the Hills, Kipling utilized three innovative techniques: the accretion of unrelated stories into the substance of a novel; the use of tales with their fantastical dreamlike appeal (as opposed to standard fictional styles of realism or naturalism) to both salute and satirize characters in adult fiction; and the swift deployment of back story to enhance both the interwoven nature and tale-like feel of the collection. -
Colonizing Cynicism in the Works of Rudyard Kipling
Daniel Nyikos Colonizing Cynicism in the Works of Rudyard Kipling Ph.D.dissertation Témavezető/Supervisor Cristian Réka, Ph.D., dr. habil. Kérchy Anna, Ph.D., dr. habil. Szeged, 2019 University of Szeged (SZTE) Faculty of Arts Doctoral School for Literary Studies Anglophone Literatures and Cultures in Europe and North America Program Table of Contents Acknowledgements 1 1. Introduction: The Ghost of Ruddy Baba 2 2.1. The Construction of Imperial Otherness 25 2.2. The Construction of Imperial Subjectivity 40 3. Kipling‘s Cynicism of Empire 54 3.1. Plain Tales from the Hills 63 3.2. The Phantom Rickshaw and Other Eerie Tales 74 3.3. Wee Willie Winkie 95 3.4. In Black and White 98 3.5. The Light That Failed 117 3.6. Life's Handicap: Being Stories of Mine Own People 120 3.7. Departmental Ditties Barrack-Room Ballads and Other Verses 134 3.8. The Jungle Books 145 3.9. Kim 157 4. Conclusion: Deconstructing Kipling‘s Colonizing World 177 Bibliography 187 Acknowledgements I would like to extend special thanks to my supervisors, Dr. Kérchy Anna and Dr. Cristian Réka, for their support, time, and advice. I am grateful for the prompt, detailed, and helpful criticism they offered, and this dissertation is far better for their diligent and expert guidance. I also very much appreciate their assistance in providing secondary sources and suggesting new lines of inquiry. Special thanks also go to Dr. Fenyvesi Anna and Dr. Kiss Attila for their guidance and support. I would not be here if it were not for you. -
The Kipling Index
ORDER BLA NK Gentlemen Please send me the following books by Rudyar d Nmm A ddr ess f booklets ab (I This is o of a s ri s o out authors and their works . , ne e e in Henr and tewart dwar A re you interested 0. y S E d White A post om an arden i card oubleda a e G C Y . willbri u o to D y, P g C p y, ty, N , ng y of each of the booklets now read . thers are in co r a py y O p eparation . Wher e there ar e r es a ai nstthe cold fi g , Or r oofs agai nst the r ai n Wi th love fourf old and j oy fomfold Take them m son s a ai n y g g . — THE FI RES FOREWORD HI S I ndex h as been compiled from th e A uthoriz ed ’ American trade edi ti on of Rudyard Kipling s work all of W car e li s e D b e a s , hi h pub h d by ou l d y , P age and Company with the exception of the Fir st and ec UNGLE Boox S s and CA P TA I N COURA GEOU c S S w ond J , hi h ar e iss e Th e Ce u d by nt ury Company . T I n e t in (L his d x con a s only such works as Mr . Kipling h as a o iz e and esi e t e e e uth r d d r s o pr s rv . -
Some Political Implications in the Works of Rudyard Kipling
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1946 Some Political Implications in the Works of Rudyard Kipling Wendelle M. Browne Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Browne, Wendelle M., "Some Political Implications in the Works of Rudyard Kipling" (1946). Master's Theses. 74. https://ecommons.luc.edu/luc_theses/74 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1946 Wendelle M. Browne SOME POLITICAL IMPLICATIONS IN THE WORKS OF RUDYARD KIPLING by Wendelle M. Browne A Thesis Submitted as Partial Fulfillment of The Requirements for the Degree of Master of Arts in Loyola University May 1946 VITA Wendelle M. Browne was born in Chicago, Illinois, March 2£, 1913. She was graduated from the Englewood High School, Chicago, Illinois, June, 1930 and received a teaching certificate from The Chicago Normal College in June 1933. The Bachelor of Science Degree in the depart~ent of Education was conferred by the University of Illinois in June, 1934. From 1938 to the present time the writer has been engaged as a teacher in the elementary schools of Chicago. During the past five years she has devoted herself to graduate study in English at Loyola University in Chicago. -
Plain Tales from the Hills As Emergent Literature
Plain Tales from the Hills as Emergent Literature Inna Lindgrén, Åbo Akademi University When Rudyard Kipling made his literary debut in India in the late 1880’s, there had been semi-permanent British settlement in India for well over a hundred years. These Anglo-Indians1 had started to be aware of themselves as a community separate from the British in Britain, but their links with Britain were very strong. Most of them had been born British, and were likely to retire back to Britain when their term of office came to an end. Usually they were also prepared to make considerable sacrifices to send their children to Britain for an education which would prevent them from seeing India as their true home. On the other hand, many Anglo-Indians felt that the politicians and ruling class back in Britain looked down on them as poor cousins, whose views on Imperial politics were not worth having. In and of itself, this love-hate relationship with Britain was enough to ensure that the Anglo-Indian literary market was a complex one. There was actually a widespread feeling that the Anglo-Indian community had not produced literary talent proportionate to its size. Such dissatisfaction was voiced on several occasions between 1856 and 1861 in the pages of the Calcutta Review, where the main problem was diagnosed as writers’ reluctance to make use of local conditions and materials. In the words of one commentator, Anglo-Indian literature, “as far as the subjects treated of are concerned, [...] might as well have been written in London by one who had never crossed the Channel”.2 On the other hand, Anglo-Indian writers publishing in Britain had little hope of success if they dealt with daily life in India too exclusively. -
© in This Web Service Cambridge University
Cambridge University Press 978-0-521-19972-8 - The Cambridge Companion to Rudyard Kipling Edited by Howard J. Booth Index More information INDEX Actions and Reactions, 49, 61, 144, 145, 152 Bates, H.E., 1, 141, 142 Afghanistan, 26, 88, 136, 182, 183 Baudelaire, Charles, 145 Alcott, Louisa May Beardsley, Aubrey, 174 Little Women, 44 Beerbohm, Max, 75, 111, 117, 174 Alger, Horatio, 178 Benjamin, Walter allegory, 47, 134, 145, 150, 160, 181 ‘The Storyteller’, 55 national allegory, 45, 158 Besant, Walter, 8 analogy, 4, 24–5, 26, 27, 29, 31, 32, 33, 55, Bhabha, Homi, 196 56 Blake, William, 174 Anand, Mulk Raj, 156, 157, 166 Bok, Edward, 70 Conversations in Bloomsbury, 156 Booth, General William, 8–9 Anglo-Indians, 3, 5, 23, 24, 25, 27, 29, 43, Borges, Jean Luis, 146 113, 128, 137, 143, 156, 158, 196 Boyd, William, 164 anti-Semitism, 2, 48, 138, 146–7 Bragg, Billy, 122 Aquinas, Thomas, 151 Brazilian Sketches, 52 Armstrong, Louis, 181 Brecht, Bertolt, 59 art nouveau, 174 Life of Galileo, 64 Arts and Crafts, 38, 39, 170, 172, 174 British Empire cinema, 177–9, 180, 182 Auden, W.H. Brooke, Rupert, 118 ‘In Memory of W B Yeats’, 122 Browning, Robert, 113, 114 Aung San Suu Kyi, 166 ‘Childe Roland to the Dark Tower Austen, Jane, 120, 147, 148 Came’, 3 Persuasion, 147 ‘Fra Lippo Lippi’, 170 Austin, Alfred, 54 Buddhism, 130, 133–5, 136, 137, 166, 170, Averroes, 151 174, 175 Burne-Jones, Edward, 21, 113, 174 Baden-Powell, Robert, 98, 140 Burne-Jones, Georgina, 113 Scouting for Boys, 102 Burns, Robert Baldwin, Stanley, 63 ‘Holy Willie’s Prayer’, 57 Balestier, -
The Depiction of Men and Women in Selected Short Stories by Rudyard Kipling
Ghent University Faculty of Arts and Philosophy The Depiction of Men and Women in selected short Stories by Rudyard Kipling Thesis submitted in partial fulfillment of the requirements for the degree of “Master in de Supervisor: Taal- en Letterkunde: Engels- Prof. Dr. Kate Macdonald May 2012 Duits” by Sam Claeys Acknowledgements I would like thank to my supervisor Prof. Dr. Kate Macdonald for her constant help and interesting insights on Kipling’s writing, since it was because of her that my interest in Kipling already started during her Ba2 class. This interest has grown over these three years going from a class presentation to a BA paper and eventually to the subject of an MA thesis. Thank you for always making time in your schedule when I had questions, uncertainties or doubts. I would also like to thank my parents, whose kind words and moral support were invaluable during this four year journey. Thank you both for constantly being there for me. 2 Table of Contents 0. Introduction 4 1. Background to research 6 2. Literature Review 8 3. Methodology 13 4. Investigation 13 4.1. The Indian background: the hills, the plains and their interaction 13 4.1.1. The hills: a place of comfort and enjoyment in life and literature 14 4.1.2. The plains: heat, disease and stress 18 4.1.3. The locations of the stories 21 4.2. Kipling’s depiction of women 22 4.2.1. Mrs Hauksbee: femme fatale, caring mother figure or something else? 23 4.2.1.1. A femme fatale? 23 4.2.1.2. -
Kjaw Stuff in the Book As Reciting It Would Have a Fine Effect and Impress Outsiders." (Pp.247-48)
CONTENTS NEWS AND NOTES 2 By Roger Lancelyn Green RETROSPECT OF 'THE LIGHT THAT FAILED' 4 By C. E. Carrington ANOTHER LOOK AT THE YOUNG KIPLING ... 9 By Margaret Feeley DISCUSSION: "WHY WAS KIPLING HATED?" ... 12 LETTER BAG 14 THE KIPLING SOCIETY THE Society was founded in 1927. Its first President was Major-General L. C. Dunsterville, C.B., C.S.I. ("Stalky") (1927-1946). Members are invited to propose those of their friends who are interested in Rudyard Kipling's works for election to mem- bership. The Hon. Secretary would be glad to hear from members overseas as to prospects of forming a Branch of the Society in their district. THE KIPLING SOCIETY ADDRESS— 18, Northumberland Avenue, London, WC2N 5BJ (Tel. 01-930 6733). Be sure to telephone before calling, as the office is not always open. SUBSCRIPTION RATES Home: £2.50. Overseas: £2.00. Junior (under 18): £1.00 U.S.A.: Persons, $5.00; Libraries, $6.00. THE KIPLING SOCIETY Forthcoming Meetings COUNCIL MEETINGS At 50 Eaton Place, SW1, at 2 p.m Wednesday, 18th June, 1975. Wednesday, 17th September, 1975, after the AGM at 2 p.m. ANNUAL GENERAL MEETING Wednesday, 17th September, 1975, at 2 p.m. DISCUSSION MEETINGS At St. George's Club, 4 Wilton Mews, SW1, at 5.30 for 6 p.m. Wednesday, 16th July, 1975. Dr. M. E. Karim, Associate Professor in English at Rockford College, Rockford, Illinois, will open a Discussion on "Rudyard Kipling's Changing Vision in India." Wednesday, September 17th, 1975. Mr T. F. Evans of the University of London, formerly editor of "The Shavian", will open a dis- cussion on "The Age of Bernard Shaw". -
PLAIN TALES from the HILLS.Pdf
3 1293 10607 9597 PLAIN TALES FROM THE HILLS BY EUDYARD KIPLING AUTHOR OF 'THE JUNGLE BOOK,' ETC. MACMILLAN AND CO., LTD. NEW YORK: MACMILLAN & CO. 1896 AII rights reserved Third Edition, Published by Macmillan and Co., June 1890 Reprinted August and November 1890 ; April and November 1891; February 1892, 1893, 1896 TO THE WITTIEST WOMAN IN INDIA I DEDICATE THIS BOOK PBEFACE IIGHT-AND-TWENTY of these tales appeared originally ti the Civil and Military Gazette. I am indebted to he kindness of the Proprietors of that paper for Permission to reprint them. The remaining tales are, nore or less, new- EUDYAED KIPLING. CONTENTS PAGE jrsipETH ..... .1 HREE AND—AN EXTRA * ..... 8 I'iROWN AWAY . .14 Kiss YOUGHAL'S SAIS 25 YOKED WITH AN UNBELIEVER ' .... 33 > ALSE DAWN ....... 39 'HE RESCUE OF PLUFFLES ..... 50 CUPID'S ARROWS ..... .57 THE THREE MUSKETEERS . 63 :iis CHANCE IN LIFE ...... 71 WATCHES OF THE NIGHT ..... 78 THE OTHER MAN . .... 85 CONSEQUENCES ....... 90 THE CONVERSION OF AURELIAN MCGOGGIN . .97 THE TAKING OF LUNGTUNGPEN . .104 A GERM-DESTROYER . 112 KIDNAPPED ^ . 119 THE ARREST OF LIEUTENANT GOLIGHTLY . 126 |N THE HOUSE OF SUDDHOO . 133 qIis WEDDED WIFE ...... 144 CHE BROKEN-LINK HANDICAP . .152 5EYOND THE PALE . .159 CONTENTS IN ERROR > A BANK FRAUD . TODS' AMENDMENT THE DAUGHTER OF THE REGIMENT IN THE PRIDE OF HIS YOUTH PIG THE ROUT OF THE WHITE HUSSARS THE BRONCKHORST DIVORCE-CASE VENUS ANNODOMINI THE BISARA OF POOREE A FRIEND'S FRIEND THE GATE OF THE HUNDRED SORROWS . THE MADNESS OF PRIVATE ORTHERIS . THE STORY OF MUHAMMAD DIN . ON THE STRENGTH OF A LIKENESS WRESSLEY OF THE FOREIGN OFFICE BY WORD OF MOUTH To BE FILED FOR REFERENCE LISPETH Look, you have cast out Love ! What Gods are these You bid me please 1 The Three in One, the One in Three ? Not so ! To my own Gods I go.