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Model HR-ADC1 Analog to Digital Audio Converter
HALF-RACK SERIES Model HR-ADC1 Analog to Digital Audio Converter • Broadcast Quality Analog to Digital Audio Conversion • Peak Metering with Selectable Hold or Peak Store Modes • Inputs: Balanced and Unbalanced Stereo Audio • Operation Up to 24 bits, 192 kHz • Output: AES/EBU, Coaxial S/PDIF, AES-3ID • Selectable Internally Generated Sample Rate and Bit Depth • External Sync Inputs: AES/EBU, Coaxial S/PDIF, AES-3ID • Front-Panel External Sync Enable Selector and Indicator • Adjustable Audio Input Gain Trim • Sample Rate, Bit Depth, External Sync Lock Indicators • Peak or Average Ballistic Metering with Selectable 0 dB Reference • Transformer Isolated AES/EBU Output The HR-ADC1 is an RDL HALF-RACK product, featuring an all metal chassis and the advanced circuitry for which RDL products are known. HALF-RACKs may be operated free-standing using the included feet or may be conveniently rack mounted using available rack-mount adapters. APPLICATION: The HR-ADC1 is a broadcast quality A/D converter that provides exceptional audio accuracy and clarity with any audio source or style. Superior analog performance fine tuned through audiophile listening practices produces very low distortion (0.0006%), exceedingly low noise (-135 dB) and remarkably flat frequency response (+/- 0.05 dB). This performance is coupled with unparalleled metering flexibility and programmability with average mastering level monitoring and peak value storage. With external sync capability plus front-panel settings up to 24 bits and up to 192 kHz sample rate, the HR-ADC1 is the single instrument needed for A/D conversion in demanding applications. The HR-ADC1 accepts balanced +4 dBu or unbalanced -10 dBV stereo audio through rear-panel XLR or RCA jacks or through a detachable terminal block. -
Audio Engineering Society Convention Paper
Audio Engineering Society Convention Paper Presented at the 128th Convention 2010 May 22–25 London, UK The papers at this Convention have been selected on the basis of a submitted abstract and extended precis that have been peer reviewed by at least two qualified anonymous reviewers. This convention paper has been reproduced from the author's advance manuscript, without editing, corrections, or consideration by the Review Board. The AES takes no responsibility for the contents. Additional papers may be obtained by sending request and remittance to Audio Engineering Society, 60 East 42nd Street, New York, New York 10165-2520, USA; also see www.aes.org. All rights reserved. Reproduction of this paper, or any portion thereof, is not permitted without direct permission from the Journal of the Audio Engineering Society. Loudness Normalization In The Age Of Portable Media Players Martin Wolters1, Harald Mundt1, and Jeffrey Riedmiller2 1 Dolby Germany GmbH, Nuremberg, Germany [email protected], [email protected] 2 Dolby Laboratories Inc., San Francisco, CA, USA [email protected] ABSTRACT In recent years, the increasing popularity of portable media devices among consumers has created new and unique audio challenges for content creators, distributors as well as device manufacturers. Many of the latest devices are capable of supporting a broad range of content types and media formats including those often associated with high quality (wider dynamic-range) experiences such as HDTV, Blu-ray or DVD. However, portable media devices are generally challenged in terms of maintaining consistent loudness and intelligibility across varying media and content types on either their internal speaker(s) and/or headphone outputs. -
Rockbox User Manual
The Rockbox Manual for Sansa Fuze+ rockbox.org October 1, 2013 2 Rockbox http://www.rockbox.org/ Open Source Jukebox Firmware Rockbox and this manual is the collaborative effort of the Rockbox team and its contributors. See the appendix for a complete list of contributors. c 2003-2013 The Rockbox Team and its contributors, c 2004 Christi Alice Scarborough, c 2003 José Maria Garcia-Valdecasas Bernal & Peter Schlenker. Version unknown-131001. Built using pdfLATEX. Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sec- tions, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled “GNU Free Documentation License”. The Rockbox manual (version unknown-131001) Sansa Fuze+ Contents 3 Contents 1. Introduction 11 1.1. Welcome..................................... 11 1.2. Getting more help............................... 11 1.3. Naming conventions and marks........................ 12 2. Installation 13 2.1. Before Starting................................. 13 2.2. Installing Rockbox............................... 13 2.2.1. Automated Installation........................ 14 2.2.2. Manual Installation.......................... 15 2.2.3. Bootloader installation from Windows................ 16 2.2.4. Bootloader installation from Mac OS X and Linux......... 17 2.2.5. Finishing the install.......................... 17 2.2.6. Enabling Speech Support (optional)................. 17 2.3. Running Rockbox................................ 18 2.4. Updating Rockbox............................... 18 2.5. Uninstalling Rockbox............................. 18 2.5.1. Automatic Uninstallation....................... 18 2.5.2. Manual Uninstallation......................... 18 2.6. Troubleshooting................................. 18 3. Quick Start 20 3.1. -
Le Décibel ( Db ) Est Un Sous-Multiple Du Bel, Correspondant À 1 Dixième De Bel
Emploi du Décibel, unité relative ou unité absolue Le décibel ( dB ) est un sous-multiple du bel, correspondant à 1 dixième de bel. Nommé en l’honneur de l'inventeur Alexandre Graham Bell, le bel est unité de mesure logarithmique du rapport entre deux puissances, connue pour exprimer la puissance du son. Grandeur sans dimension en dehors du système international, le bel n'est pas l'unité la plus fréquente. Le décibel est plus couramment employé. Équivalent à 1/10 de bel, le décibel comme le bel, peut être utilisé dans les domaines de l’acoustique, de la physique, de l’électronique et est largement répandue dans l’ensemble des champs de l’ingénierie (fiabilité, inférence bayésienne, etc.). Cette unité est particulièrement pertinente dans les domaines où la perception humaine est mise en jeu, car la loi de Weber-Fechner stipule que la sensation ressentie varie comme le logarithme de l’excitation. où S est la sensation perçue, I l'intensité de la stimulation et k une constante. Histoire des bels et décibels Le bel (symbole B) est utilisé dans les télécommunications, l’électronique, l’acoustique ainsi que les mathématiques. Inventé par des ingénieurs des Laboratoires Bell pour mesurer l’atténuation du signal audio sur une distance d’un mile (1,6 km), longueur standard d’un câble de téléphone, il était appelé unité de « transmission » à l’origine, ou TU (Transmission unit ), mais fut renommé en 1923 ou 1924 en l’honneur du fondateur du laboratoire et pionnier des télécoms, Alexander Graham Bell . Définition, usage en unité relative Si on appelle X le rapport de deux puissances P1 et P0, la valeur de X en bel (B) s’écrit : On peut également exprimer X dans un sous multiple du bel, le décibel (dB) un décibel étant égal à un dixième de bel.: Si le rapport entre les deux puissances est de : 102 = 100, cela correspond à 2 bels ou 20 dB. -
A 449 MHZ MODULAR WIND PROFILER RADAR SYSTEM by BRADLEY JAMES LINDSETH B.S., Washington University in St
A 449 MHZ MODULAR WIND PROFILER RADAR SYSTEM by BRADLEY JAMES LINDSETH B.S., Washington University in St. Louis, 2002 M.S., Washington University in St. Louis, 2005 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Electrical, Computer, and Energy Engineering 2012 This thesis entitled: A 449 MHz Modular Wind Profiler Radar System written by Bradley James Lindseth has been approved for the Department of Electrical, Computer, and Energy Engineering Prof. Zoya Popović Dr. William O.J. Brown Date The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Lindseth, Bradley James (Ph.D., Electrical Engineering) A 449 MHz Modular Wind Profiler Radar System Thesis directed by Professor Zoya Popović and Dr. William O.J. Brown This thesis presents the design of a 449 MHz radar for wind profiling, with a focus on modularity, antenna sidelobe reduction, and solid-state transmitter design. It is one of the first wind profiler radars to use low-cost LDMOS power amplifiers combined with spaced antennas. The system is portable and designed for 2-3 month deployments. The transmitter power amplifier consists of multiple 1-kW peak power modules which feed 54 antenna elements arranged in a hexagonal array, scalable directly to 126 elements. The power amplifier is operated in pulsed mode with a 10% duty cycle at 63% drain efficiency. -
Regulation on Collective Frequencies for Licence-Exempt Radio Transmitters and on Their Use
FICORA 15 AIH/2015 M 1 (22) Unofficial translation Regulation on collective frequencies for licence-exempt radio transmitters and on their use Issued in Helsinki on 6 February 2015 The Finnish Communications Regulatory Authority (FICORA) has, under section 39(3 and 4) of the Information Society Code of 7 November 2014 (917/2014), laid down: Chapter 1 General provisions Section 1 The oObjective of the Regulation This Regulation lays down provisions on collective frequencies for as well as use and registration of such radio transmitters whose conformity with requirements has been attested in such a way as laid down in the Information Society Code, and for the possession and use of which a radio licence is not required. Section 2 Scope of application This Regulation applies to the following radio transmitters which operate only on the collective frequencies assigned in this Regulation and whose conformity with requirements has been attested in such a way as mentioned in section 257 or section 352 of the Information Society Code: 1) cordless CT1 telephones taken into use on 31 December 2003 at the latest, cordless CT2 telephones taken into use on 31 December 2004 at the latest, and DECT equipment; 2) mobile terminals and other terminals for GSM, UMTS, digital broadband mobile networks and terrestrial systems capable of providing electronic communications services; 3) LA telephones (national Citizen Band equipment) which have been approved according to the regulations of 25 March 1981 by the General Directorate of Posts and Telecommunications -
Sox Examples
Signal Analysis Young Won Lim 2/17/18 Copyright (c) 2016 – 2018 Young W. Lim. Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled "GNU Free Documentation License". Please send corrections (or suggestions) to [email protected]. This document was produced by using LibreOffice. Young Won Lim 2/17/18 Based on Signal Processing with Free Software : Practical Experiments F. Auger Audio Signal Young Won Lim Analysis (1A) 3 2/17/18 Sox Examples Audio Signal Young Won Lim Analysis (1A) 4 2/17/18 soxi soxi s1.mp3 soxi s1.mp3 > s1_info.txt Input File Channels Sample Rate Precision Duration File Siz Bit Rate Sample Encoding Audio Signal Young Won Lim Analysis (1A) 5 2/17/18 Generating signals using sox sox -n s1.mp3 synth 3.5 sine 440 sox -n s2.wav synth 90000s sine 660:1000 sox -n s3.mp3 synth 1:20 triangle 440 sox -n s4.mp3 synth 1:20 trapezium 440 sox -V4 -n s5.mp3 synth 6 square 440 0 0 40 sox -n s6.mp3 synth 5 noise Audio Signal Young Won Lim Analysis (1A) 6 2/17/18 stat Sox s1.mp3 -n stat Sox s1.mp3 -n stat > s1_info_stat.txt Samples read Length (seconds) Scaled by Maximum amplitude Minimum amplitude Midline amplitude Mean norm Mean amplitude RMS amplitude Maximum delta Minimum delta Mean delta RMS delta Rough frequency Volume adjustment Audio Signal Young Won -
MT-230 One Technology Way • P
Mini Tutorial MT-230 One Technology Way • P. O. Box 9106 • Norwood, MA 02062-9106, U.S.A. • Tel: 781.329.4700 • Fax: 781.461.3113 • www.analog.com Because this headroom of the converter is continuously being Noise Considerations in High constrained, maintaining a very low noise spectral density of Speed Converter Signal Chains −150 dBFS/Hz and lower is challenging with each new design. This is why it is paramount that the designer recognize the by Rob Reeder Analog Devices, Inc. importance of the surrounding noise contributions within the entire signal chain solution. Admittedly, there are many noise principles. This tutorial IN THIS MINI TUTORIAL addresses two of these principles: noise bandwidth and the The most common outside noise sources and how they addition of noise sources. influence the total dynamic system performance of a high NOISE BANDWIDTH speed signal chain are described as well as some analog and Noise bandwidth is not the same as the typical −3 dB band- digital tricks that can be employed to further increase the width of an amplifier or filter cutoff point. The shape for noise signal-to-noise ratio (SNR) in your next design. takes on a different form (rectangular) which specifies the total integration of the bandwidth. This means making a slight INTRODUCTION adjustment in the noise calculation when considering the noise Designing in high speed analog signal chains can be challenging bandwidth contribution. with so many noise sources to consider. Whether the frequen- For a first-order system, for example a first-order low-pass cies are high speed (>10 MHz) or low speed, the converter filter, the noise bandwidth is 57% larger. -
Understanding Noise Figure
Understanding Noise Figure Iulian Rosu, YO3DAC / VA3IUL, http://www.qsl.net/va3iul One of the most frequently discussed forms of noise is known as Thermal Noise. Thermal noise is a random fluctuation in voltage caused by the random motion of charge carriers in any conducting medium at a temperature above absolute zero (K=273 + °Celsius). This cannot exist at absolute zero because charge carriers cannot move at absolute zero. As the name implies, the amount of the thermal noise is to imagine a simple resistor at a temperature above absolute zero. If we use a very sensitive oscilloscope probe across the resistor, we can see a very small AC noise being generated by the resistor. • The RMS voltage is proportional to the temperature of the resistor and how resistive it is. Larger resistances and higher temperatures generate more noise. The formula to find the RMS thermal noise voltage Vn of a resistor in a specified bandwidth is given by Nyquist equation: Vn = 4kTRB where: k = Boltzmann constant (1.38 x 10-23 Joules/Kelvin) T = Temperature in Kelvin (K= 273+°Celsius) (Kelvin is not referred to or typeset as a degree) R = Resistance in Ohms B = Bandwidth in Hz in which the noise is observed (RMS voltage measured across the resistor is also function of the bandwidth in which the measurement is made). As an example, a 100 kΩ resistor in 1MHz bandwidth will add noise to the circuit as follows: -23 3 6 ½ Vn = (4*1.38*10 *300*100*10 *1*10 ) = 40.7 μV RMS • Low impedances are desirable in low noise circuits. -
Improve Your Home Wi-Fi Network for Work & Family
Improve Your Home Wi-Fi Network For Work & Family A HOW-TO GUIDE FROM PATIENTSAFE SOLUTIONS AND CLINICAL MOBILITY Table of Contents Introduction 3 Terminology Used in This Guide 4 Your Home Network 5 How Much Bandwidth Do You Need? 6 How Much Bandwidth Do You Have? 7 Step 1. Prepare to Test Your ISP Bandwidth 7 Step 2: Test Your ISP Bandwidth 7 Step 3: Reading Your Speed Test Results 8 Tips for Managing Bandwidth Usage 8 About Wi-Fi Coverage 9 Test Your Wi-Fi Coverage (RSSI) 9 Apple iOS: Apple Airport Utility App 9 Built-in Mac utility 10 Android: Farproc Wi-Fi Analyzer 11 Windows: Wi-Fi Analyzer by Matt Hafner 11 How to Improve your Wi-Fi Coverage 11 Centrally Locate Your Wi-Fi Router 12 Install a Mesh Network System 13 Mesh Network System Tips 13 Document Your Bandwidth and Wi-Fi Coverage Results 14 Advanced Tips for Fine Tuning Your Wi-Fi Coverage 15 Improve your Home Wi-Fi Network for Work and Family© | A How-To Guide from PatientSafe Solutions and Clinical Mobility 2 Introduction Demands on our home Wi-Fi networks have drastically increased during the COVID-19 pandemic. Our in-home networks are now our lifeline to work, education, and socializing. Small problems we may have experienced in the past, and tolerated, are exacerbated by higher utilization and now need to be addressed. Poor Wi-Fi performance causes choppy video conferencing and intermittent connectivity drops, among other nuisances, negatively impacting your work and your family’s online learning effectiveness. As Wi-Fi professionals, the authors of this Guide have experienced an influx of personal requests for help improving home Wi-Fi network performance and reliability. -
ADOBE AUDITION Iv Contents
Adobe® Audition® CC Help Legal notices Legal notices For legal notices, see http://help.adobe.com/en_US/legalnotices/index.html. Last updated 11/30/2015 iii Contents Chapter 1: What's New New features summary . .1 Chapter 2: Digital audio fundamentals Understanding sound . .4 Digitizing audio . .6 What is Audition? . .8 Chapter 3: Workspace and setup Viewing, zooming, and navigating audio . .9 Customizing workspaces . 12 Connecting to audio hardware . 19 Customizing and saving application settings . 20 Default keyboard shortcuts . 21 Finding and customizing shortcuts . 23 Chapter 4: Importing, recording, and playing Creating and opening files . 24 Importing with the Files panel . 27 Supported import formats . 28 Extracting audio from CDs . 29 Navigating time and playing audio . 30 Recording audio . 33 Monitoring recording and playback levels . 36 Chapter 5: Editing audio files Generating text-to-speech . 38 Matching loudness across multiple audio files . 41 Displaying audio in the Waveform Editor . 43 Selecting audio . 46 Copying, cutting, pasting, and deleting audio . 50 Visually fading and changing amplitude . 52 Working with markers . 54 Inverting, reversing, and silencing audio . 56 Automating common tasks . 57 Analyzing phase, frequency, and amplitude . 59 Frequency Band Splitter . 62 Undo, redo, and history . 63 Converting sample types . 64 Waveform editing enhancements . 67 Chapter 6: Applying effects Enabling CEP extensions . 68 Effects controls . 68 Last updated 11/30/2015 ADOBE AUDITION iv Contents Applying effects in the Waveform Editor . 72 Applying effects in the Multitrack Editor . 73 Adding third-party plug-ins . 74 Notch Filter effect . 75 Fade and Gain Envelope effects (Waveform Editor only) . 76 Manual Pitch Correction effect (Waveform Editor only) . -
Impact of Power Line Telecommunication Systems on Radiocommunication Systems Operating in the LF, MF, HF and VHF Bands Below 80 Mhz
Report ITU-R SM.2158 (09/2009) Impact of power line telecommunication systems on radiocommunication systems operating in the LF, MF, HF and VHF bands below 80 MHz SM Series Spectrum management ii Rep. ITU-R SM.2158 Foreword The role of the Radiocommunication Sector is to ensure the rational, equitable, efficient and economical use of the radio-frequency spectrum by all radiocommunication services, including satellite services, and carry out studies without limit of frequency range on the basis of which Recommendations are adopted. The regulatory and policy functions of the Radiocommunication Sector are performed by World and Regional Radiocommunication Conferences and Radiocommunication Assemblies supported by Study Groups. Policy on Intellectual Property Right (IPR) ITU-R policy on IPR is described in the Common Patent Policy for ITU-T/ITU-R/ISO/IEC referenced in Annex 1 of Resolution ITU-R 1. Forms to be used for the submission of patent statements and licensing declarations by patent holders are available from http://www.itu.int/ITU-R/go/patents/en where the Guidelines for Implementation of the Common Patent Policy for ITU-T/ITU-R/ISO/IEC and the ITU-R patent information database can also be found. Series of ITU-R Reports (Also available online at http://www.itu.int/publ/R-REP/en) Series Title BO Satellite delivery BR Recording for production, archival and play-out; film for television BS Broadcasting service (sound) BT Broadcasting service (television) F Fixed service M Mobile, radiodetermination, amateur and related satellite services P Radiowave propagation RA Radio astronomy RS Remote sensing systems S Fixed-satellite service SA Space applications and meteorology SF Frequency sharing and coordination between fixed-satellite and fixed service systems SM Spectrum management Note: This ITU-R Report was approved in English by the Study Group under the procedure detailed in Resolution ITU-R 1.