ATRESMEDIA Contexto Personal: Marisol Carvajal Camperos
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Seguimiento De Accesibilidad a La
SEGUIMIENTO DE ACCESIBILIDAD A LA TDT Informe de la CMT sobre accesibilidad de los contenidos televisivos Informe Económico Sectorial 2012 Comisión del Mercado de las Telecomunicaciones CMT Seguimiento de accesibilidad a la TDT ÍNDICE I. INTRODUCCIÓN ......................................................................................................................................................................................................................................................................... 4 Origen de los datos ....................................................................................................................................................................................................................................................................... 4 Operadores y canales incluidos en el informe ......................................................................................................................................................................................... 4 Porcentajes y valores de los servicios de accesibilidad en la programación de los canales según la LGCA 7/2010 ................................................................................................................................................... 5 Canales de programación de nueva emisión .............................................................................................................................................................................................. 6 Información solicitada a los -
La Cadena SER En Facebook: Nuevas Estrategias De Interacción
Fonseca, Journal of Communication La Cadena SER en Facebook: nuevas estrategias de interacción con la audiencia Ramos del Cano, Fátima La Cadena SER en Facebook: nuevas estrategias de… ISSN: 2172-9077 LA CADENA SER EN FACEBOOK : NUEVAS ESTRATEGIAS DE INTERACCIÓN CON LA AUDIENCIA Cadena SER in Facebook: new interaction strategies with audience Fátima RAMOS DEL CANO Doctoranda. Profesora de Periodismo en la Universitat Jaume I de Castellón [email protected] BIBLID [(2172-9077)6,2013,111-134] Fecha de recepción del artículo: 04/05/2013 Fecha de aceptación definitiva: 22/05/2013 RESUMEN El actual contexto periodístico ha consolidado a las redes sociales como nuevas y determinantes herramientas de comunicación e interacción con los usuarios. En este sentido, este artículo tiene por objeto analizar de qué manera la tradicional participación de la audiencia en el medio radiofónico se ha visto afectada por su implantación, centrando nuestro objeto de estudio en el perfil de Facebook (la red de mayor audiencia en España y una de las más significativas a nivel internacional) de los programas informativos de la Cadena SER: "A Vivir que son dos días", "Hora 25", "Hoy por Hoy" y "La Ventana". Partiendo de la hipótesis de su infrautilización y aplicando el análisis de contenido, se ha estudiado la actividad de estos programas en sus cuentas de Facebook. Los resultados certifican cómo la emisora no potencia la interacción con los oyentes a través de sus redes sociales. La audiencia, sin embargo, sí que emplea estas plataformas para relacionarse entre sí. La llegada de este medio social, por tanto, ha favorecido y promocionado dinámicas de participación que, a diferencia de las tradicionales, no son impulsadas, ni canalizadas por el medio radiofónico sino por los propios oyentes. -
Memoria 2010
MEMORIA 2010 ASOCIACIÓN DE FIBROMIALGIA Y SÍNDROME DE FATIGA CRÓNICA DE SALAMANCA (AFIBROSAL) ÍNDICE I. AFIBROSAL: IDIOSINCRASIA DE LA ASOCIACIÓN Y NUEVA SEDE p.5 II. ACTIVIDADES DESARROLLADAS p.6 II.1. TERAPIA COGNITIVO CONDUCTUAL p.6 II.2. TALLER DE MEMORIA p.10 II.3. FISIOTERAPIA p.15 II.4. YOGA p.17 II.5. CURSO DE INICIACIÓN A LA INFORMÁTICA p.20 II.6. MUSICOTERAPIA p.22 II.7. REFLEXOTERAPIA p.26 II.8. NATACIÓN TERAPEÚTICA p.28 II. 9. TALLER DE MANUALIDADES p.31 II. 10. OSTEOPATÍA p. 33 2 II. 11. RISOTERAPIA p. 35 II.12. SERVICIO DE APOYO PSICOLÓGICO p. 42 II.13. PROGRAMA DE PREVENCIÓN DE LA DEPENDENCIA p. 44 III. VIDA ASOCIATIVA p. 45 IV. CONGRESOS Y JORNADAS p. 49 V. FEDERACIÓN CASTELLANO-LEONESA DE FIBROMIALGIA Y SÍNDROME DE FATIGA CRÓNICA (FFISCYL) p. 61 VI. NOTICIAS p. 62 VII. SERVICIO DE ATENCIÓN AL PÚBLICO p. 66 VIII. SERVICIO DE INFORMACIÓN DE SERVICIOS SOCIALES p. 70 IX. SERVICIO DE PRENSA Y DOCUMENTACIÓN p. 71 X. CONVENIOS p. 72 3 XI. BIBLIOTECA p.73 XII. DIVULGACIÓN Y PUBLICIDAD DE LA ASOCIACIÓN p.75 XIII. COLABORADORES p.76 XIV. RECURSOS p.77 XV. AGRADECIMIENTOS p.78 4 I. AFIBROSAL: IDIOSINCRASIA DE LA ASOCIACIÓN AFIBROSAL, en su objetivo constante de lograr una mejora de la calidad de vida de las personas con fibromialgia y/o con síndrome de fatiga crónica, ofrece una serie de actividades destinadas a conseguir esta finalidad al tiempo que proporciona a los afectados una atención individualizada según sus necesidades de atención psicológica. Durante el año 2010 las actividades ofrecidas por la Asociación se han incrementando debido al aumento de su número de socios/as y de las demandas formuladas por estos. -
Celediaz.Com/Radio-Tv 625984848 [email protected] Linkedin.Com/In/Celediaztristan
DIRECTOR, PRESENTADOR Y LOCUTOR DE RADIO Y TV (1/2) celediaz.com/radio-tv 625984848 [email protected] linkedin.com/in/celediaztristan EDUCACIÓN EXPERIENCIA HABILIDADES Creador de programas de radio The Power MBA (Mas ter Business 1. 6. Administration) Director de programas de radio Business Expert Programa en Gestión y InteralmeríaTV RNE Presentador y colaborador de TV Creador, director y presentador de Administración de Empresas. Estrategia, Presentador de programas de radio 'Tomando el fresco' en RNE finanzas, marketing, emprendimiento, Febrero 2012 - actualidad project management y liderazgo. Julio 2014 - septiembre 2014 Colaborador de programas de radio 2018-2019 Entrevistar a los protagonistas y gestionar Redactor y locutor de informativos en radio y presentar en directo las redes sociales de Tuve la gran oportunidad de crear, dirigir las retransmisiones de la cadena de TV: y presentar mi primer programa de radio a Productor en radio Carnaval, Semana Santa, Feria de Almería nivel nacional, en RNE. Hicimos un NEOLAND Realizador en radio Máster en Diseño de Prod ucto (UX y UI) y Cabalgata de Reyes. grupo con algunos compañeros y 2017 organizamos un magazine de verano, para - las tardes noches estivales. Presentador de programas en TV Instituto RTVE Máster en Radio (RNE) 2. Reportero de programas en TV 2013-2014 Play Music Radio Show Locutor de radiofórmula Colaborador de programas en TV 7. Septiembre 2011 - actualidad Presentación redes sociales en TV Universidad de Málaga Radio3 Licenciatura en Comunicación Audiovisual Copresentador ‘Equilibristas” en Radio3 Locutor de radiofórmula en 'Play Music Redactor y productor en TV 2009 - 2013 Radio Show' para más de 150 emisoras Julio 2014 - septiembre 2014 Realizador en TV musicales en toda España. -
Nov12 Presentation to Investors
GRUPO ANTENA 3 www.grupoantena3.com Presentation to investors Nov 2012 Presentation to investors_Nov 2012 1 Antena 3 Group at a glance New Antena 3 Group, a leading communication group ANTENA 3 GROUP TV RADIO OTHERS (*) ADVERTISING (*) Leased and operated by Imagina Presentation to investors_Nov 2012 2 Antena 3 Group at a glance One of the largest communication groups in Spain ANTENA 3 GROUP A3 Films A3 eventos Unipublic Others LA SEXTA XPLORA 6% LA SEXTA3 TODO CINE Onda Cero GOL T* Europa FM Radio Onda Melodía TV 11% 2011 Total revenues 83% ANTENA 3 805 M€ NEOX TV NOVA NITRO 2011 Total revenues 254 M€ Planeta-De Agostini: 41.7% RTL: 19.2% Shareh. La Sexta 7.0% Treasury stock: 7.0% Free-float: 25.1% (*) Leased and operated by Imagina Presentation to investors_Nov 2012 3 Antena 3 Group at a glance Solid market position in TV and Radio Antena 3’s market position TELEVISION RADIO 43% 17% Market share Source: Infoadex Presentation to investors_Nov 2012 4 1 SPANISH TV SECTOR Presentation to investors_Nov 2012 5 Advertising market in Spain Ad market maintains downward trend Total Ad & TV market evolution In € mill CAGR ≈+10% CAGR ≈-12% 7,985 5,459 5,505 Total Ad market 3,469 2,142 2,237 TV Ad market 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012e Source: Infoadex Presentation to investors_Nov 2012 6 Advertising market in Spain TV maintains its leadership among media Ad market by media 40.1% TV 40.6% 28.3% Press 17.6% 16.3% 10.9% Magaz 9.5% Radio 9.0% 1.3% Internet 6.9% 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 Source: -
Television Advertising Insights
Lockdown Highlight Tous en cuisine, M6 (France) Foreword We are delighted to present you this 27th edition of trends and to the forecasts for the years to come. TV Key Facts. All this information and more can be found on our This edition collates insights and statistics from dedi cated TV Key Facts platform www.tvkeyfacts.com. experts throughout the global Total Video industry. Use the link below to start your journey into the In this unprecedented year, we have experienced media advertising landscape. more than ever how creative, unitive, and resilient Enjoy! / TV can be. We are particularly thankful to all participants and major industry players who agreed to share their vision of media and advertising’s future especially Editors-in-chief & Communications. during these chaotic times. Carine Jean-Jean Alongside this magazine, you get exclusive access to Coraline Sainte-Beuve our database that covers 26 countries worldwide. This country-by-country analysis comprises insights for both television and digital, which details both domestic and international channels on numerous platforms. Over the course of the magazine, we hope to inform you about the pandemic’s impact on the market, where the market is heading, media’s social and environmental responsibility and all the latest innovations. Allow us to be your guide to this year’s ACCESS OUR EXCLUSIVE DATABASE ON WWW.TVKEYFACTS.COM WITH YOUR PERSONAL ACTIVATION CODE 26 countries covered. Television & Digital insights: consumption, content, adspend. Australia, Austria, Belgium, Brazil, Canada, China, Croatia, Denmark, France, Finland, Germany, Hungary, India, Italy, Ireland, Japan, Luxembourg, The Netherlands, Norway, Poland, Russia, Spain, Sweden, Switzerland, UK and the US. -
Regional News in Spain's National Radio and Television and Their
RLCS, Revista Latina de Comunicación Social, 72 – Pages 649 to 667 Funded Research | DOI: 10.4185/RLCS, 72-2017-1184| ISSN 1138-5820 | Year 2017 How to cite this article in bibliographies / References N López Vidales, L Gómez Rubio, D Vicente Torrico (2017): “Regional news in Spain‟s national radio and television and their contribution to the image of Spain‟s autonomous communities”. Revista Latina de Comunicación Social, 72, pp. 649 to 666. http://www.revistalatinacs.org/072paper/1184/34en.html DOI: 10.4185/RLCS-2017-1184 Regional news in Spain’s national radio and television and their contribution to the image of Spain’s autonomous communities Nereida López Vidales [CV] http://orcid.org/0000-0002-6960-6129 http://scholar.google.es/citations?user=d-h-uasAAAAJ&hl=es Full Professor of Journalism. Universidad de Valladolid / University of Valladolid (Spain) [email protected] Leire Gómez Rubio [CV] http://orcid.org/0000-0002-6436-0297 http://scholar.google.es/citations?user=dufyKbUAAAAJ&hl=es Assistant Professor of Journalism. Universidad de Valladolid / University of Valladolid (Spain) [email protected] David Vicente Torrico [CV] http://orcid.org/0000-0003-0379-6086 https://scholar.google.es/citations?user=3DMiJ-0AAAAJ&hl=es Researcher in training. Universidad de Valladolid / University of Valladolid (Spain) [email protected] Abstract Introduction: National radio and television news programmes are daily sources of information for an increasing audience and, thus, are important tools in the shaping of the image of the Spanish autonomous communities that are represented in their news stories. The main objective of this article is to analyse the representations of the different Spanish autonomous communities in the regional news of mainstream national radio and television news programmes. -
Accessible Programing
ATRESMEDIA 2012 ANNUAL AND CORPORATE RESPONSIBILITY REPORT ATRESMEDIA TELEVISIÓN 62 In 2012, a total of 552 spectators, formed by 69 opinion groups, contributed as- sessments of great use. These analyses were complemented by the daily audience figures provided by Kantar Media, which enabled the level of satisfaction, and the preferences and expectations of the spectators to be known. Atresmedia Televisión’s Social Responsibility actions were assessed very positive- ly in these studies. Ponle Freno became the seal of identity of the initiatives per- formed by the Group, recognizing its considerable capacity to positively influence social awareness. Moreover, Atresmedia Televisión pays special attention to the comments of navi- gators on programing, through projects of active listening in the social networks, blogs and forums. Fruit of this permanent dialogue with the audience and to meet its needs, a pro- graming was designed that was closer to its current likes and trends. The most valued television [ According to GECA, Antena 3 The image study performed by GECA (Audiovisual Communication Studies Of- was the most fice) is a research project to ascertain the image and opinion of the Spanish pop- ulation with regard to personalities, programs, channels and other aspects related highly valued with the contents broadcast by television. television channel by The 2012 GECA index was based on a macro survey of 3,200 people throughout the Spanish Spain. population in 2012. ] According to this analysis, Antena 3 was the most highly valued television chan- nel by the Spanish population in 2012. Likewise, this channel is considered by the spectators to be the most innovative channel for the second year running, and the most entertaining, and such characteristic has been consolidated over the last four years. -
¿Quién Ve La Televisión? Revisión Del Modelo Generalista En El Espacio Mediático Convergente1
Trípodos, número 40 | Barcelona 2017 | 31-54 Rebut / Received: 09/05/2017 ISSN: 1138-3305 Acceptat / Accepted: 12/06/2017 31 ¿Quién ve la televisión? Revisión del modelo generalista en el espacio mediático convergente1 Who Is Watching TV? A Revision of the Generalist Model in the Converging Media Landscape Scenario TRÍPODOS 2017 | 40 Jéssica Izquierdo Castillo Universitat Jaume I (España) La televisión actual busca un espacio Television seeks a space for relocation de reubicación dentro del panorama within the convergent media lands mediático convergente. En los últimos cape. In recent years, the multiplication años, la multiplicación de canales, la of channels, the consolidation of online consolidación de plataformas online, platforms, changes in audience habits, los cambios de hábitos del público, el the aging of the classical audience and envejecimiento de la audiencia y la the weak connection with young au débil conexión con el público joven dience have provoked transformations han provocado transformaciones que that have affected television content. han afectado a los contenidos televi This paper studies the evolution of ge sivos. neralist television during the period Este trabajo estudia la evolución de la from 2007 to 2016, when contex televisión generalista durante el perio tual and structural factors converged. do comprendido entre 2007 y 2016, These factors have determined the cu en que confluyen factores contextua rrent development of television, forming les y estructurales que han determina an oligopoly around the Atresmedia do su desarrollo actual, formando un and Mediaset groups. Together, they oligopolio en torno a los grupos Atres account for 86.4% of the advertising media y Mediaset. -
August 2017 Index
LAST UPDATE: AUGUST 2017 INDEX The twenties p.3 The thirties p.4 The forties p.6 The fiftiesp.7 The sixties p.8 The seventies p.9 The eighties p.10 The nineties p.11 The new century p.13 RTL GROUP – THE HISTORY 2/19 The twenties The world discovers a new method of immediate and far-reaching communication: the radio. 1924 1928 FIRST STEPS INCREASING POWER Enthralled by radio broadcasting, François and The transmitter’s power is boosted to 250W. Marcel Anen install a radiotelephone transmitter in the attic of their house, 28, Rue Beaumont in The same year, François Anen accepts the Luxembourg, in autumn 1923 and start their first outgoing 3kW transmitter from Radio Toulouse to experiments. use in Luxembourg. APRIL 1924 A French–Luxembourgish study syndicate is FROM AMATEUR RADIO created, with the aim of installing a powerful radio station in Luxembourg. Named Blue Star TO BROADCASTING Radio, it is represented by the Luxembourgish In April 1924, the Anen brothers take the step from sports journalist, Alphonse Steinès, and has amateur radio to broadcasting, sending out a regular the financial support of the Banque française et programme from Luxembourg, playing mainly music hollando-américaine. records. 1929 JULY 1925 BECOMING PROFESSIONAL TWO MORE COMPANIES The Anen brothers create the Association Radio The same aim is pursued by two more companies Luxembourg to run the station. created in 1929: On 27 May, the Société Luxembourgeoise d’Études 1926 Radiophoniques (SLER), led by the French ENTERTAINING Compagnie des Compteurs, is officialised. The station broadcasts records, sports results 29 July, sees the officialisation of the Compagnie on Saturdays, and live concerts performed by an Nationale de Radiodiffusion Luxembourgeoise orchestra from their attic studio, as well as from (CNRL), led by Jacques Trémoulet, Head of Radio outside. -
Net Revenues by Segment
9M 14 Results October 23, 2014 www.atresmediacorporacion.com 9M 14 Results 1 9M 14 Highlights According to internal sources, Total Ad market increased by +4.8% yoy in 9M 14 with TV and Radio up by +9.9% and +2.6% respectively. Atresmedia Television’s audience reached 28.0% in 9M 14, 0.5pp less yoy, mainly due to the closure of 3 channels in May and the competition from special sports events on other operators. Atresmedia Television’s ad revenue growth was +6.9% at 9M14 and registered an accumulated market share close to 42% Atresmedia Radio (+6.4% yoy) outperformed the market once again Atresmedia’s Net Revenue totalled €626 mill (+7.8% yoy) Total OPEX stood at €542mill (+1.2% yoy) EBITDA of €84 mill (+85% yoy) and Net Income of €47 mill (+67% yoy), already above FY 2013 figures Total net debt ended at €100 mill (€85 mill less than Dec 2013) New DTT technical plan finally approved in Sept 2014 9M 14 Results 2 1 9M 14 Financial Summary 9M 14 Results 3 Advertising market in Spain Total Ad market up by +4.8% yoy at 9M 14 TV outperformed the market (+9.9%) while Radio remained below (+2.6%) TV: Very strong Q3 14 (+21.8%) Media Q3 14 yoy 9M 14 yoy TV +21.8% +9.9% Radio +1.5% +2.6% Newspapers -1.2% -2.8% Magazines -0.5% -2.3% Sunday suppl. -2.7% -8.5% Outdoor +7.0% +2.0% Internet +4.0% +4.5% Cinema +6.6% +11.0% Total +10.1% +4.8% Source: Internal estimates 9M 14 Results 4 Atresmedia: Consolidated results 9M 14 Results in € mill: P&L 9M 14 9M 13 YoY Net Revenues 626.2 581.2 +7.8% OPEX 541.9 535.7 +1.2% EBITDA 84.3 45.5 +85.5% EBITDA -
Resultats VE2011
Informe Resultats Cobertura internacional : 150 països Europa : 59 països (France TV, VRT, NED1…) Amèrica : 20 països Àsia : 20 països (NBC, ESPN Brasil…) (SBS, Sky sports 1…) Agències : Àfrica : 52 països (Euronews, Reuters, etc.) (Supersports) Font : Unipublic 2011 XIFRES TV a Espanya 1. DIFUSIÓ : 129 hores a Teledeporte i La Primera, Audiències TV dels grans esdeveniments esportius Programes en directe - Espanya de les que 55 hores han estat retransmissió en directe 2. AUDIENCIA MITJA : 805.000 telespectadors Share: +5,6 pts vs cadena 628.000 805.000 480.000 telespect. telespect. telespect. 3. OFERTA ESPORTIVA : La Vuelta - 28% - 68% Molt per davant de la Copa Davis i l’Eurobasket vs Vuelta vs Vuelta Font : Kantar Media 2011 XIFRES TV a Espanya Un rendimient estable tot i existir un entorn de TV cada vegada m és fragmentat Mitja Share anual Teledeporte Audiència « La Vuelta » (000’s) - 13% - 2% 824 1,50% 805 1,30% 2010 2011 2010 2011 Font: Kantar Media 2011 XIFRES TV a Espanya Anàlisis comparatiu dels millors resultats d'audiència Edició 2010 : La Bola del Mundo Edició 2011 : Alto del Angliru 2.251.000 telespectadors 2.277.000 telespectadors Font : Kantar Media 2011 Resultats d’altres mitjans #1. PREMSA #2. RADIO #3. Noticies en TV 4.684 articles (+6%) 759 noticies (+6%) 570 noticies (+18%) Font : Kantar Media 2011 La Vuelta : 2 milions d’espectadors Un esdeveniment festiu que es comparteix Perfil seguidors Espanyol (97%) 38 anys (mitja) Home (81%) En grup (3/4 persones) De mitja recorren 57 km per veure La Vuelta 3h23 de permanència in situ Font : Enquesta entre púlic assistent 2011.