Market Opportunities and Challenges
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
COTY INC. (Exact Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 Form 10-Q (Mark One) ý QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE QUARTERLY PERIOD ENDED SEPTEMBER 30, 2018 OR ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM TO COMMISSION FILE NUMBER 001-35964 COTY INC. (Exact name of registrant as specified in its charter) Delaware 13-3823358 (State or other jurisdiction of incorporation or organization) (I.R.S. Employer Identification Number) 350 Fifth Avenue, New York, NY 10118 (Address of principal executive offices) (Zip Code) (212) 389-7300 Registrant’s telephone number, including area code Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes ý No ¨ Indicate by check mark whether the registrant has submitted electronically and posted on its corporate Web site, if any, every Interactive Data File required to be submitted and posted pursuant to Rule 405 of Regulation S-T (§232.405 of this chapter) during the preceding 12 months (or for such shorter period that the registrant was required to submit and post such files). Yes ý No ¨ Indicate by check mark whether the registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer, or a smaller reporting company. -
EDITOR's NOTE: Hallmark Channel Has Breaking News
EDITOR’S NOTE: Hallmark Channel has Breaking News, go to www.crownmediapress.com for more information. FOR IMMEDIATE RELEASE: January 8, 2015 LACEY CHABERT STARS WITH BRENNAN ELLIOTT AND SEVEN-TIME EMMY® AND FIVE-TIME GOLDEN GLOBE® WINNER EDWARD ASNER IN ‘ALL OF MY HEART’ (wt) A HALLMARK CHANNEL ORIGINAL MOVIE WORLD PREMIERE FEBRUARY 14 Part of Hallmark Channel’s ‘COUNTDOWN TO VALENTINE’S DAY’ Lacey Chabert (“Mean Girls,” “Party of Five,” “A Royal Christmas”), Brennan Elliott (“Debbie Macomber’s Cedar Cove,” “Criminal Minds”) and seven-time Emmy® and five-time Golden Globe® winner Edward Asner (“The Mary Tyler Moore Show,” “Elf”) star in “All of My Heart” (wt), a Hallmark Channel Original Movie World Premiere Saturday, February 14 (8p.m. ET/PT, 7C). Greyston Holt (“Bitten,” “Signed, Sealed, Delivered”), Daniel Cudmore (“X-Men: Days of Future Past,” “The Twilight Saga: Breaking Dawn – Part 2”) and Heather Doerksen (“The Cabin in the Woods”) co-star. “All of My Heart” (wt) is part of Hallmark Channel’s ‘COUNTDOWN TO VALENTINE’S DAY,’ a two week celebration featuring nearly 300 hours of fan-favorite romantic movies all leading up to February 14th! A young caterer’s life suddenly changes course when she inherits a country home and learns she must share it with a career-obsessed Wall Street trader. At first, these opposites do not attract, but feelings begin to change when they find themselves having to work side-by-side to restore their newly acquired home “All of My Heart” (wt) is a Front Street Pictures and Better Road Productions Ltd Production. -
Sites Using React · Facebook/React Wiki · Github
Personal Open source Business Explore Pricing Blog Support This repository Search Sign in Sign up facebook / react Watch 3,811 Star 53,928 Fork 9,588 Code Issues 493 Pull requests 97 Projects 0 Wiki Pulse Graphs Sites Using React Wylie Swanson edited this page Nov 14, 2016 · 622 revisions If you use React, don't be shy – edit this page! Pages 18 The Art Of Ping Pong Find a Page… 1stdibs ‐ Online marketplace for antique furniture, jewelry, fashion, and fine art 6play ‐ Video site for the "M6" french TV channel Home 6rooms 2015 03 20 90min 2015 03 27 9flats 2015 04 03 Accio 2015 04 10 Asciinema Adazzle 2015 04 17 AddThis 2015 04 24 ADN Articles and Videos AdRoll ‐ AdRoll Prospecting UI, component library Complementary Tools Afterclasse ‐ Educational website for french students Examples AgileMD Meeting Notes Aha! Algolia ‐ Hosted Search API Meetups Amaze UI ﴾in Chinese﴿ Polyfills Angie's List Projects Airbnb react AirHelp Show 3 more pages… African Exponent ‐ Premier source of reliable African and World news Alipay Clone this wiki locally Andy Tran ‐ CodePen Profile powered by React https://github.com/facebook/react.wiki.git Ant Design AnyList Clone in Desktop Appointment Reminder ARTE ‐ Video site for the ARTE french/german TV channel Asana Assembly Assertible ‐ QA for the Web Atlassian Automattic Avant Avaza Ayasan Backpack Page 1 of 14 Assembled by RunPDF.com BBC Benzinga Beroomers ‐ Find your ideal student home! BetBetr Beyondpad Biblebox BigDecisions ‐ Used React+Flux for calculators. BigRentz BilletFix ‐ Simple ticket management system -
E C O N O M I C S
ECONOMICS OF MOBILE 2015 EDITION © 2015 SNL Kagan, a division of SNL Financial LC. All rights reserved. One SNL Plaza, Charlottesville, VA 22902 | Phone: 866.296.3743 | www.snlkagan.com Published May 2015 | ISBN: 978-1-939835-437 ECONOMICS OF MOBILE 2015 EDITION © 2015 SNL Kagan, a division of SNL Financial LC. All rights reserved. One SNL Plaza, Charlottesville, VA 22902 | Phone: 866.296.3743 | www.snlkagan.com Published May 2015 | ISBN: 978-1-939835-437 Economics of Mobile Programming SNL Kagan Industry Report Contents Executive Summary........................................................2 Mobile ads vs. video subscription services revenue, U.S. (chart) ................2 Comparing multichannel video subs and subscription OTT subs, Q4 2014 (chart)...3 The Addressable Market: Sizing the U.S. Smartphone and Tablet Audience .............4 Smartphone and tablets in use, U.S., 2008-2014 (chart) .......................4 Carrier Video Subscription Services Are No Competition for OTT/TV Everywhere .......5 Carrier-branded mobile video subs, 2007-2014 (chart)........................5 Carrier-branded mobile video revenue, 2007-2014 (chart) .....................5 OTT and mobile video year-end subs, 2007-2014 (chart) ......................6 Comparing multichannel video subs and subscription OTT subs, Q4 2014 (chart)...6 OTT and carrier-branded mobile video device compatibility ...................7 Price differential between OTT & carrier-based mobile video services, 2015 .......7 Free mobile video content, 2015.........................................7 -
Review Selection Using Micro-Reviews
IEEE TRANSACTIONS ON KNOWLEDGE AND DATA ENGINEERING, VOL. 26, NO. X, XXXXX 2014 1 Review Selection Using Micro-Reviews Thanh-Son Nguyen, Hady W. Lauw, Member, IEEE, and Panayiotis Tsaparas, Member, IEEE Abstract—Given the proliferation of review content, and the fact that reviews are highly diverse and often unnecessarily verbose, users frequently face the problem of selecting the appropriate reviews to consume. Micro-reviews are emerging as a new type of online review content in the social media. Micro-reviews are posted by users of check-in services such as Foursquare. They are concise (up to 200 characters long) and highly focused, in contrast to the comprehensive and verbose reviews. In this paper, we propose a novel mining problem, which brings together these two disparate sources of review content. Specifically, we use coverage of micro-reviews as an objective for selecting a set of reviews that cover efficiently the salient aspects of an entity. Our approach consists of a two-step process: matching review sentences to micro-reviews, and selecting a small set of reviews that cover as many micro-reviews as possible, with few sentences. We formulate this objective as a combinatorial optimization problem, and show how to derive an optimal solution using Integer Linear Programming. We also propose an efficient heuristic algorithm that approximates the optimal solution. Finally, we perform a detailed evaluation of all the steps of our methodology using data collected from Foursquare and Yelp. Index Terms—Micro-review, review selection, coverage Ç 1INTRODUCTION ODAY, we can find ample review content in various Web micro-review of the place. -
SOCIAL SHAPING of TWITTER a Comparative Analysis of Twitter Use by Dutch and American Book Publishers
SOCIAL SHAPING OF TWITTER A comparative analysis of Twitter use by Dutch and American book publishers by Annefloor F. Samsom 323904 Prof. Dr. J. Jansz (supervisor) P. McCurdy, PHD (second reader) Erasmus University of Rotterdam Faculty of History and Arts Master Media and Journalism February 2010 SOCIAL SHAPING OF TWITTER SOCIAL SHAPING OF TWITTER A comparative analysis of Twitter use by Dutch and American book publishers Annefloor Samsom [email protected] www.twitter.com/annefloors 323904 Supervisor: Prof. Dr. J. Jansz Second reader: P. McCurdy, PHD Erasmus University Rotterdam Faculty of History and Arts Master Media and Journalism 2 SOCIAL SHAPING OF TWITTER PREFACE My first encounter with Twitter was during my internship at a Digital Marketing Agency in New York City, in the summer of 2009. There I was responsible for keeping several Twitter channels updated for numerous book publishers, which can be considered as business-to-consumer tweeting. Being an active participant in the Twitter environment, I was surprised by how many people were frequently using Twitter and were willing to communicate with other users, even if it were businesses. As I was sending out tweets for clients and responded to tweets from other users, I was having a conversation with customers within the social media environment. This is where my enthusiasm for Twitter started: I believe in Twitter, and I am glad that I had the chance to be part of both Dutch and American Twitter communities. I am deeply grateful for the support and encouragement of my supervisor during this thesis project, Professor Jansz. It was great to find another Twitter believer and I am thankful for the inspiring and ongoing discussions we could have about Twitter and my thesis. -
Iamabroadcaster Delegate Book 2015
P10 AGENDA P14 SPEAKERS Your guide to two days of Who is contributing to this AIB informative sessions outstanding conference Association for International Broadcasting #iamabroadcaster TWO DAYS OF HIGH-LEVEL DISCUSSION AND DEBATE ABOUT THE INTERNATIONAL MEDIA INDUSTRY | LONDON | 18-19 FEBRUARY 2015 Conference agenda AIB Association for International Broadcasting PRACTICAL INFORMATION #iamabroadcaster Twitter Mobile phones Video recording You can tweet about today’s event As a courtesy to your colleagues AIB will record the conference. - we have created the hashtag of at the conference, please ensure By entering the conference premises, you give your #iamabroadcaster for the that your mobile is switched to consent to be filmed. conference. silent when you are in the You also agree not to record or digitise any parts of Follow AIB @aibnews on twitter. conference. the event. Refreshments and lunch Transportation Refreshments will be served in The closest Underground stations are Regent’s Park – on the Bakerloo line – and Oxford the reception area adjacent to the Circus – on the Bakerloo, Central and Victoria lines. Traditional black cabs can be booked in main conference auditorium. advance through Radio Taxis by calling 020 7272 0272. Mini cabs can be booked through Lunch will be served in the Addison Lee by calling 020 7387 8888. We also recommend Uber which offers an efficient Florence Hall on the first floor. service in London. Quote the RIBA postcode when booking your taxi – W1B 1AD Smoking After the conference We would like to make this event non-smoking – and Photographs and speaker presentations - for those who have granted it is important to remember that smoking is not permission - will be available in the week following the event. -
What Millennials Want Fro M Tv
W HAT M ILLENNIALS W ANT F RO M TV Author: Colin Dixon, Founder and Chief Analyst, nScreenMedia | Date: Q3 2014 www.nScreenMedia.com This paper is made possible by the generous contribution of: Introduction After years of growth the pay television industry has Stalwarts of the industry are confident that they will hit a plateau. In the US, while the pundits argue about win the millennial consumer’s business. Jeff Bewkes, small gains and losses, the core number of households Time Warner Inc. CEO, said recently, “Once they with pay television has been stuck at about a hundred <millennials> take the mattress and get it off the floor, million for the last few years. In the UK, it is the same that’s when they subscribe to TV.” 1 Is he right, as story. Sky, the leading pay-TV provider in the UK, has millennials age will they subscribe to pay television, struggled to continue growth beyond 10.5 million just as their parents did? Unfortunately, there is homes. evidence that attracting the young customer is harder than it has ever been before. Though the overall number of subscribers may not be changing, operators must work very hard just to keep This paper will examine the dimensions of the those that they have today. In this daily battle for problems facing operators in attracting millennial customers, one of the most important age groups for consumers. It will look at the increasingly important operators to focus on is the 18 to 29-year-olds, the so- role of social media in the video experience, called millennial generation. -
“Over-The-Top” Television: Circuits of Media Distribution Since the Internet
BEYOND “OVER-THE-TOP” TELEVISION: CIRCUITS OF MEDIA DISTRIBUTION SINCE THE INTERNET Ian Murphy A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Communication. Chapel Hill 2018 Approved by: Richard Cante Michael Palm Victoria Ekstrand Jennifer Holt Daniel Kreiss Alice Marwick Neal Thomas © 2018 Ian Murphy ALL RIGHTS RESERVED ii ABSTRACT Ian Murphy: Beyond “Over-the-Top” Television: Circuits of Media Distribution Since the Internet (Under the direction of Richard Cante and Michael Palm) My dissertation analyzes the evolution of contemporary, cross-platform and international circuits of media distribution. A circuit of media distribution refers to both the circulation of media content as well as the underlying ecosystem that facilitates that circulation. In particular, I focus on the development of services for streaming television over the internet. I examine the circulation paths that either opened up or were foreclosed by companies that have been pivotal in shaping streaming economies: Aereo, Netflix, Twitter, Google, and Amazon. I identify the power brokers of contemporary media distribution, ranging from sectors of legacy television— for instance, broadcast networks, cable companies, and production studios—to a variety of new media and technology industries, including social media, e-commerce, internet search, and artificial intelligence. In addition, I analyze the ways in which these power brokers are reconfiguring content access. I highlight a series of technological, financial, geographic, and regulatory factors that authorize or facilitate access, in order to better understand how contemporary circuits of media distribution are constituted. -
THESIS the USE of PARATEXTUAL DEVICES in BROADCAST PROMOTION: a CONTENT ANALYSIS of SEASON THREE of GLEE on FACEBOOK Submitted
THESIS THE USE OF PARATEXTUAL DEVICES IN BROADCAST PROMOTION: A CONTENT ANALYSIS OF SEASON THREE OF GLEE ON FACEBOOK Submitted by Rachel Timmons Department of Journalism and Technical Communication In partial fulfillment of the requirements For the Degree of Master of Science Colorado State University Fort Collins, Colorado Summer 2015 Master’s Committee: Advisor: Kirk Hallahan Scott Diffrient Rosa Martey Copyright by Rachel Timmons 2015 All Rights Reserved ABSTRACT THE USE OF PARATEXTUAL DEVICES IN BROADCAST PROMOTION: A CONTENT ANALYSIS OF SEASON THREE OF GLEE ON FACEBOOK This study analyzed all Facebook posts during the third season of the Fox Broadcast Network television show Glee (n=763), from August 2011 to May 2012. The study illustrated that Facebook posts can be considered valuable paratextual devices (Gray, 2010b) that can be used in the promotion of a television program. The program’s promoters, who served as Facebook Page administrators, used Facebook for three purposes: build viewership, enhance the live-viewing experience, and build brand awareness and engagement. Visual paratexts, such as images and videos, were used more widely than text-based paratexts. Some of the most frequently employed paratexts included previews/sneak peeks/promos, cast-member specific posts, spoilers or teasers, and music video clips. Posts were about equally split in terms of being related to specific episodes versus the show in general. Almost half of the overall posts displayed high interactivity, which prompted the users to leave the Facebook platform. These posts can be valuable if the show is interested in building brand awareness and enhancing the viewing experience, not just increasing post and Page likes. -
> Home^Ev^Spdper-'^
7 .- Q .DaiVVBr. : ; . 'T . ••; T; ' [ ,... ■ N 'V " '■'"■ ’• •• . - • V..,. -Sv V,';'. ; •; •• (jblO M. Juiiu.DaviV.Dr. ----------- ^ . g } 7 0 b : ^ - C ^ a p , - - -T "-- . ■-7-:-"-^— -j ^ ^ ~ • . ’r ' W ea th er ' H om e — '* ■ .&6lej,.,5[f/iVidy;-:hdyX ...MV m EF in a l , M aagic i V ailey’s; > Home^ev^spdper-'^H om e ■ _ ■ ~ ~ TO. TUESDAY, 0GT0BE !rt7^cF = ^^^ f f i l i S o r t a si M i t t o i a L Tpr tilo Tl = ^^:|S ena;fe-- ijfeRaids^ I u S E E•t iTo Iiivtn ^ R e ' , .Ni^HVnJCEr Tenn. (AP)p ) ’-— j M ssi&r~" Kvi Presideni'Hubert H. Hiim-Hum- ' V. J V B v ' _J»l£ey_aysjf_eiectcd_pcfisidfintsident- ..-M -hc. w ^ stopHbe-bombjngn g . ofoJ - ■ North Vietnam as an "accepta*. • ■ I G l o t ui r e B y 4 5 . ‘blft- riJk" for.peacC 'I f .HariofI^'atiof 'M ;i=;;=shQW^ilKngnes«—tc^-restore :— M WASHINGTONWASl (A P) —— TTho]U^e■^ hofure". :Johnson replied hee would HcfciHefcrring to this sequence of _ . ji_^--Mie^(!(militarizea-2one?- '» ■• , " S a Senate refused. Tuc.sday to cutjacceptcutlaccept upon- Senate confirma-onfirma- events, Sen. Paul J. Fannih.H -" In hia- Hrsc paid nationwide . ■ off.o ff. a filibu.ster against PPresl-jtlon resl-jtlon of a successor. - . '’ - j3,rjZuJj5,rjZi*-iold ih e S e n a te, t h a ^ ‘*.thi* --•'^elci^slon 'broadcast M onday ■ ■ dgiedone T■Johnson’s ■ nominationlon.i'of ^ of SubsSubsequently Warren told"^ Mickey Mouse tjtpcrof .orrange--------- and spcalcing. from1 'SaltSalt - g AbeA be FortasFc lo be' chief justice news cconference that, in1 the in- mcnt iis jin affront to tho Con- „• • i a b City ,before*^flying VKiire.''Ksre. -
Six Emerging Trends in Media and Communications Occasional Paper
Six emerging trends in media and communications Occasional paper NOVEMBER 2014 Canberra Melbourne Sydney Red Building Level 32 Level 5 Benjamin Offices Melbourne Central Tower The Bay Centre Chan Street 360 Elizabeth Street 65 Pirrama Road Belconnen ACT Melbourne VIC Pyrmont NSW PO Box 78 PO Box 13112 PO Box Q500 Belconnen ACT 2616 Law Courts Queen Victoria Building Melbourne VIC 8010 NSW 1230 T +61 2 6219 5555 T +61 3 9963 6800 T +61 2 9334 7700 F +61 2 6219 5353 F +61 3 9963 6899 1800 226 667 F +61 2 9334 7799 Copyright notice http://creativecommons.org/licenses/by/3.0/au/ With the exception of coats of arms, logos, emblems, images, other third-party material or devices protected by a trademark, this content is licensed under the Creative Commons Australia Attribution 3.0 Licence. We request attribution as: © Commonwealth of Australia (Australian Communications and Media Authority) 2014. All other rights are reserved. The Australian Communications and Media Authority has undertaken reasonable enquiries to identify material owned by third parties and secure permission for its reproduction. Permission may need to be obtained from third parties to re-use their material. Written enquiries may be sent to: Manager, Editorial and Design PO Box 13112 Law Courts Melbourne VIC 8010 Tel: 03 9963 6968 Email: [email protected] Contents Introduction 1 Communication goes OTT 6 Consumers build their own communications links 10 Wearable devices—personalised data arrives 15 ‘Flexible’ TV—online expands viewer options 19 Multi-screening is mainstream 25 TV is still the main news source, even as platforms shift 30 | iii Introduction The ACMA monitors industry and consumer data to identify changes in the media and communications environment and their impact on regulatory settings.