Flash Gordon (1980)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ncaa Bracket
Captain Hook Emperor Palpatine Evil Hannibal Lecter Brenda Walsh Hannibal Lecter Brenda Walsh Megatron Hannibal Lecter Brenda Walsh Boris Red Skull Boris Red Skull Milo Minderbinder Snidely Whiplash Warden Norton EAST WEST Iago George Lucas Snidely Whiplash George Lucas King Ghidorah Darth Vader Warden Norton Warden Norton Iago Cy-Kill Warden Norton Iago Bowser Iago Baron Silas Greenback Hans Beckert Nurse Ratched Iago Pinhead Gargamel Pinhead Gargamel Cobra Commander Pinhead Gargamel Shredder Natasha Shredder Natasha Baba Yaga Sideshow Bob Nurse Ratched Sauron Sauron Sideshow Bob Sauron Jason Vorhees Tommy Lasorda Leatherface Nurse Ratched Nurse Ratched Sauron Dr. Claw Nurse Ratched Dr. Claw Hal 9000 Gozar the Gozarian Montgomery Burns Bill Sikes Montgomery Burns Tommy Lasorda Bill Sikes Duke Fame Don Logan T-1000 Montgomery Burns Bill Sikes Gannondorf Lex Luthor Mr. Wapensky Lex Luthor Mr. Wapensky (7th-grade teacher) Iago Cruella De Vil Noah Cross Professor Moriarty Mr. Blonde Noah Cross Cobra Kai sensai Noah Cross Cobra Kai sensai Francis Buxton Noah Cross Professor Moriarty Professor Moriarty Francis Buxton Professor Moriarty Voldemort The Noid Ming the Merciless Anton Chigurh Mumm-Ra Tommy Lasorda Dog from Duck Hunt Anton Chigurh Mumm-Ra General Zod Hans Gruber Mumm-Ra Anton Chigurh Jack the Ripper Hans Gruber Jack the Ripper Sammy Hagar J.J. Hunsecker Freddy Krueger Tommy Lasorda MIDWEST SOUTH Dog from Duck Hunt Dog from Duck Hunt Tommy Lasorda Dog from Duck Hunt Tommy Lasorda Gordon Gekko The Predator Tommy Lasorda Dog from Duck Hunt Grendel The Predator Grendel Pizza the Hutt Miles Mayhem. -
Marvel References in Dc
Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros. -
Paratracks in the Digital Age: Bonus Material As Bogus Material in Blood Simple (Joel and Ethan
Warning Concerning Copyright Restrictions The Copyright Law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be used for any purpose other than private study, scholarship, or research. If electronic transmission of reserve material is used for purposes in excess of what constitutes "fair use," that user may be liable for copyright infringement. Werner Huber, Evelyne Keitel, Gunter SO~ (eds.) - I lntermedialities ~ Wissenschaftlicher Verlag Trier Aeier Feb. Paratracks in the Digital Age: Bonus Material as Bogus Material in Blood Simple (Joel and Ethan 919. Coen, 1984/2001) Eckart Voigts-Virchow Introducing the Paratrack: The DVD Audio Commentary ' In the past few years, the DVD has wreaked havoc in the cinema. Just like the video cassette and the laser disc, it serves the movie industry as an ancillary market for theatrical releases - but worries about illegal copying abound. Consumers are as likely to encounter movies in the cinema and on television as in the comfort of their home on Digital Versatile Disk (DVD), which has virtually replaced the VCR tape. The ris zu appearance of the DVD has re-structured the apparatus of film/video and has gene 160- rated an increasing number of varied paratextual traces that bring film closer to Gerard Genette's model of the paratext - the printed codex or book. The practice of attaching audio commentaries to movies had already begun with the laser disc. -
13Th 20Th March 2015 the Pennine Film Festival Is a Premiere Event at the Heart of Lancashire That Develops and Inspires Young and New Filmmakers
13TH 20TH March 2015 The Pennine Film Festival is a premiere event at the heart of Lancashire that develops and inspires young and new filmmakers. Printed by Peter Scott Printers Ltd Welcome to the Ninth Pennine Film Festival Last year’s festival was a massive success and we are hoping that this year’s will be bigger and better. Most events are FREE to the public but numbers are limited. To book your place for any of the events this Tickets are also available from the week, please contact Kay Aspinall at the Information Centre at Accrington Town Hall: Coppice Theatre: 01254 380293 01254 354097 www.hyndburnleisure.ticketsource.co.uk [email protected] www.penninefilm.com Stephen Murphy - Event coordinator Call: 01254 354 227 | Email: [email protected] /PennineFilmFestival @PennineFilmFest /PenFilmFest Pen9 Film Festival 2015: at a glance Time Date Time Date Friday 13th Saturday 14th Sunday 15th Monday 16th Tuesday 17th Wednesday 18th Thursday 19th Friday 20th Screening and QnA with Competition College Peter Sellers & The The Peoples Choice Morning QnA of Animator, Screenings: Morning ‘World War 1 Day’ Goons Exhibition Award (10am start ‘2AM’ Barry Purves • Best Narrative (10am start) Coppice Theatre, TV Studio, Coppice Theatre, unless stated) Coppice Theatre, Coppice Theatre, Feature AccRoss College AccRoss College AccRoss College AccRoss College AccRoss College • Best Narrative Short Lunch Lunch ‘Ghostbusters Screening and Screening of Competition Afternoon Day’ QnA of QnA with ‘Flash Gordon’ Afternoon Screenings: (1pm start The Church of St ‘East’ Sound Engineer Dean Covill Coppice Theatre, (1pm start) • Best Docu Feature unless stated) James, Accrington, Coppice Theatre, Coppice Theatre, AccRoss College AccRoss College • Best Docu Short 2pm AccRoss College Screening and Screening of Evening QnA of The Wrap Party ‘The Exorcist’ Evening (7pm start ‘Get Carter’ Grants Bar, Accrington Town (7pm start) Accrington Town Accrington, 7:30pm unless stated) Hall, 7:30pm Hall, 7:00pm For Coppice Centre call 01254 354 097 or email us at [email protected]. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Fixit Game Index & DIP Switch Settings
Fixit Game Index & DIP Switch Settings These two charts show game assigments of the 128 pages of memory in the ROM and the dip switch settings used to address them: Game Name Index Game Name Index Game Name Index Ali 119 Gold Ball 44 Power Play 5 Baby Pac-Man 52 Grand Slam 43 Quicksilver 98 Big Game 118 Granny & Gators 51 Rapid Fire 53 Black Jack 7 Harlem Globetrotters 17 Rolling Stones 23 Black Pyramid 48 Hot Doggin' 25 Seawitch 97 BMX 42 Hot Hand 110 Silverballmania 21 Catacomb 117 Iron Maiden 109 Six Million $ Man 10 Centaur 36 Kings of Steel 47 Skateball 27 Cheetah 116 KISS 15 Space Invaders 22 Cyternaut 50 Lazerlord 108 Speakeasy 41 Dolly Parton 18 Lectronamo 107 Spectrum 40 Dracula 115 Lightning 106 Split Second 96 Dragonfist 114 Lost World 9 Spy Hunter 46 Eight Ball 4 Magic 105 Star Gazer 95 Eight Ball Deluxe 31 Mata Hari 6 Stars 94 Elektra 37 Medusa 35 Star Trek 14 Embryon 33 Memory Lane 104 Stingray 93 Evel Knievel 3 Meteor 103 Strikes & Spares 8 Fathom 34 Mr. & Ms. Pac-Man 39 SuperSonic 13 Fireball II 32 Mystic 24 Test Software 0 Fireball Classic 49 Night Rider 2 Trident 92 Flash Gordon 30 Nineball 102 Vector 38 Flight 2000 113 Nitro Groundshaker 20 Viking 26 Freedom 1 Nugent 101 Viper 91 Freefall 112 Orbitor 1 100 Voltan 12 Frontier 28 Paragon 16 Wildfyre 90 Future Spa 19 Pinball 99 Xenon 29 Galaxy 111 Playboy 11 X's and O's 45 ADDED 11/2013 Monroe Bowl 120 DIP Switch Chart Index MPU Board Game Name 1 2 3 4 5 6 7 8 0 All Models TEST OFF OFF OFF OFF OFF OFF OFF OFF 127 NOT USED ------------------- ON ON ON ON ON ON ON OFF 126 -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Q34dk007dos Joker
th Volume XXXIII o c http://foolsguild.org QK 34D 007 Dos Joker CowboysCowboys & Aliens Plan 9 from Apache Junction Table of ContentS 1 Cowboys & Aliens Hello Fool! 2 TOC (U R here) Two Mules for Princess Leia They call the wind Chewbacca If you’re reading this, then you’re a Fool. Quod erat demonstratum. 3 Wim & Michael You could look it up, you’re online. 4 Wedding Photos The Joker has made the leap - from analog to 5 A Gala at Galaxy Gulch virtual, from printed to online, from paper to 6 Party/KiQuing Pin plastic, from sublime to ridiculous, and from soup to nuts - for numerous reasons, the most salient 7 Cowboys & Aliens being money - moolah, cash, coin, cabbage, lucre, 8 A Perfect Likeness legal tender, scootie, simoleons, bread, bucks, 9 Tom’s a Fool now dough, dinero – you know, the stuff from which, 10 Poetry/OLPS by tradition, we Fools are soon parted. It costs an arm and a leg to deliver this precious 11 Calendar & Ads pamphlet to profuse portals and even with 12 Ads & YOU Kneezaparte and Elbozen, we’ve finally run current reigning... out of limbs. We also believe in embracing new st KiQuing Of Fools technology by moving into the 21 Century, *King James Charming, The 007th * but for those Old Farts among us, you may *Quing Lily Lamé, 34D* also print this merry missive to pore over and peruse in solitary splendor while passing stools Mother Folly and emitting gas perched upon your personal *KissYo Mama * Shannon Wade * porcelain pondering pedestal. -
Docket No. 19-3160-Cv Plaintiff-Appellant, V. Defendants
Case 19-3160, Document 89-1, 08/17/2020, 2909066, Page1 of 38 19-3160-cv Anas Osama Ibrahim Abdin v. CBS Broadcasting Inc., et al. UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT August Term 2019 (Submitted: May 14, 2020 Decided: August 17, 2020) Docket No. 19-3160-cv ANAS OSAMA IBRAHIM ABDIN, Plaintiff-Appellant, v. CBS BROADCASTING INC., NETFLIX, INC., CBS CORPORATION, CBS INTERACTIVE, INC., Defendants-Appellees. ON APPEAL FROM THE UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK Before: CHIN AND CARNEY, Circuit Judges, AND DOOLEY, District Judge.* * Judge Kari A. Dooley, of the United States District Court for the District of Connecticut, sitting by designation. Case 19-3160, Document 89-1, 08/17/2020, 2909066, Page2 of 38 Appeal from a judgment of the United States District Court for the Southern District of New York (Schofield, J.), dismissing plaintiff-appellant's third amended complaint pursuant to Federal Rule of Civil Procedure 12(b)(6). Plaintiff-appellant alleged that defendants-appellees violated the Copyright Act, 17 U.S.C. § 101 et seq., by copying creative aspects from his unreleased science fiction videogame, including his use of a tardigrade -- a microscopic animal -- traveling in space, in their television series Star Trek: Discovery. The district court concluded that plaintiff-appellant's copyright claim failed as a matter of law because his videogame and the television series were not substantially similar. AFFIRMED. John Johnson and Allan Chan, Allan Chan & Associates, New York, New York, for Plaintiff-Appellant. Wook Hwang, Loeb & Loeb LLP, New York, New York, for Defendants-Appellees. -
Kiddie Rides
Kiddie Rides Kiddie Rides offered a largely untapped market after World War II. Realizing the trend, in 1950, Whitney moved his small assortment to the space left by the removal of the Shoot the Chutes and the Tumble Bug on Balboa off the Great Highway. These flat rides were cheap to install Figure 1 - The boat rides were a kid favorite. They were Figure 2 - Kids favored the speed boats. No sail and Figure 3 - . and they also provided a great photo slow, safe and seemed to do something. Image courtesy of you know they went faster. Image courtesy of Steve opportunity to show off your finest. Image courtesy of Ian Samuels Faulkner Playland-Not-at-the-Beach and created that new draw he wanted. They remained there until select rides relocated to Fun-Tier Town in 1960. Figure 1 - This cowboy is ready for another ride. Image courtesy of Dennis O'Rorke Figure 6 (Right) - Guaranteed to stay on track, there was an assortment of vehicles to choose from. Image courtesy of Steve Faulkner Figure 4- Bubbles the Whale was a fun up & down ride. He made the cut to Fun-Tier Town. Image courtesy of Steve Faulkner Figure 7– A young Gary David learns this is serious business and required Figure 8 - This young man is having the time of his life. Really! Image intense concentration. Image courtesy of Heather David courtesy of Playland-Not-at-the-Beach Figure 9 - The Kiddie Coaster actually Offered some thrills. It was comparatively fast and had some decent banks and turns. -
Group 3: Jennifer Day, Xander Jarnow, Duke Mcghee, Shelby Stehn, Adam Vandenhouten, Tyler Kallevig Reasons Why We Chose Queen
Queen Group 3: Jennifer Day, Xander Jarnow, Duke McGhee, Shelby Stehn, Adam Vandenhouten, Tyler Kallevig Reasons Why We Chose Queen: There are a lot of reasons that we, as a group, decided to do our project on Queen. Queen is an extremely well-known band across multiple generations, so it is an artist that we can talk to almost anyone anywhere about. Additionally, they were an influence to many artists after them. Finally, they released over 15 albums that showed a very impressive musical range and an awe-inspiring amount of talent. Queen: Overview Queen was one of the most popular and successful rock groups during the 1970s and 80s, with a very unique, experimental style and sound, Queen has remained one of the best selling artists of all time. The band began its formation in 1967, when the guitarist Brian May and the drummer Roger Taylor joined with Tim Staffell to form a rock group named Smile. When Tim Staffell left the group, May and Taylor joined forces with Freddie Mercury and a bass player named John Deacon, resulting in the core version of the band in 1970. Queen was famous for bright, glam, “pomp-rock” and put on energetic shows. Freddie Mercury in particular was known for his flamboyant style. Their sound was a very produced and incorporated elements of glam rock, heavy metal, hard rock, and harmony. After the tragic death of Freddie Mercury the band added new members and continued performing Even today their songs remain popular, for example, “We Are the Champions,” “Another One Bites the Dust,” “Bohemian Rhapsody,” and “We Will Rock You” are still played often.