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Media Guide 2
MEDIA GUIDE 2 The ICC would like to thank all its Commercial Partners for their support of the ICC Women’s World Cup England and Wales 2017 3 WELCOME ICC CHIEF EXECUTIVE I extend a warm welcome to members of the As we look forward to a world-class event in world-class media who are in England and Wales to cover conditions, I take this opportunity to thank the England and Wales Cricket Board, its staff, ground authorities the ICC Women’s World Cup 2017, the third and volunteers in helping us organize this mega event. time the pinnacle 50-over event for women has My colleagues at the ICC too deserve appreciation for been staged here. striving hard to ensure a special event. Women, of course, have been the torch-bearers in relation I would also like to thank our commercial and broadcast to the World Cup because they organized their first one in partners for their support, without which the event would 1973, two years before men played their first World Cup, not have been on this large scale. also in England. This fact definitely adds credence to our As for the media, our thanks are due to each one of you tag line for the event – “Who Runs the World?” whether you’re reporting from the games or enabling fans The tournament brings together the top eight teams, who around the world to engage in our sport from the confines fight it out in a grueling round-robin format with every of your newsroom. The growth of the women’s game is in team playing each other. -
ICC Women's T20 World Cup 2020
SECTION XXX | XXXXXXXX 1 SECTION 01 TRAVELLING IN THE WEST INDIES MEDIA GUIDE VERSION 01 2 The ICC would like to thank all its commercial partners for their support of the ICC Women’s T20 World Cup 2020 3 WELCOME ICC Chief Executive It gives me great pleasure to welcome media from around the world who are here in Australia to cover the ICC Women’s T20 World Cup, an event that promises to make history as well as great memories. This is the seventh edition of the event and it is the first time for women’s sport at the final on International Women’s Day. I would love us to make history on 8 March but whatever Manu Sawhney it is being held in Australia where the hosts and reigning champions will be looking to retain their title on home soil. happens, this event is part of a much bigger plan to grow the But nine other nations will not be making it easy for them and women’s game and ensure it is sustainable for the long term. I know in this league format followed by a knock-out stage, we’re going to enjoy some competitive top quality cricket. As part of this, we will be promoting the event and providing you with videos, imagery, transcripts and editorial material The ICC is committed to growing the women’s game and this via the Online Media Zone. But we can’t realise our ambition event demonstrates the scale of that ambition. The winners without your support. You can help us create heroes and we are will receive $1m whilst an overall 320% increase in the total confident players here will give you many opportunities to do so. -
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) / : ;<!= 6!<!= = !"#$ VRGR $"#(!#1')VCEBRS WWT!Pa!RT%&!$"#1$# ,- 233 $42 5 61 $*3*1- 01$2 ,'1!. ! " # #)1 # 078#0-1-,)# . )*,1 ""#$!#% %# 9- 1* ,# #0# 1 8 10*,##/1 *-..#/, %#%#&#% %#'%#"# ()#'!## % &' ( % )*+'*,!-.!*/$' % earthen lamps on the bank of faith in the country’s rich reli- Saryu river on Chhoti Diwali. gious and cultural values. * Speaking on the occasion, Yogi Adityanath said that Chief Minister Yogi Adityanath Prime Minister Narendra Modi said that earlier, the govern- had tried to re-establish the , -.# ments feared paying attention Indian tradition and culture to Ayodhya but his government and the government was work- yodhya, the epicentre of was fast changing the face of ing hard to bring ‘Ram rajya’ in Hindutva politics, wit- the pilgrim town by launching the country. Anessed yet another large-scale development works. “Ram rajya will be estab- breathtaking spectacle when “Today, the ‘raj tilak’ of lished only when no one is sad the temple town was decorat- Maryada Purshottam Shree or unhappy,” the Chief Minister ed by over 5.51 lakh diyas Ram was performed and to ful- said, adding that both the (earthen lamps) on the bank of fil the government’s promise of Central and UP governments Saryu river to mark the three- changing the face of this tem- were working in this direction day-long Deepotsav celebration ple town, we have launched by providing free houses, clean- on Saturday. several projects worth over liness, water, better health ser- !"# $ The spectacular evening 226 crore,” he said, adding that vices, various schemes for $ % & paved the way for Uttar now its rich religious culture, farmers and poor. -
Nowadays, the Meaning of Comedy Is Changed: Krushna Abhishek Krushna Abhishek Is Known for His Comic Roles in the films and TV
TM Volume 5 I Issue 08 I March 2020 I Film Review p27 John Abraham to produce well-known social entrepreneur Revathi Roy’s biopic p06 Social values and cinema p25 Nowadays, the meaning of Sanjay Dutt sets the bar high as the quintessential villain. Check the list! comedy is changed: p08 KRUSHNA ABHISHEK #BOLLYWOODTOWN CONTENTSCONTENTS ¡ Sanjay Dutt sets the bar high as the ¡ Karisma Kapoor along with ACE quintessential villain. Check the list! Business Awards to felicitate Achievers p08 p20 p34 Small Screen ¡ John Abraham to produce well-known social entrepreneur p30 Revathi Roy’s biopic Fashion & Lifestyle p06 ¡ "Now people are curious and they want to watch such films", Fatima Sana Shaikh spills beans on the shift in Bollywood p14 ¡ Social values and cinema p25 ¡ Himansh Kohli on break up with Neha Kakkar: She would cry on shows and people would blame me! p16 p10 Cover Story ¡ Film Review p27 From the publisher's desk Editor : Tarakant D. Dwivedi ‘Akela’ Editor-In-Chief : Yogesh Mishra Dear Readers, Sr. Columnist : Nabhkumar ‘Raju’ The month of February was an average month for many of the filmmakers. Spl. Correspondent : Dr. Amit Kr. Pandey (Delhi) Movies released in the month were- Shikara, Malang, Hacked, Love Aaj Kal, Graphic Designer : Punit Upadhyay Bhoot Part One: The Haunted Ship, Shubh Mangal Zyada Saavdhan, The Sr. Photographer : Raju Asrani Hundred Bucks, Thappad, Guns of Banaras, Doordarshan and O Pushpa I Hate Tears etc. COO : Pankaj Jain Hardly few of the movies did an average business on box office, rest of the Executive Advisor : Vivek Gautam movie could not do well on box office. -
13 Highway Script Opening the Highway Seen from the Front Seat Of
23rd May ‘13 Highway Script Opening The highway seen from the front seat of a moving Tempo Traveler. Sound of the engine, passing vehicles, trees. A song in a girl’s voice. Not a singer, singing to herself. Uncertain lyrics, sounds like a lullaby – ‘Don’t cry baby… Don’t worry, I am with you. When you wake up in the morning, the sun will be shining, the birds will be singing. And everything will be all right.’ The road keeps changing. From plain to hills, from forest to desert. Titles of the film appear. Fade-out. {2 ½ mins} Home Video Wedding preparations in a rich city bungalow. Guests, clothes, jewellery, decorated gifts. All bright. The video must have been shot by a kid in the house. We see the bride to be – wishing people, smiling, bright, respectful. Dholki, geet, sherbet... { ½ min} Sc # 1 Night, Exteriors Tripathy House A large bungalow in a premium Delhi colony. Back of the house – a shadow passes a window, a door opens and a figure steals out, then makes it’s way across the lawn. Key is put to a lock and turned. The small corner gate opens. The figure, wrapped in a shawl, sneaks out, then walks down the lane. The figure hurries up the pavement, runs across the street, removing the shawl cover. It is the bride to be. Her name is Veera. She comes to a waiting car and sits in excitement. A man named Vinay has come to pick her up. Vinay Itni kya urgency thi yaar...? Veera (simultaneously) Let’s go let’s go let’s go.. -
Batsmen Will Have to Step up for India to Draw Level
EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE THE HINDU DELHI SATURDAY, FEBRUARY 29, 2020 SPORT 19 EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE Batsmen will have to step up for India to draw level Ishant out with injury, Umesh likely to come in; New Zealand all set to unleash pace power by playing four specialist seamers DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD INDIA IN NZ bounce and an offstump homme’s teasing swing. DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD line, Umesh, a handful with Kohli & Co. will have to B 60 points of the World Test S. Dinakar his pace, does damage with face off against leftarmer Championship at stake Christchurch reverseswing. Umesh pitch Wagner, who employs short The Hagley Oval is flanked by es the ball up and can bowl pitched bowling with telling B New Zealand won a Test, lush green gardens that mir outswingers with the new effect, both over -
1 Ext. Cab on Marine Drive - Evening (D.V.Footage) 1
1 EXT. CAB ON MARINE DRIVE - EVENING (D.V.FOOTAGE) 1 A digital camera is on in a cab which is stuck in traffic, inching its way along Marine Drive in the rain. Music plays on the cabbie’s radio, and there is angry honking from impatient drivers. The cabbie looks at the person who is filming in the back seat through the rear view mirror. He is a portly man with greying hair, and kind lines around his eyes. CABBIE Nayi aayi hain mumbai mein? GIRL (O.C.) Ji paanch mahine ho gaye. Phir bhi sab naya hi lagta hai! CABBIE Kahan ki hain aap? GIRL (O.C.) Malihabad, U.P. CABBIE Accha? Main bhi U.P. ka hoon. Jaunpur. Jaunpur jaanti hain aap? GIRL (O.C.) Haan. Ja chuke hain vahan. Cabbie nods, looking pleased. The camera pans to the window, and the girl opens it, letting a spray of water onto the lens. She shoots the street, pedestrians with umbrellas trying to cross the road between cars, the churning grey sea. The camera work is amateur. We catch a glimpse of the girl in the rear view, not enough to see her clearly. They pass Girgaum Chowpatty. GIRL (O.C.) (CONT’D) (into camera mike in a whispered voice) Dekho Imran, yehi voh mashoor Chowpatty hai Marine Drive par. Har din yahan bohot log aate hain - bhel puri khane, pav bhaji khane. Mere khayal mein zyadatar log yahan ki khuli hawa khane aate hain, jiski badi kami mehsoos hoti hai! (pause) Samundar ki hawa kitni alag hai. -
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/ 0 B 1)*-7 -*-7 7 *,#$*!-. RNI Regn. No. MPENG/2004/13703, Regd. No. L-2/BPLON/41/2006-2008 <$( '() ./**+ 3= < #; 1 &,- . )&'*+ !%&'# ( 5? O 5 $%;(;+ 85%;(5%5?+% ++"; $+ 5 ;O >4( .>*@>$(%+%+$0A (; % ; !" / & 012123 -4.> $ %'( $) ! #R ! " %5676+ 5 he United States signed a Tlandmark deal with the Taliban on Saturday, laying L out a timetable for a full troop withdrawal from Afghanistan ! " within 14 months — with the initial drawdown of forces from a total of 13,000 to 8,600 hap- pening in the next 4 months— as it seeks an exit from its ;;$6+ longest-ever war. NO Q ' The agreement is expected he Central Board of to lead to a dialogue between TSecondary Education the Taliban and the Kabul (CBSE) has clarified that Class Government that, if successful, X, XII examinations in North- !+ Q" Q could ultimately see an end to east Delhi will be held as . ( the grinding 18-year conflict. scheduled from March 2. )" However, the pace of However, earlier the Delhi American troop withdrawal Government said that in view Education (DoE) announced from Afghanistan is condi- "- 0 1 3 * P ) of violence in the area, schools on Saturday. tions-based and will depend on "- - would remain closed -
Hindi – English GCH – London - 2002
MMuurrllii GGlloossssaarryy Hindi – English GCH – London - 2002 Introduction The words contained within this glossary have been compiled from both the Sakar and Avyakt Murlis. Although some are commonplace in spoken Hindi and can be found in a standard Hindi-English dictionary some of the translation may differ slightly. This is to reflect the exact meaning Baba is portraying in the Murli. There are three columns, the left-hand one is phonetic Hindi, the middle one is the Hindi Devanagari script and the right-hand column is the English translation. When reading the glossary, the phonetic Hindi has been compiled as accurately as possible to reflect the Devanagari script. It is to aid accurate reading of the Devanagari script and to help with pronunciation and articulation of the words. It cannot however, in some cases provide perfect pronunciation. Those students wishing to perfect the pronunciation will have to learn the Devangari script. Postpositions, prepositions, other tenses and aspects of grammar will also have to be learnt. The glossary is for use by anyone whether a native speaker of Hindi, a speaker of any of the other spoken Indian languages or a speaker of a foreign language. It is ideally suited for those students who wish to study the Murli directly in Hindi. Due to the quantity of words used it has not been possible to incorporate all the words used in the Murlis, however the majority of words are fairly common and are frequently read within the Murlis. At the back of the glossary there are some regular phrases that Baba uses. -
'Is Macho the In-Thing?' Effects of the Representation of Masculinity In
Global Media Journal-Indian Edition; Volume 12 Issue1; June 2020. ISSN:2249-5835 ‘Is Macho the In-thing?’ Effects of the Representation of Masculinity in Bollywood Cinema on Youngsters Adharsh Raj Department of Media and Communication, School of Communication, Central University of Tamil Nadu, India, +91 79071 32431, [email protected] & Manash Pratim Goswami Associate Professor and Head, Department of Media and Communication, School of Communication, Central University of Tamil Nadu, India, +91 99999 15977, [email protected] Abstract With an increase in the number of cinemas released and the reach these cinemas are getting, irrespective of geographical boundaries, the influence created by cinemas on youngsters also has been increased. Though a small section of researchers believe that the movies are capable of motivating and spreading positive messages, the popular view on the influence imparted by cinemas on youngsters' block is highly critical of it, associating substance abuse, adapting and depicting etc., with it. Also, there are instances of criminal activities, including substance abuse, rape, murder etc. In this backdrop, the present study analyses the effects of the representation of masculinity in Bollywood cinema on youngsters. In this study, which based on a quantitative research technique, a sample size of 300 Bollywood cinema lovers selected. Snowball sampling procedure used in the respective study as it considered as one of the effective as well as cost- efficient sampling techniques that can reach a vast number of respondents belonging to varied demographics across the country. It firmly believed this technique would give reasonably good ideas about the views of young filmgoers on the influence of Bollywood cinema in their lives and around. -
Multi-Disciplinary Journal ISSN No- 2581-9879 (Online), 0076-2571 (Print) [email protected]
Multi-Disciplinary Journal ISSN No- 2581-9879 (Online), 0076-2571 (Print) www.mahratta.org, [email protected] Shifting Paradigms of Female Characters in Bollywood Movies Sundke Aatif A. Assistant Professor, Department of Law Tilak Maharashtra Vidyapeeth,. Abstract: Men in almost all the societies were considered as main source of income while the role of women was constrained to being an ideal homemaker and a decent mother. This validates to women in an extremely patriarchal society of India. As societies came into the era of Upgradation and modernization, the responsibility of women transfigured significantly. Media actively performed an imperative task in the transformation of societies and significantly influenced the persona of women in today’s contemporary world. End number of researches has been done on the role of women in various societies. Nevertheless, very little has been said about the significance of movies in depicting women in shifting paradigms over several decades and the influence it has on societies by and large. Over the last decades, Indian cinema has beheld a noteworthy makeover in the way women are represented through movies. Contemporary movies represent women as more self-governing, convinced, and career focused. Present article discusses with these rapid shifting paradigms of women represented in Bollywood and its impact on the patriarchal Indian society with a spotlight on some representative Bollywood movies. The endeavour is to connect the shifting character performed by women in movies with the promising position of women in India, as movies are a mirror image of modification in the social arrangement. Key words: Bollywood, India, Shifting, Paradigms, Movies, Women Introduction: In the 73 years since Independence, Indian cinema has gone through a lot of modification considering a shift from classic mythological blockbusters to “Bollywoodised” remakes of Hollywood’s and Tollywood’s successful films. -
Film Review How to Write a Film Review
Film Review A movie review is written with the basic goal of informing the readers about the movie and its concept. While one can express your opinions in a movie review about a film or a documentary, one should do so with a creative and unbiased approach. To a great extent, it depends on the review whether the reader would want to go and see the movie. Film review should present an in-depth analysis so that it helps the readers to form an honest opinion and whether they would like it and want to see it. The steps to organize your film review: Introduction: Include the name of the movie/documentary, its release date, and background information. Summary: Provide a brief overview of the story. Analysis of the events: Analyze the plot and important events like action, climax. Creative elements: Describe the characters, dialogues, camera work, costumes, use of colors, genre, tone, symbols, or anything that adds to or misses from the overall story. Opinion: Support your opinion with facts and examples from the story Conclusion: Announce whether the filmmaker succeeded in his/her goal, paraphrase your evidence. Also, explain how the film helped in developing a deeper understanding of the subject/issue. How to write a film review 1.If circumstances permit, view the film more than once. It’s easy to miss key elements, or even the whole point, after just a single viewing. 2. Express your opinion of the film, but support your criticism. If you are offended or disappointed or embarrassed, provide a valid reason, even if you think it is obvious.