George I. Sanchez and the Civil Rights Movement: 1940-1960
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By Patrick James Barry a Dissertation Submitted in Partial Fulfillment of The
CONFIRMATION BIAS: STAGED STORYTELLING IN SUPREME COURT CONFIRMATION HEARINGS by Patrick James Barry A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2015 Doctoral Committee: Professor Enoch Brater, Chair Associate Professor Martha Jones Professor Sidonie Smith Emeritus Professor James Boyd White TABLE OF CONTENTS CHAPTER 1 SITES OF THEATRICALITY 1 CHAPTER 2 SITES OF STORYTELLING 32 CHAPTER 3 THE TAUNTING OF AMERICA: THE SUPREME COURT CONFIRMATION HEARING OF ROBERT BORK 55 CHAPTER 4 POISON IN THE EAR: THE SUPREME COURT CONFIRMATION HEARING OF CLARENCE THOMAS 82 CHAPTER 5 THE WISE LATINA: THE SUPREME COURT CONFIRMATION HEARING OF SONIA SOTOMAYOR 112 CHAPTER 6 CONCLUSION: CONFIRMATION CRITIQUE 141 WORK CITED 166 ii CHAPTER 1 SITES OF THEATRICALITY The theater is a place where a nation thinks in public in front of itself. --Martin Esslin, An Anatomy of Drama (1977)1 The Supreme Court confirmation process—once a largely behind-the-scenes affair—has lately moved front-and-center onto the public stage. --Laurence Tribe, Advice and Consent (1992)2 I. In 1975 Milner Ball, then a law professor at the University of Georgia, published an article in the Stanford Law Review called “The Play’s the Thing: An Unscientific Reflection on Trials Under the Rubric of Theater.” In it, Ball argued that by looking at the actions that take place in a courtroom as a “type of theater,” we might better understand the nature of these actions and “thereby make a small contribution to an understanding of the role of law in our society.”3 At the time, Ball’s view that courtroom action had an important “theatrical quality”4 was a minority position, even a 1 Esslin, Martin. -
Mexicans and World War II 45
Mexicans and World War II 45 Mexicans and World War II: Change and Continuity Matthew Lesh Third Year Undergraduate, University of Melbourne ‘They served us beer but not food [at the drive-in movie theatre]. They told us, ‘No, we don’t serve Mexicans’, World War II veteran Natividad Campos recalled, ‘I felt pretty bad because I felt I was just as American as anybody else’.1 Campos’ experience reflected that of thousands of Mexican Americans trying to belong in a world in which they were considered non-white and consequently plagued by discrimination.2 This challenge of belonging encapsulated the Mexican American wartime experience. On the home front Mexicans stood out as patriotic supporters of the war effort. They took up various jobs in war industry, migrated to America to work in agriculture, and raised money to buy war bonds. In the military, Mexican Americans excelled in various capacities, served in combat roles out of proportion to their numbers, and received more decorations for bravery than any other ethnic group.3 During the war, Mexican Americans experienced changes in treatment and an increase in opportunity. Nevertheless, discrimination continued in education, the workplace, restaurants, in public facilities, and in housing. World War II was a turning point in which Mexican Americans were invigorated to fight against this injustice following the clash of an increased sense of self-worth, created by the contribution to the war effort, and the ongoing experience of racism.4 This article investigates this turning point by exploring the experiences of Mexican Americans before, during, and after World War II. -
Justice and Injustice in Three Mexican-American Playwrights
MAN'S INHUMANITY TO MAN: JUSTICE AND INJUSTICE IN THREE MEXICAN-AMERICAN PLAYWRIGHTS by JOSHUA AL MORA, B.A., M.A. A DISSERTATION IN • SPANISH Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Accepted Dean of the Graduate School December, 1994 ACKNOWLEDGEMENTS I would like to take this time to thank the members of my dissertation committee: Dr. Janet Perez, Dr. Harley Oberhelman, Dr. Wendell Aycock and Dr. Roberto Bravo. A special thanks goes out to Dr. P6rez who worked very closely with me and spent many hours reading and editing my dissertation. A special note of thanks goes out to all of my committee members for their belief in me and their inspiration during what have been the most difficult times of my life. Thank you for offering your help and for all you did. A special thank you also to the Department of Classical and Modern Languages at Texas Tech University and the faculty and staff for all of your support and encouragement. Esta obra va dedicada a mi padre, que en paz descanse, y a mi madre quienes con mucha paciencia esperaron que yo terminara. Gracias a su fe y sus oraciones se cumplib esta obra. 11 TABLE OF CONTENTS ACKNOWLEDGEMENTS ii ABSTRACT iv I. INTRODUCTION 1 II. THE ROOTS OF CHICANO AND OTHER TERMS 40 III. THE WAR IN THE FIELDS 72 IV. THE STRUGGLE TO ENTER THE UNITED STATES 113 V. IN SEARCH OF RESPECT IN THE SCHOOLS 148 VI. -
Los Veteranos—Latinos in WWII
Los Veteranos—Latinos in WWII Over 500,000 Latinos (including 350,000 Mexican Americans and 53,000 Puerto Ricans) served in WWII. Exact numbers are difficult because, with the exception of the 65th Infantry Regiment from Puerto Rico, Latinos were not segregated into separate units, as African Americans were. When war was declared on December 8, 1941, thousands of Latinos were among those that rushed to enlist. Latinos served with distinction throughout Europe, in the Pacific Theater, North Africa, the Aleutians and the Mediterranean. Among other honors earned, thirteen Medals of Honor were awarded to Latinos for service during WWII. In the Pacific Theater, the 158th Regimental Combat Team, of which a large percentage was Latino and Native American, fought in New Guinea and the Philippines. They so impressed General MacArthur that he called them “the greatest fighting combat team ever deployed in battle.” Latino soldiers were of particular aid in the defense of the Philippines. Their fluency in Spanish was invaluable when serving with Spanish speaking Filipinos. These same soldiers were part of the infamous “Bataan Death March.” On Saipan, Marine PFC Guy Gabaldon, a Mexican-American from East Los Angeles who had learned Japanese in his ethnically diverse neighborhood, captured 1,500 Japanese soldiers, earning him the nickname, the “Pied Piper of Saipan.” In the European Theater, Latino soldiers from the 36th Infantry Division from Texas were among the first soldiers to land on Italian soil and suffered heavy casualties crossing the Rapido River at Cassino. The 88th Infantry Division (with draftees from Southwestern states) was ranked in the top 10 for combat effectiveness. -
Report of Receipts and Disbursements
10/15/2014 12 : 23 Image# 14978252435 PAGE 1 / 162 REPORT OF RECEIPTS FEC AND DISBURSEMENTS FORM 3 For An Authorized Committee Office Use Only 1. NAME OF TYPE OR PRINT Example: If typing, type 12FE4M5 COMMITTEE (in full) over the lines. McCaul for Congress, Inc 815-A Brazos Street ADDRESS (number and street) PMB 230 Check if different than previously Austin TX 78701 reported. (ACC) 2. FEC IDENTIFICATION NUMBER CITY STATE ZIP CODE STATE DISTRICT C C00392688 3. IS THIS NEW AMENDED REPORT (N) OR (A) TX 10 4. TYPE OF REPORT (Choose One) (b) 12-Day PRE -Election Report for the: (a) Quarterly Reports: Primary (12P) General (12G) Runoff (12R) April 15 Quarterly Report (Q1) Convention (12C) Special (12S) July 15 Quarterly Report (Q2) M M / D D / Y Y Y Y in the October 15 Quarterly Report (Q3) Election on State of January 31 Year-End Report (YE) (c) 30-Day POST -Election Report for the: General (30G) Runoff (30R) Special (30S) Termination Report (TER) M M / D D / Y Y Y Y in the Election on State of M M / D D / Y Y Y Y M M / D D / Y Y Y Y 5. Covering Period 07 01 2014 through 09 30 2014 I certify that I have examined this Report and to the best of my knowledge and belief it is true, correct and complete. Type or Print Name of Treasurer Kaye Goolsby M M / D D / Y Y Y Y 10 15 2014 Signature of Treasurer Kaye Goolsby [Electronically Filed] Date NOTE: Submission of false, erroneous, or incomplete information may subject the person signing this Report to the penalties of 2 U.S.C. -
Brown Youth, Black Fashion and a White Riot by Margarita Aragon
Brown Youth, Black Fashion and a White Riot By Margarita Aragon Table of Contents Preface: The Zoot Suit Riots………………………………………………………...2 I. Introduction: Made in America…………………………………………………..3 II. Sources……………….……………………………………………………………4 III. Background………………………………………………………………………7 IV. “Terrific as the Pacific, Frantic as the Atlantic”: From hipsters to pachucos, the zoot-suit from coast to coast…………………………………….....12 V. Zoot Suits and Service Stripes…………………………………………………21 VI. The Riots…………………………………………………………….…………27 VIII. Conclusion: Dismantling the Machine………………………….………….34 References………………………………………………………………...………..37 Brown Youth, Black Fashion, and a White Riot Preface: The Zoot Suit Riots In the 1940’s a large generation of Mexican American1 youth were coming of age in Los Angeles. Born and raised in the segregated, working class outskirts of urban America, they were captivated by black jazz culture and a number of them, who became known as pachucos, adopted the extravagant zoot-suit style. Importantly, unlike their parents, this generation was not content to adhere to the city’s strict racial barriers. To dominant white Los Angeles, unaccustomed to seeing Mexicans –much less Mexicans deliberately dressed to stand-out - in downtown shopping and entertainment districts, pachuco came to mean a Mexican delinquent. The pair of words rapidly became correlated to redundancy. In a self-generating spiral of escalation, the repressive policing of Mexican Americans provided the media fodder for stories about zoot suit crime, which they printed in an exaggerated and salacious manner. The crime wave stories ironically convinced that the public that the police were not in control, thus generating pressure for even heavier handed policing tactics. The hysteria peaked when a young Mexican national was found dead in August at a reservoir the press labelled the Sleepy Lagoon. -
Sample Pages
Table of Contents Preface . .vii How to Use This Book . .xi Research Topics for Defining Moments: The Zoot Suit Riots . .xiii NARRATIVE OVERVIEW Prologue . .3 Chapter One:Caught in the Currents of Empire and Conquest . .7 Chapter Two: Rising Tensions in California . .25 Chapter Three: A City on Edge . .43 Chapter Four: The Trial of the 38th Street Boys . .59 Chapter Five: The Zoot Suit Riots . .75 Chapter Six: Release from Prison . .91 Chapter Seven: Legacy of the Zoot Suit Riots . .107 BIOGRAPHIES Fletcher Bowron (1887-1968) . .125 Mayor of Los Angeles during the Sleepy Lagoon Trial and Zoot Suit Riots José Díaz (1919-1942) . .128 Mexican Farm Worker Whose Murder Resulted in the Sleepy Lagoon Trial Charles William Fricke (1882-1958) . .131 Judge Who Presided over the 1943 Sleepy Lagoon Murder Trial Alice Greenfield (1917-2009) . .134 Civil Rights Activist and Member of the Sleepy Lagoon Defense Committee v Defining Moments: The Zoot Suit Riots Henry “Hank” Leyvas (1923-1971) . .137 Mexican-American Defendant in the Sleepy Lagoon Murder Trial Carey McWilliams (1905-1980) . .141 American Journalist and Attorney Who Headed the Sleepy Lagoon Defense Committee Edward Roybal (1916-2005) . .145 First Hispanic-American Member of the Los Angeles City Council and Longtime U.S. Representative George Shibley (1910-1989) . .148 Defense Attorney in the Sleepy Lagoon Murder Trial PRIMARY SOURCES Anglo Squatters Swarm Mexican-Owned Haciendas in California . .153 Examples of Anti-Mexican Discrimination in 1930s America . .156 Depression-Era Los Angeles Targets Mexicans for Repatriation . .161 A Los Angeles Police Officer Issues a Racist Report on the Mexican “Element” . -
Of Judicial Independence Tara L
Vanderbilt Law Review Volume 71 | Issue 2 Article 3 2018 The Origins (and Fragility) of Judicial Independence Tara L. Grove Follow this and additional works at: https://scholarship.law.vanderbilt.edu/vlr Part of the Supreme Court of the United States Commons Recommended Citation Tara L. Grove, The Origins (and Fragility) of Judicial Independence, 71 Vanderbilt Law Review 465 (2019) Available at: https://scholarship.law.vanderbilt.edu/vlr/vol71/iss2/3 This Article is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Law Review by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. The Origins (and Fragility) of Judicial Independence Tara Leigh Grove* The federal judiciary today takes certain things for granted. Political actors will not attempt to remove Article II judges outside the impeachment process; they will not obstruct federal court orders; and they will not tinker with the Supreme Court's size in order to pack it with like-minded Justices. And yet a closer look reveals that these "self- evident truths" of judicial independence are neither self-evident nor necessary implications of our constitutional text, structure, and history. This Article demonstrates that many government officials once viewed these court-curbing measures as not only constitutionally permissible but also desirable (and politically viable) methods of "checking" the judiciary. The Article tells the story of how political actors came to treat each measure as "out of bounds" and thus built what the Article calls "conventions of judicial independence." But implicit in this story is a cautionary tale about the fragility of judicial independence. -
Mexican American History Resources at the Briscoe Center for American History: a Bibliography
Mexican American History Resources at the Briscoe Center for American History: A Bibliography The Briscoe Center for American History at the University of Texas at Austin offers a wide variety of material for the study of Mexican American life, history, and culture in Texas. As with all ethnic groups, the study of Mexican Americans in Texas can be approached from many perspectives through the use of books, photographs, music, dissertations and theses, newspapers, the personal papers of individuals, and business and governmental records. This bibliography will familiarize researchers with many of the resources relating to Mexican Americans in Texas available at the Center for American History. For complete coverage in this area, the researcher should also consult the holdings of the Benson Latin American Collection, adjacent to the Center for American History. Compiled by John Wheat, 2001 Updated: 2010 2 Contents: General Works: p. 3 Spanish and Mexican Eras: p. 11 Republic and State of Texas (19th century): p. 32 Texas since 1900: p. 38 Biography / Autobiography: p. 47 Community and Regional History: p. 56 The Border: p. 71 Education: p. 83 Business, Professions, and Labor: p. 91 Politics, Suffrage, and Civil Rights: p. 112 Race Relations and Cultural Identity: p. 124 Immigration and Illegal Aliens: p. 133 Women’s History: p. 138 Folklore and Religion: p. 148 Juvenile Literature: p. 160 Music, Art, and Literature: p. 162 Language: p. 176 Spanish-language Newspapers: p. 180 Archives and Manuscripts: p. 182 Music and Sound Archives: p. 188 Photographic Archives: p. 190 Prints and Photographs Collection (PPC): p. 190 Indexes: p. -
VINCENT VALDEZ the Strangest Fruit
VINCENT VALDEZ The Strangest Fruit Staniar Gallery Washington and Lee University April 27–May 29, 2015 The Strangest Fruit Vincent Valdez Staniar Gallery Department of Art and Art History Washington and Lee University 204 West Washington Street Lexington, VA 24450 USA http://www.wlu.edu/staniar-gallery The Staniar Gallery endeavors to respect copyright in a manner consistent with its nonprofit educational mission. If you believe any material has been included in this publication improperly, please contact the Staniar Gallery. Copyright © 2015 by Staniar Gallery, Washington and Lee University, Lexington, Virginia All essays copyright © 2015 by the authors All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publishers. Layout by Billy Chase Editing in English by Kara Pickman Editing of Spanish translations by María Eugenia Hidalgo Preliminary Spanish translations by Mariana Aguirre, Mauricio Bustamante, Sally Curtiss, Franco Forgiarini, Ellen Mayock, Alicia Martínez, Luna Rodríguez, and Daniel Rodríguez Segura Printed and bound in Waynesboro, Virginia, by McClung Companies English and Spanish covers: Vincent Valdez, Untitled, from The Strangest Fruit (2013). Oil on canvas, 92 x 55 inches. © 2015 Vincent Valdez. Photo: Mark Menjivar MUDD CENTER EFGFoundation for ETHICS This catalogue has been funded in part by the Elizabeth Firestone Graham Foundation, the Virginia Foundation for the Humanities and Washington and Lee’s Roger Mudd Center for Ethics. The Strangest Fruit Vincent Valdez April 27–May 29, 2015 Staniar Gallery Washington and Lee University Lexington, Virginia Catalogue Contributors: Clover Archer Lyle William D. -
Texas Department of Corrections: 30 Years of Progress
If you have issues viewing or accessing this file contact us at NCJRS.gov. ____~____ ~:-:'----;-- - ~-- ----;--;:-'l~. - Texas Department of Corrections: 30 Years of Progress ,. In 1967, the Department published a report, Texas Department of Corrections: 20 Years of Progress. That report was largely the work of Mr. Richard C. Jones, former Assistant Director for Treatment. The report that follows borrowed hea-vily and in many cases directly from Mr. Jones' efforts. This is but another example of how we continue to profit from, and, hopefully, build upon the excellent wC';-h of those preceding us. Texas Department of Corrections: 30 Years of Progress NCJRS dAN 061978 ACQUISIT10i~:.j OFFICE OF THE GOVERNOR DOLPH BRISCOE STATE CAPITOL GOVERNOR AUSTIN, TEXAS 78711 My Fellow Texans: All Texans owe a debt of gratitude to the Honorable H. H. Coffield. former Chairman of the Texas Board of Corrections, who recently retired after many years of dedicated service on the Board; to the present members of the Board; to Mr. W. J. Estelle, Jr., Director of the Texas Department of Corrections; and to the many people who work with him in the management of the Department. Continuing progress has been the benchmark of the Texas Department of Corrections over the past thirty years. Proposed reforms have come to fruition through the careful and diligent management p~ovided by successive administ~ations. The indust~ial and educational p~ograms that have been initiated have resulted in a substantial tax savings for the citizens of this state and one of the lowest recidivism rates in the nation. -
The Woman in the Zoot Suit: Gender, Nationalism, and the Cultural Politics of Memory, by Catherine S
BOOK REVIEWS The Woman in the Zoot Suit: Gender, Nationalism, and the Cultural Politics of Memory, by Catherine S. Ramírez (Durham, NC: Duke University Press, 2009. 229 pp. Paper, $22.95.) Reviewed by María Angela Díaz ccording to historian Catherine S. Ramírez, women are conspicuously ab- sent from the story of the World War II era, the zoot suit, and the creation Aof Chicano cultural nationalism. In The Woman in the Zoot Suit: Gender, Nationalism, and the Cultural Politics of Memory, Ramírez admirably sets out to correct this problem through her discussion of pachucas and their involvement in zoot-suit culture as well as the 1942 Sleepy Lagoon case and the Zoot-Suit Riots. While recent studies such as Luis Alvarez’s The Power of the Zoot: Youth Culture and Resistance During World War II address the suit’s importance to Mexican Americans and other ethnic and racial groups, Ramírez creatively links the zoot-suit culture of the 1940s with the Chicana/o artists of later de- cades to reveal how these artists redefined the pachuco and the zoot suit, mak- ing both icons of Chicano/a culture. She demonstrates that women were not simply hangers-on, but were integral to the formation of this culture, and that Chicana feminists used the memory of the pachuca in poetry and art to create their own version of Chicano/a nationalism that did not cast them as strange or beyond the scope of proper Chicano/a gender roles. The first of the book’s two sections focuses on the World War II era and American nationalism, while the second emphasizes the movement-era develop- ment of Chicano/a nationalism.