DOCSLIB.ORG

Berlinale 2015 Green Film Shooting

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Berlinale 2015 Green Film Shooting Green Film ShootinG Das magazin für nachhaltigkeit im medienbereich The magazin for sustainability in the media world Foto: Sony Pictures Releasing Sony Foto: in cooperation with Special – Berlinale 2015 Green Film ShootinG WWW.GreenFilmShootinG.net editorial ir freuen uns, Ihnen die dritte Ausgabe von Green Film Shooting zu e are delighted to present the third edition of Green Film Shooting. The Wpräsentieren. Die gute Nachricht: Das Thema Nachhaltigkeit ist in Wgood news: The sustainability issue has entered the media industry’s der Medienbranche angekommen. Viele der Ideen und Ansätze, die wir vor consciousness. Many of the ideas and approaches that we brought up in zwei Jahren in unserem ersten Magazin aufgezeigt haben, sind inzwischen our first issue two years ago have been adopted as projects or initiatives. in Form von Projekten und Initiativen realisiert worden. Die Film- The Filmförderung Hamburg Schleswig-Holstein (FFHSH), which förderung Hamburg Schleswig-Holstein (FFHSH), die seit 2011 introduced sustainable production in Germany with the Green mit dem Grünen Drehpass für nachhaltige Produktion in Shooting Card in 2011, awarded this recognition of sustain- Deutschland wirbt, konnte 2014 insgesamt 16 Mal dieses ability 16 times in 2014. Producers can apply for a Green Nachhaltigkeits-Label vergeben. Nicht nur in Hamburg, Runner to help them green their funded productions not sondern auch in den Niederlanden stellt die dortige only at FFHSH but also at the Netherlands Film Fund. Filmförderung seit Anfang 2015 den Produzenten für geförderte Projekte einen Green Runner zur Seite. In the U.S., Eco Supervisor Emellie O’Brien made The Amazing Spider-Man 2 the most sustainably-produced In den USA hat Eco Supervisor Emellie O’Brien The Ama- studio film of all time. Also following green guidelines zing Spider-Man 2 dazu verholfen, der nachhaltigste Block- was Berlinale Jury President Darren Aronofsky, who shot buster aller Zeiten zu werden. Auf grüne Regeln am Set hat Noah. Däwit, which is enjoying its world premiere at the auch der Berlinale-Jury-Präsident Darren Aronofsky bei Noah Berlin International Festival, is the first sustainable-produced gesetzt. Seine Weltpremiere auf der Berlinale feiert Däwit, der animated film. als erster Animationsfilm grün produziert worden ist. Birgit Heidsiek The climate-neutral Film/TV studio Bavaria Film amazes the Während das klimaneutrale Film- und TV-Studio Bavaria industry, even Hollywood producers who have seen it all, Film mit smarten Technologien selbst erfahrene Hollywoodproduzenten in with its use of smart technologies. Studio Hamburg FilmProduktion is now a Erstaunen versetzt, übernimmt die Studio Hamburg FilmProduktion mit continental European pioneer in the sustainable production of TV series. In ihrer nachhaltigen Serienproduktion eine Vorreiterrolle auf dem euro- France, the CNC, a member of the Ecoprod consortium, supports sustain- päischen Festland. In Frankreich fördert das CNC, das dem Konsortium able ecological investments. High in demand are LEDs which are used not Ecoprod angehört, ökologisch nachhaltige Investitionen. Stark gefragt sind only in state-of-the-art TV studios such as Norddeutscher Rundfunk and LED-Leuchtmittel, die in den umgerüsteten Fernsehstudios beim Norddeut- France Télévisions, but also in the first sustainable OB van in the Nether- schen Rundfunk und France Télévisions, in dem ersten grünen Ü-Wagen lands as well as in cinemas. A new study by the British Cinema Exhibitor’s in den Niederlanden, aber auch in Kinos zum Einsatz kommen. Wie eine Association confirms that energy-efficient measures help reduce carbon neue Studie des britischen Kinoverbandes belegt, können durch energieef- emissions and costs. fiziente Maßnahmen erheblich Emissionen und Kosten eingespart werden. Time presses. According to the most recent climate report, 2014 was the Die Zeit drängt. Laut dem Klimareport war 2014 das heißeste Jahr aller hottest year – ever! We need to act. Zeiten. Wir müssen handeln. Auf der Berlinale laden Green Film Shooting At the Berlinale, Green Film Shooting and the Filmförderung Hamburg und die Filmförderung Hamburg Schleswig-Holstein zur Diskussion ein: Schleswig-Holstein will initiate the discussion: Shades of Green – Do we need rules to take responsibility? Dieter Kosslick Direktor der Internationalen Filmfestspiele Berlin / Director of Berlin International Film Festival „Die Berlinale beschäftigt sich schon seit Jahren aktiv mit dem Thema Nachhaltig- keit. Wir begrüßen es sehr, dass nun eine wachsende Anzahl von Filmemachern, darunter unser diesjähriger Jury-Präsi- dent Darren Aranofsky, am Set grünen Regeln folgen.“ “The Berlinale has been actively addres- sing the sustainability issue for years. We truly appreciate the fact that a growing number of filmmakers, among them this year‘s Jury President, Darren Aranofsky, are following green guidelines on set.” i 2 I i 3 I Green Film ShootinG WWW.GreenFilmShootinG.net Text: Birgit Heidsiek Text: Birgit Heidsiek Das grüne Gewissen einer Produktion The green consciousness of a production Die Filmförderung hamburg Schleswig-holstein fördert den einsatz eines Green runners The Filmförderung Hamburg Schleswig-Holstein will pay the Eco Supervisor’s salary ei der Filmförderung Hamburg Schles- dem Grünen Drehpass gelegt, der als Nachhal- Zudem ist beim Dreh von Schrotten der Einsatz t the Filmförderung Hamburg Schleswig- from the 3D short film Call Her Lotte to the series Bwig-Holstein (FFHSH) stehen sämtliche tigkeitslabel bundesweit vergeben wird. Allein von LED-Lampen getestet worden. Diese Licht- AHolstein (FFHSH), the green light is on. To Notruf Hafenkante and Großstadtrevier; from Signale auf grün. Um die Produzenten zu 2014 konnten sich 16 Produktionen dafür qua- studie, für die der Filmemacher Philip Gassmann encourage producers to commit to sustainable the TV movie Die Insassen to feature films like ermutigen, bei der Umsetzung ihrer Projekte lifizieren. Die Bandbreite reichte dabei von dem den italienischer Hersteller DeSisti als Partner approaches while they are in production, produc- Schrotten and Kleine Ziege, sturer Bock. nachhaltige Ansätze zu verfolgen, wird ihnen 3D-Kurzfilm Sie heißt jetzt Lotte über gewonnen hat, wird von der Film- ers may now apply for a trained Eco Supervisor bei geförderten Projekten und nach Vorlage die Serien Notruf Hafenkante und förderung unterstützt. Philip for their funded productions. The film fund will “Every year, lots of film students apply”, reports eines entsprechenden Konzepts kostenlos ein Großstadtrevier sowie dem TV- Gassmann gehört zu dem Pool pay the salary if the production comes up with Christiane Scholz from the Hamburg Film Com- geschulter Green Supervisor zur Seite gestellt. Film Die Insassen bis hin zu grüner Experten, mit denen a convincing concept. This new level of support mission, which works in conjunction with the Mit dieser neuen Maßnahme wird konsequent Kinofilmen wie Schrotten die Förderung praxisnahe continues the path struck by the introduction of Hamburg Media School (HMS). This is the green der Kurs fortgesetzt, der 2011 mit der Einfüh- oder Kleine Ziege, sturer Workshops zum grünen the Green Shooting Card in 2011. talent pool of film students where the produc- rung des Grünen Drehpasses begonnen hat. Bock. Filmemachen veran- ing team of Dirk Decker and Andrea Schütte of staltet. “The Eco Supervisor is the green consciousness Tamtam Film found the HMS graduate Nadine „Der Green Runner ist das grüne Gewissen „Unter den Bewer- of a production”, states Eva Hubert, Executive Lewerenz, whom they hired as Eco Supervisor for Green Shooting Card for the die film production Kleine Ziege, sturer Bock einer Produktion“, erklärt Eva Hubert, Ge- bern für den Grünen „Wir freuen uns Director of Filmförderung Hamburg Schleswig- their feature film Schrotten. „During the produc- schäftsführerin der Filmförderung Hamburg Drehpass befinden sehr, dass unser Holstein, “who takes responsibility for initiating tion of Schrotten, we achieved many of our am- green consultants’ network, and he works with Schleswig-Holstein, „der als Verantwortlicher sich jedes Jahr grünes Engagement sustainable measures and communicating them bitions”, says Nadine Lewerenz. Their dedication the Film Fund to organize workshops on green alle nachhaltigen Maßnahmen initiiert und mit viele Filmstudenten”, nun auch in anderen to the team.” The Eco Supervisor’s know-how was rewarded with a Green Shooting Card. filmmaking. dem Team kommuniziert.“ Das Know-how eines berichtet Christiane Bundesländern wie draws chiefly on experience gleaned from other G t e r s e Green Supervisors resultiert vornehmlich aus Scholz von der Hamburg c Baden-Württemberg green productions. “We are building a network of The Schrotten set also served as a testing ground “We are delighted that our commitment to green h b ä u f H Erfahrungen, die er bei nachhaltigen Produktio- Film Commission, die ts a oder Nordrhein-Westfa- Eco Supervisors who can transmit their skills.” for LED lamps. A soon-to-be-released perfor- production is now also being adopted in other fü v h : E nen gesammelt hat. „Wir sind dabei, einen Pool eine Kooperation mit der re in len Nachahmung findet“, This transmission of green know-how includes mance analysis, resulting from the partnership German regions like Baden-Württemberg and rin te d ols von Green Runnern aufzubauen, die ihre Kom- Hamburg Media School (HMS) er -H konstatiert Eva Hubert. Auch recommendations for transportation and techni- of filmmaker Philip Gassmann and the
Load more

Recommended publications
  • German Films Quarterly 2 · 2004
    German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS.
    [Show full text]
  • Krauses Braut 25.10.2011 10:52 Uhr Seite 1
    Titel Krauses Braut 25.10.2011 10:52 Uhr Seite 1 C M Y CM MY CY CMY K Probezusammenstellung PRESSEINFORMATION Rundfunk Berlin-Brandenburg Presse und Information Masurenallee 8 - 14 | 14057 Berlin Tel. +49/30/97 99 3-12 100 Fax +49/30/97 99 3-12 109 24. Oktober 2011 [email protected] www.rbb-online.de Krauses Braut Fernsehfilm, Deutschland 2011 Buch und Regie: Bernd Böhlich Mit Horst Krause, Carmen-Maja Antoni, Angelika Böttiger, Tilo Prückner, Andreas Schmidt, Fritzi Haberlandt, Steffi Kühnert, Dominique Horwitz u. v. a. (90 min) Sendetermin: Mittwoch, 21. Dezember 2011, 20.15 Uhr im Ersten Inhaltsverzeichnis Inhalt Seite 2 Besetzung Seite 3 Stab Seite 4 Die Hauptdarsteller und ihre Rollen Seite 5 Weitere Rollen Seite 10 Der Autor und Regisseur: Bernd Böhlich Seite 16 Pressekontakte Seite 17 1 Inhalt Nach den beiden Fernseherfolgen „Krauses Fest“ (2007) und „Krauses Kur“ (2009) – 2009 der erfolgreichste Mittwochsfilm im Ersten - folgt in diesem Jahr mit „Krauses Braut“ Teil drei. Auch diese Geschichte zeigt Krause und seine Schwestern privat. Hauptakteur ist der populäre Schauspieler Horst Krause, der beliebte Dorfpolizist aus den „Polizeiruf 110“-Produktionen vom Rundfunk Berlin-Brandenburg (rbb). Wieder schrieb Bernd Böhlich das Drehbuch und führte Regie. Krause und Elsa (Carmen-Maja Antoni) sind fassungslos: Ihre Schwester Meta (Angelika Böttiger) will heiraten. Mit fast sechzig hat sie sich den Kölner Taxifahrer Rudi Weisglut (Tilo Prückner) ausgesucht, den sie zwei Jahre zuvor während Krauses Kur an der Ostsee kennengelernt hat. Seither wirbelt die rheinische Frohnatur Rudi die brandenburgische Idylle Monat für Monat bei seinen Besuchen kräftig durcheinander. Doch nicht die Hochzeitspläne selbst brüskieren die Geschwister, sondern die Tatsache, dass Meta und Rudi sie vor vollendete Tatsachen stellen.
    [Show full text]
  • Titel Kino 3/2003
    EXPORT-UNION OF GERMAN CINEMA 3/2003 AT LOCARNO MEIN NAME IST BACH & DAS WUNDER VON BERN Piazza Grande AT VENICE ROSENSTRASSE in Competition AT SAN SEBASTIAN SCHUSSANGST & SUPERTEX in Competition FOCUS ON Film Music in Germany Kino Martin Feifel, Katja Riemann (photo © Studio Hamburg) Martin Feifel, Katja GERMAN CINEMA KINO3/2003 4 focus on film music in germany DON’T SHOOT THE PIANO PLAYER 14 directors’ portraits THE SUN IS AS MUCH MINE AS THE NIGHT A portrait of Fatih Akin 15 TURNING GENRE CINEMA UPSIDE DOWN A portrait of Nina Grosse 18 producer’s portrait LOOKING FOR A VISION A portrait of Bavaria Filmverleih- & Produktions GmbH 20 actress’ portrait BREAKING THE SPELL A portrait of Hannelore Elsner 22 KINO news in production 28 ABOUT A GIRL Catharina Deus 28 AGNES UND SEINE BRUEDER Oskar Roehler 29 DER CLOWN Sebastian Vigg 30 C(R)OOK Pepe Danquart 30 ERBSEN AUF HALB 6 Lars Buechel 31 LATTENKNALLER Sherry Hormann 32 MAEDCHEN MAEDCHEN II Peter Gersina 32 MARSEILLE Angela Schanelec 33 SAMS IN GEFAHR Ben Verbong 34 SOMMERBLITZE Nicos Ligouris 34 (T)RAUMSCHIFF SURPRISE – PERIODE 1 Michael "Bully" Herbig 35 DER UNTERGANG – HITLER UND DAS ENDE DES DRITTEN REICHES Oliver Hirschbiegel the 100 most significant german films (part 10) 40 WESTFRONT 1918 THE WESTERN FRONT 1918 Georg Wilhelm Pabst 41 DIE DREIGROSCHENOPER THE THREEPENNY OPERA Georg Wilhelm Pabst 42 ANGST ESSEN SEELE AUF FEAR EATS THE SOUL Rainer Werner Fassbinder 43 DER VERLORENE THE LOST ONE Peter Lorre new german films 44 V Don Schubert 45 7 BRUEDER 7 BROTHERS Sebastian Winkels
    [Show full text]
  • Titel Kino 1/2003
    EXPORT-UNION OF GERMAN CINEMA 1/2003 AT BERLIN in Competition DER ALTE AFFE ANGST by Oskar Roehler GOOD BYE, LENIN! by Wolfgang Becker LICHTER by Hans-Christian Schmid RESISTANCE & PROVOCATION Directors’ Portraits of Helga Reidemeister & Rosa von Praunheim SHOOTING STAR Daniel Bruehl SPECIAL REPORT Children’s Film in Germany Kino (photo © Prokino) “ Distant Lights ” Zbigniew Zamachowski Zbigniew in GERMAN CINEMA KINO1/2003 4 focus on CHILDREN’S FILM IN GERMANY directors’ portraits 14 RESISTANCE IS THE ’SECRET OF JOY’... A portrait of Helga Reidemeister 15 THE IMPORTANCE OF BEING PROVOCATIVE A portrait of Rosa von Praunheim producer’s portrait 18 UBIQUITOUS IS HIS MIDDLE NAME A portrait of Peter Rommel Productions actor’s portrait 20 SHOOTING STAR A portrait of Daniel Bruehl 22 KINO news in production 26 BLINDGAENGER Bernd Sahling 26 FARLAND Michael Klier 27 HERR LEHMANN Leander Haussmann 28 HITLERS JUEDISCHE SOLDATEN Heike Mundzeck 28 LAUTLOS Mennan Yapo 29 NORTHERN STAR Felix Randau 30 PFARRER BRAUN Martin Gies 30 SCHATTEN DER ZEIT Florian Gallenberger 31 SCHUSSANGST Dito Tsintsadze 32 SECRETS OF SIBERIA Frank Mueller 32 SUPERTEX – EINE STUNDE IM PARADIES Jan Schuette 33 TAL DER AHNUNGSLOSEN Branwen Okpako the 100 most significant german films (part 8) 34 DER LETZTE MANN THE LAST LAUGH AT BERLIN F.W. MURNAU Friedrich Wilhelm Murnau RETROSPECTIVE 35 ROTATION Wolfgang Staudte 36 WIR WUNDERKINDER AREN’T WE WONDERFUL? Kurt Hoffmann 37 DAS WACHSFIGURENKABINETT WAXWORKS Paul Leni 38 MAEDCHEN IN UNIFORM GIRLS IN UNIFORM Leontine Sagan new german films 40 DER ALTE AFFE ANGST AT BERLIN ANGST IN COMPETITION Oskar Roehler 41 DEVOT AT BERLIN DEVOTED PANORAMA Igor Zaritzki 42 EPSTEINS NACHT EPSTEIN’S NIGHT Urs Egger 43 EROTIC TALES: NR.
    [Show full text]
  • © 2011 Kathleen Sclafani ALL RIGHTS RESERVED
    © 2011 Kathleen Sclafani ALL RIGHTS RESERVED ‘BORDER CONSCIOUSNESS’ AND THE RE‐IMAGINATION OF NATION IN THE FILMS OF AKIN, DRESEN AND PETZOLD by KATHLEEN J. SCLAFANI A Dissertation submitted to the Graduate School‐New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Comparative Literature written under the direction of Fatima Naqvi and approved by _____________________________________________________ _____________________________________________________ _____________________________________________________ _____________________________________________________ New Brunswick, New Jersey JANUARY 2011 ABSTRACT OF THE DISSERTATION ‘Border Consciousness’ and the Re‐imagination of Nation in the Films of Akin, Dresen and Petzold By KATHLEEN J. SCLAFANI Dissertation Director: Fatima Naqvi In my dissertation I explore the role that borders play in the construction of German identity through the films of Fatih Akin, Andreas Dresen and Christian Petzold. Despite the insistence of conservatives that Germany is not an “immigration country,” I argue that the historical fluctuation of borders and the movement of populations into and out of Germany have resulted in a heightened awareness of borders and their significance that contributes to a sense of ambivalence about national identity. This heightened awareness can be seen as a type of “border consciousness,” a term that originated in Chicano/a studies and has been used to analyze exilic and diasporic cinema but which I reconsider in the context of German film. By examining tropes of borders and border crossings, as well as representations of liminality in the work of German filmmakers from various backgrounds, I argue that in these works, border consciousness can be seen as a function of a relationship to national boundaries rooted in histories of displacement, but not necessarily limited to the experiences of migrants and minorities.
    [Show full text]
  • Theory and Interpretation of Narrative James Phelan, Peter J
    THEORY AND INTERPRETATION OF NARRATIVE James Phelan, Peter J. Rabinowitz, and Robyn Warhol, Series Editors An Aesthetics of Narrative Performance TRANSNATIONAL THEATER, LITERATURE, AND FILM IN CONTEMPORARY GERMANY CLAUDIA BREGER THE OHIO STATE UNIVERSITY PRESS \ COLUMBUS Copyright © 2012 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Breger, Claudia. Aesthetics of narrative performance : transnational theater, literature, and film in contemporary Germany / Claudia Breger. p. cm. —(Theory and interpretation of narrative) Includes bibliographical references and index. ISBN 978-0-8142-1197-7 (cloth : alk. paper)—ISBN 978-0-8142-9298-3 (cd) 1. Discourse analysis, Narrative—Germany. 2. Aesthetics, German. 3. Narration (Rhetoric) 4. Trans- nationalism. I. Title. II. Series: Theory and interpretation of narrative series. P302.15.G3B74 2012 401’.410943—dc23 2012030284 Cover design by Hans Hetrick Text design by Juliet Williams Type set in Adobe Minion Pro and Rotis Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Contents List of Illustrations vii Acknowledgments ix Chapter I Toward an Aesthetics of Narrative Performance 1 The Starting Point: Overlapping ‘Performative’ and ‘Narrative Turns’ 1 An Aesthetics of Narrative Performance 7 Narratological Drama 12 Antinarrative Acts: Performance Theory 24 The
    [Show full text]
  • University of Southampton Research Repository Eprints Soton
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES FILM STUDIES The Films of Peter Lilienthal. Homeless by Choice by Claudia Sandberg, M.A. Thesis for the degree of Doctor of Philosophy June 2011 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES FILM STUDIES Doctor of Philosophy THE FILMS OF PETER LILIENTHAL. HOMELESS BY CHOICE by Claudia Sandberg My thesis focuses on the German-Jewish-Uruguayan filmmaker Peter Lilienthal, whose experience of exile in Latin America during the Nazi period informed his subsequent career. Lilienthal’s films address issues of collective resistance to political oppression in Latin America and elsewhere. In depictions of individuals responding to outside threats, the filmmaker renders the perception of a protective and stable home as arbitrary and volatile. While Lilienthal is usually associated with the New German Cinema of the 1970s and early 1980s, my thesis explores his position as an author who is (dis)-located between national and ethnic borders.
    [Show full text]
  • Films De Fiction Allemands Sur Dvd
    FILMS DE FICTION ALLEMANDS SUR DVD DISPONIBLES A LA BIBLIOTHEQUE -A- Absolute Giganten / R : Sebastian Schipper. – A : Frank Giering, Florian Lucas, Antoine Monot Jr. – 1999, 81 min. Dans une ville en périphérie de Hambourg, Floyd fête ses adieux avec ses deux amis. Le lendemain, Floyd commencera son travail sur un bateau. Les trois amis font la tournée des bars de la ville. Le film raconte leurs expériences apparemment fortuites, les prudentes avancées dans la vie, la fuite devant l'immobilité, les nouvelles possibilités qui s'offrent aux jeunes gens. La critique sociale telle qu'elle était pratiquée il y a plusieurs décennies, a fait place à un style de narration fortement enjoué. Cote : GI 791 ABS Absurdistan / R : Houchang Allahyari. – A : Julia Stemberger, Karl Markovics, Meltem Cumbul. – 2008, 89 min. Un minuscule village, quelque part en Asie centrale. Un jour, les canalisations d'eau vétustes éclatent. Les femmes, fatiguées de voir leurs maris jouer aux cartes plutôt que de s'occuper du problème, décrètent une grève du sexe. Cote : GI 791 AS After Spring comes Fall / R: Daniel Carsenty. – A: Halima Ilter, Tamer Yigit, Asad Schwarz, Murat Seven u.a. – 2014/15, 90 min. La jeune kurde Mina décide de quitter son pays, la Syrie, pour se réfugier à Berlin. Elle commence une nouvelle vie sous l’apparente protection de l’illégalité. Elle transfère régulièrement de l’argent à sa famille, et ce sont précisément ces transferts qui vont lui être funestes. Les services secrets syriens la repèrent et la forcent à collaborer comme indicateur. Cote : GI 791 AF Agnes und seine Brüder (Agnes et ses frères) / R : Oskar Röhler.
    [Show full text]
  • At Cannes 2008 GERMAN FILMS and CO-PRODUCTIONS
    German Films at Cannes 2008 GERMAN FILMS AND CO-PRODUCTIONS In Competition In Competition In Competition PALERMO SHOOTING DELTA WALTZ WITH BASHIR by Wim Wenders by Kornél Mundruczó by Ari Folman Producer: Neue Road Movies/Berlin German Co-Producer: German Co-Producer: Razor Film/Berlin World Sales: HanWay Films/London Essential Filmproduktion/Berlin World Sales: The Match Factory/Cologne World Sales: Coproduction Office/Paris Un Certain Regard Cinéfondation Atelier TULPAN GESTERN IN EDEN WOMB by Sergey Dvortsevoy THE OTHER DAY IN EDEN by Benedek Fliegauf by Jan Speckenbach German Co-Producer: Pandora Film/Cologne German Producer: Razor Film/Berlin World Sales: The Match Factory/Cologne Producer/World Sales: Deutsche Film- & Fernsehakademie (dffb)/Berlin Directors’ Fortnight Critics’ Week Critics’ Week SALAMANDRA DAS FREMDE IN MIR DER KLOANE by Pablo Aguero THE STRANGER IN ME by Emily Atef THE RUNT by Andreas Hykade German Co-Producer: Rohfilm/Leipzig & Berlin Producer: NiKo Film/Berlin Producer/World Sales: World Sales: Bavaria Film Studio Film Bilder/Stuttgart International/Geiselgasteig in the Official Program of the Cannes Film Festival 2008 In Competition Un Certain Regard Un Certain Regard LE SILENCE DE LORNA WOLKE 9 O’ HORTEN by Jean-Pierre & Luc Dardenne CLOUD 9 by Andreas Dresen by Bent Hamer German Co-Producers: Mogador Film/ Producer: Rommel Film/Berlin German Co-Producer: Pandora Film/Cologne Frankfurt-Berlin & Gemini Film/Cologne World Sales: The Match Factory/Cologne World Sales: The Match Factory/Cologne World Sales: Celluloid
    [Show full text]
  • Dominique Horwitz
    Dominique Horwitz http://www.dominique-horwitz.de KD Schmid Phone: +49 511 366 0734 Email: [email protected] Website: https://www.kdschmid.de/ © Oliver Fantitsch Information Year of birth 1957 Nationality French Height (cm) 178 Languages German: native-language Eye color green brown English: medium Hair color Blond French: native-language Place of residence Weimar Italian: basic Housing options Paris, Weimar Sport Jiu Jitsu, Fencing (sports), Boxing, Horse riding Profession Actor Singing Chanson: medium Awards 2008 Goldener Vorhang für seine Rolle von "Charlotte von Mahlsdorf" in dem Theaterstück "Ich mach ja doch was ich will" 2001 Fipa d'or Biarritz: Internationaler Fernsehpreis in Silber für den Fernsehfilm "Enthüllung einer Ehe" 1999 Nominierung als bester Nebendarsteller im Kinofilm "Nachtgestalten" 1998 Goldener Löwe in der Kategorie "Bester Schauspieler" für den Fernsehfilm "Trickser" Film 2012 "Die schwarzen Brüder" Director: Xavier Koller 2010 "Gegengerade" Director: Tarek Ehlail 2010 "Löwenzahn - Das Kinoabenteuer" Director: Peter Timm 2008 "Die rote Zora" Director: Peter Kahane 2007 "Rennschwein Rudi Rüssel 2" Director: Peter Timm 2007 "Du bist nicht allein" Director: Bernd Böhlich 2005 "Shooting Dogs" Director: Michael Caton-Jones 2005 "Heldin wider Willen" Director: Volker Schlöndorff Vita Dominique Horwitz by france.castupload.com — As of: 2021-05-06 Page 1 of 6 2005 "Strajk - Die Heldin von Danzig" Director: Volker Schlöndorff 2004 "Der Blindgänger" Director: Bernd Sahling 2004 "Die blaue Grenze" Director: Till Franzen
    [Show full text]
  • The Cinematic Network Society: Ethical Confrontations with New Proximities to Human Suffering in the Information Age
    The Cinematic Network Society: Ethical Confrontations with New Proximities to Human Suffering in the Information Age By Neil Narine B.A. (Honours), University of Victoria (2000) M.A., McGill University (2002) Dissertation submitted in partial fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY In the School of Communication © Neil Anil Martin Narine 2010 SIMON FRASER UNIVERSITY Summer 2010 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL NAME Neil Anil Martin Narine DEGREE PhD TITLE OF DISSERTATION: The Cinematic Network Society: Ethical Confrontations with New Proximities to Human Suffering in the Information Age EXAMINING COMMITTEE: CHAIR: Adam Holbrook, Adjunct Professor Dr. Gary McCarron Associate Professor School of Communication Dr. Shane Gunster Associate Professor School of Communication Dr. Andrew Feenberg Professor School of Communication Dr. Martin Laba Associate Professor School of Communication Dr. Douglas Kellner Professor Graduate School of Education & Information Studies UCLA, Los Angeles, CA DATE: April 30,2010 ii Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational
    [Show full text]
  • Quarterly 3 · 2005
    German Films Quarterly 3 · 2005 GERMAN FILM AWARD … and the winners are PORTRAITS Angelina Maccarone, Marc Rothemund, Bettina Brokemper, Julia Jentsch, Ulrich Matthes SPECIAL REPORT Deutsche Filmakademie german films quarterly 3/2005 focus on 4 THE GERMAN FILM ACADEMY directors’ portraits 10 PUSHING THE ENVELOPE A portrait of Angelina Maccarone 12 IN SEARCH OF VARIETY A portrait of Marc Rothemund producer’s portrait 14 A HOME TO FILMS A portrait of Heimatfilm actress & actor portraits 16 A STAR IS BORN A portrait of Julia Jentsch 18 SPECIALIST FOR DIFFICULT ROLES A portrait of Ulrich Matthes 20 news in production 26 APPOLONIA MARGARETE STEIFF Xaver Schwarzenberger 26 AUFTAUCHEN Felicitas Korn 27 THE CONCLAVE Christoph Schrewe 28 DER DIE TOLLKIRSCHE AUSGRAEBT Franka Potente 29 ÉCHANGE Christian Ditter 30 GG 19 19 directors including David Dietl, Ulrike Grote, Marion Kracht, Andre F. Nébe, Maria Schrader, Mira Thiel 30 DER LETZTE ZUG Joseph Vilsmaier 31 LULU Uwe Janson 32 DAS PARFUM – DIE GESCHICHTE EINES MOERDERS Tom Tykwer 33 PAULAS GEHEIMNIS Gernot Kraa 33 DER RAEUBER HOTZENPLOTZ Gernot Roll 34 STOERTEBEKER Miguel Alexandre 35 VIER FENSTER Christian Moris Mueller 36 WER FRUEHER STIRBT IST LAENGER TOT Marcus H. Rosenmueller 37 DIE WILDEN HUEHNER Vivian Naefe new german films 38 3 GRAD KAELTER 3 DEGREES COLDER Florian Hoffmeister 39 ALMOST HEAVEN Ed Herzog 40 DAS ANDERE AMERIKA THE OTHER AMERICA Angela Zumpe 41 EINE ANDERE LIGA OFFSIDE Buket Alakus 42 BASTA. ROTWEIN ODER TOT SEIN C(R)OOK Pepe Danquart 43 BERLIN NIGHTS Gabriela Tscherniak
    [Show full text]