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9781474474368 Plotting the N Plotting the News in the Victorian Novel 66331_Valdez.indd331_Valdez.indd i 221/04/201/04/20 77:47:47 PPMM Edinburgh Critical Studies in Victorian Culture Series Editor: Julian Wolfreys Recent books in the series: The Fin-de-Siècle Scottish Revival: Romance, Decadence Rudyard Kipling’s Fiction: Mapping Psychic Spaces and Celtic Identity Lizzy Welby Michael Shaw The Decadent Image: The Poetry of Wilde, Symons and Contested Liberalisms: Martineau, Dickens and the Dowson Victorian Press Kostas Boyiopoulos Iain Crawford British India and Victorian Literary Culture Plotting Disability in the Nineteenth-Century Novel Máire ní Fhlathúin Clare Walker Gore Anthony Trollope’s Late Style: Victorian Liberalism and The Aesthetics of Space in Nineteenth-Century British Literary Form Literature, 1843–1907 Frederik Van Dam Giles Whiteley Dark Paradise: Pacifi c Islands in the Nineteenth-Century The Persian Presence in Victorian Poetry British Imagination Reza Taher-Kermani Jenn Fuller Rereading Orphanhood: Texts, Inheritance, Kin Twentieth-Century Victorian: Arthur Conan Doyle and the Diane Warren and Laura Peters Strand Magazine, 1891–1930 Plotting the News in the Victorian Novel Jonathan Cranfi eld Jessica R. Valdez The Lyric Poem and Aestheticism: Forms of Modernity Marion Thain Forthcoming volumes: Gender, Technology and the New Woman Her Father’s Name: Gender, Theatricality and Spiritualism Lena Wånggren in Florence Marryat’s Fiction Self-Harm in New Woman Writing Tatiana Kontou Alexandra Gray The Sculptural Body in Victorian Literature: Encrypted Suffragist Artists in Partnership: Gender, Word and Image Sexualities Lucy Ella Rose Patricia Pulham Victorian Liberalism and Material Culture: Synergies of Olive Schreiner and the Politics of Print Culture, 1883–1920 Thought and Place Clare Gill Kevin A. Morrison Victorian Auto/Biography: Problems in Genre and Subject The Victorian Male Body Amber Regis Joanne-Ella Parsons and Ruth Heholt Gissing, Shakespeare and the Life of Writing Nineteenth-Century Settler Emigration in British Literature Thomas Ue and Art Women’s Mobility in Henry James Fariha Shaikh Anna Despotopoulou The Pre-Raphaelites and Orientalism Michael Field’s Revisionary Poetics Eleonora Sasso Jill Ehnenn The Late-Victorian Little Magazine The Americanisation of W. T. Stead Koenraad Claes Helena Goodwyn Coastal Cultures of the Long Nineteenth Century Literary Illusions: Performance Magic and Victorian Matthew Ingleby and Matt P. M. Kerr Literature Dickens and Demolition: Literary Afterlives and Christopher Pittard Mid-Nineteenth-Century Urban Development The Ideas in Stories: Intellectual Content as Aesthetic Joanna Hofer-Robinson Experience in Victorian Literature Artful Experiments: Ways of Knowing in Victorian Patrick Fessenbecker Literature and Science Pastoral in Early-Victorian Fiction: Environment and Philipp Erchinger Modernity Victorian Poetry and the Poetics of the Literary Mark Frost Periodical Edmund Yates and Victorian Periodicals: Gossip, Celebrity Caley Ehnes and Gendered Spaces The Victorian Actress in the Novel and on the Stage Kathryn Ledbetter Renata Kobetts Miller Literature, Architecture and Perversion: Building Sexual Dickens’s Clowns: Charles Dickens, Joseph Grimaldi and Culture in Europe, 1850–1930 the Pantomime of Life Aina Marti Jonathan Buckmaster Oscar Wilde and the Radical Politics of the Fin de Siècle Italian Politics and Nineteenth-Century British Literature Deaglán Ó Donghaile and Culture Home and Identity in Nineteenth-Century Literary London Patricia Cove Lisa Robertson Cultural Encounters with the Arabian Nights in Manufacturing Female Beauty in British Literature and Nineteenth-Century Britain Periodicals, 1850–1914 Melissa Dickson Michelle Smith Novel Institutions: Anachronism, Irish Novels and New Media and the Rise of the Popular Woman Writer, Nineteenth-Century Realism 1820–1860 Mary L. Mullen Alexis Easley For a complete list of titles published visit the Edinburgh Critical Studies in Victorian Culture web page at www.edinburghuniversitypress.com/series/ECVC Also Availa ble: Victoriographies – A Journal of Nineteenth-Century Writing, 1790–1914, edited by Diane Piccitto and Patricia Pulham ISSN: 2044–2416 www.eupjournals.com/vic 66331_Valdez.indd331_Valdez.indd iiii 221/04/201/04/20 77:47:47 PPMM Plotting the News in the Victorian Novel Jessica R. Valdez 66331_Valdez.indd331_Valdez.indd iiiiii 221/04/201/04/20 77:47:47 PPMM For Baltimore and Hong Kong Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Jessica R. Valdez, 2020 Edinburgh University Press Ltd The Tun – Holyrood Road, 12(2f) Jackson’s Entry, Edinburgh EH8 8PJ Typeset in 11/13 Adobe Sabon by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain. A CIP record for this book is available from the British Library ISBN 978 1 4744 7434 4 (hardback) ISBN 978 1 4744 7436 8 (webready PDF) ISBN 978 1 4744 7437 5 (epub) The right of Jessica R. Valdez to be identifi ed as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988, and the Copyright and Related Rights Regulations 2003 (SI No. 2498). 66331_Valdez.indd331_Valdez.indd iivv 221/04/201/04/20 77:47:47 PPMM Contents Acknowledgements vi Series Editor’s Preface x Introduction 1 1. ‘These Acres of Print’: Charles Dickens, the News and the Novel as Pattern 26 2. Arrested Development: Characterisation, the Newspaper and Anthony Trollope 59 3. ‘The End is No Longer Hidden’: News, Fate and the Sensation Novel 93 4. Israel Zangwill, or ‘The Jewish Dickens’: Representing Minority Communities in the Novel and Newspaper 124 Postscript 167 Bibliography 170 Index 186 66331_Valdez.indd331_Valdez.indd v 221/04/201/04/20 77:47:47 PPMM Acknowledgements Many have contributed to the eventual shape this book has taken. First, I want to acknowledge the support of various institutions that made this monograph possible. I am thankful for the fi nancial support of the Early Career Scheme Fellowship, awarded by the Research Grants Council of Hong Kong. I received four courses of teaching relief as well as funding for a research assistant and con- ference travel. The Doris Zimmern HKU-Cambridge Hughes Hall Fellowship allowed me to work on the monograph in Cambridge and to share my research with scholars in the UK and Europe. A Visiting Research Fellowship with the School of Literature, Art and Media at the University of Sydney gave me time to complete revisions to the monograph and to share my research in Austra- lia. Finally, the Faculty of Arts at HKU generously provided pre- tenure funding that assisted my revisions. While a graduate student at Johns Hopkins University, I received funding from the Johns Hopkins Program for the Study of Women, Gender and Sexuality which enabled me to visit Anthony Trollope’s personal letters at Princeton University. The Johns Hopkins Program in Jewish Studies gave me the opportunity to teach the class, ‘The Victorian Novel and the Jewish Question’, which inspired the fourth chapter of this monograph. I am particularly indebted to my students in this class, whose discussion of Israel Zangwill’s Children of the Ghetto enliv- ened my own research. I also thank Edinburgh University Press, including Michelle Houston, Ersev Ersoy and Julian Wolfreys, for their help, support and effi ciency. An earlier version of Chapter 1 was published in Victorian Periodicals Review, and a section of Chapter 4 appeared in Studies in the Novel. I thank the editors and reviewers of both journals for their helpful suggestions and permission to republish. Also, I thank the Lilly Library at Indiana University for giving me permission to publish an image from the Michael Sadler Collection of Ephemera. 66331_Valdez.indd331_Valdez.indd vvii 221/04/201/04/20 77:47:47 PPMM Acknowledgements vii I hired a team of undergraduate students to conduct online research for this project, and I want to thank them for their hard work: Chan Hiu Tung Samantha, Natalie Mo, Anne-Vivien Paris, Tan Hei Paul, Wong Jing Man Jessica, Olivia Xu Lingyi and Yuen Chi Heng Jason. While working on this monograph, I supervised three MPhil students, and our conversations indirectly contributed to the eventual book. These students are Olivia Xu Lingyi, Natalie Mo and Anneliese Ng Ka Man. Finally, I thank Niketa Gupte Narayan for her careful copyediting of the manuscript. The Nineteenth-Century Seminar at Dickens Universe in 2016 was especially helpful in the transition from dissertation to monograph. I am indebted to Tricia Lootens and Sharon A. Weltman’s leader- ship of our seminar and to the seminar participants for their com- munity and feedback: Michelle Allen-Emerson, Alex Bove, Chelsea Bray, Dagni Bredesen, Benjamin Hudson, Rebecca Richardson, Jason Rudy, Tabitha Sparks and Lisa-Marie Teubler. I am so thankful to have been part of this seminar and to have formed lasting friendships as a result. As a graduate student at Johns Hopkins University, I benefi tted from the guidance, mentorship and training of Amanda Anderson, Sharon Cameron, Simon During, Douglas Mao, Chris Nealon and Jesse Rosenthal. I continue to benefi t from the support of good friends from graduate school, including Elisha Cohn, Christiane Gannon, Jason Hoppe and Kara Wedekind. I am deeply appreciative of the support provided by the Gender History Workshop (fondly called the Geminar). This community of gender historians was essential to my Hopkins experience. They provided insightful feed- back on early drafts of the chapters in this monograph as well as a rigorous but supportive academic community. In particular, I want to thank Claire Cage, Jessica Clark, Sara Damiano, Toby Ditz, Rob Gamble, Stephanie Gamble, Claire Gherini, Katie Jorgenson Gray, Katie Hemphill, Amanda Herbert, Katie Hindmarch-Watson, Eliza- beth Imber, Ren Pepitone and Rebecca Stoil. I thank David Hershinow, Stephanie Hershinow and Maggie Vinter for keeping me accountable over the past decade.
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