Varnish Cache a Technical Guide to Getting Started with Varnish Cache and VCL
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Utrecht Art Supplies What Not to Use As Varnish
Utrecht Art Supplies What Not to Use as Varnish • Removable with light solvents and gentle manipulation (should not require strong solvents or hard scrubbing) • Should not fuse with, soften or dissolve completely dry paint • Resin content should be documented to aid in later cleaning and care Alkyd Alkyd-based painting mediums are great for improving paint flow, imparting gloss, increasing transparency, and promoting a tough, flexible Ask the Expert: "Lately I've been finishing my paint film, but as a top-coat, they aren't oil paintings with a coat of alkyd medium to give reversible with even very harsh solvents. A coat a shiny finish. My friend says this might not be a of alkyd is permanent, for better or worse. Also, good idea. If I can coat an acrylic painting with some alkyd mediums impart harsh glare, making gloss medium, what's the problem with using it difficult to install and light the finished work. alkyd medium on oils?" Wax A: Artists sometimes make the mistake of top- coating a painting with a medium or other Wax is sometimes used as a top-coat over material which gives a good appearance in the paintings, but it has some significant short term, but which causes problems later. shortcomings for this application. Wax remains Alkyd-based painting mediums are great for their soft indefinitely, so it doesn't impart protection intended purpose, but alkyds don't meet the against mechanical damage from handling and requirements of a picture varnish. casual contact. Wax also tends to attract and hold dust. Cold wax medium has an attractive A picture varnish should satisfy these appearance when first applied, especially when functions: buffed to a shine, but can later become • Permanently neutral in color and lackluster. -
Varnishing Than with Any Other Stage of the Painting Process
INFO SHEET 301 UPDATED JULY 2016 VA R NISHING We get more questions about varnishing than with any other stage of the painting process. Varnishing should be an almost mechanical process undertaken to give your painting a protective coating with the surface quality you prefer (gloss, satin, etc.) and possibly an enhancement of colour contrast. But, if you leave it till the last moment and use a varnish you are not used to, you can ruin the work you are trying to protect. Anxiety and disappointment can be avoided easily if you do sample pieces using the same materials as the painting and varnish them, not the painting, until you get the effect you wanted. Water-based varnishes are tricky to apply and not removable if you dislike the effect, so we suggest they should only be used by artists who have already tried the above experiment. CHROMA SOLVENT FINISHING VARNISHES We recommend and prefer our Chroma Solvent Finishing Varnishes, because they can be used on all our Chroma paint brands, Atelier Interactive, Jo Sonja’s or Archival Oils. Application of all these varnishes is by brush (a broad house paint brush), and clean up is with mineral spirits. If applying multiple coats, allow 24 hours drying time between applications. Choose from these finishes: Gloss Solvent Finishing Varnish • Apply as is for a full gloss, usually one coat. To reduce gloss add Invisible Varnish to your taste. Try 2 parts varnish to 1 part Invisible Varnish, up to 1:1 for less sheen. NOTE: The new varnishes have an anti-mould additive which is diluted if you add turpentine, so to maintain the mould protection for tropical conditions dilute with Invisible Varnish instead. -
Introduction of an Advanced Caching Layer Leveraging the Varnish Technology Stack and Integrating It to the Existing Web Platform
Introduction of an Advanced Caching Layer Leveraging the Varnish Technology Stack and Integrating It to the Existing Web Platform Author: Irina Vasilieva Director: Jaime M. Delgado Merce June 21, 2018 Barcelona School of Informatics Universitat Polit`ecnicade Catalunya Thesis presented for the Bachelor Degree of Computer Science Abstract Web performance nowadays plays a significant role for many leading enterprises and the ones that trying to gain more visibility and users. Multiple studies and research papers in the area show that poor performance have a negative impact on business goals. An endless waiting for slow Web pages to load frus- trates demanding visitors into seeking alternatives and as a result, abandoning a website. Many different solutions and approaches came up recently to solve performance and scalability issues on the web sites. It is no surprise, that companies attempt to retain their users, improve user experience, conversions and SEO rankings to get a profitable revenue. HTTP requests reduction, file compression, in- frastructure, image optimization are some of the web performance optimization techniques, or even a combination of them, enterprises find useful for their web platforms. Varnish, an open source software, was suggested as a proxy caching server to prove that it can drastically improve hit rate and response times on the website. It can deal with performance and scalability at the highest level. In order to demonstrate the caching capability of Varnish a web platform was built based on Adobe Experience Manager with its own out of the box caching tool, named dispatcher. The main focus is to replace dispatcher and compare the web per- formance outcome. -
Weathering Test of Coatings for Wood Panel Boards
Proceedings of the 51st International Convention of Society of Wood Science and Technology November 10-12, 2008 Concepción, CHILE Weathering Test of Coatings for Wood Panel Boards . Rose Marie M GARAY Depto. Ingeniería de la Madera Universidad de Chile Sta. Rosa 11315,Casilla 9206 Santiago Chile ABSTRACT Protection that coating gives to wood based boards exposed to weathering, depends on multiple factors such as: substratum, application, properties of the product and conditions of weathering. The decision on the utilization of a given protector is based on requirements of use and durability. The evolution through time of the substratum- protector system is studied in long-term experimental weathering test field. Coatings in service are submitted to high and low temperatures, rain effect, solar radiation and wind, which are variable in different climatic zones, causing different effects when dampness is excessive or dryness is extreme. They are formulated for particular end-use conditions and, it is necessary to check their efficiency for the conditions that the manufacturer stipulates. In this work the behaviour in service of pigmented varnish, varnish with filter UV, insecticides and fungicides, paintings and stains, solvent-borne and water-borne, is studied These products were tested to weathering in the Metropolitan Region, Santiago, La Pintana. Tests were made according to the ASTM D D1006-73 standard. Materials for test were oriented strand board (OSB) and plywood. Evaluations are realized until 24 months of weathering. cracks, spots, erosion, discoloration, sheen, shelling, humidity absorption, and swelling in thickness were evaluated. Results indicate that none of the superficial protectors offers a completely efficient protection due to the severity of the exposition which caused visual unsightly effects such as loss of color, sheen, and fluctuations in the evaluated properties. -
Annual Report 2018 2 Annual Report 2018
ANNUAL REPORT 2018 2 ANNUAL REPORT 2018 ACCELERATING GROWTH PLAYING BY THE NEW RULES: IN THE DIRECT BRAND DATA GOVERNANCE, ECONOMY REVOLUTION ETHICS, AND LEGISLATION et’s not mince words: 2018 was a year of We see no reason to believe this direct brand ata is to the 21st century what capital massive disruption by any measure—and all economy will slow down, let alone go into reverse. This was to the 20th century. If you doubt that, Lsigns point to this disruption accelerating in “stack-your-own supply chain” is now so advanced and Dconsider this: In 2018, American companies 2019 and beyond. so embedded in the economy that the trends we’ve spent nearly $19.2 billion on the acquisition of For over a century, dominant consumer-facing seen for the past decade will only accelerate. audience data and on solutions to manage, process, companies created value through their ownership and and analyze digital audience data—a figure that operation of high-barrier-to-entry, capital-intensive It also represents an incredible represents a staggering 17.5 percent increase supply chains. The most successful companies owned opportunity for those who understand from the prior year (State of Data 2018 Report, outright or had significant control over every major the power of interactive media in this Winterberry Group, IAB). function within their supply chain, from the sourcing of new world order. This is the current data landscape—and the raw materials to the ownership of their factories and elephant in the room. warehouses, to the railway cars and trucks that got Digital advertising—whether display, search, or Our industry is at the center of a seismic change If you don’t have consumers’ trust, their goods to market. -
Guide to Open Source Solutions
White paper ___________________________ Guide to open source solutions “Guide to open source by Smile ” Page 2 PREAMBLE SMILE Smile is a company of engineers specialising in the implementing of open source solutions OM and the integrating of systems relying on open source. Smile is member of APRIL, the C . association for the promotion and defence of free software, Alliance Libre, PLOSS, and PLOSS RA, which are regional cluster associations of free software companies. OSS Smile has 600 throughout the World which makes it the largest company in Europe - specialising in open source. Since approximately 2000, Smile has been actively supervising developments in technology which enables it to discover the most promising open source products, to qualify and assess them so as to offer its clients the most accomplished, robust and sustainable products. SMILE . This approach has led to a range of white papers covering various fields of application: Content management (2004), portals (2005), business intelligence (2006), PHP frameworks (2007), virtualisation (2007), and electronic document management (2008), as well as PGIs/ERPs (2008). Among the works published in 2009, we would also cite “open source VPN’s”, “Firewall open source flow control”, and “Middleware”, within the framework of the WWW “System and Infrastructure” collection. Each of these works presents a selection of best open source solutions for the domain in question, their respective qualities as well as operational feedback. As open source solutions continue to acquire new domains, Smile will be there to help its clients benefit from these in a risk-free way. Smile is present in the European IT landscape as the integration architect of choice to support the largest companies in the adoption of the best open source solutions. -
The Dirty History of Portland Harbor
Reprinted from a 1994 publication The Dirty History of Portland Harbor hen scientists began looking closely at the sediments and at W the bottom of Casco Bay beginning in the early 1980s, they confronted a pollution puzzle. Sediments taken from various locations throughout the Bay, and especially in Portland Harbor, held a wide variety of potentially toxic chemicals. Until we know more about how these heavy metals, pesticides and other compounds affect marine life, it’s hard to know what lasting impact the pollution in Casco Bay may have. But it was decided that the more we know about where those pollutants came from, the better chances we will have in preventing future problems. The Casco Bay Estuary Project (now Casco Bay Early industry was limited by natural energy sources, like this tidal mill at Estuary Partnership) commissioned environmental Stroudwater. (courtesy: Sullivan Train & Photo) historian Edward Hawes to do some detective work, hoping that he could turn up some puzzle pieces from the Casco Bay. Lead, cadmium and mercury concentrations were watersheds that feed the Bay. The industrial legacy he found comparatively high in Back Cove, as were lead and mercury was a surprise to almost anyone who thinks they know the in the inner Fore River. Lead was also relatively high in the Portland area. Presumpscot River estuary. Additional metals — nickel, silver, arsenic, chromium A Pollution Problem and zinc — were evident in lesser concentrations. This widespread contamination was a little mystifying. In this age hen investigators began sampling Casco Bay’s of environmental regulation, how could so much pollution sediments in the 1980s, levels of pollution have landed in the Bay? W were found that merited additional attention. -
Freebsd's Firewall Feast
SEE TEXT ONLY FreeBSD’s Firewall Feast By Michael W Lucas reeBSD is famous for all sorts of fantastic gets silently dropped, and which is sent back to features, such as ZFS, jails, bhyve virtual- the source with a letter of complaint. A packet- ization, and the Ports Collection. It’s forwarding packet filter is the original firewall. F somewhat infamous, however, for having The firewalls all have a common core feature three different firewalls: PF, IPFilter, and IPFW. set considered the minimum for a modern pack- Where did all these firewalls come from, and et filter. They can track the state of a TCP/IP con- why are they all still in the system? nection and permit traffic based on existing con- The IT industry has repeatedly abused, nections. They can all return resets or silently stretched, and tormented the word firewall to fit drop connections. All can manage non-routable all sorts of different products. When someone addresses and perform network address transla- uses firewall, ask them exactly what they’re talk- tion. They all work with lists of rules defining ing about. Do they mean a caching HTTP proxy how to respond to traffic from different IP like Squid or Varnish? A generic proxy like addresses and network ports. Incoming packets relayd? Or a TCP/IP packet filter? are compared to the list of rules until they are All of FreeBSD’s firewalls are packet filters. permitted or rejected. They control which TCP/IP addresses and ports The firewalls have their own unique features, can connect to the host. -
Printing AMAZING COATING EFFECTS LOOK MA! ONLY 2 COLOURS! STOP the MADNESS the DEVIL in the DETAILS
VOLUME 3.2 Innovative Printing AMAZING COATING EFFECTS LOOK MA! ONLY 2 COLOURS! STOP THE MADNESS THE DEVIL IN THE DETAILS , Publisher Jeff Ekstein Contents Editor Ian Broomhead Contents Volume 3.2 Art Director Ian Broomhead Visualizing Varnish? Contributing Editors This simple cost effective Patrick White method of protecting your Ian Broomhead piece can also add a creative Jeff Ekstein POP! 4 Production Yuval Gurr Duotone's Bill Wright It's an age old technique with breathtaking results. Beyond Print is published four times a year. It is designed to serve the interests 6 of the clients and prospective clients of Willow Printing Group Ltd. Every effort has been made to ensure Crossover Chaos that the content of this publication is Spanning images across accurate, however, errors and omissions are not the responsibility of Willow Printing pages is a great technique to Group Ltd. draw the reader in, but beware! YOU’RE DIFFERENT 8 Email Contacts Printing Pitfalls So are we. Jeff Ekstein [email protected] Some practical tips to save time and money on your next print We're the Ian Broomhead project. Integrated Marketing…Design…Printing…Finishing… [email protected] 10 Mailing…Distribution…Analysis… Company © 2012 Willow Printing Group Ltd. @ Willow Innovation with purpose WHAT DIFFERENCE DOES THAT MAKE? helps create positive change Privacy Policy for your business this year. Go to www.willowprint.com to find out. Any personal information you provide to us including and similar to your name, address, 15 telephone number and e-mail address will not be released, sold, or rented to any entities or individuals outside of Willow Printing Group Ltd. -
Learning HTTP 2.Pdf
L e a r n i n g H T T P/2 A PRACTICAL GUIDE FOR BEGINNERS Stephen Ludin & Javier Garza Learning HTTP/2 A Practical Guide for Beginners Stephen Ludin and Javier Garza Beijing Boston Farnham Sebastopol Tokyo Learning HTTP/2 by Stephen Ludin and Javier Garza Copyright © 2017 Stephen Ludin, Javier Garza. All rights reserved. Printed in the United States of America. Published by O’Reilly Media, Inc., 1005 Gravenstein Highway North, Sebastopol, CA 95472. O’Reilly books may be purchased for educational, business, or sales promotional use. Online editions are also available for most titles (http://oreilly.com/safari). For more information, contact our corporate/insti‐ tutional sales department: 800-998-9938 or [email protected]. Acquisitions Editor: Brian Anderson Indexer: Wendy Catalano Editors: Virginia Wilson and Dawn Schanafelt Interior Designer: David Futato Production Editor: Shiny Kalapurakkel Cover Designer: Karen Montgomery Copyeditor: Kim Cofer Illustrator: Rebecca Demarest Proofreader: Sonia Saruba June 2017: First Edition Revision History for the First Edition 2017-05-14: First Release 2017-10-27: Second Release See http://oreilly.com/catalog/errata.csp?isbn=9781491962442 for release details. The O’Reilly logo is a registered trademark of O’Reilly Media, Inc. Learning HTTP/2, the cover image, and related trade dress are trademarks of O’Reilly Media, Inc. While the publisher and the authors have used good faith efforts to ensure that the information and instructions contained in this work are accurate, the publisher and the authors disclaim all responsibility for errors or omissions, including without limitation responsibility for damages resulting from the use of or reliance on this work. -
09-2Nd AWS Section 05
Architectural Woodwork Standards finishing 5s e c t i o n section 5 Finishing table of contents Introductory InformatIon complIance requIrements Introduction ......................................................................................... 110 General Purpose ............................................................................................... 110 Basic Considerations .................................................................... 117 Factory / Field Finishing ...................................................................... 110 Grade ..................................................................................... 117 Important Considerations .................................................................... 110 Classifications ................................................................. 117 Specifications ............................................................................... 110 Compliance Requirements .................................................... 117 Varying Costs ............................................................................... 110 Contract Documents .............................................................. 117 Intermixing Systems ..................................................................... 110 Aesthetic Compliance ............................................................ 117 Application .................................................................................... 110 Listing ................................................................................... -
Annual Report 2017 Iab Annual Report 2017
ANNUAL REPORT 2017 IAB ANNUAL REPORT 2017 dynamic creative powerhouses apply their storytelling expertise to build marketers’ brands. Similarly, the 2017 IAB Leadership Dialogues were a first-ever Building 21st Century Brands: series of discussions with transformative leaders in business, politics, economics, and technology to gain The Race to the New Economy insights from and debate critical industry, political, and economic issues with each other. A cross-screen economy requires new standards and ife in America in 2017 was lived inside a series a time. These direct brands—as well as the incumbents guidelines to grow the marketplace, and IAB and the of paradoxes, all of them balanced on one side that join their club—are the growth engine of the new L IAB Tech Lab introduced the completely revamped by the ongoing economic boom, characterized by brand economy. IAB Standard Ad Unit Portfolio, featuring dynamic a bull market now in its 10th year. We had political more than 14,800 digital media professionals Adapting to this new landscape is not optional either: ads that allow for flexible creative on a multitude turmoil … and economic boom. Populist revolt … have advanced through the IAB Certification Two-thirds of consumers now expect direct brand of screen sizes and resolution capabilities and that and economic boom. Immigration mania … and Programs and Professional Development initiatives. connectivity. puts user experience front and center. Another major economic boom. Media disruption … and economic accelerator for growth is a trustworthy supply chain. An emerging economy and fast-changing media boom. Retail apocalypse … and economic boom. THE WORLD HAS SHIFTED FROM AN A major initiative for the Tech Lab in this area was INDIRECT BRAND ECONOMY TO A landscape also requires an active eye on policy, and In the digital media and marketing industries, we DIRECT BRAND ECONOMY.