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Rethinking the Ako Ronin Debate the Religious Significance of Chushin Gishi
Japanese Journal of Religious Studies 1999 26/1-2 Rethinking the Ako Ronin Debate The Religious Significance of Chushin gishi John Allen T ucker This paper suggests that the Tokugawa Confucian debate over the Ako revenge vendetta was, in part, a religious debate over the posthumous sta tus of the forty-six ronin who murdered Lord Kira Yoshinaka as an act of revenge for the sake of their deceased master, Asano Naganori. At issue in the debate was whether the forty-six ronin were chushin gishi, a notion typ ically translated as “loyal and righteous samurai. ” The paper shows, how ever, that in Tokugawa discourse the term chushin gishi had significant religious nuances. The latter nuances are traceable to a Song dynasty text, the Xingli ziyi, by Chen Beixi, which explains that zhongchen yishi (Jpn. chushin gishi) could be legitimately worshiped at shrines devoted to them. The paper shows that Beixi text was known by those involved in the Ako debate, and that the religious nuances, as well as their sociopolitical impli cations, were the crucial, albeit largely unspoken, issues in the debate.1 he paper also notes that the ronin were eventually worshiped, by none other than the Meiji emperor, and enshrined in the early-twentieth century. Also, in prewar Japan, they were extolled as exemplars of the kind of self- sacrijicing loyalism that would be rewarded, spiritually, via enshrinement at Yasukuni Shrine. Keywords: Ako ronin — chushin gishi (zhongchen yishi)—しhen Beixi — Xingli ziyi — Yamasra Soko — Bakufu —apotheosis Chushin gishi 忠、臣義 士 was the pivotal notion in the eighteenth-century controversy among Confucian scholars over the Ako 赤穂 revenge vendetta of 1703. -
Honor and Violence: Perspectives on the Akō Incident
Honor and Violence: Perspectives on the Akō Incident Megan McClory April 4, 2018 A senior thesis, submitted to the East Asian Studies Department of Brandeis University, in partial fulfillment of the Bachelor of Arts degree. Table of Contents Introduction………………………………………………………………………………………1 Law and Morality………………………………………………………………………………...4 Kenka Ryouseibai…………………………………………………………………………5 House Codes……………………………………………………………………………....8 Loyalty as Propaganda…………………………………...………………………………..9 Filial Piety………………………………………………………………………………13 Evolution into Legend……………………………………………………………………………15 Dissemination……………………………………………………………………………15 Audience…………………………………………………………………………………18 Akō as an Example………………………………………………………………………19 Modern Day……………………………………………………………………………...20 Sengaku-ji………………………………………………………………………………. 22 Chūshingura as a Genre………………………………………………………………… 25 Ukiyo-e………………………………………………………………………………...…25 Appeal and Extension to Non-Samurai………………………………..…………………………28 Gihei the Merchant………………………………………………………………………28 Injustice…..………………………………………………………………………………35 Amae …………………………………………………………………………………….38 Collective Honor…………………………………………………………………………41 Women in Chūshingura………………………………………………………………….44 Conclusion……………………………………………………………………………….47 List of Names and Characters Adapted from David Bell Chushingura and the Floating World: The Representation of Kanadehon Chushingura in Ukiyo-e Prints Enya Hangan A young provincial noble and Lord of the castle of Hoki under the shogun Ashikaga Takauji. Asano Takuminokami Naganori, Lord of Akō in the province of Harima. -
Analecta Nipponica
5/2016 Analecta Nipponica JOURNAL OF POLISH ASSOCIATION FOR JAPANESE STUDIES Analecta Nipponica JOURNAL OF POLISH ASSOCIATIOn FOR JapanESE STUDIES 5/2016 Analecta Nipponica JOURNAL OF POLISH ASSOCIATIOn FOR JapanESE STUDIES Analecta Nipponica JOURNAL OF POLISH ASSOCIATIOn FOR JapanESE STUDIES Editor-in-Chief Alfred F. Majewicz Nicolaus Copernicus University, Toruń Editorial Board Agnieszka Kozyra University of Warsaw, Jagiellonian University in Kraków Iwona Kordzińska-Nawrocka University of Warsaw Editing in English Aaron Bryson Editing in Japanese Fujii Yoko-Karpoluk Editorial Advisory Board Moriyuki Itō Gakushūin University in Tokyo Mikołaj Melanowicz University of Warsaw Sadami Suzuki International Research Center for Japanese Studies in Kyoto Hideo Watanabe Shinshū University in Matsumoto Estera Żeromska Adam Mickiewicz University in Poznań The publication was financed by Takashima Foundation Copyright© 2015 by Polish Association for Japanese Studies and Contributing Authors. ANALECTA NIPPONICA: Number 5/2015 ISSN: 2084-2147 Published by: Polish Association for Japanese Studies Krakowskie Przedmieście 26/28, 00-927 Warszawa, Poland www.psbj.orient.uw.edu.pl University of Warsaw Printers (Zakłady Graficzne UW) Order No. 1312/2015 Contents Editor’s preface ...............................................................7 ARTICLES Iijima Teruhito, 日本の伝統芸術―茶の美とその心 .............................11 English Summary of the Article Agnieszka Kozyra, The Oneness of Zen and the Way of Tea in the Zen Tea Record (Zencharoku) .............................................21 -
TJ and the 47 Ronin
Thomas Jefferson and the samurai spirit Tokugawa Ieyasu won the battle of Sekigahara in 1601, and he ushered into Japan several centuries of feudal rule. To celebrate his victory, Tokugawa took the title of Shogun, invited peasants to decapitate his rival and established a rigid set of laws and regulations that lasted nearly 300 years. One century after Sekigahara, Japan experienced an epic event that set the character of the nation ever after. 1 The sacrifices attendant with this tale would Tokugawa have been understood and appreciated by Thomas Jefferson. Ieyasu Approximately four decades before Jefferson’s birth, in 1701 in Edo (Tokyo) an important imperial protocol officer, Kira Kozuke-no-Suke Yoshinaka, was charged with teaching court etiquette to young nobles including Asano Takumi-no- Kami Naganori. Kira by all accounts was irascible and demanding, probably corrupt and undisputedly insulting. Then after stoically enduring this pedagogical abuse for months, Asano attacked Kira with a weapon.2 Although Kira was only slightly injured, drawing a blade inside the imperial Goaded by Kira, palace was a capital Lord Asano crime. Accordingly Kira Yoshinaka Asano was attacks with a ordered to commit seppuku.3 katana leaving a The Asano clan’s family lands in Western Honshu were forfeit. slight wound and His family and the family’s retainers were dispersed landless a scar. having acquired an economic burden they could not repay and a murderous debt of honor which custom demanded they avenge. That payback fell to 47 Asano samurai now called “ronin” or masterless warriors. Under the leadership of Oishi Kuranosuke, the clan knew full well the dilemma it faced.4 Legally the punishment for murder extended to relatives; entire families could be 1 Ishida Mistunari was the losing general at Sekigahara. -
The Age of the Samurai Fall 2019 HIS 364G/ANS 372 Class
The Age of the Samurai Fall 2019 HIS 364G/ANS 372 Class time Tuesday and Thursday: 1230P - 200P Location: ART 1.110 Instructor Dr. Adam Clulow Office: GAR 2.202 Email: [email protected] Office Hours: Tuesday 2:30-4 and by Appointment in GAR 2.202 Teaching Assistant Jing Zhai E-mail: [email protected] TA office hours: 12:30 to 2:00 at Prufrock's Java city (the coffee shop by the entrance of PCL library). THE CLASS Course Description The samurai has captured the global imagination, occupying a unique cultural space and generating a remarkable proliferation of images across multiple genres. But who were these warriors and why have they come to assume such an outsized status? This course explores the complex and ever-changing figure of the samurai and with it the history of Japan. The focus is broadly on the period from 1185 to 1867 when Japan was ruled by a succession of warrior regimes, but we will also examine the evolution of samurai images and representations up to and including the present. The central concern is with the changing nature of the historical samurai across this long period and with the constant tension between the ideals put forward about the way of the warrior and the actual realities of samurai life. Across the class, we will investigate how and why the samurai emerged as a distinct group, how they changed across Japan’s long history and the nature of samurai representations. Course Goals By the end of the course, I hope you’ll learn the following: 1. -
Capacity of Chushingura
THREE HUNDRED YEARS OF CHUSHINGURA The Capacity of Chushingura HENRY D. SMITH II rT nHREEcenturies have now passedsince the Ako 6, vendettaof 1701-1703, a historical event that in the intervening years has evolved into Japan's "national legend." It has come to constitute, under the omnibus term of "Chishingura" ,*Ei, a cultural phenomenon of a scale, complexity, and dura- bility unusual in world history. With what, for example, can it be compared? Candidates might be King Arthurfor England, Jeanne d'Arc for France, the Song of Ch'un-hyang OiIt for Korea, or the Alamo for the United States. Yet none of these or other national legends seem to have, in the suggestive term of the his- torian Miyazawa Seiichi 9M^-, the "capacity" of Chushingura, the ability of a single story to root itself in the national psyche in a way that encompasses so many issues for so many audiences in so many media.1 For all the utter familiarity, indeed banality, of the Chushingura story, we still really understand very little about why, and how, the narrationof this particular sequence of acts of samurai vengeance in the Genroku JEt era has multiplied through such a range of forms in the centuries since the original incident. Japa- nese, including many intellectuals, tend to resort to the reductionist explanation that Chushingura appeals in a special way to the values of the Japanese people. But how could it represent anything other than those values, since they are precisely what have fashioned it over the years? It is the argument of this sur- vey of recent studies of Chishingura, and of a series of more focused articles by a number of contributors that will follow it in this journal, that the best expla- nations for the "capacity" of Chushingura are to be found in its history, a history that is long and complex. -
CHŪSHINGURA BETWEEN INNOVATION and ARTISTIC EXPERIMENTATION Silvia Vesco1
CHŪSHINGURA BETWEEN INNOVATION AND ARTISTIC EXPERIMENTATION Silvia Vesco1 Becoming old, one waits for the day of flowering; How difficult it is to be witnesses of the year that ends Onodera Jūnai Hidetomo 小 野寺 重 内秀 知2 The most famous Japanese play of all time is the Kanadehon Chūshingura, 仮 名手 本 忠臣 蔵 (The Syllabic Manual, The Treasury of Loyal Retainers)3 or simply Chūshingura 忠臣 蔵 and represents the historical episode of the "revenge of the forty-seven rōnin", known as Akō gishi jiken 赤 穂 義士 事件 (The Case of the Just Warriors of Akō), which became famous also outside of Japan. It was performed for the first time in 1748 in Ōsaka 大阪 at the Takemotoza 竹 本 座 theater, but originally it was written by Takeda Izumo 竹田 出 雲 (1691-1756) for the ningyō jōruri 人形 浄 瑠 璃, the puppet theater, and then readjusted for the kabuki 歌舞 伎, which at the time constituted the favorite show by the middle class middle class. In the representation are staged the heroic deeds of the forty-seven samurai without master, the rōnin 浪人, precisely, who want to avenge the death of their lord Asano Naganori 浅 野 長 矩, forced to seppuku 切腹 (ritual suicide), because inside the castle Edo had unsheathed his sword and wounded the master of ceremonies (kōke) 豪 家 (高家). Having carried out this absolutely forbidden action earned him this severe and definitive punishment. In fact, Asano (En'ya Hangan Takasada 塩 谷 判官 高 貞 in the drama) had reacted to the repeated provocations and offenses of the master of ceremonies Kira Yoshinaka 吉 良 義 央4 (Moronao)5 in the service of Tsunayoshi 綱 吉, fifth shōgun of the Tokugawa family 徳 川. -
The Ak Incident, 1701-1703
THREE HUNDRED YEARS OF CHUSHINGURA The Ak? Incident, 1701-1703 BiT? Masahide It began in the spring of Genroku 14, when on the fourteenth day of the third month (21 April 1701), the daimyo of Ak? ?fc%&inHarima province, Asano Takumi no kami Naganori ?SK?ElHfi?E, attacked the senior bakufu master of ceremony {koke MM) Kira K?zuke no suke Yoshinaka cf???F;frii^ in Edo castle with his short sword.1 This led twenty-two months later to the day, in the twelfth month of 1702, to an attack by a large group of Asano's former retain ers on Kira's mansion in Edo. These two violent incidents together constitute what has come to be known as the "Ak? incident," which later became far more widely known when it was performed on the stage under the name Ch?shingura J&Euic, or "treasury of loyal retainers."2 But precisely because of the widespread fame of the incident, it was constantly reinterpreted and reimagined by later gen erations, so that the truth of the historical incident paradoxically became ever more inaccessible as time passed. The first problem confronted in considering the incident is the question of the actual cause of Asano's attack. On that particular day, a ceremony was to be con ducted in which the shogun met with emissaries of the emperor and the retired emperor (in K) from the imperial court in Kyoto. It was a customary practice that each year the shogun would send an envoy to carry his New Year's greet ing to the Kyoto court, and that imperial representatives would respond in turn by traveling to Edo. -
The Case of Inoue Tetsujirō, Yamaga Sokō, and the Forty-Seven Rōnin
Tokugawa Intellectual History and Prewar Ideology: The Case of Inoue Tetsujirō, Yamaga Sokō, and the Forty-Seven Rōnin John Allen Tucker East Carolina University Western accounts of Yamaga Sokō山鹿素行(1622-1685) and his shidō 士道, or samurai philosophy, often observe, rather uncritically, that Sokō was the teacher of the forty-seven Akō rōnin 赤穂浪人.1 In doing so, they echo one of the most frequently repeated national myths of pre-1945 Japan. Of course, the claim adds color to any account of Sokō, already one of the most sensational thinkers of Tokugawa Japan (1600- 1868). In 1666, the bakufu, led by Hoshina Masayuki 保科正之(1611-1672), a powerful disciple of Yamazaki Ansai’s 山崎闇斎(1618-82) Neo-Confucian teachings, exiled Sokō from Edo for a decade due to Sokō’s publication of his supposedly insufferable treatise, Seikyō yōroku 聖教要録(Essential meanings of sagely Confucianism). The latter called for a return to ancient Confucianism rather than acceptance of the less traditional Neo- Confucian variety. Equally significant, it was written in the politically charged seimei 正 名(C: zhengming) or “rectification of names” genre, one which viewed the right definition of terms as the most fundamental preliminary measure for those seeking to govern a realm.2 Sokō was exiled to Akō domain, which he had served earlier as a teacher of martial philosophy. All evidence suggests that Sokō’s teachings were commissioned and consumed by the Asano family, daimyō of Akō, rather than samurai retained by them. Nevertheless, not long after forty-six rōnin, former retainers of the late Asano Naganori 浅野長矩(1667-1701), attacked and murdered, in 1703, the man they blamed for their lord’s death two years before, allegations were made, by various parties, that Sokō’s teachings were responsible for the illegal and unrighteous vendetta. -
Historical Dictionary of Japanese Cinema
HISTORICAL DICTIONARIES OF LITERATURE AND THE ARTS Jon Woronoff, Series Editor Science Fiction Literature, by Brian Stableford, 2004. Hong Kong Cinema, by Lisa Odham Stokes, 2007. American Radio Soap Operas, by Jim Cox, 2005. Japanese Traditional Theatre, by Samuel L. Leiter, 2006. Fantasy Literature, by Brian Stableford, 2005. Australian and New Zealand Cinema, by Albert Moran and Errol Vieth, 2006. African-American Television, by Kathleen Fearn-Banks, 2006. Lesbian Literature, by Meredith Miller, 2006. Scandinavian Literature and Theater, by Jan Sjåvik, 2006. British Radio, by Seán Street, 2006. German Theater, by William Grange, 2006. African American Cinema, by S. Torriano Berry and Venise Berry, 2006. Sacred Music, by Joseph P. Swain, 2006. Russian Theater, by Laurence Senelick, 2007. French Cinema, by Dayna Oscherwitz and MaryEllen Higgins, 2007. Postmodernist Literature and Theater, by Fran Mason, 2007. Irish Cinema, by Roderick Flynn and Pat Brereton, 2007. Australian Radio and Television, by Albert Moran and Chris Keating, 2007. Polish Cinema, by Marek Haltof, 2007. Old Time Radio, by Robert C. Reinehr and Jon D. Swartz, 2008. Renaissance Art, by Lilian H. Zirpolo, 2008. Broadway Musical, by William A. Everett and Paul R. Laird, 2008. American Theater: Modernism, by James Fisher and Felicia Hardison Londré, 2008. German Cinema, by Robert C. Reimer and Carol J. Reimer, 2008. Horror Cinema, by Peter Hutchings, 2008. Westerns in Cinema, by Paul Varner, 2008. Chinese Theater, by Tan Ye, 2008. Italian Cinema, by Gino Moliterno, 2008. Architecture, by Allison Lee Palmer, 2008. Russian and Soviet Cinema, by Peter Rollberg, 2008. African American Theater, by Anthony D. Hill, 2009. -
Uvic Thesis Template
The Truth in the Fictions: The Exploration of the Chūshingura World by Yuriko Katsumata B.A., Tokyo University of Foreign Studies, 1972 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the the Department of Pacific and Asian Studies Yuriko Katsumata, 2011 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee The Truth in the Fictions: The Exploration of the Chūshingura World by Yuriko Katsumata B.A., Tokyo University of Foreign Studies, 1972 Supervisory Committee Dr. Cody Poulton, (Department of Pacific and Asian Studies) Supervisor Dr. Katsuhiko Endo (Department of Pacific and Asian Studies) Departmental Member iii Abstract Supervisory Committee Dr. Cody Poulton, (Department of Pacific and Asian Studies) Supervisor Dr. Katsuhiko Endo (Department of Pacific and Asian Studies) Departmental Member This thesis explores the world of Chūshingura. It is a story based on the actual vendetta referred to as ―the Akō incident‖ which occurred on December 14th of 1702. The forty-seven Akō rōnin (masterless samurai) avenged their lord‘s death on Kira Yoshinaka, a high-ranking official of the Tokugawa bakufu. They were the former vassals of Asano Naganori, daimyō (feudal lord) of the Akō han (domain), who was forced to commit seppuku (suicide by disembowelment) as a punishment for attacking Kira in Edo Castle on March 14th of 1701. The Asano vassals became rōnin. They believed that this affair was a kenka (fight), but Kira was declared innocent. -
Medieval & Early Modern Japan
HANDBOOK b LIFE d H MEDIEVAL & c l EARLY MODERN d c M JAPAN WILLIAM E. DEAL uuc A n v d cc uuN o s l u V J HANDBOOK TO LIFE IN MEDIEVAL AND EARLY MODERN JAPAN HANDBOOK TO LIFE IN MEDIEVAL AND EARLY MODERN JAPAN WILLIAM E. DEAL Case Western Reserßve University ETFacts On File An imprint of Infobase Publishing Handbook to Life in Medieval and Early Modern Japan Copyright © 2006 by W illiam E. Deal All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Deal, W illiam E. Handbook to life in medieval and early modern Japan / William E. Deal. p. cm. — (Handbook to life) Includes bibliographical references and index. 1.Japan—Civilization—Tb 1868. 2. Japan—History—1185-1868. I. Title. II. Series. DS822.2.D33 2005 952,.02—dc22 2005003371 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Cathy Rincon Cover design by Semadar Megged Illustrations by Jeremy Eagle Printed in the United States of America VB FOF 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper.