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The 'Item Number' in Indian Cinema: Deconstructing the Paradox
Journal of Culture, Society and Development www.iiste.org ISSN 2422-8400 An International Peer-reviewed Journal Vol.39, 2018 The ‘Item Number’ in Indian Cinema: Deconstructing the Paradox Isha Jain (Corresponding author) National Law School of India University, Bangalore, India Abstract The “item number” is a hyper-sexualised song-and-dance performance that is characteristic to mainstream Bollywood cinema. When viewed in the context of a general tendency towards the censorship of public depictions of sexualized women in other spheres of the Indian polity, the ubiquity and popularity of item numbers reflects a confounding cultural paradox. The aim of this article is to deconstruct this paradox, by identifying the narrative structures and plot devices employed by film-makers to market these performances without suffering the disapproval of either the Indian State apparatus or the purportedly prudish Indian cinema- goer. Introduction The Indian State, through both its formal and informal centres of power, continues to burden the Indian woman with the charge of guarding national pride, culture, and morality.1 The defiling of the Indian woman, synonymous with her sexualisation, is the defiling of India. This parallel is evident in the title of “Mother India”, a 1957 film centred around a de-sexualised, self-sacrificial female protagonist intended to be emblematic of both the ideal Indian woman and of India herself.2 Yet, the Indian film industry has succeeded at carving out a niche for the commodification and sale of female sexuality within a broader milieu characterised by the disapprobation of that very sexuality. Nowhere is this more apparent than in the “item number”,3 a hyper-sexualised cinematic performance that is both paradoxically and quintessentially Bollywood. -
Watch the Kamasutra 3D
Watch The Kamasutra 3D Watch The Kamasutra 3D 1 / 3 2 / 3 Kamasutra 3D Poster. A young and ... User Lists. Related lists from IMDb users. list image. To Watch.... a list of 47 titles ... Sherlyn Chopra in Kamasutra 3D .... Check Kamasutra 3D FuLL'MoViE' | Watch Hollywood Movies Online's real time subscriber count updated every second.. Critic Reviews for Kamasutra 3D. There are no critic reviews yet for Kamasutra 3D. Keep checking Rotten Tomatoes for updates!. 29 Nov 2013 ... The makers of 'Kamasutra 3D' have finally released the trailer of the film. The trailer depicts an army out at war,in the high-seas. The costumes .... We value your privacy. The quality content and information we provide to you depends on the revenue we generate from advertising. We and our partners use .... 17 Dec 2013 ... My work as Director of Photography, Please excuse the ungraded raw Footage. Shot Mainly on Canon 1DC. Music by Teenu Arora.. 26 Feb 2014 ... Kamasutra 3D is a must see Drama, Romance movie that you can enjoy Kamasutra 3D full movie online to watch or download in HD quality on .... 23 Feb 2017 ... Finally ! Playboy girl Sherlyn Chopra's Kamasutra 3D gets a release date. Watch the video. Subscribe now and watch for more of Bollywood .... 29 May 2018 ... Kamasutra 3D Movie: Sexy and Hot Sherlyn Chopra Reveals Why She Backed Out, Watch. Playboy hottie Sherlyn Chopra: What Happened to .... 3 Jan 2016 ... Instructions to Download Full Movie: ... Create you free account & you will be redirected to your movie!! ... Kamasutra 3D Full Movie Streaming Online in HD-720p Video Quality. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
M/S. SKYANSH FILMS PRODUCTION 25073
M/s. SKYANSH FILMS PRODUCTION M/s. SURYA STUTI ENTERTAINMENT 25073 - 01/03/2016 25081 - 01/03/2016 406, 407, 408, Sanmahu Complex, 4th Floor, Opp. Poona Club, House No.227, Village Bhargwan, Shahjahanpur, Bund Garden Road, Pune, 242 001 U.P. 411 001 Maharashtra SURYA KANT VERMA SURESH KESHAVRAO YADAV 9892983731 9822619772 M/s. B V M FILMS M/s. YADUVANSHI FILMS PRODUCTION HOUSE 25074 - 01/03/2016 25082 - 01/03/2016 L 503, Anand Vihar CHS, Opp. Windermere, Oshiwara, Andheri 5/131, Jankipuram, Sector-H, Lucknow, (W), Mumbai, 226 021 U.P. 400 053 Maharashtra RAMESH KUMAR YADAV MANOJ BINDAL, SANTOSH BINDAL, OM PRAKASH BINDAL 9839384024 9811045118 M/s. SHIVAADYA FILM PRODUCTION PVT. LTD. M/s. MAHAKALI ENTERTAINMENT WORLD 25075 - 01/03/2016 25083 - 01/03/2016 L 14/516, Bldg. No.1, 5th Floor, Kamdhenu Apna Ghar Unit Naya Salempur-1, Salempur, Tehsil: Lakhimpur, Dist: Kheri, No.14, Lokhandwala Complex, Andheri (W), Mumbai, 262 701 U.P. 400 053 Maharashtra AJAY RASTOGI SANGITA ANAND, SABITA MUNKA 9598979590 7710891401 M/s. ADINATH ENTERTAINMENT & FILM PRODUCTION M/s. FAIZAN-A-RAZA FILM PRODUCTION 25076 - 01/03/2016 25084 - 01/03/2016 L 9/A, Saryu Vihar, Basant Vihar, Kamla Nagar, Agra, 35, Hivet Road, Aminabad, Tehsil & Dist: Lucknow, 282 002 U.P. 226 018 U.P. VIMAL KUMAR JAIN ABDUL AZIZ SIDDIQUE 8445611111 9451503544, 9335218406 M/s. SHIV OM PRODUCTION M/s. SHREE SAI FILMS ENTERTAINMENT HOUSE 25077 - 01/03/2016 25085 - 01/03/2016 Kalpataru Aura, Building No.Onyx 3G,Flat No.111, L.B.S. Marg, Plot No.21/A, Netaji Nagar, Old Pardi Naka, Near Prathmesh Opp. -
SAINT DRACULA – Glorified Soul Or Embodied Satan?
Press Release SAINT DRACULA – Glorified Soul or Embodied Satan? “The world’s first 3D Dracula movie that depicts the rebirth of the iconic character, ‘Dracula’ for love.” Synopsis: Longing for vengeance, he waited in hunger and thirst for his long lost admirer. The night hid him in the dark, the earth and the woods were his haven. He is a fallen angel, a catastrophic lover, the trodden Prince of Wallachia, but a vampire in revenge. His partisans await his reprise with a celebration. He turns lucky in love, if not for ever. Beautiful nights of love and lust entangle him with his lost love-Clara, a passionate young nun but still a mortal. The peaches and perfection takes a turn the day Clara gets spellbound by the Catholic Church. The Vatican plots the trap but will the plan thrive? Or will it be love? Biz TV Network presents yet another milestone after the most controversial movie of 2011 – ‘DAM999’ in the history of world cinema – ‘Saint Dracula 3D’. After his debut project Sohan Roy is coming up with another controversial 3D concept to change the blood sucking ‘Vampire’ image of Dracula to match with the history. ‘Saint Dracula 3D’ is written and directed by Rupesh Paul and the whole project is planned and designed by Sohan Roy, its project designer. The Hollywood film 'Saint Dracula 3D' is all set for its market launch at the European Film Market, Berlin, from February 9 to 17, 2012. This movie holds the record for being ‘The first Indian production exclusively shot abroad’; ‘The first ever 3D movie on Dracula’ and ‘The second 3D movie from the United Kingdom’. -
375 © the Author(S) 2019 S. Sengupta Et Al. (Eds.), 'Bad' Women
INDEX1 A Anti-Sikh riots, 242, 243, 249 Aarti, 54 Apsaras, 13, 95–97, 100, 105 Achhut Kanya, 30, 31, 37 Aranyer Din Ratri, 143 Actress, 9, 18, 45n1, 54, 67, 88, 109, Armed Forces Special Powers Act, 170, 187, 213, 269, 342, 347–362, 255, 255n24 365–367, 369, 372, 373 Astitva, 69 Adalat, 115, 203 Atankvadi, 241–256 Akhir Kyon, 69 Azmi, Shabana, 54, 68 Akhtar, Farhan, 307, 317n13 Alvi, Abrar, 60 Ambedkar, B.R., 31, 279n2 B Ameeta, 135 Babri Masjid, 156, 160 Amrapali, 93–109, 125 Bachchan, Amitabh, 67, 203, 204, Amu, 243–249 210, 218 Anaarkali of Aarah, 365, 367, 370, 373 Bagbaan, 69 Anand, Dev, 7n25, 8n27, 64 Bahl, Mohnish, 300 Anarkali, 116, 368–369 Bandini, 18, 126, 187–199 Andarmahal, 49, 53 Bandit Queen, 223–237 Andaz, 277–293 Bar dancer, 151 Angry Young Man, 67, 203–205, 208, Barjatya, Sooraj, 297, 300, 373 218, 219 Basu Bhattacharya, 348, 355 Ankush, 69 Basu, Bipasha, 88 1 Note: Page numbers followed by ‘n’ refer to notes. © The Author(s) 2019 375 S. Sengupta et al. (eds.), ‘Bad’ Women of Bombay Films, https://doi.org/10.1007/978-3-030-26788-9 376 INDEX Bedi, Bobby, 232–235 237, 261, 266–268, 278, 279, Benaras, 333, 334 283, 283n8, 285, 291, 318, 332, Benegal, Shyam, 7n23, 11, 11n35, 13, 334, 335, 338, 343, 350, 351, 13n47, 68, 172n9, 348, 351, 366 355, 356, 359, 361, 372n3 Beshya/baiji, 48, 49, 55, 56 Central Board of Film Certification Bhaduri, Jaya, 209, 218 (CBFC), 224, 246, 335, Bhagwad Gita, 301 335n1, 336 Bhakti, 95, 98, 99, 101, 191n11, 195, Chak De! India, 70 195n18, 196 Chameli, 179–181 Bhakti movement, 320 Chastity, 82, -
Himachal Futuristic Communications Limited
HIMACHAL FUTURISTIC COMMUNICATIONS LIMITED STATEMENT OF UNPAID DIVIDEND FOR THE YEAR 2017‐18 FOLIO NO NAME ADDRESS WARRANT NO NET AMOUNT IN30113526032896 PAVAN NAYAK SHOBHA NILAYA CHEGRIBETTU POST BAIDABETTU UDUPI 576234 66363 6.00 IN30113526037023 K SACHIEN ACHARYA 3875 ANUGRAHA M C C B BLOCK DAVANGERE DAVANAGERE 577004 66365 0.60 IN30113526046561 Y BHAGYALAKSHMI 'AMRUTH NIVAS' NO 14/2 1ST FLOOR 4TH MODEL HOUSE BASAVANGUDI BANGALORE 560004 66375 0.48 IN30113526050366 N RAJASHEKAR NO 671 11TH B MAIN 5TH BLOCK JAYANAGAR BANGALORE 560047 66379 0.60 IN30113526060752 CHANDRASHEKAR N NO 5163 PRESTIGE SHANTINIKETAN ITPL MAIN ROAD MAHADEVPURA BANGALORE 560048 66392 0.30 IN30113526063675 SHASHIDHARA SHETTY SHASHIDHARA & CO. CHARTERED ACCOUNTANTS NO 5/19 FLOOR 11TH CROSS WCR II STAGE MAHALAKSHMIPURAM BANGALORE 560086 66395 6.00 IN30113526065513 K RAVINDRAN NO 100 SRI VANAYAKA NILAYA BABUSABPALYA KALYAN NAGAR BANGALORE 560043 66397 0.30 IN30113526068085 K N UMA SHANKAR C/O Y D PUTTANAIAH 7TH ROAD K R NAGAR MYSORE 571602 66398 3.00 IN30113526069166 JAYARAM M SANNAMPADY HOUSE P.O.GOLITHOTTU VIA NELYADI PUTTUR TQ. PUTTUR 574229 66401 0.60 IN30113526070963 K N ANITHA W/O K S NAGESH BILWA KUNTA N R EXTN CHINTAMANI 563125 66404 3.00 IN30113526077692 K S BHAT NO 4 NANDA THEATRE BUILDING 3RD BLOCK JAYANAGAR BANGALORE 560011 66414 0.60 IN30113526082292 G SURESH NO 1676 2ND CROSS PRAKASH NAGAR BANGALORE BANGALORE 560021 66420 30.00 IN30113526087729 K SUMA C/O A N AMARA NARAYANA PHOTOGRAPHER DOOR NO 939 BIG BAZZAR KOLAR 563101 66427 1.20 IN30113526087995 -
The Angry Woman of Indian Cinema - a Saga of the Marginal
High Technology Letters ISSN NO : 1006-6748 The Angry woman of Indian Cinema - A Saga of the Marginal 1Ms. Dharna Bhatt, 2Dr. Barnali Chetia 1 Research Scholar, 2Assistant Professor 1,2Department of Humanities and Social Sciences, 1,2Indian Institute of Information Technology Vadodara, Gandhinagar, Gujarat, India Abstract In Indian cinema, the concept of anger was associated with men, popularizing the idea of 'Angry young man' not 'Angry young woman,' which in fact catapulted many male actors career to undisputed stardom. Women remained marginalized even in this sector. As per the gender stereotype of emotion, anger is associated with men. However, there are some women characters in Indian cinema whose bold portrayal of the emotion of anger has rightfully caught the eyes of the critics. This paper is an attempt to portray the anger of women in different roles- mother, wife, sister, friend, and prostitute, to name a few. This study is based on some selected 'angry' female characters of Indian cinema who were more often than not overshadowed by the 'angry' male characters. The study is qualitative in nature which follows the form of narration for analyzing the emotion of anger in women of Indian cinema. Key Words:- Emotion, Anger, Women, Marginal, Indian Cinema. I. Introduction Emotion is a conscious mental reaction (as anger or fear) subjectively experienced as strong feeling usually directed towards a specific object and typically accompanied by physiological and behavioural changes in the body. Happiness, love, fear, anger, hatred, trust, joy, grief, hurt, shame, loneliness, etc. are some terms to express Emotion. Among the above, anger is a natural emotion experienced by everyone and impossible to avoid. -
Declaration by the Candidate
DECLARATION BY THE CANDIDATE I hereby declare that the dissertation entitled “Objectification and commodification of women in the visual media: A critical study” submitted at National Law University, Delhi is the outcome of my own work carried out under the supervision of Dr. Sushila, Assistant Professor (Law), National Law University, Delhi. I further declare that to the best of my knowledge, the dissertation does not contain any part of my work, which has been submitted for the award of any degree either in this University or in any other institution without proper citation. Vighnesh Balaji 27/ LLM /18 Place: New Delhi National Law University, Delhi Date: 23.05.19 I CERTIFICATE OF SUPERVISOR This is to certify that the work reported in the LL.M. dissertation titled “Objectification and Commodification of Women in the Visual Media: A Critical Study” submitted by Vighnesh Balaji at National Law University, Delhi is a bona fide record of his original work carried out under my supervision. Dr. Sushila Assistant Professor (Law) Place: New Delhi National Law University, Delhi Date: 23.05.19 II ACKNOWLEDGMENT First, and foremost I would like to thank my wonderful supervisor Dr. Sushila who has always believed in me and has provided me insightful suggestions and has been a constant pillar of support throughout the dissertation period. My father, for always trying to balance me, My sisters, for holding my back, my friends, to whom I owe the world, NLU-Delhi for teaching me much more than the prescribed syllabus. Last but never the least; I thank Lord Shiva with all my heart for my unconditional mother, Suseela Ravichandran who has always firmly believed that the odds have to favour me. -
September '17 Program
Program 14—25 September '17 Contents Staff Aahana Kumra Djalu Gurruwiwi Films Special Events Industry Events Opening Night Burma Storybook 13 Keepers of the Magic 23 Cinema 360 18 ACS NT Awards 30 Artistic Director with Petr Lom and Corinne van Egeraat Timothy Parish Lipstick Under My Burkha 5 Good Time 24 Immersive, full-dome Workshops 32 with special guest Aahana Kumra Best of Annecy 2017 13 planetarium cinema comes to General Manager A Ghost Story 24 Darwin for the very first time Alice Body SPARK Film Showcase 6 Best of Annecy Kids 2017 14 Ellipsis 25 with a temporary, pop-up Operations Manager Best of Territory Shorts 7 Ivan Tsarevitch and the Changing 14 with David Wenham structure at the Waterfront. James Parker Princess Westwind 8 Chauka: Please Tell Us the Time 26 Art House 28 SPARK Executive Producer and Workshops Coordinator with Ben Strunin and Djalu Gurruwiwi The Square 15 Information Manifesto 26 The art of the moving image is Blandine Ruffo The Documentary of 9 Loving Vincent 15 not limited to cinema screens. Dr G Yunupingu's Life Song to Song 27 Cinema 360 Coordinator Happening in participating Ticketing 36 with special guests and performances November 16 Cat Orme Endless Poetry 27 Darwin art galleries. Venues 37 Rock'n Roll 16 Publicist Closing Night ACS NT Awards 30 Calendar 38 Chryss Carr The Song Keepers 10 BPM (Beats Per Minute) 17 with Ray Martin and David Brill Cinesonic 31 with Naina Sen Photographer Drone Film Festival ANZ 17 Mad Max: Fury Road - Black & Chrome 30 Celebrating the relationship Murray Hilton King of Peking 11 Post-Apocalyptic Costume Party between sound and screen, Score 22 events include live cinematic Graphic Designer The Opposition 11 A Memory In Khaki 22 soundtracks and audio-visual Mike Frier Pop Aye 12 performances. -
Titan Middle School Wrestlers Perform Strong at State Eimers, Wilson Capture State Titles Middle School State Wres- 1:24); Cons
USPS 000-360 Tea, Lincoln Co., SD TTEAEAWWEEKEEKLLYY teaweekly.com FEBRUARY 19, 2021 $1.00 VOL. 12 NO. 7 FRIDAY Tea Community Food Distribution Feb. 25 City moves forward with By Kelli Bultena This month, be mailed to Trinity at P.O. Box plans to host Teapot Days It was in May that the Covid Thursday, Feb 25 Tea Communi- 37, Tea, SD 57064. Make sure Food Response team began from 4-6 p.m. ty Food Distri- to mark checks with “Tea Com- By Wendy Sweeter providing supplemental food to 335 West 1st St., Tea bution will be munity Food Distribution” in the ment of property tax for KN members of the community in held on Thurs- memo to denote where it goes. The Tea City Council met Construction in Highpoint Es- need. At that time it was a sub- Register on the day, Feb. 25 Tea Area Food Pantry contin- Feb. 16 for their sole meeting tates Second Addition. The committee of the Tea Area Food TeaTrinityChurch from 4-6 p.m. ues to be open for those who of the month. abatement of $3,790.22 was Pantry. Although the stress Facebook page or by Individuals need it. The Pantry is typically The council discussed host- requested because the square of Covid continues to affect a calling the church in need of food open Tuesdays and Thursdays ing Teapot Days in 2021 after footage should have been ad- large group, the reality is that offi ce at 498-2343. should register from 2-5 p.m. for emergency canceling the town celebration justed after being platted. -
IRISH FILM and TELEVISION - 2015 the Year in Review
Estudios Irlandeses, Number 11, 2016, pp. 275-320 ____________________________________________________________________________________________ AEDEI IRISH FILM AND TELEVISION - 2015 The Year in Review Roddy Flynn, Tony Tracy (eds.) Copyright (c) 2015 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the authors and journal are properly cited and no fee is charged for access. The Irish Are Coming: Irish Film and Television in 2015 Roddy Flynn and Tony Tracy ............................................................................................ 276 The Canal (Ivan Kavanagh 2014) Ciara Barrett ....................................................................................................................... 282 Brooklyn (John Crowley 2015) Pat Brereton ........................................................................................................................ 285 Swan Song: Lamenting Ireland’s Traditional Past in Song of the Sea (Tomm Moore 2014) Liam Burke ......................................................................................................................... 288 The Making of a Western in Conamara: An Klondike (Dathai Keane 2015) Sean Crosson ...................................................................................................................... 292 Sentimentality and “Difficult” Art in Room (Lenny Abrahamson 2015) Eileen Culloty ....................................................................................................................