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What Do Your Dreams Sound Like?
Volume 6 › 2017 Orchestral, Concert & Marching Edition What do your Dreams sound like? PROBLEM SOLVED WHY DREAM? D R E A M 2 0 1 7 1 D R E A M 2 0 1 7 Attention Band Directors, Music Teachers, “The Cory Band have been the World's No.1 brass band for the past decade. We feel privileged Orchestra Conductors! to have been associated with We understand how frustrating it can be to try to find the professional Dream Cymbals since 2014. quality, exceptionally musical sounds that you need at a price that fits into From the recording studio to your budget. Everyone at Dream is a working musician so we understand the challenges from our personal experiences. You should not have to Rick Kvistad of the concert halls across the UK and sacrifice your sound quality because of a limited budget. San Francisco Opera says: abroad, we have come to rely From trading in your old broken cymbals through our recycling program, on the Dream sound week in putting together custom tuned gong sets, or creating a specific cymbal set “I love my Dream Cymbals up that we know will work with your ensemble, we love the challenge of week out.” creating custom solutions. for both the orchestra and Visit dreamcymbals.com/problemsolved and get your personal cymbal assistant. By bringing together our network of exceptional dealers and our my drum set. Dr. Brian Grasier, Adjunct Instructor, Percussion, in-house customer service team, we can provide a custom solution tailored They have a unique Sam Houston State University says: to your needs, for free. -
Look What You Can Do with the TM-2
English Deutsch Français Italiano Español Português Nederlands Look what you can do with the TM-2 By using the TM-2 in conjunction with separately sold pads or acoustic drum triggers, you can easily play the internal sounds or your own audio files. • Use with acoustic drums to play electronic sounds or percussion • Enhance an acoustic kick, or layer claps onto a snare • Play songs or loops • Connect the TM-2 via MIDI with your V-Drums, and play your favorite drum sounds (WAV files) Owner’s Manual (this document) To obtain the PDF manual Read this first. It explains the basic things you need to know in order to use the TM-2. 1. Enter the following URL in your computer. http://www.roland.com/manuals/ PDF Manual (download from the Web) 2. Choose “TM-2” as the product name. • Sound List This lists the TM-2’s internal sounds and the effect parameters. Contents Main Features ...................................2 Others Quick Start ......................................3 Restoring the Factory Settings ..................14 Preparations Saving a Backup to the SD Card. 15 Installing Batteries ..............................4 Adjusting the Connected Pads. .16 Using the Mounting Plate .......................4 Formatting an SD Card .........................17 Panel Descriptions ..............................5 Troubleshooting ...............................18 Connecting Your Equipment .....................6 Error Messages .................................18 Turning the Power On/Off .......................6 Main Specifications ............................19 Connecting Pads ................................7 USING THE UNIT SAFELY ........................20 Basics IMPORTANT NOTES .............................20 Selecting a Kit ...................................8 Playing Sounds (Instruments). .9 Before using this unit, carefully read the sections entitled “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (leaflet “USING THE Playing Audio Files .............................10 UNIT SAFELY” and Owner’s Manual p. -
History, Development and Tuning of the Hang
ISMA 2007 Hang HISTORY, DEVELOPMENT AND TUNING OF THE HANG Felix Rohner and Sabina Schärer PANArt Hangbau AG, Engehaldenstr.131, 3012 Bern, Switzerland Abstract The HANG is a new musical instrument, suitable for playing with the hands, consisting of two hemispherical shells of nitrided steel. It is the product of a collaboration among scientists, engineers and hangmakers, thanks to which we have been able to better understand the tuning process in all its complexity. Seven notes are harmonically tuned around a central deep tone (ding), which excites the Helmholtz (cavity) resonance of the body of the instrument. There are many ways to play the HANG. We show the different stages of its development over the seven years since its birth in 2000. We describe the tuning process and the musical conception of the HANG. INTRODUCTION The HANG was created in January 2000 by the tuners of PANArt Hangbau AG, formerly Steelpan Manufacture AG, Bern, Switzerland. It came out of twenty-five years of manufacturing the steelpan and research on its technology and acoustics. The youngest member of the family of acoustic musical instruments, the HANG is the result of a marriage between art and science. Five thousand HANG players worldwide and an ever-increasing demand show the deep resonance this instrument has with individuals. As we are only two hangmakers, our interest here is to invite scientists to continue working together to better understand this phenomenon. FROM STEELPAN TO HANG PANArt Hangbau AG was founded in 1993 to give cultural and commercial support to the growing steelband movement in Switzerland. -
An African-American Contribution to the Percussion Literature in the Western Art Music Tradition
Illuminating Silent Voices: An African-American Contribution to the Percussion Literature in the Western Art Music Tradition by Darrell Irwin Thompson A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved April 2012 by the Graduate Supervisory Committee: Mark Sunkett, Chair Bliss Little Kay Norton James DeMars Jeffrey Bush ARIZONA STATE UNIVERSITY May 2012 ABSTRACT Illuminating Silent Voices: An African-American Contribution to the Percussion Literature in the Western Art Music Tradition will discuss how Raymond Ridley's original composition, FyrStar (2009), is comparable to other pre-existing percussion works in the literature. Selected compositions for comparison included Darius Milhaud's Concerto for Marimba, Vibraphone and Orchestra, Op. 278 (1949); David Friedman's and Dave Samuels's Carousel (1985); Raymond Helble's Duo Concertante for Vibraphone and Marimba, Op. 54 (2009); Tera de Marez Oyens's Octopus: for Bass Clarinet and one Percussionist (marimba/vibraphone) (1982). In the course of this document, the author will discuss the uniqueness of FyrStar's instrumentation of nine single reed instruments--E-flat clarinet, B-flat clarinet, alto clarinet, bass clarinet, B-flat contrabass clarinet, B-flat soprano saxophone, alto saxophone, tenor saxophone, and B-flat baritone saxophone, juxtaposing this unique instrumentation to the symbolic relationship between the ensemble, marimba, and vibraphone. i ACKNOWLEDGMENTS I first want to thank God, for guiding my thoughts, hands, and feet. I am grateful, for the support, understanding, and guidance I have received from my parents. I also want to thank my grandmother, sister, brother, and to the rest of my family for being one of the best support groups anyone could have. -
Product Guide 2020
Product Guide 2020 ZILDJIAN 2020 PRODUCT GUIDE CYMBAL FAMILIES 3 K FAMILY 5 A FAMILY 13 FX FAMILY 17 S FAMILY 19 I FAMILY 21 PLANET Z 23 L80 LOW VOLUME 25 CYMBAL PACKS 27 GEN16 29 BAND & ORCHESTRAL CYMBALS 31 GEAR & ACCESSORIES 57 DRUMSTICKS 41 PRODUCT LISTINGS 59 1 Product Guide 2 THE CYMBAL FAMILY 3 Product Guide 4 THE FAMILY K ZILDJIAN CYMBALS K Zildjian cymbals are known for their dark, warm sounds that harkens back to the original K cymbals developed by Zildjian in 19th Century Turkey. Instantly recognizable by their ˝vented K˝ logo, K cymbals capture the aura of original Ks but with far greater consistency, making them the choice of drummers from genres as diverse as Jazz, Country and Rock. RIDES SIZES CRASHES SIZES HIHATS SIZES EFFECTS SIZES Crash Ride 18˝ 20˝ 21˝ Splash 8˝ 10˝ 12˝ HiHats 13˝ 14˝ Mini China 14˝ Ride 20˝ 22˝ Dark Crash Thin 15˝ 16˝ 17˝ 18˝ 19˝ 20˝ K/Z Special HiHats 13˝ 14˝ EFX 16˝ 18˝ Heavy Ride 20˝ Dark Crash Medium Thin 16˝ 17˝ 18˝ Mastersound HiHats 14˝ China 17˝ 19˝ Light Ride 22˝ 24˝ Cluster Crash 16˝ 18˝ 20˝ Light HiHats 14˝ 15˝ 16˝ Dark Medium Ride 22˝ Sweet Crash 16˝ 17˝ 18˝ 19˝ 20˝ Sweet HiHats 14˝ 15˝ 16˝ Light Flat Ride 20˝ Sweet Ride 21˝ 23˝ DETAILS: Exclusive K Zildjian random hammering, traditional wide groove lathing, all Traditional except 21” Crash Ride 6 SPECIAL DRY K CUSTOM CYMBALS K Custom cymbals are based on the darker, dryer sounds of the legendary K line but have been customized with unique finishes, K CUSTOM SPECIAL DRY CYMBALS tonal modifications, and manufacturing techniques. -
Drum Trigger Module Setup Manual for DT50S/DT50K
Drum Trigger Module Setup Manual for DT50S/DT50K EN This manual describes how to correctly connect drum triggers (DT50S/DT50K) to your drum trig- ger module and set parameters on your module to use the triggers. Refer to the Owner’s Manual that came with your DT50S/DT50K for details on how to use drum triggers and mount them on acoustic drums. Select your drum trigger module. DTX502 Page 2 DTX700 Page 12 DTX900M/DTX900/DTXTREME III Page 17 DTX-MULTI 12 Page 24 1 DTX502 Checking the Firmware Version Depending on the version of the firmware, you may need to update it. Before you connect the module to your DT50S/DT50K triggers, be sure to check the version of your module’s firmware. 1. While holding down the [SHIFT] button, turn on the drum trigger module. 2. Confirm the version displayed on-screen. Selecting a Setup Method After you confirm the version, select the appropriate setup method. Quick Setup (recommended) If Version 1.30 or later Advanced Setup Update before Using (recommended) If Version less than 1.30 Use without Updating 2 Quick Setup (recommended) DTX502 Quick Setup (recommended) This section describes the basic setup for connecting your DT50S/DT50K triggers to your module, and how to automatically set parameters by using Trigger Setup. With this method, you do not need to select voices individually. You can play snare, tom, or kick drum sounds simply by selecting a Pre- set kit. 1. Connecting to the Drum Trigger Module Connect your drum triggers to the jacks on your DTX502 indicated below by using the stereo audio cables that came with the triggers. -
Jay Weinberg Drum Specifications
JAY WEINBERG ACOUSTIC DRUMSET SPECIFICATIONS SJC CUSTOM DRUMS “M5” Maple Shells 14” x 22” 7-ply kick drum 14” x 22” 7-ply kick drum 6.5” x 14” 48-ply snare drum 8” x 10” 5-ply rack tom 8” x 12” 5-ply rack tom 9” x 13” 5-ply rack tom 16” x 16” 5-ply floor tom 18” x 18” 5-ply floor tom Custom wrap artwork by Thomas Hooper Chrome hardware with rust accents DW brackets Suspended mounts Diecast hoops Distressed kick hoops with black oyster inlays Vintage kick spurs and legs Kick drum T-rods SJC shield lugs ZILDJIAN CYMBALS 10” K Custom Hybrid Splash 14” A Custom Hi-Hats 18” Ultra Hammered China 20” A Custom Crash 8” K Custom Hybrid Splash 10” Oriental China 8” EFX Bell 20” A Custom Crash 18” Ultra Hammered China 21” S Rock Ride 13” A Custom Hi-Hats 22” Crash of Doom DRUM WORKSHOP PEDALS AND HARDWARE Rack System (5) DWCPRKTLEG Leg Assemblies (7) DWCPRKB36S 36” Straight Bars (2) DWCPRKB42C 42” Curved Bars DWSMRKTTCA 1.5” - .75” Tube Top Cymbal Adapters (13) DWSM934S - SM912S 9” x 1/2” Boom Cymbal Arms (9) DWSMRKC15T 1.5” - 1.5” Leg Clamps (5) DWSMTA12 1” - 1/2” Tom Arms with SM780, 1” Memory Lock (27) DWSMRKML15 1.5” Hinged Memory Locks DWSM9212 1/2” x 18” Boom Arm with Incrementally Adjustable Hi-Hat Clutch DWSM2141X Hi-Hat Stabilizing Clamp System DWSM776 7” Overall with Double Angle V-Clamps / SMMGM Memory Locks DWCPRKSBL Floating Snare Basket (8) GoPro Camera Mounts (2) DWCP9000 Single Pedals DW9500TB Hi-Hat stand (no legs) DWCP9300AL Snare Stand VATER DRUMSTICKS “Jay Weinberg” Universal Model VSHM Stick Holder VSHS Stick Holder (2) VDH Drink -
Ludwig-Musser 2012 Concert Percussion Catalog AV8084 2012
T IMPANI AND C ON C ER T D RUMS P.O. Box 310 Elkhart, Indiana 46515-0310 U.S.A. www.ludwig-drums.com Ludwig products are available for sale through authorized Ludwig dealers. This catalog is intended as a source of general information only. Possession of this catalog does not constitute a contract, agreement or an offer to sell our products. Ludwig reserves the right to change prices or product specifications without prior notice. ©2005 Conn-Selmer, Inc. A division of Steinway Musical Instruments, Inc. P.O. Box 310, Elkhart, IN 46515 www.conn-selmer.com AV8084-1 As timpanist of the Pittsburgh Symphony, William F. Ludwig, Sr. shared a love for the classical works that was Not surprisingly, Ludwig’s earliest designs and models failed. Hydraulically operated hoses leaked. Cables stretched. But only equaled by his passion to perform them on-stage. Whether playing before a sold out symphony hall – or one he was determined and never lost heart – perfecting the music was far too important to him. Then, in 1921, after years nearly empty – Ludwig performed every note as if it were his final heartbeat. of disappointments, he struck perfection. The Balanced Action™ model he developed back then remains to this day the standard in timpani design and sound quality held around the world. You need only to hear the difference in a Ludwig In 1909, Ludwig, being the purist he was, grew rather frustrated when the hand-tuned timpani of the day made it Timpani to judge for yourself. Ludwig’s Timpani embody the heart and soul of everyone who plays or dedicates their lives difficult to play Wagnerian parts to his liking. -
AYITI CHERIE, MY DARLING HAITI by Nimi Finnigan, B.S, M.F.A A
AYITI CHERIE, MY DARLING HAITI by Nimi Finnigan, B.S, M.F.A A Dissertation In ENGLISH Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dennis Covington Chair of Committee Michael Borshuk Jackie Kolosov-Wenthe Peggy Gordon Miller Dean of the Graduate School May 2012 Copyright 2012, Nimi Finnigan Texas Tech University, Nimi Finnigan, May 2012 ACKNOWLEDGEMENTS I owe a debt of gratitude to a number of people without whom Ayiti Cherie, My Darling Haiti would never have been completed: Dennis Covington, who not only served as my supervisor but also introduced me to literary nonfiction, as well as Jackie Kolosov and Michael Borshuk for generously giving of their time and advice and for putting up with me. And as always, I still have not found the right words to thank and honor Mousson and Sean, who edited the manuscript for the facts, but more importantly who remind me to just be Nimi Finnigan through everything that I do because that’s enough. ii Texas Tech University, Nimi Finnigan, May 2012 TABLE OF CONTENTS ACKNOWLEDGEMENTS ......................................................................................... II ABSTRACT ................................................................................................................. IV 1. INTRODUCTION .................................................................................................... 1 Creative Nonfiction Overview: It’s All about the Latticework ................................ -
Guidelines for Percussion Writing
GUIDELINES FOR PERCUSSION WRITING 1. INSTRUMENTATION The following instruments are available: Timpani (four, ranges D – B, F – d, A – f, d – bb) Bongos (two) Tom-toms (two) Large Concert Bass Drum (36”) Congas (two) Small Bass Drum (28” – pedal can be attached) Rototoms (three) Surdo Side Drum (snares on or off) Tambourim Piccolo side drum (snares on or off) Darbouka Bodhran Tenor Drum (no snares) Cowbells (three) Clash Cymbals (three pairs: 18” or 20” French, Agogo bells (two ‘pitches’) 20” Viennese) Alpenglocken (eight of various sizes) Suspended Cymbals (three: 14”, 18”, 20”) Mark tree (bell tree) Cymbal attached to bass drum Sleigh bells (two sets) Hi-Hat Cymbal with pedal Handbell (untuned) Antique (finger) cymbals (two pairs, unpitched) Anvil Tam-tam (30”) Maracas (two pairs) Gong (20”) Egg shakers Guiros (two) Triangles (six, various sizes and timbres) Reco Reco Cabasa Orchestral Tambourines (two: 10”, 12”) Chekere Rock Tambourine (no head) Vibraslap Flexatone Xylophone Rainsticks (two, one large, one small) Glockenspiel Claves (two pairs) Vibraphone Castanets (Machine and handle) Metal Castanets Tubular bells (1½ octave chromatic set, C – g) Sandpaper blocks Wood blocks (three ‘pitches’) Thunderdrum Temple blocks (five ‘pitches’) Thunder sheet Jam blocks (two ‘pitches’) Big Bom Miscellaneous whistles (referee, train, lighthouse) Apito (samba whistle) Wind chimes (bamboo) Slide whistle (swanee whistle) Whip / Clapper Bulbhorns (two: large - car, small - bicycle) Slapstick Kazoo Ratchet / Rattle Bird calls (nightingale, pigeon, cuckoo, quail, duck) If you require any additional instruments, they would have to be hired – please check with an Orchestra representative first. The most common items that fall into this category are: Piccolo Timpani (20” or smaller) (Rock/Jazz) Drumkit Timbales Cajon Crotales (low or high octave) Log Drum Bass bells (below middle C) Mahler Hammer Hang/Gubal Aluphone Steel Drum Boobams Marimba Keyed Glockenspiel Tubophone Please note that you should not take this list as an invitation to use it all – moderation is a good thing! II. -
V-Pro™ Series TD-20S-BK
V-Pro™ Series TD-20S-BK With the V-Pro™ Series TD-20S-BK, Roland improves upon the industry-standard V-Drums by starting from A New Chapter In V-Drums History. the ground up. At the heart of this flagship set is the TD-20 module with new sounds and functions, superb expressiveness and in-depth V-Editing. The patented mesh pads now feature great dynamic range and natural rim shot triggering, along with a new look and stunning black finish. The V-Pro Series TD-20S-BK also features Roland’s amazing new V-Hi-Hat and a new drum stand designed to hide the cabling. With this powerful new combination of pads and hardware, the V-Pro Series TD-20S-BK lets drummers express themselves more naturally and with more realism than ever before! TD-20 Percussion Sound Module .......................................................................... An Entirely New V-Drums Experience .......................................................................... Without a doubt, the new TD-20 is Roland’s best percussion sound module ever, offering the ultimate sonic quality, over 500 new sounds, plus superb expressiveness and dynamic range when used with the new PD-125BK/105BK V-Pads and VH-12 V-Hi-Hat. With the superior sensitivity, drummers can play more naturally and without having to adjust their playing technique. The TD-20 includes the ability to vary the rim shot and bass drum sounds depending on how you play, plus new interval control for better snare drum rolls and more realistic cymbal swells. Close your eyes. Listen to every articulation and sound being faithfully re-created until the moment your cymbal fades away, and you’ll swear this is a real acoustic set. -
2019 PRODUCT CATALOG 1 2 Table of Contents Acoustic Drums Dios 4 - 5 M.A.X 6 Hybrid 7 Journeyman 8 - 9 SE Flyer 10 D Series 11 - 15
2019 PRODUCT CATALOG 1 2 Table of Contents Acoustic Drums Dios 4 - 5 M.A.X 6 Hybrid 7 Journeyman 8 - 9 SE Flyer 10 D Series 11 - 15 Snare Drums 16 - 17 Hardware 18 - 22 Deccabons 23 Electronic Drums 24 - 25 Electronics 26 - 27 Triggers 28 - 29 Bags & Merch 30 - 31 3 SKU: DS MP 320 DS MP 324 DS MP 522 snare Finishes: shell: maple plies: 8 shell thickness: 8mm Satin Gold Red Cherry Emerald Green hoop: 2.3mm triple flanged Sparkle Sparkle bearing edge: 30/45 degree hardware: chrome tone: warm to bright: excellent projection Satin Black toms shell: maple plies: 6 Add ons: shell thickness: 5.6mm hoop: 2.3mm triple flanged bearing edge: 30/45 degree hardware: chrome tone: warm to bright: excellent projection Snare Drums: Rack Toms: 7x13, 6.5x14 7x8, 7x10, 8x12, 9x13 bass drum shell: maple plies: 6 shell thickness: 6mm hoop: maple bearing edge: 30/45 degree hardware: chrome Floor Toms: Bass Drums: 14x14, 14x16, 16x18 20x20, 20x22, 20x24 tone: warm to bright: excellent projection Configuration #1: Configuration #2: Configuration #3: Rack: 7x10, 8x12 Floor: 14x14,14x16 Rack: 8x12 Floor: 14x14 Rack: 9x13 Floor: 14x16 Bass: 20x22 Bass: 20x20 Bass: 20x24 *Includes intergrated Tom Arm/Clamp & Floor Tom Legs 4 * Hardware and Cymbals sold seperatly for more information visit www.ddrum.com SKU: DS MPZ 522 NEW for 2019 LIMITED snare Finishes: shell: maple, zebra wood exotic veneer plies: 8 shell thickness: 8mm Zebra Wood hoop: die-cast bearing edge: 30/45 degree hardware: black chrome tone: warm to bright: excellent projection toms shell: maple, zebra