Open Access Monograph Publishing for Arts, Humanities and Social Science Researchers
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Book Self-Publishing Best Practices
Montana Tech Library Digital Commons @ Montana Tech Graduate Theses & Non-Theses Student Scholarship Fall 2019 Book Self-Publishing Best Practices Erica Jansma Follow this and additional works at: https://digitalcommons.mtech.edu/grad_rsch Part of the Communication Commons Book Self-Publishing Best Practices by Erica Jansma A project submitted in partial fulfillment of the requirements for the degree of M.S. Technical Communication Montana Tech 2019 ii Abstract I have taken a manuscript through the book publishing process to produce a camera-ready print book and e-book. This includes copyediting, designing layout templates, laying out the document in InDesign, and producing an index. My research is focused on the best practices and standards for publishing. Lessons learned from my research and experience include layout best practices, particularly linespacing and alignment guidelines, as well as the limitations and capabilities of InDesign, particularly its endnote functionality. Based on the results of this project, I can recommend self-publishers to understand the software and distribution platforms prior to publishing a book to ensure the required specifications are met to avoid complications later in the process. This document provides details on many of the software, distribution, and design options available for self-publishers to consider. Keywords: self-publishing, publishing, books, ebooks, book design, layout iii Dedication I dedicate this project to both of my grandmothers. I grew up watching you work hard, sacrifice, trust, and love with everything you have; it was beautiful; you are beautiful; and I hope I can model your example with a fraction of your grace and fruitfulness. Thank you for loving me so well. -
6. Findable, Impactful, Citable, Usable, Sustainable (FICUS): a Heuristic for Digital Publishing Nicky Agate, Cheryl E
K EDITED BY VIRGINIA KUHN AND ANKE FINGER SHAPING THE DIGITAL DISSERTATION UHN KNOWLEDGE PRODUCTION IN THE ARTS AND HUMANITIES AN D F EDITED BY VIRGINIA KUHN AND ANKE FINGER INGER SHAPING THE DIGITAL Digital dissertations have been a part of academic research for years now, yet there are ( E still many questions surrounding their processes. Are interactive dissertations significantly DS ISSERTATION different from their paper-based counterparts? What are the effects of digital projects on ) D doctoral education? How does one choose and defend a digital dissertation? This book explores the wider implications of digital scholarship across institutional, geographic, and disciplinary divides. The volume is arranged in two sections: the first, written by senior scholars, addresses conceptual concerns regarding the direction and assessment of digital dissertations in KNOWLEDGE PRODUCTION IN THE the broader context of doctoral education. The second section consists of case studies by PhD students whose research resulted in a natively digital dissertation that they have S HAPING successfully defended. These early-career researchers have been selected to represent a ARTS AND HUMANITIES range of disciplines and institutions. Despite the profound effect of incorporated digital tools on dissertations, the literature concerning them is limited. This volume aims to provide a fresh, up-to-date view on the THE digital dissertation, considering the newest technological advances. It is especially relevant in the European context where digital dissertations, mostly in arts-based research, are D more popular. Shaping the Digital Dissertation aims to provide insights, precedents and best practices to IGITAL graduate students, doctoral advisors, institutional agents, and dissertation committees. -
Sci-Hub Provides Access to Nearly All Scholarly Literature
Sci-Hub provides access to nearly all scholarly literature A DOI-citable version of this manuscript is available at https://doi.org/10.7287/peerj.preprints.3100. This manuscript was automatically generated from greenelab/scihub-manuscript@51678a7 on October 12, 2017. Submit feedback on the manuscript at git.io/v7feh or on the analyses at git.io/v7fvJ. Authors • Daniel S. Himmelstein 0000-0002-3012-7446 · dhimmel · dhimmel Department of Systems Pharmacology and Translational Therapeutics, University of Pennsylvania · Funded by GBMF4552 • Ariel Rodriguez Romero 0000-0003-2290-4927 · arielsvn · arielswn Bidwise, Inc • Stephen Reid McLaughlin 0000-0002-9888-3168 · stevemclaugh · SteveMcLaugh School of Information, University of Texas at Austin • Bastian Greshake Tzovaras 0000-0002-9925-9623 · gedankenstuecke · gedankenstuecke Department of Applied Bioinformatics, Institute of Cell Biology and Neuroscience, Goethe University Frankfurt • Casey S. Greene 0000-0001-8713-9213 · cgreene · GreeneScientist Department of Systems Pharmacology and Translational Therapeutics, University of Pennsylvania · Funded by GBMF4552 PeerJ Preprints | https://doi.org/10.7287/peerj.preprints.3100v2 | CC BY 4.0 Open Access | rec: 12 Oct 2017, publ: 12 Oct 2017 Abstract The website Sci-Hub provides access to scholarly literature via full text PDF downloads. The site enables users to access articles that would otherwise be paywalled. Since its creation in 2011, Sci- Hub has grown rapidly in popularity. However, until now, the extent of Sci-Hub’s coverage was unclear. As of March 2017, we find that Sci-Hub’s database contains 68.9% of all 81.6 million scholarly articles, which rises to 85.2% for those published in toll access journals. -
Market Power in the Academic Publishing Industry
Market Power in the Academic Publishing Industry What is an Academic Journal? • A serial publication containing recent academic papers in a certain field. • The main method for communicating the results of recent research in the academic community. Why is Market Power important to think about? • Commercial academic journal publishers use market power to artificially inflate subscription prices. • This practice drains the resources of libraries, to the detriment of the public. How Does Academic Publishing Work? • Author writes paper and submits to journal. • Paper is evaluated by peer reviewers (other researchers in the field). • If accepted, the paper is published. • Libraries pay for subscriptions to the journal. The market does not serve the interests of the public • Universities are forced to “double-pay”. 1. The university funds research 2. The results of the research are given away for free to journal publishers 3. The university library must pay to get the research back in the form of journals Subscription Prices are Outrageous • The highest-priced journals are those in the fields of science, technology, and medicine (or STM fields). • Since 1985, the average price of a journal has risen more than 215 percent—four times the average rate of inflation. • This rise in prices, combined with the CA budget crisis, has caused UC Berkeley’s library to cancel many subscriptions, threatening the library’s reputation. A Comparison Why are prices so high? Commercial publishers use market power to charge inflated prices. Why do commercial publishers have market power? • They control the most prestigious, high- quality journals in many fields. • Demand is highly inelastic for high-quality journals. -
“The Scholarly Monograph's Descendants,” Mary M. Case, Ed., T
Association of Research Libraries (ARL®) Clifford A. Lynch, “The Scholarly Monograph’s Descendants,” Mary M. Case, ed., The Specialized Scholarly Monograph in Crisis, or How Can I Get Tenure if You Won’t Publish My Book? (Washington, DC: Association of Research Libraries, 1999), pp. 137‐148. The Scholarly Monograph's Descendants Clifford Lynch, Executive Director, Coalition for Networked Information Introduction This paper looks at the possible evolutionary paths that the current printed scholarly monograph may take, paying particular attention to the ways in which technical, economic, and cultural factors may shape this evolution. It does not predict the demise of today's printed scholarly monograph, but suggests that it will coexist with a series of successors that will offer new points of balance among technical and economic constraints and opportunities and that will provide authors with new ways in which to communicate their research. For some works and purposes, the new forms will be superior; in other cases, the traditional printed monograph will likely remain the preferred form. I begin with a brief examination of the current state of the scholarly journal in its transition to electronic formats–or at least to electronic distribution. This transition is arguably more advanced and taking place on a broader scale than is the evolution of the monograph, and thus it may offer insights into what we can expect for the monograph. At the same time, I will argue that much of the experience with the journal may be misleading when extrapolated directly to the future of the monograph. I have chosen words carefully: I believe that what is happening to the journal is best described as a transition or migration, while what we will see with the monograph is the evolution of digitally based successor genres that will coexist with the current print monograph. -
How to Read a Historical Monograph Like a Historian October 2018 Gks & Jr
How to Read a Historical Monograph Like a Historian October 2018 gks & jr 1. Start with a BOOK REVIEW Professional historians do all the time. If you want to know a book well-for a discussion or for a research project-the book review is of course no substitute for reading the book. But a good book review will help you to understand the significance of the book you are going to read, its argument, its place in a broader conversation that has been going on. Book reviews have never been so easy to find and access. For a simple search, you might use JSTOR, a vast archive of scholarly journals. It contains the full text of journals running from their first year of publication up to a five years ago. To use JSTOR (http://www.jstor.org, accessible on campus), enter the title you'd like to search for, scroll down and check the box that says history journals, scroll down further and check the box that says reviews, then click on search. Other useful sources: Academic Search Premier, Historical Abstracts, American History and Life, H-Net Reviews. Of course, you have to read book reviews (as all else) with a critical eye. Reviewers, you will see, often disagree about the value of a book, an approach, or an argument. 2. Read the INTRODUCTION very carefully Ask yourself the following questions: * What historical problem is the author addressing? * Are there other interpretations (the work of other historians) that the author finds lacking? Why? * What evidence (what sources) is the author going to examine? * What questions is the author asking about the subject? * What are the answers to these questions? * What is the thesis of the book? All of these questions should be answered in the introduction. -
The Envisioning a World Beyond Apcs/Bpcs International Symposium Was Held at the University of Kansas on November 17 & 18, 2016
The Envisioning a World Beyond APCs/BPCs international symposium was held at the University of Kansas on November 17 & 18, 2016. More information, including recordings of the opening session and participant biographies is available at https://openaccess.ku.edu/symposium. Apollo 13 Assignment: As a culminating component of the Envisioning a World Beyond APCs/BPCs international symposium, on the morning of Friday, Nov. 18, participants were asked to form teams and then develop a proposal for a publishing regime that will: ● present a solution that is free for readers and for authors; ● work in the local context and create partnerships that incorporate a variety of global situations, including those individuals and groups marginalized by historical, political, and economic power structures; ● address barriers to or opportunities for authors (i.e., the focus should be on the creators of the work, rather thans on the producers or user); ● present an agenda for action; ● envision a 5- to 10-year transition that includes universities as the major stakeholder in a knowledge production and sharing environment that will benefit all readers and authors. The following are three proposals that came out of the Friday morning session (which were further developed in the weeks immediately following the symposium). Proposal 1: Title Global Knowledge Commons 2025 Team Members Kathleen Shearer, Ivy Anderson, Jean Claude Guédon, Heather Joseph, Rebecca Kennison, David Shulenburger Vision Academic institutions and research organizations are the foundation of a global knowledge commons in which institutions collect the content created by their 1 communities, make it openly available, and connect globally through the adoption of common standards. -
The Digital Monograph
DigitCult | Scientific Journal on Digital Cultures An Emerging Scholarly Form: The Digital Monograph Massimo Riva Department of Italian Studies Brown University Abstract Two recent initiatives, in the English-speaking world, are currently promoting monograph publishing in digital formats, with a specific focus on the arts and humanities but also including the social sciences. The American initiative is funded by the Andrew W. Mellon foundation; in the U.K., the Arts and Humanities Research Council has also promoted a similar initiative, the Academic Book of the Future, which produced a final report released in Spring 2017. This article describes some of the challenges and opportunities the author and his team are facing in designing a digital monograph on eighteenth and nineteenth-century visual culture, one of two pilot projects of the Brown University library Digital Publishing Initiative, funded by the Mellon foundation. Published 28 December 2017 Correspondence should be addressed to Massimo Riva, Brown University, 190 Hope St., Providence, Rhode Island 02912, USA. Email: [email protected] DigitCult, Scientific Journal on Digital Cultures is an academic journal of international scope, peer-reviewed and open access, aiming to value international research and to present current debate on digital culture, technological innovation and social change. ISSN: 2531-5994. URL: http://www.digitcult.it Copyright rests with the authors. This work is released under a Creative Commons Attribution (IT) Licence, version 3.0. For details please see http://creativecommons.org/ licenses/by/3.0/it/ DigitCult 63 http://dx.doi.org/10.4399/97888255099087 2017, Vol. 2, Iss. 3, 63–74. DOI: 10.4399/97888255099087 64 | An Emerging Scholarly Form: The Digital Monograph doi:10.4399/97888255099087 Two Initiatives Two recent initiatives, in the English-speaking world, are currently promoting monograph publishing in digital formats, with a specific focus on the arts and humanities but also including the social sciences. -
Monograph Or Anthology
Register a monograph or an anthology You need to Be logged in Menu path See the next page for a more detailed description Research results/NVI Register result Select ‘Book’ Select sub-category Register author Register title Register publisher Register the year of publication, whether the book has been revised, the number of pages, and the NPI scientific field Save Picture guide Click on the main menu ‘Research results/NVI’ and sub-menu ‘Register results’. Select ‘Book’ under main category. You will see this form: Choose the appropriate sub-category. A monograph is a book in which all chapters are written by the same author(s). An anthology is a collection of texts with different authors and it usually has one or more editors. If you have written a chapter of a book that you want to register, you will have to register the book itself as an anthology first, and then the chapters can be linked to the anthology once they are registered. Register author(s) or editors Once you have selected a category, add the authors or editors of the book. For anthologies, first select the role of the person in question (editor, author or editorial board). You can add individuals by searching for their names and selecting them from a list of names. Employees of one of our member institutions are listed with a (P) and usually an institution acronym after their name. Remember to select this registration of the person in order to link the publication to their person profile. If the person is not registered in Cristin, you will have the option to register their name as an unidentified person. -
Teachers: Here Are the Publishers and Authors That Have Given Permission for Their Books to Be Read Aloud. Please Check Your Bo
Teachers: Here are the publishers and authors that have given permission for their books to be read aloud. Please check your books (the title page, cover, or spine) for the publishing company. If it is one of the ones listed here, read their guidelines and include the required information in the video. Please read the caveat about authors granting permission below. If you are not sure about a book, contact your campus librarian for clarification. This list has been compiled with the help of tweets from Melissa Burger and Kate Messner. **SLJ has also published an article with publisher guidelines** Publisher (link to tweet) Guidelines Set Expiration Date Lerner Lerner is committed to our authors and illustrators as well as the readers None given, but who enjoy their books. We want to help protect the hard work and end of current creativity of our contributors while supporting schools and libraries in this school year would difficult time. Educators and librarians looking for read-aloud permission be a best practice for distance learning, please fill out this form: https://rights- permissions.lernerbooks.com . Permission will be granted as quickly as possible where contracts allow. We also encourage educators to reach out to authors directly in case the authors have already created such videos that can be used immediately. MacMillan Books During this emergency and when their schools are closed, we have no None given, but objection to (1) teachers and librarians live streaming or posting videos end of current reading our children’s books to their students, provided it is done on a school year would noncommercial basis, and (2) authors live streaming or posting videos be a best practice reading their children’s books, provided it is done on a noncommercial basis. -
Open Access Policy for Academic Books in the Netherlands
Note – Towards an open access policy for academic books in the Netherlands To : NPOS steering committee From : Eelco Ferwerda (OAPEN), Hans de Jonge (NWO), Jeroen Sondervan (VSNU/UKB) & Astrid van Wesenbeeck (KB) Subject : Towards an open access policy for scientific books in the Netherlands Version management : Approved by the NPOS Steering Committee on 14 October 2019 Public version: : 1.0.1 Introduction Progress to open access is lagging behind when it comes to books. This note aims to look at the process through which academic books are published, especially (though not only) for academic monographs. We try to provide some information about the numbers of books published in the Dutch academic context: how many titles are we actually talking about? And we also offer recommendations with regards to developing a policy for promoting an increase in the number of open access books. This note includes an outline of the issues surrounding academic books, the main features of the book publishing process (as compared to journals), and advice on how to arrive at a plan and an accompanying policy for open access for books. Contents 1. The Issue .......................................................................................................................2 2. Definitions/demarcation ...............................................................................................3 3. Books & Journals: Different Publishing Cultures ......................................................4 4. Numbers – Outline of Current Situation......................................................................5 -
Development of Pop up Book Media Material Distinguishing Characteristics of Healthy and Unfit Environments Class III Students Elementary School
International Journal of Elementary Education. Volume 2, Number 1, Tahun 2018, pp. 8-14 LOGO Jurnal P-ISSN: 2579-7158 E-ISSN: 2549-6050 Open Access: https://ejournal.undiksha.ac.id/index.php/IJEE Development of Pop Up Book Media Material Distinguishing Characteristics of Healthy and Unfit Environments Class III Students Elementary School Erwin Putera Permana1*, Yeny Endah Purnama Sari2 1,2 PGSD Departement, Universitas Nusantara PGRI Kediri , Indonesia A R T I C L E I N F O A B S T R A K Article history: Penelitian ini didasarkan pada pengamatan di kelas III IPA materi Received 15 Desember lingkungan yang sehat dan karakteristik lingkungan yang tidak sehat, 2017 Received in revised form bahwa sebagian besar siswa mengalami kesulitan dalam pembelajaran 28 Desember 2017 karena guru menggunakan metode pengajaran konvensional. Selain itu, Accepted 17 Januari 2018 penggunaan media pembelajaran dianggap kurang maksimal oleh guru. Available online 20 Penelitian ini merupakan penelitian dan pengembangan (R & D) dengan Februari 2018 model pengembangan ADDIE. Tahapan ada 5 tahapan yaitu 1) Analisis (Analisis), Pengembangan (Desain), Implementasi (Implementasi), Kata Kunci: Media Buku Pop Up , Evaluasi (Evaluasi). Validasi dilakukan oleh ahli materi, ahli media, dan Lingkungan Sehat dan guru kelas. Kesimpulan dari penelitian ini adalah (1) Hasil Tidak Sehat pengembangan media Pop Up Book dengan materi untuk membedakan karakteristik lingkungan sehat dan tidak sehat Valid. (2) Respon guru Keywords: Pop Up Book Media, terhadap media pembelajaran Pop Up Book yang dikembangkan, Healthy And Unhealthy setelah digunakan dalam pembelajaran materi, karakteristik lingkungan Environment yang sehat dan tidak sehat memperoleh respon yang baik. Demikian juga respon siswa terhadap media ini mendapat respon positif.