Assignment 2A the “Citicorp Center” Case
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RITZ TOWER, 465 Park Avenue (Aka 461-465 Park Avenue, and 101East5t11 Street), Manhattan
Landmarks Preservation Commission October 29, 2002, Designation List 340 LP-2118 RITZ TOWER, 465 Park Avenue (aka 461-465 Park Avenue, and 101East5T11 Street), Manhattan. Built 1925-27; Emery Roth, architect, with Thomas Hastings. Landmark Site: Borough of Manhattan Tax Map Block 1312, Lot 70. On July 16, 2002 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Ritz Tower, and the proposed designation of the related Landmark Site (Item No.2). The hearing had been advertised in accordance with provisions of law. Ross Moscowitz, representing the owners of the cooperative spoke in opposition to designation. At the time of designation, he took no position. Mark Levine, from the Jamestown Group, representing the owners of the commercial space, took no position on designation at the public hearing. Bill Higgins represented these owners at the time of designation and spoke in favor. Three witnesses testified in favor of designation, including representatives of State Senator Liz Kruger, the Landmarks Conservancy and the Historic Districts Council. In addition, the Commission has received letters in support of designation from Congresswoman Carolyn Maloney, from Community Board Five, and from architectural hi storian, John Kriskiewicz. There was also one letter from a building resident opposed to designation. Summary The Ritz Tower Apartment Hotel was constructed in 1925 at the premier crossroads of New York's Upper East Side, the comer of 57t11 Street and Park A venue, where the exclusive shops and artistic enterprises of 57t11 Street met apartment buildings of ever-increasing height and luxury on Park Avenue. -
Borough Hall Skyscraper Historic District Designation Report
Cover Photograph: Court Street looking south along Skyscraper Row towards Brooklyn City Hall, now Brooklyn Borough Hall (1845-48, Gamaliel King) and the Brooklyn Municipal Building (1923-26, McKenzie, Voorhees & Gmelin). Christopher D. Brazee, 2011 Borough Hall Skyscraper Historic District Designation Report Prepared by Christopher D. Brazee Edited by Mary Beth Betts, Director of Research Photographs by Christopher D. Brazee Map by Jennifer L. Most Technical Assistance by Lauren Miller Commissioners Robert B. Tierney, Chair Pablo E. Vengoechea, Vice-Chair Frederick Bland Christopher Moore Diana Chapin Margery Perlmutter Michael Devonshire Elizabeth Ryan Joan Gerner Roberta Washington Michael Goldblum Kate Daly, Executive Director Mark Silberman, Counsel Sarah Carroll, Director of Preservation TABLE OF CONTENTS BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT MAP ................... FACING PAGE 1 TESTIMONY AT THE PUBLIC HEARING ................................................................................ 1 BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT BOUNDARIES ............................. 1 SUMMARY .................................................................................................................................... 3 THE HISTORICAL AND ARCHITECTURAL DEVELOPMENT OF THE BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT ........................................................................................ 5 Early History and Development of Brooklyn‟s Civic Center ................................................... 5 Mid 19th Century Development -
Page Numbers in Italics Refer to Illustrations. Abenad
INDEX Page numbers in italics refer to illustrations. Abenad Corporation, 42 Ballard, William F. R., 247, 252, 270 Abrams, Charles, 191 Barnes, Edward Larabee, 139, 144 Acker, Ed, 359 Barnett, Jonathan, 277 Action Group for Better Architecture in New Bauen + Wohnen, 266 York (AGBANY), 326–327 Beaux-Arts architecture, xiv, 35, 76, 255, 256, Airline industry, xiv, 22, 26, 32, 128, 311, 314, 289, 331, 333, 339, 344, 371. See also 346, 357–360, 361–362, 386 Grand Central Terminal Albers, Josef, 142–143, 153, 228, 296, 354, Belle, John (Beyer Blinder Belle Architects), 407n156 354 American Institute of Architects (AIA), 3, 35, Belluschi, Pietro, 70–77, 71, 80, 223, 237, 328 75, 262, 282, 337 AIA Gold Medal, 277, 281 Conference on Ugliness, 178–179 and the Architectural Record, 188, 190, 233, New York Chapter, 2, 157 235, 277 American Institute of Planners, 157 and art work, Pan Am Building, 141–144 Andrews, Wayne, 175–176, 248, 370 as co-designer of the Pan Am Building, xiii, 2, “Anti-Uglies,” 177, 327 50, 59, 77, 84, 87, 117, 156–157, 159, 160– “Apollo in the democracy” (concept), 67–69, 163, 165, 173, 212, 248, 269, 275, 304, 353, 159. See also Gropius, Walter 376 (see also Gropius/Belluschi/Roth collab- Apollo in the Democracy (book), 294–295. See oration) also Gropius, Walter on collaboration of art and architecture, 142– Collins review of, 294–295 143 Architectural criticism, xiv, xvi, 53, 56, 58, 227, collaboration with Gropius, 72, 75, 104, 282, 232, 257, 384–385, 396n85. See also 397n119 Huxtable, Ada Louise contract with Wolfson, 60–61, -
Download the 2019 Map & Guide
ARCHITECTURAL AND CULTURAL Map &Guide FRIENDS of the Upper East Side Historic Districts Architectural and Cultural Map and Guide Founded in 1982, FRIENDS of the Upper East Side Historic Districts is an independent, not-for-profit membership organization dedicated to preserving the architectural legacy, livability, and sense of place of the Upper East Side by monitoring and protecting its seven Historic Districts, 131 Individual Landmarks, and myriad significant buildings. Walk with FRIENDS as we tour some of the cultural and architectural sites that make the Upper East Side such a distinctive place. From elegant apartment houses and mansions to more modest brownstones and early 20th-century immigrant communities, the Upper East Side boasts a rich history and a wonderfully varied built legacy. With this guide in hand, immerse yourself in the history and architecture of this special corner of New York City. We hope you become just as enchanted by it as we are. FRIENDS’ illustrated Architectural and Cultural Map and Guide includes a full listing of all of the Upper East Side’s 131 Individual Landmarks. You can find the location of these architectural gems by going to the map on pages 2-3 of the guide and referring to the numbered green squares. In the second section of the guide, we will take you through the history and development of the Upper East Side’s seven Historic Districts, and the not landmarked, though culturally and architecturally significant neighborhood of Yorkville. FRIENDS has selected representative sites that we feel exemplify each district’s unique history and character. Each of the districts has its own color-coded map with easy-to-read points that can be used to find your own favorite site, or as a self-guided walking tour the next time you find yourself out strolling on the Upper East Side. -
The Benjamin in Honor of the Family-Owned Company’S Founder, Benjamin Denihan, Sr
FACT SHEET ADDRESS: 125 East 50th Street at Lexington Avenue New York, NY 10022 PHONE: For reservations call: 1-888-4-BENJAMIN Hotel tel: 212-715-2500 Hotel fax: 212-715-2525 WEB SITE: thebenjamin.com GENERAL MANAGER: Steve Sasso OVERVIEW: Situated in an ideal midtown Manhattan locale, The Benjamin is a 209-room beaux-arts boutique hotel that exudes the ambiance of a private club. Newly redesigned accommodations by Rottet Studio range from guestrooms with kitchenettes to one-bedroom terrace suites with inspiring skyline views. Noted as “one of the 50 favorite restaurants” by The New York Times, The National by internationally acclaimed Iron Chef Geoffrey Zakarian is housed on the first floor and showcases modern bistro cuisine in a chic grand cafe or in-room dining. Known for coiffing the tresses of celebs, stylist Federico Calce presents Federico Hair & Spa at The Benjamin. Guests have access to blowouts, color, cuts, manicures and massages in- salon or in-room. The Benjamin understands its guests tend to be leaders, owing their accomplishments to a strong work ethic and a busy lifestyle. Through our programs, amenities and services, we aim to foster productivity and wellbeing, offering services for restful sleep, nourishment, exercise, personal care, and inspiration—five tenets integral to success. HISTORY: Originally established in 1927 as the former Hotel Beverly, the hotel is considered to be one of the most successful creations by famed architect Emery Roth. The edifice so inspired artist Georgia O’Keeffe that she painted it as the subject of her piece “New York—Night.” In November 1997, members of the Denihan family purchased the hotel and renamed it The Benjamin in honor of the family-owned company’s founder, Benjamin Denihan, Sr. -
Landmarks Commission Report
Landmarks Preservation Commission October 29, 2002, Designation List 340 LP-2118 RITZ TOWER, 465 Park Avenue (aka 461- 465 Park Avenue, and 101 East 57th Street), Manhattan. Built 1925-27; Emery Roth, architect, with Thomas Hastings. Landmark Site: Borough of Manhattan Tax Map Block 1312, Lot 70. On July 16, 2002 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Ritz Tower, and the proposed designation of the related Landmark Site (Item No.2). The hearing had been advertised in accordance with provisions of law. Ross Moscowitz, representing the owners of the cooperative spoke in opposition to designation. At the time of designation, he took no position. Mark Levine, from the Jamestown Group, representing the owners of the commercial space, took no position on designation at the public hearing. Bill Higgins represented these owners at the time of designation and spoke in favor. Three witnesses testified in favor of designation, including representatives of State Senator Liz Kruger, the Landmarks Conservancy and the Historic Districts Council. In addition, the Commission has received letters in support of designation from Congresswoman Carolyn Maloney, from Community Board Five, and from architectural historian, John Kriskiewicz. There was also one letter from a building resident opposed to designation. Summary The Ritz Tower Apartment Hotel was constructed in 1925 at the premier crossroads of New York’s Upper East Side, the corner of 57th Street and Park Avenue, where the exclusive shops and artistic enterprises of 57th Street met apartment buildings of ever-increasing height and luxury on Park Avenue. -
TRIBECA PRODUCT | L126 LIGHTING DESIGNER | Schwinghammer Lighting Consultants ARCHITECT | Herzong & De Meuron LOCATION | New York, NY PHOTOGRAPHER | Alexander Severin
56 LEONARD – TRIBECA PRODUCT | L126 LIGHTING DESIGNER | Schwinghammer Lighting Consultants ARCHITECT | Herzong & de Meuron LOCATION | New York, NY PHOTOGRAPHER | Alexander Severin 45 Spring Street New Haven, CT 06519 • ElectrixIllumination.com • 203.776.5577 Electrix, LLC is an established architectural lighting fixture manufacturer located in New Haven, Connecticut. We are a rapid response focused organization with a 50 year history of building well designed, elegantly engineered, lighting fixtures for NOTABLE PROJECTS architectural, task and industrial applications. CORPORATE Our specialization is advanced linear LED systems for A&E Network New York, NY indoor and outdoor applications, cove and indirect Bloomberg Tower New York, NY Coach Headquarters New York, NY lighting for the architectural lighting community. Facebook New York New York, NY Met Life Headquarters New York, NY Microsoft New England Research AVIATION & Development Center Cambridge, MA Bradley Airport Hartford, CT New York Times New York, NY Logan International Airport Boston, MA LAX - United Terminal Los Angeles, CA McCarron International Airport Terminal 3 Las Vegas, NV CULTURAL Metropolitan Museum of Art ACADEMIC – American Wing New York, NY Columbia School of Nursing New York, NY Perot Museum of Nature and Science Dallas, TX Harvard Business School – Tata Hall Cambridge, MA Museum of Science and Industry Chicago, IL New York University – Langone New York, NY Museum of Westward Expansion St. Louis, MO Yale University Sterling Memorial Library New Haven, CT VA Museum of Fine Arts Richmond, VA HOSPITALITY Aria - MGM Resorts Las Vegas, NV Fontainebleau Resort Las Vegas, NV Grand Hyatt New York New York, NY Knickerbocker Hotel New York, NY Marriott Beverly Hills Hotel Beverly Hills, CA MGM City Center Las Vegas, NV Morimoto Restaurant New York, NY MEDICAL CHI St. -
Skyscrapers and District Heating, an Inter-Related History 1876-1933
Skyscrapers and District Heating, an inter-related History 1876-1933. Introduction: The aim of this article is to examine the relationship between a new urban and architectural form, the skyscraper, and an equally new urban infrastructure, district heating, both of witch were born in the north-east United States during the late nineteenth century and then developed in tandem through the 1920s and 1930s. These developments will then be compared with those in Europe, where the context was comparatively conservative as regards such innovations, which virtually never occurred together there. I will argue that, the finest example in Europe of skyscrapers and district heating planned together, at Villeurbanne near Lyons, is shown to be the direct consequence of American influence. Whilst central heating had appeared in the United Kingdom in the late eighteenth and the early nineteenth centuries, district heating, which developed the same concept at an urban scale, was realized in Lockport (on the Erie Canal, in New York State) in the 1880s. In United States were born the two important scientists in the fields of heating and energy, Benjamin Franklin (1706-1790) and Benjamin Thompson Rumford (1753-1814). Standard radiators and boilers - heating surfaces which could be connected to central or district heating - were also first patented in the United States in the late 1850s.1 A district heating system produces energy in a boiler plant - steam or high-pressure hot water - with pumps delivering the heated fluid to distant buildings, sometimes a few kilometers away. Heat is therefore used just as in other urban networks, such as those for gas and electricity. -
Now 601 LEXINGTON AVENUE
Landmarks Preservation Commission December 6, 2016, Designation List 491 LP-2582 CITICORP CENTER (now 601 LEXINGTON AVENUE) including SAINT PETER’S CHURCH 601 Lexington Avenue (aka 601-635 Lexington Avenue, 139-153 East 53rd Street, 140-160 East 54th Street, 884-892 Third Avenue), Manhattan Built, 1973-78; architects, Hugh A. Stubbins & Associates and Emery Roth & Sons Landmark Site: Borough of Manhattan Tax Map Block 1308, Lot 7501 (1001, 1002, 1005) On September 13, 2016, the Landmarks Preservation Commission held a public hearing on the proposed designation of Citicorp Center (now 601 Lexington Avenue), including Saint Peter’s Church, and the proposed designation of the related landmark site. The hearing had been duly advertised in accordance with provisions of law. Four people spoke in support of designation, including representatives of Saint Peter’s Church, Manhattan Borough President Gale A. Brewer, the New York Landmarks Conservancy, and the Municipal Art Society of New York. The principal owner, Boston Properties, and the Real Estate Board of New York submitted written testimony in support of designation. Summary The former Citicorp Center is a major example of late 20th century modern architecture. Designed by Hugh A. Stubbins & Associates, in association with Emery Roth & Sons, this early mixed-use complex contains three interlocking buildings: a 59-story office tower, a 6-story retail-and-office structure, and Saint Peter’s Church. Commissioned by First National City Bank (now Citibank), the 915-foot-tall office tower is one of New York City’s most recognizable skyscrapers. Important for its slanted top, four “super” columns that rise over 100 feet and generous public spaces, it plays a major role on the Manhattan skyline. -
SAN REMO APARTMENTS, 145- 146 Central Park West, Manhattan
Landmarks Preservation Commission March 31, 1987; Designation List 188 LP-1519 SAN REMO APARTMENTS, 145- 146 Central Park West, Manhattan. Built 1929-30; architect Emery Roth. Landmark Site: Borough of Manhattan Tax Map Block 1127, Lot 29. On September 11, 1984, the Landmarks Preservation Commission held a pub 1 i c hearing on the proposed designation as a Landmark of the San Remo Apartments and the proposed designation of the related Landmark Site (Item No. 13). The hearing had been duly advertised in accordance with the prov1s1ons of law. Eleven witnesses spoke in favor of designation, and one letter was received in support of designation. DESCRIPTION AND ANALYSIS Summary Soaring over Central Park, the profile of the San Remo is among the most important components of the magnificent skyline of Central Park West. The first of the twin-towered buildings which give Central Park West its distinctive silhouette, and one of the New York's last grand apartment houses built in the pre-Depression era, it was designed by Emery Roth, then at the pinnacle of his career as a specialist in apartment house architecture. A residential skyscraper in cl ass i cal garb, the San Remo epitomizes Roth's abi 1 i ty to combine the traditional with the modern, an urbane amalgam of luxury and convenience, decorum and drama. Development of Central Park West Central Park West, the northern continuation of Eighth Avenue bordering on the park, is today one of New York's finest residential streets, but in the mid- nineteenth century it was a rural and inhospitable outpost , notable for its rocky terrain , browsing goats and ramshackle shanties. -
The 150 Favorite Pieces of American Architecture
The 150 favorite pieces of American architecture, according to the public poll “America’s Favorite Architecture” conducted by The American Institute of Architects (AIA) and Harris Interactive, are as follows. For more details on the winners, visit www.aia150.org. Rank Building Architect 1 Empire State Building - New York City William Lamb, Shreve, Lamb & Harmon 2 The White House - Washington, D.C. James Hoban 3 Washington National Cathedral - Washington, D.C. George F. Bodley and Henry Vaughan, FAIA 4 Thomas Jefferson Memorial - Washington D.C. John Russell Pope, FAIA 5 Golden Gate Bridge - San Francisco Irving F. Morrow and Gertrude C. Morrow 6 U.S. Capitol - Washington, D.C. William Thornton, Benjamin Henry Latrobe, Charles Bulfinch, Thomas U. Walter FAIA, Montgomery C. Meigs 7 Lincoln Memorial - Washington, D.C. Henry Bacon, FAIA 8 Biltmore Estate (Vanderbilt Residence) - Asheville, NC Richard Morris Hunt, FAIA 9 Chrysler Building - New York City William Van Alen, FAIA 10 Vietnam Veterans Memorial - Washington, D.C. Maya Lin with Cooper-Lecky Partnership 11 St. Patrick’s Cathedral - New York City James Renwick, FAIA 12 Washington Monument - Washington, D.C. Robert Mills 13 Grand Central Station - New York City Reed and Stern; Warren and Wetmore 14 The Gateway Arch - St. Louis Eero Saarinen, FAIA 15 Supreme Court of the United States - Washington, D.C. Cass Gilbert, FAIA 16 St. Regis Hotel - New York City Trowbridge & Livingston 17 Metropolitan Museum of Art – New York City Calvert Vaux, FAIA; McKim, Mead & White; Richard Morris Hunt, FAIA; Kevin Roche, FAIA; John Dinkeloo, FAIA 18 Hotel Del Coronado - San Diego James Reid, FAIA 19 World Trade Center - New York City Minoru Yamasaki, FAIA; Antonio Brittiochi; Emery Roth & Sons 20 Brooklyn Bridge - New York City John Augustus Roebling 21 Philadelphia City Hall - Philadelphia John McArthur Jr., FAIA 22 Bellagio Hotel and Casino - Las Vegas Deruyter Butler; Atlandia Design 23 Cathedral of St. -
Proceedings11
1 The Citicorp Center Project: LeMessurier Stands Tall by Michael J. Vardaro, Esquire and Timothy F. Hegarty, Esquire When the Citicorp Center opened in 1978 it instantly became one of the defi ning icons of the New York City skyline. However, the engineering marvel had a dark secret—it would likely collapse if exposed to 70 mph winds. Once this secret became known, the structural engineer set into action a remarkable chain of events to stabilize the tower, preserve the client relationship, avoid litigation, and possibly save the lives of many. Perhaps even more remarkable is that all of this was done without the public’s awareness. What can be learned from what happened, and what never did? Introduction The Citicorp Center (now known as the Citigroup Center) is one of the most recognizable features of the New York City skyline.1 The distinctive 45° angled top rises 915 feet into the air. What many do not realize is that the base of the building is arguably even more distinct. The building sits 114 feet in the air, supported by an unusual placement of four huge columns centered, not on its corners, but rather on each of its sides that make the 59-story tower appear as if it is gracefully levitating above Lexington Avenue.2 The columns or stilts were anything but ordinary when they were designed to support what was then the seventh tallest building in the world.3 By all accounts, the use of the huge columns was a creative engineering marvel. However, they also led to a series of unforeseen events that nearly caused a catastrophe of monumental proportions.