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RITZ TOWER, 465 Park Avenue (Aka 461-465 Park Avenue, and 101East5t11 Street), Manhattan
Landmarks Preservation Commission October 29, 2002, Designation List 340 LP-2118 RITZ TOWER, 465 Park Avenue (aka 461-465 Park Avenue, and 101East5T11 Street), Manhattan. Built 1925-27; Emery Roth, architect, with Thomas Hastings. Landmark Site: Borough of Manhattan Tax Map Block 1312, Lot 70. On July 16, 2002 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Ritz Tower, and the proposed designation of the related Landmark Site (Item No.2). The hearing had been advertised in accordance with provisions of law. Ross Moscowitz, representing the owners of the cooperative spoke in opposition to designation. At the time of designation, he took no position. Mark Levine, from the Jamestown Group, representing the owners of the commercial space, took no position on designation at the public hearing. Bill Higgins represented these owners at the time of designation and spoke in favor. Three witnesses testified in favor of designation, including representatives of State Senator Liz Kruger, the Landmarks Conservancy and the Historic Districts Council. In addition, the Commission has received letters in support of designation from Congresswoman Carolyn Maloney, from Community Board Five, and from architectural hi storian, John Kriskiewicz. There was also one letter from a building resident opposed to designation. Summary The Ritz Tower Apartment Hotel was constructed in 1925 at the premier crossroads of New York's Upper East Side, the comer of 57t11 Street and Park A venue, where the exclusive shops and artistic enterprises of 57t11 Street met apartment buildings of ever-increasing height and luxury on Park Avenue. -
Borough Hall Skyscraper Historic District Designation Report
Cover Photograph: Court Street looking south along Skyscraper Row towards Brooklyn City Hall, now Brooklyn Borough Hall (1845-48, Gamaliel King) and the Brooklyn Municipal Building (1923-26, McKenzie, Voorhees & Gmelin). Christopher D. Brazee, 2011 Borough Hall Skyscraper Historic District Designation Report Prepared by Christopher D. Brazee Edited by Mary Beth Betts, Director of Research Photographs by Christopher D. Brazee Map by Jennifer L. Most Technical Assistance by Lauren Miller Commissioners Robert B. Tierney, Chair Pablo E. Vengoechea, Vice-Chair Frederick Bland Christopher Moore Diana Chapin Margery Perlmutter Michael Devonshire Elizabeth Ryan Joan Gerner Roberta Washington Michael Goldblum Kate Daly, Executive Director Mark Silberman, Counsel Sarah Carroll, Director of Preservation TABLE OF CONTENTS BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT MAP ................... FACING PAGE 1 TESTIMONY AT THE PUBLIC HEARING ................................................................................ 1 BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT BOUNDARIES ............................. 1 SUMMARY .................................................................................................................................... 3 THE HISTORICAL AND ARCHITECTURAL DEVELOPMENT OF THE BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT ........................................................................................ 5 Early History and Development of Brooklyn‟s Civic Center ................................................... 5 Mid 19th Century Development -
BLOOMBERG BUSINESS February 16, 2016 Citadel Leases Anchor Space at New Tower on NYC's Park Avenue
February 16, 2016 http://www.bloomberg.com/news/articles/2016-02-16/citadel-leases-anchor-space-at-new-tower-on-nyc-s-park- avenue Citadel Leases Anchor Space at New Tower on NYC's Park Avenue by David M Levitt Hedge fund firm Citadel LLC signed a lease to anchor a new skyscraper that’s under construction on Manhattan’s Park Avenue, the first new office building to be built on the pricey corridor in almost four decades. The deal, reached late last week, entitles the $25 billion firm founded by Kenneth Griffin to a little more than 200,000 square feet (18,600 square meters) of office space at 425 Park Ave., said David Levinson, chairman of L&L Holding Co., the developer of the 670,000-square-foot tower. The lease includes the penthouse floor, which will have 38-foot (12-meter) glass ceilings and views of Central Park. Citadel also will occupy the two floors below the penthouse and space in the center of the Norman Foster-designed skyscraper, Levinson said. It’s a “great relief” to have “a complete, closed transaction” with Citadel, given the current turmoil in the stock market, Levinson said in a phone interview. “For a financial company as good as they are, to make a deal like this with all the turbulence in the world, is a very strong statement for New York City, and their view of the world economically.” The lease helps validate L&L’s decision to start work on the new tower -- on the east side of Park Avenue between 55th and 56th streets – before having any tenant commitments, a process known as building “on spec” and that’s regarded as risky in the real estate industry. -
Citicorp Center + Citigroup Center + 601 Lexington (Current)
http://www.601lexington.com/gallery/?pp_fID_1156=504 Ana Larranaga | Allie McGehee | Lisa Valdivia | Madison Van Pelt | Yiwen Zhang Location: 601 Lexington Avenue + 54th Street, New York NY 10022 Other Names: CitiCorp Center + CitiGroup Center + 601 Lexington (Current) Architects: Hugh Stubbins, William LeMessurier Chief Structural Engineer: William LeMessurier Years Built: 1974 - 1977 Year Opened: 1977 Cost: $195,000,000 http://adamkanemacchia.com/gallery/home/_akm0205-edit/ - CitiCorp Center is the first skyscraper in the U.S to be built with a tuned mass damper - The tower is the 6th highest building in NYC - The building was built for commercial office - Design for the building was drawn by William LeMessurier on his restaurant napkin - The office lobby was renovated in 1997 and a new lobby was built in 2010 - The structure was being fixed secretly at night Born: January 11th, 1912 - July 5th 2006 Birthplace: Birmingham, Alabama Education: Georgia Institute of Technology(Undergrad) Harvard University (Masters) Firm: Hugh Stubbins and Associates (won one of the 1st AIA Firm Awards) Projects: CitiCorp Center, Boston’s Federal Reserve Bank, Ronald Reagan Presidential Library, Landmark tower in Yokohama Awards: Gold Medal (Tau Sigma Delta), Honor Award AIA 1979 Born: June 1926 - June 2007 Birthplace: Pontiac, Michigan Education: Harvard University(BA Mathematics), Harvard Graduate School of Design, MIT (Masters in Engineering) Firm: LeMessurier Consultants Projects: Mah - LeMessurier System, Staggered Truss System, Tuned Mass Damper, -
Page Numbers in Italics Refer to Illustrations. Abenad
INDEX Page numbers in italics refer to illustrations. Abenad Corporation, 42 Ballard, William F. R., 247, 252, 270 Abrams, Charles, 191 Barnes, Edward Larabee, 139, 144 Acker, Ed, 359 Barnett, Jonathan, 277 Action Group for Better Architecture in New Bauen + Wohnen, 266 York (AGBANY), 326–327 Beaux-Arts architecture, xiv, 35, 76, 255, 256, Airline industry, xiv, 22, 26, 32, 128, 311, 314, 289, 331, 333, 339, 344, 371. See also 346, 357–360, 361–362, 386 Grand Central Terminal Albers, Josef, 142–143, 153, 228, 296, 354, Belle, John (Beyer Blinder Belle Architects), 407n156 354 American Institute of Architects (AIA), 3, 35, Belluschi, Pietro, 70–77, 71, 80, 223, 237, 328 75, 262, 282, 337 AIA Gold Medal, 277, 281 Conference on Ugliness, 178–179 and the Architectural Record, 188, 190, 233, New York Chapter, 2, 157 235, 277 American Institute of Planners, 157 and art work, Pan Am Building, 141–144 Andrews, Wayne, 175–176, 248, 370 as co-designer of the Pan Am Building, xiii, 2, “Anti-Uglies,” 177, 327 50, 59, 77, 84, 87, 117, 156–157, 159, 160– “Apollo in the democracy” (concept), 67–69, 163, 165, 173, 212, 248, 269, 275, 304, 353, 159. See also Gropius, Walter 376 (see also Gropius/Belluschi/Roth collab- Apollo in the Democracy (book), 294–295. See oration) also Gropius, Walter on collaboration of art and architecture, 142– Collins review of, 294–295 143 Architectural criticism, xiv, xvi, 53, 56, 58, 227, collaboration with Gropius, 72, 75, 104, 282, 232, 257, 384–385, 396n85. See also 397n119 Huxtable, Ada Louise contract with Wolfson, 60–61, -
Download the 2019 Map & Guide
ARCHITECTURAL AND CULTURAL Map &Guide FRIENDS of the Upper East Side Historic Districts Architectural and Cultural Map and Guide Founded in 1982, FRIENDS of the Upper East Side Historic Districts is an independent, not-for-profit membership organization dedicated to preserving the architectural legacy, livability, and sense of place of the Upper East Side by monitoring and protecting its seven Historic Districts, 131 Individual Landmarks, and myriad significant buildings. Walk with FRIENDS as we tour some of the cultural and architectural sites that make the Upper East Side such a distinctive place. From elegant apartment houses and mansions to more modest brownstones and early 20th-century immigrant communities, the Upper East Side boasts a rich history and a wonderfully varied built legacy. With this guide in hand, immerse yourself in the history and architecture of this special corner of New York City. We hope you become just as enchanted by it as we are. FRIENDS’ illustrated Architectural and Cultural Map and Guide includes a full listing of all of the Upper East Side’s 131 Individual Landmarks. You can find the location of these architectural gems by going to the map on pages 2-3 of the guide and referring to the numbered green squares. In the second section of the guide, we will take you through the history and development of the Upper East Side’s seven Historic Districts, and the not landmarked, though culturally and architecturally significant neighborhood of Yorkville. FRIENDS has selected representative sites that we feel exemplify each district’s unique history and character. Each of the districts has its own color-coded map with easy-to-read points that can be used to find your own favorite site, or as a self-guided walking tour the next time you find yourself out strolling on the Upper East Side. -
The Benjamin in Honor of the Family-Owned Company’S Founder, Benjamin Denihan, Sr
FACT SHEET ADDRESS: 125 East 50th Street at Lexington Avenue New York, NY 10022 PHONE: For reservations call: 1-888-4-BENJAMIN Hotel tel: 212-715-2500 Hotel fax: 212-715-2525 WEB SITE: thebenjamin.com GENERAL MANAGER: Steve Sasso OVERVIEW: Situated in an ideal midtown Manhattan locale, The Benjamin is a 209-room beaux-arts boutique hotel that exudes the ambiance of a private club. Newly redesigned accommodations by Rottet Studio range from guestrooms with kitchenettes to one-bedroom terrace suites with inspiring skyline views. Noted as “one of the 50 favorite restaurants” by The New York Times, The National by internationally acclaimed Iron Chef Geoffrey Zakarian is housed on the first floor and showcases modern bistro cuisine in a chic grand cafe or in-room dining. Known for coiffing the tresses of celebs, stylist Federico Calce presents Federico Hair & Spa at The Benjamin. Guests have access to blowouts, color, cuts, manicures and massages in- salon or in-room. The Benjamin understands its guests tend to be leaders, owing their accomplishments to a strong work ethic and a busy lifestyle. Through our programs, amenities and services, we aim to foster productivity and wellbeing, offering services for restful sleep, nourishment, exercise, personal care, and inspiration—five tenets integral to success. HISTORY: Originally established in 1927 as the former Hotel Beverly, the hotel is considered to be one of the most successful creations by famed architect Emery Roth. The edifice so inspired artist Georgia O’Keeffe that she painted it as the subject of her piece “New York—Night.” In November 1997, members of the Denihan family purchased the hotel and renamed it The Benjamin in honor of the family-owned company’s founder, Benjamin Denihan, Sr. -
DOCUMENT 4 – SKYSCRAPERS Fiche De Travail Consignes De Travail : À L'aide Des Informations De La Fiche « Document 4- Skys
DOCUMENT 4 – SKYSCRAPERS Fiche de travail Consignes de travail : à l’aide des informations de la fiche « document 4- skyscrapers-tableaux informations », complétez cette fiche de travail. LE SUPERLATIF – grammaire – les règles On utilise le superlatif pour comparer et montrer l’élément qui est supérieur aux autres. 1. les adjectifs courts (1 syllabe) : 3. Attention : pour les adjectifs terminés the + adjectif court + -est par « -y », le « -y » devient « -iest » : exemple : fast à the fastest exemple : happy à the happiest 4. pour les adjectifs longs : 2. pour les adjectifs courts d’une syllabe terminés par une consonne et dont the + most + adjectif long l’orthographe de fin de mot est consonne-voyelle-consonne (cvc), il exemple: intelligent à the most intelligent faut doubler la consonne finale : 5. EXCEPTIONS : exemple : big à the biggest (cvc) good à the best Mais ATTENTION ! low à the lowest bad à the worst 1. EXERCICE - Quelles sont les règles du superlatif à appliquer aux adjectifs suivants ? Mets ces adjectifs au superlatif et classe-les dans le tableau selon la règle qu’ils suivent. ** tableau avec la traduction des adjectifs en fin de fiche. extensive hot fat heavy recent nice great short beautiful cold bad gigantic tall long good dangerous low noisy crazy old small impressive high elegant tiny artistic big Adjectifs courts Adjectifs courts Adjectifs courts Adjectifs longs exceptions en « -y » (Consonne finale doublée) the longest 2. EXERCICE – maintenant applique les règles du comparatif et du superlatif pour comparer les 3 éléments proposés à partir du « document 4-skyscrapers-tableaux informations », comme dans l’exemple suivant. -
Landmarks Commission Report
Landmarks Preservation Commission October 29, 2002, Designation List 340 LP-2118 RITZ TOWER, 465 Park Avenue (aka 461- 465 Park Avenue, and 101 East 57th Street), Manhattan. Built 1925-27; Emery Roth, architect, with Thomas Hastings. Landmark Site: Borough of Manhattan Tax Map Block 1312, Lot 70. On July 16, 2002 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Ritz Tower, and the proposed designation of the related Landmark Site (Item No.2). The hearing had been advertised in accordance with provisions of law. Ross Moscowitz, representing the owners of the cooperative spoke in opposition to designation. At the time of designation, he took no position. Mark Levine, from the Jamestown Group, representing the owners of the commercial space, took no position on designation at the public hearing. Bill Higgins represented these owners at the time of designation and spoke in favor. Three witnesses testified in favor of designation, including representatives of State Senator Liz Kruger, the Landmarks Conservancy and the Historic Districts Council. In addition, the Commission has received letters in support of designation from Congresswoman Carolyn Maloney, from Community Board Five, and from architectural historian, John Kriskiewicz. There was also one letter from a building resident opposed to designation. Summary The Ritz Tower Apartment Hotel was constructed in 1925 at the premier crossroads of New York’s Upper East Side, the corner of 57th Street and Park Avenue, where the exclusive shops and artistic enterprises of 57th Street met apartment buildings of ever-increasing height and luxury on Park Avenue. -
TRIBECA PRODUCT | L126 LIGHTING DESIGNER | Schwinghammer Lighting Consultants ARCHITECT | Herzong & De Meuron LOCATION | New York, NY PHOTOGRAPHER | Alexander Severin
56 LEONARD – TRIBECA PRODUCT | L126 LIGHTING DESIGNER | Schwinghammer Lighting Consultants ARCHITECT | Herzong & de Meuron LOCATION | New York, NY PHOTOGRAPHER | Alexander Severin 45 Spring Street New Haven, CT 06519 • ElectrixIllumination.com • 203.776.5577 Electrix, LLC is an established architectural lighting fixture manufacturer located in New Haven, Connecticut. We are a rapid response focused organization with a 50 year history of building well designed, elegantly engineered, lighting fixtures for NOTABLE PROJECTS architectural, task and industrial applications. CORPORATE Our specialization is advanced linear LED systems for A&E Network New York, NY indoor and outdoor applications, cove and indirect Bloomberg Tower New York, NY Coach Headquarters New York, NY lighting for the architectural lighting community. Facebook New York New York, NY Met Life Headquarters New York, NY Microsoft New England Research AVIATION & Development Center Cambridge, MA Bradley Airport Hartford, CT New York Times New York, NY Logan International Airport Boston, MA LAX - United Terminal Los Angeles, CA McCarron International Airport Terminal 3 Las Vegas, NV CULTURAL Metropolitan Museum of Art ACADEMIC – American Wing New York, NY Columbia School of Nursing New York, NY Perot Museum of Nature and Science Dallas, TX Harvard Business School – Tata Hall Cambridge, MA Museum of Science and Industry Chicago, IL New York University – Langone New York, NY Museum of Westward Expansion St. Louis, MO Yale University Sterling Memorial Library New Haven, CT VA Museum of Fine Arts Richmond, VA HOSPITALITY Aria - MGM Resorts Las Vegas, NV Fontainebleau Resort Las Vegas, NV Grand Hyatt New York New York, NY Knickerbocker Hotel New York, NY Marriott Beverly Hills Hotel Beverly Hills, CA MGM City Center Las Vegas, NV Morimoto Restaurant New York, NY MEDICAL CHI St. -
Complexity in Building Design
Complexity in building design Mahadev Rahman, Princeton University and Columbia University; Board of Directors, Arup Group, USA At the present moment, the complexity of building design seems best exemplified by the super structures towering over modern Dubai. But how did we get from the iconic stone buildings of ancient times to these glass and steel monoliths that stand up to 160 floors high? As the tools available to designers have become ever more sophisticated and the environmental performance standards ever more stringent, there seems to be an inevitable drive toward complexity in the design of buildings. Technological advances have also added additional stages to the construction process and in an industry where time is money; this can produce innumerable challenges for a design team. Yet as we’ll see, the new tools are actually optimizing the efficiency of the design process. 1 Historical Context Of course, historically, the construction of traditional, or vernacular, buildings was not simple either. But typically much of the risk associated with the process could be mitigated by the repetitive nature of these buildings, and the incremental way in which innovations in technology or process were incorporated. At a larger scale, the construction of the pyramids at Giza, the Parthenon, the Coliseum, the Sun Temple at Konark, the cathedral at Chartres, the Taj Mahal would all have been spectacularly complex processes, even by modern standards. However, even with these examples, each building represented the ultimate refinement of an architectural style, technology, and construction process perfected over many generations. Risk was managed by ensuring that the next building would essentially be the same as the last one with only minor innovations in technology and construction methodology (Figure 1). -
TM 3.1 Inventory of Affected Businesses
N E W Y O R K M E T R O P O L I T A N T R A N S P O R T A T I O N C O U N C I L D E M O G R A P H I C A N D S O C I O E C O N O M I C F O R E C A S T I N G POST SEPTEMBER 11TH IMPACTS T E C H N I C A L M E M O R A N D U M NO. 3.1 INVENTORY OF AFFECTED BUSINESSES: THEIR CHARACTERISTICS AND AFTERMATH This study is funded by a matching grant from the Federal Highway Administration, under NYSDOT PIN PT 1949911. PRIME CONSULTANT: URBANOMICS 115 5TH AVENUE 3RD FLOOR NEW YORK, NEW YORK 10003 The preparation of this report was financed in part through funds from the Federal Highway Administration and FTA. This document is disseminated under the sponsorship of the U.S. Department of Transportation in the interest of information exchange. The contents of this report reflect the views of the author who is responsible for the facts and the accuracy of the data presented herein. The contents do no necessarily reflect the official views or policies of the Federal Highway Administration, FTA, nor of the New York Metropolitan Transportation Council. This report does not constitute a standard, specification or regulation. T E C H N I C A L M E M O R A N D U M NO.