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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
The Charismatic Leadership and Cultural Legacy of Stan Lee
REINVENTING THE AMERICAN SUPERHERO: THE CHARISMATIC LEADERSHIP AND CULTURAL LEGACY OF STAN LEE Hazel Homer-Wambeam Junior Individual Documentary Process Paper: 499 Words !1 “A different house of worship A different color skin A piece of land that’s coveted And the drums of war begin.” -Stan Lee, 1970 THESIS As the comic book industry was collapsing during the 1950s and 60s, Stan Lee utilized his charismatic leadership style to reinvent and revive the superhero phenomenon. By leading the industry into the “Marvel Age,” Lee has left a multilayered legacy. Examples of this include raising awareness of social issues, shaping contemporary pop-culture, teaching literacy, giving people hope and self-confidence in the face of adversity, and leaving behind a multibillion dollar industry that employs thousands of people. TOPIC I was inspired to learn about Stan Lee after watching my first Marvel movie last spring. I was never interested in superheroes before this project, but now I have become an expert on the history of Marvel and have a new found love for the genre. Stan Lee’s entire personal collection is archived at the University of Wyoming American Heritage Center in my hometown. It contains 196 boxes of interviews, correspondence, original manuscripts, photos and comics from the 1920s to today. This was an amazing opportunity to obtain primary resources. !2 RESEARCH My most important primary resource was the phone interview I conducted with Stan Lee himself, now 92 years old. It was a rare opportunity that few people have had, and quite an honor! I use clips of Lee’s answers in my documentary. -
Oktober 1968 CM # 005 (20 Seiten) Autor: Arnold Drake, Zeichner: Don Heck, Inker: John Tartaglione Hit Comics Nr. 203 , 1970 Rä
CAPTAIN MARVEL Checkliste (klassische Deutsche Ausgaben 1967-1977) Marvel Super-Heroes (Vol. 1) # 12-13 Oktober 1968 (Dezember 1967 - März 1968) CM # 005“The Mark Of The Metazoid!” (20 Seiten) Captain Marvel (Vol. 1) # 1-14 Autor: Arnold Drake, Zeichner: Don Heck, (Mai 1968 - Juli 1969) Inker: John Tartaglione Hit Comics Nr. 203 Dezember 1967 „Der Angriff des Metazoids“, 1970 MSH # 12“The Coming Of Captain Marvel!” (15 Seiten) Autor: Stan Lee, Zeichner: Gene Colan, Inker: Frank Giacoia Rächer Nr. 12-15„Das Los des Metazoiden!“ , (keine deutsche Veröffentlichung) Dezember 1974-März 1975 Übersetzung: Hartmut Huff, März 1968 Lettering: C. Raschke/U. Mordek/ MSH # 13“Where Stalks The Sentry!” (20 Seiten) M. Gerson/U. Mordek Autor: Roy Thomas, Zeichner: Gene Colan, Inker: Paul Reinman November 1968 (keine deutsche Veröffentlichung) CM # 006“In The Path Of Solam!” (20 Seiten) Autor: Arnold Drake, Zeichner: Don Heck, Mai 1968 Inker: John Tartaglione CM # 001“Out Of The Holocaust - - A Hero!” (21 Seiten) Hit Comics Nr. 203 Autor: Roy Thomas, Zeichner: Gene Colan, „Die Macht des Solams“, 1970 Inker: Vince Colletta Hit Comics Nr. 121 Rächer Nr. 16-18„Auf Solams Spur!“ , „Ein Sieger ohnegleichen“, 1969 April-Juni 1975 Übersetzung: Hartmut Huff, Rächer Nr. 1-3„Der Kampf der Titanen!“ , Lettering: Marlies Gerson, Januar-März 1974 Ursula Mordek (Rächer 16) Lettering: Ursula Mordek (nur Seite 1-7) (Originalseite 15 fehlt) Juli 1968 CM # 002 “From The Void Of Space Comes-- The Super Skrull!” (20 Seiten) Autor: Roy Thomas, Zeichner: Gene Colan, Inker: Vince Colletta Hit Comics Nr. 121 „Der Angriff des Super-Skrull“, 1969 Rächer Nr. -
Released 3Rd May 2019 BOOM!
Released 3rd May 2019 BOOM! STUDIOS MAY191228 BUFFY THE VAMPIRE SLAYER #6 CVR A MAIN ASPINALL MAY191229 BUFFY THE VAMPIRE SLAYER #6 CVR B MAIN WADA MAY191230 BUFFY THE VAMPIRE SLAYER #6 CVR C MAIN SHARPE MAY191231 BUFFY THE VAMPIRE SLAYER #6 CVR D PREORDER CAREY VAR APR198613 BUFFY THE VAMPIRE SLAYER #6 FOC MERCADO SLAYER VAR APR198614 BUFFY THE VAMPIRE SLAYER #6 FOC MERCADO VAMP VAR APR198528 CODA TP VOL 01 (NEW PTG) MAY191253 GIANT DAYS #52 MAR191279 GO GO POWER RANGERS TP VOL 04 MAR191294 JIM HENSONS TALE OF SAND GN MAR191312 OVER GARDEN WALL HOLLOW TOWN TP MAY191255 ROCKOS MODERN AFTERLIFE #4 CVR A MAIN MCGINTY MAY191256 ROCKOS MODERN AFTERLIFE #4 CVR B PREORDER MCCORMICK VAR MAR191304 SMOOTH CRIMINALS TP VOL 01 DARK HORSE COMICS MAR190322 BEANWORLD OMNIBUS TP VOL 02 MAR190297 BLACK HAMMER AGE OF DOOM #11 CVR A ORMSTON MAR190298 BLACK HAMMER AGE OF DOOM #11 CVR B RIVERA MAR190349 CRIMSON LOTUS TP MAR190280 HELLBOY HC 25 YEARS OF COVERS MAR190303 MASSIVE OMNIBUS TP VOL 01 MAY190237 NO ONE LEFT TO FIGHT #1 (OF 5) MAY190208 WORLD OF BLACK HAMMER ENCYCLOPEDIA ONE-SHOT DC COMICS MAY190375 ADVENTURES OF THE SUPER SONS #12 (OF 12) APR190442 BATGIRL #36 APR190443 BATGIRL #36 VAR ED DEC180679 BATMAN BLACK & WHITE STATUE BY KENNETH ROCAFORT APR190531 BATMAN DELUXE ED COLL HC BOOK 04 MAY190390 BATMAN TEENAGE MUTANT NINJA TURTLES III #3 (OF 6) MAY190391 BATMAN TEENAGE MUTANT NINJA TURTLES III #3 (OF 6) VAR ED DEC180683 DC GALLERY ARKHAM ASYLUM BATMAN COWL (AUG188732) APR198793 DCEASED #1 (OF 6) 2ND PTG MAY190397 DCEASED #3 (OF 6) MAY190399 DCEASED -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Oi Duck-Billed Platypus! This July! Text © Kes Gray, 2018
JULY 2019 EDITION Featuring buyer’s recommends and new titles in books, DVD & Blu-ray Cats sit on gnats, dogs sit on logs, and duck-billed platypuses sit on …? Find out in the hilarious Oi Duck-billed Platypus! this July! Text © Kes Gray, 2018. Illustrations © Jim Field, 2018. Gray, © Kes Text NEW for 2019 Oi Duck-billed Platypus! 9781444937336 PB | £6.99 Platypus Sales Brochure Cover v5.indd 1 19/03/2019 09:31 P. 11 Adult Titles P. 133 Children’s Titles P. 180 Entertainment Releases THIS PUBLICATION IS ALSO AVAILABLE DIGITALLY VIA OUR WEBSITE AT WWW.GARDNERS.COM “You need to read this book, Smarty’s a legend” Arthur Smith A Hitch in Time Andy Smart Andy Smart’s early adventures are a series of jaw-dropping ISBN: 978-0-7495-8189-3 feats and bizarre situations from RRP: £9.99 which, amazingly, he emerged Format: PB Pub date: 25 July 2019 unscathed. WELCOME JULY 2019 3 FRONT COVER Oi Duck-billed Platypus! by Kes Gray Age 1 to 5. A brilliantly funny, rhyming read-aloud picture book - jam-packed with animals and silliness, from the bestselling, multi-award-winning creators of ‘Oi Frog!’ Oi! Where are duck-billed platypuses meant to sit? And kookaburras and hippopotamuses and all the other animals with impossible-to-rhyme- with names... Over to you Frog! The laughter never ends with Oi Frog and Friends. Illustrated by Jim Field. 9781444937336 | Hachette Children’s | PB | £6.99 GARDNERS PUBLICATIONS ALSO INSIDE PAGE 4 Buyer’s Recommends PAGE 8 Recall List PAGE 11 Gardners Independent Booksellers Affiliate July Adult’s Key New Titles Programme publication includes a monthly selection of titles chosen specifically for PAGE 115 independent booksellers by our affiliate July Adult’s New Titles publishers. -
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JACK KIRBY COLLECTOR THIRTY-NINE $9 95 IN THE US . c n I , s r e t c a r a h C l e v r a M 3 0 0 2 © & M T t l o B k c a l B FAN FAVORITES! THE NEW COPYRIGHTS: Angry Charlie, Batman, Ben Boxer, Big Barda, Darkseid, Dr. Fate, Green Lantern, RETROSPECTIVE . .68 Guardian, Joker, Justice League of America, Kalibak, Kamandi, Lightray, Losers, Manhunter, (the real Silver Surfer—Jack’s, that is) New Gods, Newsboy Legion, OMAC, Orion, Super Powers, Superman, True Divorce, Wonder Woman COLLECTOR COMMENTS . .78 TM & ©2003 DC Comics • 2001 characters, (some very artful letters on #37-38) Ardina, Blastaar, Bucky, Captain America, Dr. Doom, Fantastic Four (Mr. Fantastic, Human #39, FALL 2003 Collector PARTING SHOT . .80 Torch, Thing, Invisible Girl), Frightful Four (Medusa, Wizard, Sandman, Trapster), Galactus, (we’ve got a Thing for you) Gargoyle, hercules, Hulk, Ikaris, Inhumans (Black OPENING SHOT . .2 KIRBY OBSCURA . .21 Bolt, Crystal, Lockjaw, Gorgon, Medusa, Karnak, C Front cover inks: MIKE ALLRED (where the editor lists his favorite things) (Barry Forshaw has more rare Kirby stuff) Triton, Maximus), Iron Man, Leader, Loki, Machine Front cover colors: LAURA ALLRED Man, Nick Fury, Rawhide Kid, Rick Jones, o Sentinels, Sgt. Fury, Shalla Bal, Silver Surfer, Sub- UNDER THE COVERS . .3 GALLERY (GUEST EDITED!) . .22 Back cover inks: P. CRAIG RUSSELL Mariner, Thor, Two-Gun Kid, Tyrannus, Watcher, (Jerry Boyd asks nearly everyone what (congrats Chris Beneke!) Back cover colors: TOM ZIUKO Wyatt Wingfoot, X-Men (Angel, Cyclops, Beast, n their fave Kirby cover is) Iceman, Marvel Girl) TM & ©2003 Marvel Photocopies of Jack’s uninked pencils from Characters, Inc. -
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JACK KIRBY COLLECTOR FORTY-TWO $9 95 IN THE US Guardian, Newsboy Legion TM & ©2005 DC Comics. Contents THE NEW OPENING SHOT . .2 (take a trip down Lois Lane) UNDER THE COVERS . .4 (we cover our covers’ creation) JACK F.A.Q. s . .6 (Mark Evanier spills the beans on ISSUE #42, SPRING 2005 Jack’s favorite food and more) Collector INNERVIEW . .12 Jack created a pair of custom pencil drawings of the Guardian and Newsboy Legion for the endpapers (Kirby teaches us to speak the language of the ’70s) of his personal bound volume of Star-Spangled Comics #7-15. We combined the two pieces to create this drawing for our MISSING LINKS . .19 front cover, which Kevin Nowlan inked. Delete the (where’d the Guardian go?) Newsboys’ heads (taken from the second drawing) to RETROSPECTIVE . .20 see what Jack’s original drawing looked like. (with friends like Jimmy Olsen...) Characters TM & ©2005 DC Comics. QUIPS ’N’ Q&A’S . .22 (Radioactive Man goes Bongo in the Fourth World) INCIDENTAL ICONOGRAPHY . .25 (creating the Silver Surfer & Galactus? All in a day’s work) ANALYSIS . .26 (linking Jimmy Olsen, Spirit World, and Neal Adams) VIEW FROM THE WHIZ WAGON . .31 (visit the FF movie set, where Kirby abounds; but will he get credited?) KIRBY AS A GENRE . .34 (Adam McGovern goes Italian) HEADLINERS . .36 (the ultimate look at the Newsboy Legion’s appearances) KIRBY OBSCURA . .48 (’50s and ’60s Kirby uncovered) GALLERY 1 . .50 (we tell tales of the DNA Project in pencil form) PUBLIC DOMAIN THEATRE . .60 (a new regular feature, present - ing complete Kirby stories that won’t get us sued) KIRBY AS A GENRE: EXTRA! . -
MAR17 World.Com PREVIEWS
#342 | MAR17 PREVIEWS world.com ORDERS DUE MAR 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM CUSTOMER 601 7 Mar17 Cover ROF and COF.indd 1 2/9/2017 1:36:31 PM Mar17 C2 DH - Buffy.indd 1 2/8/2017 4:27:55 PM REGRESSION #1 PREDATOR: IMAGE COMICS HUNTERS #1 DARK HORSE COMICS BUG! THE ADVENTURES OF FORAGER #1 DC ENTERTAINMENT/ YOUNG ANIMAL JOE GOLEM: YOUNGBLOOD #1 OCCULT DETECTIVE— IMAGE COMICS THE OUTER DARK #1 DARK HORSE IDW’S FUNKO UNIVERSE MONTH EVENT IDW ENTERTAINMENT ALL-NEW GUARDIANS TITANS #11 OF THE GALAXY #1 DC ENTERTAINMENT MARVEL COMICS Mar17 Gem Page ROF COF.indd 1 2/9/2017 9:13:17 AM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Hero Cats: Midnight Over Steller City Volume 2 #1 G ACTION LAB ENTERTAINMENT Stargate Universe: Back To Destiny #1 G AMERICAN MYTHOLOGY PRODUCTIONS Casper the Friendly Ghost #1 G AMERICAN MYTHOLOGY PRODUCTIONS Providence Act 2 Limited HC G AVATAR PRESS INC Victor LaValle’s Destroyer #1 G BOOM! STUDIOS Misfi t City #1 G BOOM! STUDIOS 1 Swordquest #0 G D. E./DYNAMITE ENTERTAINMENT James Bond: Service Special G D. E./DYNAMITE ENTERTAINMENT Spill Zone Volume 1 HC G :01 FIRST SECOND Catalyst Prime: Noble #1 G LION FORGE The Damned #1 G ONI PRESS INC. 1 Keyser Soze: Scorched Earth #1 G RED 5 COMICS Tekken #1 G TITAN COMICS Little Nightmares #1 G TITAN COMICS Disney Descendants Manga Volume 1 GN G TOKYOPOP Dragon Ball Super Volume 1 GN G VIZ MEDIA LLC BOOKS Line of Beauty: The Art of Wendy Pini HC G ART BOOKS Planet of the Apes: The Original Topps Trading Cards HC G COLLECTING AND COLLECTIBLES -
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Fully $9.95 Authorized THE NEW By The In The US Kirby Estate SPOTLIGHTING KIRBY’S LEAST- KNOWN WORK! In The Days Of The Mob ISSUE #32, JULY 2001 Collector Dingbats of Danger Street Soul Love True Divorce Cases The Black Hole The Prisoner Marvel Westerns The Horde and more! A Long-Lost Kirby Interview Mark Evanier on the Fourth World Kirby Checklist UPDATE Unpublished Art including published pages Before They Were Inked, And Much More!! Contents OPENING SHOT . .2 THE NEW (to those who say “We don’t need no stinkin’ unknown Kirby work”, the editor politely says “Phooey”) UNDER THE COVERS . .4 (the story behind the somewhat Glen Campbell-looking fellow on our covers) JACK F.A.Q. s . .6 (Mark Evanier answers a reader’s ISSUE #32, JULY 2001 Collector Frequently Asked Questions about the Fourth World) ANIMATED GESTURES . .11 (Eric Nolen-Weathington begins his ongoing crusade to make sense of some of the animation art Kirby drew) IN HIS OWN WORDS . .12 (Kirby speaks in this long-lost interview from France—oui!) CREDIT CHECK . .22 (Kirby sets a new record, as we present the long-awaited update to the Kirby Checklist, courtesy of Richard Kolkman) GALLERY . .32 (some of Kirby’s least-known and/or never-seen art gets its day in the sun) KIRBY AS A GENRE . .44 (Adam McGovern takes another swat at those pesky Kirby homages that are swarming around his mailbox) INTERNATIONALITIES . .46 (this issue’s look at Jack’s international influence finds Jean-Marie Arnon owes the King a huge debt) TRIVIA . -
1969 Compassion and Care
Justice Holmes • Inflammation • Harry Widener MAY-JUNE 2019 • $4.95 Compassion 1969 and Care Physician-Poet Rafael Campo Reprinted from Harvard Magazine. For more information, contact Harvard Magazine, Inc. at 617-495-5746 May 2019 Dear Reader, In 1898, an association of Harvard graduates established the Harvard Alumni Bulletin, “to give selected and summarized Harvard news to graduates who want it” and “to serve as a medium for publishing promptly all notices and announcements of interest to graduates.” members and students extend the limits of discovery and human understanding—in service to an ever more far- ung, diverse group of alumni around the globe. Today, nearly a century and a quarter later, the name has changed, to Harvard Magazine (as have the look and contents), but the founding Your Harvard Magazine can capture alumni voices (see the letters responding to the March-April principles have not: feature on the events of April 1969, beginning on page 4 of this issue), dive deep into critical research (read the feature on the scientists exploring in ammation, and how their work contributes • e magazine exists to serve the interests of its readers (now including all University to understanding disease, on page 46), and keep you current on the critical issues facing higher alumni, faculty, and sta )—not any other agenda. education on campus and around the world (see John Harvard’s Journal, beginning on page 18). • Readers’ support is the most important underpinning of this commitment to high- Your contribution underwrites the journalism you are reading now, the expanded coverage quality, editorially independent journalism on readers’ behalf. -
Department of Political Science Chair of Gender Politics Wonder Woman
Department of Political Science Chair of Gender Politics Wonder Woman and Captain Marvel as Representation of Women in Media Sara Mecatti Prof. Emiliana De Blasio Matr. 082252 SUPERVISOR CANDIDATE Academic Year 2018/2019 1 Index 1. History of Comic Books and Feminism 1.1 The Golden Age and the First Feminist Wave………………………………………………...…...3 1.2 The Early Feminist Second Wave and the Silver Age of Comic Books…………………………....5 1.3 Late Feminist Second Wave and the Bronze Age of Comic Books….……………………………. 9 1.4 The Third and Fourth Feminist Waves and the Modern Age of Comic Books…………...………11 2. Analysis of the Changes in Women’s Representation throughout the Ages of Comic Books…..........................................................................................................................................................15 2.1. Main Measures of Women’s Representation in Media………………………………………….15 2.2. Changing Gender Roles in Marvel Comic Books and Society from the Silver Age to the Modern Age……………………………………………………………………………………………………17 2.3. Letter Columns in DC Comics as a Measure of Female Representation………………………..23 2.3.1 DC Comics Letter Columns from 1960 to 1969………………………………………...26 2.3.2. Letter Columns from 1979 to 1979 ……………………………………………………27 2.3.3. Letter Columns from 1980 to 1989…………………………………………………….28 2.3.4. Letter Columns from 19090 to 1999…………………………………………………...29 2.4 Final Data Regarding Levels of Gender Equality in Comic Books………………………………31 3. Analyzing and Comparing Wonder Woman (2017) and Captain Marvel (2019) in a Framework of Media Representation of Female Superheroes…………………………………….33 3.1 Introduction…………………………….…………………………………………………………33 3.2. Wonder Woman…………………………………………………………………………………..34 3.2.1. Movie Summary………………………………………………………………………...34 3.2.2.Analysis of the Movie Based on the Seven Categories by Katherine J.