1 Update Report on the Winning Years Prepared for the Scottish
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Night Walking: Darkness and the Sensory Perception of Landscape
Edinburgh Research Explorer Night walking: darkness and sensory perception in a night-time landscape installation Citation for published version: Morris, NJ 2011, 'Night walking: darkness and sensory perception in a night-time landscape installation', Cultural Geographies, vol. 18, no. 3, pp. 315-342. https://doi.org/10.1177/1474474011410277 Digital Object Identifier (DOI): 10.1177/1474474011410277 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Cultural Geographies Publisher Rights Statement: Published in Cultural Geographies by SAGE Publications. Author retains copyright (2011) General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 30. Sep. 2021 Night Walking: darkness and sensory perception in a night-time landscape installation Dr Nina J Morris School of GeoSciences University of Edinburgh Drummond Street Edinburgh, UK EH8 9XP [email protected] This is the author’s final draft as submitted for publication. The final version was published in Cultural Geographies by SAGE Publications, UK. Author retains copyright (2011) Cite As: Morris, NJ 2011, 'Night walking: darkness and sensory perception in a night- time landscape installation' Cultural Geographies, vol 18, no. -
Fact Or Fiction?
Hugvísindasvið Fact or Fiction? An Examination of Historical Accuracy in John Buchan’s A Lost Lady of Old Years and an Assessment of Buchan’s Influences Ritgerð til B.A.-prófs Kristjana Hrönn Árnadóttir May 2012 University of Iceland School of Humanities Department of English Fact or Fiction? An Examination of Historical Accuracy in John Buchan’s A Lost Lady of Old Years and an Assessment of Buchan’s Influences Ritgerð til B.A.-prófs Kristjana Hrönn Árnadóttir Kt.: 09.02.87-2499 Supervisor: Ingibjörg Ágústsdóttir May 2012 Abstract This essay is an examination of the Scottish writer John Buchan (1875-1941) and his historical novel A Lost Lady of Old Years which was published in 1899. The thesis has two main purposes; the first is to examine the historicity of the novel and how Buchan makes use of historical events while creating his characters and storyline. The second objective of the dissertation is to examine Buchan’s goals and inspirations while writing the novel, where his influences come from and why he wrote the book, his aims of education and of entertainment. It will assess the effect writers like Robert Louis Stevenson and Sir Walter Scott had on Buchan’s writing and then considers how Buchan’s upbringing and personal opinions appear in the novel. Part I: Introduction .......................................................................................................... 1 Part II: Background ......................................................................................................... 1 2.1 John Buchan .................................................................................................... -
Deliberative Audience Research for the Public Interest Test Into the Proposed Introduction of a New BBC Scotland TV Channel
Deliberative audience research for the Public Interest Test into the proposed introduction of a new BBC Scotland TV channel Report of findings from PAPA July 2017 Objectives, Sample & Methodology 2 Context & Objectives 1. The BBC has announced plans to launch a new channel in Scotland - running 7pm – midnight everyday 2. As part of the new regulatory structure of the BBC, this launch is subject to a Public Interest Test (PIT), overseen by the BBC Executive Board, and an Ofcom Competition Assessment 3. To meet the criteria set out in the PIT, the BBC Board must be satisfied that the new initiative supports the BBC’s restated mission; that it promotes its public purposes; that the BBC has taken reasonable steps to ensure that the change has no impact on fair and effective competition; and that the public value of the initiative justifies any impact on the competition 4. To measure the public value of the initiative a process is necessary which includes a measurement of the potential personal and citizen value which audiences in Scotland could gain from the launch of the new initiative 5. In late May 2017, PAPA conducted a deliberative qualitative study to provide indicative measures and insights of how the audience may value the proposal 6. A sample of the Scottish public, reflective of adults in Scotland, was presented with the proposal in order to: - Understand and explore the personal value they evaluate in the proposal - Understand and explore the citizen value they evaluate in the proposal - Identify other insights into competition, fulfilment of the Public Purposes or wider impacts the proposal might have on the BBC and the broader broadcasting environment 3 Overview of Methodology • A deliberative approach was used for this research in order to uncover the informed, considered views of a wide range of members of the public. -
Dalziel + Scullion – CV
Curriculum Vitae Dalziel + Scullion Studio Dundee, Scotland + 44 (0) 1382 774630 www.dalzielscullion.com Matthew Dalziel [email protected] 1957 Born in Irvine, Scotland Education 1981-85 BA(HONS) Fine Art Duncan of Jordanstone College of Art and Design, Dundee 1985-87 HND in Documentary Photography, Gwent College of Higher Education, Newport, Wales 1987-88 Postgraduate Diploma in Sculpture and Fine Art Photography, Glasgow School of Art Louise Scullion [email protected] 1966 Born in Helensburgh, Scotland Education 1984-88 BA (1st CLASS HONS) Environmental Art, Glasgow School of Art Solo Exhibitions + Projects 2016 TUMADH is TURAS, for Scot:Lands, part of Edinburgh’s Hogmanay Festival, Venue St Pauls Church Edinburgh. A live performance of Dalziel + Scullion’s multi-media art installation, Tumadh is Turas: Immersion & Journey, in a "hauntingly atmospheric" venue with a live soundtrack from Aidan O’Rourke, Graeme Stephen and John Blease. 2015 Rain, Permanent building / pavilion with sound installation. Kaust, Thuwai Saudia Arabia. Nomadic Boulders, Permanent large scale sculptural work. John O’Groats Scotland, UK. The Voice of Nature,Video / film works. Robert Burns Birthplace Museum. Alloway, Ayr, Scotland, UK. 2014 Immersion, Solo Festival exhibition, Dovecot Studios, Edinburgh as part of Generation, 25 Years of Scottish Art Tumadh, Solo exhibition, An Lanntair Gallery, Stornoway, Outer Hebrides, as part of Generation, 25 Years of Scottish Art Rosnes Bench, permanent artwork for Dumfries & Galloway Forest 2013 Imprint, permanent artwork for Warwick University Allotments, permanent works commissioned by Vale Of Leven Health Centre 2012 Wolf, solo exhibition at Timespan Helmsdale 2011 Gold Leaf, permanent large-scale sculpture. Pooley Country Park, Warwickshire. -
BBC WEEK 39, 22 - 28 September 2012 Programme Information, Television & Radio BBC Scotland Press Office Bbc.Co.Uk/Mediacentre Bbc.Co.Uk/Iplayer
BBC WEEK 39, 22 - 28 September 2012 Programme Information, Television & Radio BBC Scotland Press Office bbc.co.uk/mediacentre bbc.co.uk/iplayer THIS WEEK’S HIGHLIGHTS TELEVISION & RADIO / BBC WEEK 39 _____________________________________________________________________________________________________ SUNDAY 23 SEPTEMBER Happy Birthday River City NEW BBC One Scotland MONDAY 24 SEPTEMBER Gary: Tank Commander NEW BBC One Scotland Seeking Someone Special NEW BBC Two Scotland A History of Scottish Nationalism, Prog 1/5 NEW BBC Radio Scotland TUESDAY 25 SEPTEMBER Sibling Stories, Prog 5/5 LAST IN SERIES BBC Radio Scotland WEDNESDAY 26 SEPTEMBER Sportscene: Rangers v Motherwell NEW BBC One Scotland FRIDAY 28 SEPTEMBER Landward NEW BBC Two Scotland SUNDAY 23 SEPTEMBER TELEVISION & RADIO HIGHLIGHTS / BBC WEEK 39 _____________________________________________________________________________________________________ Happy Birthday River City NEW Sunday 23 September BBC One Scotland, 6.25 – 7.25pm bbc.co.uk/rivercity River City is celebrating 10 years on BBC Scotland this week and to mark the occasion documentary Happy Birthday River City looks back on over a decade of gripping storylines in Shieldinch. Narrated and produced by Tony Kearney, who once walked Montego Street as Scott, Tony speaks to former and current cast from the drama, along with some famous fans from the world of showbiz and politics. The documentary also looks at the major storylines that have drawn in audiences, including Archie’s murder and subsequent reappearance, baby -
The Construction of the Scottish Military Identity
RUINOUS PRIDE: THE CONSTRUCTION OF THE SCOTTISH MILITARY IDENTITY, 1745-1918 Calum Lister Matheson, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2011 APPROVED: Geoffrey Wawro, Major Professor Guy Chet, Committee Member Michael Leggiere, Committee Member Richard McCaslin, Chair of the Department of History James D. Meernik, Acting Dean of the Toulouse Graduate School Matheson, Calum Lister. Ruinous pride: The construction of the Scottish military identity, 1745-1918. Master of Arts (History), August 2011, 120 pp., bibliography, 138 titles. Following the failed Jacobite Rebellion of 1745-46 many Highlanders fought for the British Army in the Seven Years War and American Revolutionary War. Although these soldiers were primarily motivated by economic considerations, their experiences were romanticized after Waterloo and helped to create a new, unified Scottish martial identity. This militaristic narrative, reinforced throughout the nineteenth century, explains why Scots fought and died in disproportionately large numbers during the First World War. Copyright 2011 by Calum Lister Matheson ii TABLE OF CONTENTS Page CHAPTER I: THE HIGHLAND WARRIOR MYTH ........................................................... 1 CHAPTER II: EIGHTEENTH CENTURY: THE BUTCHER‘S BILL ................................ 10 CHAPTER III: NINETEENTH CENTURY: THE THIN RED STREAK ............................ 44 CHAPTER IV: FIRST WORLD WAR: CULLODEN ON THE SOMME .......................... 68 CHAPTER V: THE GREAT WAR AND SCOTTISH MEMORY ................................... 102 BIBLIOGRAPHY ......................................................................................................... 112 iii CHAPTER I THE HIGHLAND WARRIOR MYTH Looking back over nearly a century, it is tempting to see the First World War as Britain‘s Armageddon. The tranquil peace of the Edwardian age was shattered as armies all over Europe marched into years of hellish destruction. -
Bonnie Prince Charlie and the Jacobites Teacher & Adult Helper
Bonnie Prince Charlie and the Jacobites Teacher & Adult Helper Notes Contents 1 Visiting the Exhibition 2 The Exhibition 3 Answers to the Trail Page 1 – Family Tree Page 2 – 1689 (James VII and II) Page 3 – 1708 (James VIII and III) Page 4 – 1745 (Bonnie Prince Charlie) 4 After your visit 5 Additional Resources National Museums Scotland Scottish Charity, No. SC011130 illustrations © Jenny Proudfoot www.jennyproudfoot.co.uk Bonnie Prince Charlie and the Jacobites Teacher & Adult Helper Notes 1 Introduction Explore the real story of Prince Charles Edward Stuart, better known as Bonnie Prince Charlie, and the rise and fall of the Jacobites. Step into the world of the Royal House of Stuart, one dynasty divided into two courts by religion, politics and war, each fighting for the throne of thethree kingdoms of Scotland, England and Ireland. Discover how four Jacobite kings became pawns in a much wider European political game. And follow the Jacobites’ fight to regain their lost kingdoms through five challenges to the throne, the last ending in crushing defeat at the Battle of Culloden and Bonnie Prince Charlie’s escape to the Isle of Skye and onwards to Europe. The schools trail will help your class explore the exhibition and the Jacobite story through three key players: James VII and II, James VIII and III and Bonnie Prince Charlie. 1. Visiting the Exhibition (Please share this information with your adult helpers) Page Character Year Exhibition sections Important information 1 N/A N/A The Stuart Dynasty and the Union of the Crowns • Food and drink is not permitted 2 James VII 1688 Dynasty restored, Dynasty • Photography is not allowed and II divided, A court in exile • When completing the trail, ensure pupils use a pencil 3 James VIII 1708- The challenges of James VIII and III 1715 and III, All roads lead to Rome • You will enter and exit via different doors. -
Discovering Outlander
Discovering Outlander Follow in the footsteps of Claire and Jamie www.nts.org.uk/traveltrade ©2015 Sony Pictures Television Inc. All Rights Reserved. Pictures Television ©2015 Sony Discovering Outlander Follow in the footsteps of Claire and Jamie ©2015 Sony Pictures Television Inc. All Rights Reserved. Pictures Television ©2015 Sony Adapted from Diana Gabaldon’s internationally best-selling novels, the first season of the Outlander TV series has become a global phenomenon. The series follows the story of Claire Randall, a combat nurse during World War II. On a visit to Inverness with her husband Frank after the war ends, she is mysteriously swept back in time to 1743. Here she is obliged to marry Jamie Fraser, a chivalrous and romantic young Scottish warrior. This marriage ignites a passionate relationship, and Claire is torn between two vastly different men and two irreconcilable lives. Follow in the time-travelling footsteps of the lead characters and visit the locations that inspired the novels and were used in the filming of this historical romance. Discover the beauty, myths and legends of the National Trust for Scotland’s collection of award-winning heritage attractions. Outlander joins a long list of international blockbusters filmed at our heritage attractions including Skyfall, Captain America: The First Avenger, The Dark Knight Rises, The Queen and The 39 Steps. ©2015 Sony Pictures Television Inc. All Rights Reserved. ©2015 Sony Pictures Television Inc. All Rights Reserved. ©2015 Sony Pictures Television Inc. All Rights Reserved. -
The Ethnography of On-Site Interpretation and Commemoration
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2013 The Ethnography of On-Site Interpretation and Commemoration Practices: Place-Based Cultural Heritages at the Bear Paw, Big Hole, Little Bighorn, and Rosebud Battlefields Helen Alexandra Keremedjiev The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Keremedjiev, Helen Alexandra, "The Ethnography of On-Site Interpretation and Commemoration Practices: Place-Based Cultural Heritages at the Bear Paw, Big Hole, Little Bighorn, and Rosebud Battlefields" (2013). Graduate Student Theses, Dissertations, & Professional Papers. 1009. https://scholarworks.umt.edu/etd/1009 This Dissertation is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE ETHNOGRAPHY OF ON-SITE INTERPRETATION AND COMMEMORATION PRACTICES: PLACE-BASED CULTURAL HERITAGES AT THE BEAR PAW, BIG HOLE, LITTLE BIGHORN, AND ROSEBUD BATTLEFIELDS By HELEN ALEXANDRA KEREMEDJIEV Master of Arts, The University of Montana, Missoula, Montana, 2007 Bachelor of Arts, Smith College, Northampton, Massachusetts, 2004 Dissertation presented in partial fulfillment -
Bbc Weeks 51 & 52 19
BBC WEEKS 51 & 52 19 - 25 December 2015 & 26 December 2015 – 1 January 2016 Programme Information, Television & Radio BBC Scotland Press Office BBC Media Centre Scotland BBC iPlayer Scotland BBC Scotland twitter.com/BBCScotPR General / Carol Knight Hilda McLean Jim Gough Julie Whiteside Laura Davidson Karen Higgins BBC Alba Dianne Ross THIS WEEK’S HIGHLIGHTS TELEVISION & RADIO / BBC WEEK 51 _____________________________________________________________________________________________________ SATURDAY 19 DECEMBER Not Another Happy Ending NEW BBC Two Scotland MONDAY 21 DECEMBER In Search of Gregor Fisher NEW BBC One Scotland TUESDAY 22 DECEMBER River City TV HIGHLIGHT BBC One Scotland The Scots in Russia, Ep 1/3 NEW BBC Radio Scotland WEDNESDAY 23 DECEMBER The Big Yin, Ep 1/3 NEW BBC Radio Scotland Bothy Life - Bothan nam Beann NEW BBC Alba THURSDAY 24 DECEMBER – CHRISTMAS EVE Christmas Celebration NEW BBC One Scotland Nollaig Chridheil às a' Ghearasdan NEW BBC Alba The Christmas Kitchen NEW BBC Radio Scotland Watchnight Service NEW BBC Radio Scotland FRIDAY 25 DECEMBER – CHRISTMAS DAY Clann Pheter Roraidh NEW BBC Alba Christmas Morning with Cathy Macdonald and Ricky Ross NEW BBC Radio Scotland Get It On…at Christmas NEW BBC Radio Scotland A Lulu of a Kid NEW BBC Radio Scotland The Barrowlands NEW BBC Radio Scotland SATURDAY 26 DECEMBER – BOXING DAY Proms In The Park Highlights NEW BBC Two Scotland MONDAY 28 DECEMBER The Adventure Show NEW BBC Two Scotland Two Doors Down TV HIGHLIGHT BBC Two Trusadh - Calum's Music/Ceòl Chaluim -
No Longer and Not Yet
1 Title: No Longer and Not Yet Author: Edward Hollis Architecture_media_politics_society. vol. 3, no.2. September 2013 Photograph: Edward Hollis The forest of Kilmahew, around twenty miles west of Glasgow, conceals an architectural cautionary tale. In the 1960’s, the landscape was radically transformed by a building. St Peter’s seminary was built to house around a hundred catholic novices. Its plan and section, the work of the architects Gillespie Kidd and Coia, were a rigorous statement of the modernist maxim that form follows function. But within a ARCHITECTURE_MEDIA_POLITICS_SOCIETY Vol. 3, no.2. July 2013 1 2 decade, there were not enough priests to fill it; and St Peter’s became a form without a function. That was 1987, and since then it has resisted numerous attempts to provide it with a new one: designed as closely as it was to a specific programme, the building remains empty, and derelict. It is no longer what it used to be, and not yet what it can be. The caution is simple: design a building programmatically, and you’ll end up with a ruin. This author has been involved since the Venice Biennale of 2010 with a new proposal for St Peter’s led by the Glasgow arts collective NVA (Nacionale Vitae Activa). We have no images of what it will look like, or when it will be ready. St Peter’s isn’t going to be restored any time soon. Instead, we propose to leave the building perpetually incomplete – both ruin and building site. It’s a model of what all buildings should be: they are, in environmental terms, expensive. -
Annual Report 2010
Annual Report 2010 Table of Contents 1 Chair’s Foreword 2 2 Fèis Facts 4 3 Key Services and Activities 5 4 Board of Directors 14 5 Staffing Report 15 6 Fèis Membership and Activities 17 7 Financial Statement 2009-10 28 Fèisean nan Gàidheal is a company limited by guarantee, registration number SC130071, registered with OSCR as a Scottish Charity, number SC002040, and gratefully acknowledges the support of its main funders Scottish Arts Council | The Highland Council | Bòrd na Gàidhlig | Highlands & Islands Enterprise Comhairle nan Eilean Siar | Argyll & Bute Council 1 Chair’s Foreword I am delighted to commend to you this year’s Annual Report From Fèisean nan Gàidheal. 2009-10 has been a challenging, and busy, year For the organisation with many highlights, notably the success oF the Fèisean themselves. In difficult economic times, Fèisean nan Gàidheal’s focus will remain on ensuring that support for the Fèisean remains at the heart of this organisation’s efforts. Gaelic drama also continued to flourish with drama Fèisean in schools, Meanbh-Chuileag’s perFormance tour of Gaelic schools and a successFul Gaelic Drama Summer School. In addition work was begun on radio drama in the Iomairtean Gàidhlig areas, continuing to make a valuable contribution to increasing the use oF Gaelic among young people. Fèisean nan Gàidheal continued to develop its use oF Gaelic language with Gaelic training to stafF, volunteers and tutors. Our service provides support to Fèisean to ensure that they produce printed and web materials bilingually, and seeks to help Fèisean ensure a greater Gaelic content in their activities.