KRITI ka KULTURA NEW SCHOLARS FORUM ABOARD THE GIANT CLAM: RAMON MUZONES’S MARITIME HISTORICIZATION OF THE NATION Winton Lou G. Ynion Asia Research Institute, National University of Singapore
[email protected] Abstract Philippine literature scholarship is currently interested in decentering the discourse of nation-building from the capital to the periphery, but least often is attention given to the very geography that makes these communities marginalized. Habitually, multiculturalism and multilingualism have been convenient explanations for why it is difficult for the Philippines to come up with a “national literature” and a paradigm for imagining a nation. This essay centers on this neglected aspect, casting a novel written by a marginalized author in a vernacular language – the Margosatubig (1946) by Ramon Muzones. Three prime objectives guided the navigation of this paper: (1) to posit Ramon Muzones in “national” literary and cultural research; (2) to appraise the maritime characteristic of the novel in evoking historical and ethnic affinities, mythic discoveries and heroic greatness, and individual and national psyche; and, (3) to present “archipelagic imagination” as a geopolitical shape for homeland-imaging. Keywords archipelagic communities, Hiligaynon literature, maritime folklore, maritime historiography About the Author Winton Lou G. Ynion is a PhD candidate in Philippine Literature at the University of the Philippines–Diliman. He has traveled around Asia to deliver lectures on culture and tourism, children’s literature and nationalism, and the novel and nation. He has won top prizes from prestigious literary awards for his fiction, poetry, essays, and criticism. Currently, he is a graduate research fellow at the Asia Research Institute of the National University of Singapore.