Normal College News, December, 1901 Eastern Michigan University
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Founding a Family of Fiddles
The four members of the violin family have changed very little In hundreds of years. Recently, a group of musi- cians and scientists have constructed a "new" string family. 16 Founding a Family of Fiddles Carleen M. Hutchins An article from Physics Today, 1967. New measmement techniques combined with recent acoustics research enable us to make vioUn-type instruments in all frequency ranges with the properties built into the vioHn itself by the masters of three centuries ago. Thus for the first time we have a whole family of instruments made according to a consistent acoustical theory. Beyond a doubt they are musically successful by Carleen Maley Hutchins For three or folti centuries string stacles have stood in the way of practi- quartets as well as orchestras both cal accomplishment. That we can large and small, ha\e used violins, now routinely make fine violins in a violas, cellos and contrabasses of clas- variety of frequency ranges is the re- sical design. These wooden instru- siJt of a fortuitous combination: ments were brought to near perfec- violin acoustics research—showing a tion by violin makers of the 17th and resurgence after a lapse of 100 years— 18th centuries. Only recendy, though, and the new testing equipment capa- has testing equipment been good ble of responding to the sensitivities of enough to find out just how they work, wooden instruments. and only recently have scientific meth- As is shown in figure 1, oiu new in- ods of manufactiu-e been good enough struments are tuned in alternate inter- to produce consistently instruments vals of a musical fourth and fifth over with the qualities one wants to design the range of the piano keyboard. -
NJDARM: Collection Guide
NJDARM: Collection Guide - NEW JERSEY STATE ARCHIVES COLLECTION GUIDE Record Group: Governor Franklin Murphy (1846-1920; served 1902-1905) Series: Correspondence, 1902-1905 Accession #: 1989.009, Unknown Series #: S3400001 Guide Date: 1987 (JK) Volume: 6 c.f. [12 boxes] Box 1 | Box 2 | Box 3 | Box 4 | Box 5 | Box 6 | Box 7 | Box 8 | Box 9 | Box 10 | Box 11 | Box 12 Contents Explanatory Note: All correspondence is either to or from the Governor's office unless otherwise stated. Box 1 1. Elections, 1901-1903. 2. Primary election reform, 1902-1903. 3. Requests for interviews, 1902-1904 (2 files). 4. Taxation, 1902-1904. 5. Miscellaneous bills before State Legislature and U.S. Congress, 1902 (2 files). 6. Letters of congratulation, 1902. 7. Acknowledgements to letters recommending government appointees, 1902. 8. Fish and game, 1902-1904 (3 files). 9. Tuberculosis Sanatorium Commission, 1902-1904. 10. Invitations to various functions, April - July 1904. 11. Requests for Governor's autograph and photograph, 1902-1904. 12. Princeton Battle Monument, 1902-1904. 13. Forestry, 1901-1905. 14. Estate of Imlay Clark(e), 1902. 15. Correspondence re: railroad passes & telegraph stamps, 1902-1903. 16. Delinquent Corporations, 1901-1905 (2 files). 17. Robert H. McCarter, Attorney General, 1903-1904. 18. New Jersey Reformatories, 1902-1904 (6 files). Box 2 19. Reappointment of Minister Powell to Haiti, 1901-1902. 20. Corporations and charters, 1902-1904. 21. Miscellaneous complaint letters, December 1901-1902. file:///M|/highpoint/webdocs/state/darm/darm2011/guides/guides%20for%20pdf/s3400001.html[5/16/2011 9:33:48 AM] NJDARM: Collection Guide - 22. Joshua E. -
Andrián Pertout
Andrián Pertout Three Microtonal Compositions: The Utilization of Tuning Systems in Modern Composition Volume 1 Submitted in partial fulfilment of the requirements of the degree of Doctor of Philosophy Produced on acid-free paper Faculty of Music The University of Melbourne March, 2007 Abstract Three Microtonal Compositions: The Utilization of Tuning Systems in Modern Composition encompasses the work undertaken by Lou Harrison (widely regarded as one of America’s most influential and original composers) with regards to just intonation, and tuning and scale systems from around the globe – also taking into account the influential work of Alain Daniélou (Introduction to the Study of Musical Scales), Harry Partch (Genesis of a Music), and Ben Johnston (Scalar Order as a Compositional Resource). The essence of the project being to reveal the compositional applications of a selection of Persian, Indonesian, and Japanese musical scales utilized in three very distinct systems: theory versus performance practice and the ‘Scale of Fifths’, or cyclic division of the octave; the equally-tempered division of the octave; and the ‘Scale of Proportions’, or harmonic division of the octave championed by Harrison, among others – outlining their theoretical and aesthetic rationale, as well as their historical foundations. The project begins with the creation of three new microtonal works tailored to address some of the compositional issues of each system, and ending with an articulated exposition; obtained via the investigation of written sources, disclosure -
August 1909) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1909 Volume 27, Number 08 (August 1909) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 27, Number 08 (August 1909)." , (1909). https://digitalcommons.gardner-webb.edu/etude/550 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. AUGUST 1QCQ ETVDE Forau Price 15cents\\ i nVF.BS nf//3>1.50 Per Year lore Presser, Publisher Philadelphia. Pennsylvania THE EDITOR’S COLUMN A PRIMER OF FACTS ABOUT MUSIC 10 OUR READERS Questions and Answers on the Elements THE SCOPE OF “THE ETUDE.” New Publications ot Music By M. G. EVANS s that a Thackeray makes Warrington say to Pen- 1 than a primer; dennis, in describing a great London news¬ _____ _ encyclopaedia. A MONTHLY JOURNAL FOR THE MUSICIAN, THE THREE MONTH SUMMER SUBSCRIP¬ paper: “There she is—the great engine—she Church and Home Four-Hand MisceUany Chronology of Musical History the subject matter being presented not alpha¬ Price, 25 Cent, betically but progressively, beginning with MUSIC STUDENT, AND ALL MUSIC LOVERS. -
Universal Tuning Editor
Universal Tuning Editor Ηπ INSTRUMENTS Aaron Andrew Hunt Ηπ INSTRUMENTS hpi.zentral.zone · Universal Tuning Editor · documentation v11 1.May.2021 Changes from Previous Documentation 5 Current Version, v11 — 1. May 2021 ....................................................................5 Previous Versions ............................................................................................5 Introduction 9 Features List .................................................................................................9 User Interface Basics ......................................................................................11 Maximising the Detail View ..............................................................................12 Maximising the Tuning List ..............................................................................13 Toolbar .......................................................................................................13 Bug Reporting & Feedback ...............................................................................14 Feature Requests ..........................................................................................14 File Handling 15 Preferences ..................................................................................................15 Auto store unsaved projects internally ...............................................................15 Restore external projects at next session ...........................................................15 Prompt to handle each open project -
Annual Report of the Colonies, Gold Coast, 1901
COLONIAL REPORTS—ANNUAL. No. 375. GOLD COAST. REPORT FOR 19 01, » (For Report for 1900, see No. 344.) $xt*tnitb to both $0*10** of parliament bfi (Eommanb of $ie Jtta)e*tg. December, 1902. LONDON: PRINTED FOB HIS MAJESTY'S STATIONERY OFFICE, BY DARLING k SON, LTD., 84-40, BAOOH STBBBT, E. And to be purchased, either directly or through any Bookseller, from EYRE k SPOTTISWOODE, EAST HABDIV» STOUT, FLBBT STRUT, XLO and 32, ABINGDON STREET, WXSTXIHSTKB, S.W.J or OLIVER k BOYD, EDIKBUBOH; or E. PONSONBY, 116, GBAFTOH STBOT, DUBLIH. 1902. [Cd. 788-46] Price %\d. COLONIAL REPORTS, The following, among oilier, reports rotottig t* His y1* Colonial Possesions hare bom lamed, and wmj be from the sources indicated on the title page ANNUAL, No. Colony, Tear. 351 Jamaica ... •»• »•» ••• . »t • •• • •» 1900-1901 352 Cocos Islands ... *•* ».. • •• • •* • •• 1901 353 Southern Nigeria *. • ... • t • ... ... 1900 354 Bermuda ••• ••• • •• • •• »»• 1901 355 Gambia »•• ••• • •• ••• »•• it 356 Falkland Islands ••• ••• i, ••• •** 357 Northern Territories of the Gold Coast • •• • •• »> 358 Malta ••• ... • •• • •• n 359 Gibraltar ••• It* • • * • •• n 360 Straits Settlements ••• ... • •• • •• ti 361 Sierra Leone ••• *!>• ... .. • •• 362 British Honduras ... >•• ... • • • ... »» 363 Turks and Caicos Islands - • ... • • • ti 364 Seychelles ... ».» • •• • •• • • • „ v 365 Bahamas... ... ... »•• ••* • •• • * • 1901-1902 366 Fiji . * • • •• ... *. * • *• 1901 367 Ceylon .«• • » » • •• ... ... 368 Barbados ... • •• • •• • • * ... 1901-1902 369 Hong Kong ••• • •• .. -
In Boxer China: an Experiment with International Justice at Paoting-Fu
ACCOUNTABILITY FOR “CRIMES AGAINST THE LAWS OF HUMANITY” IN BOXER CHINA: AN EXPERIMENT WITH INTERNATIONAL JUSTICE AT PAOTING-FU BENJAMIN E. BROCKMAN-HAWE* * Benjamin E. Brockman-Hawe received his J.D. from Boston University (2008), where he graduated with honors in the concentration of international law, and his L.L.M. from Columbia University (2016). This paper was originally pre- pared for presentation at the European Society of International Law’s Tenth An- niversary Conference at Vienna, September 2014. I would like to thank Lilie Schoenack and Alice Lam for their encouragement, support and assistance in seeing this work brought to completion. I am also grateful to have been assisted by Ruiken Sun and Karl-Heinz Mertins, whose gen- erous, careful and skillful translations of Chinese and German sources was in- strumental to the completion of this project. I was also fortunate to have benefited from the insights, guidance and assistance of R. John Pritchard and Jon Bush, two of international law’s greats! Throughout this paper I refer to places and people using the spellings em- ployed by those who lived through the Boxer Rebellion in lieu of the preferred contemporary spellings. Thus, for example, the cities today identified as Baoding and Beijing I identify as Paoting-Fu and Peking. Where there was a great deal of variation for the spelling of names, I have elected to use a spelling most common to those who wrote of the events at issue (i.e., Paoting-Fu for Pao-Ting-Fu, Pao- tingfu, Pautingfu, etc.), except where the name is part of a quotation, in which case the original spelling has been preserved. -
Listening to String Sound: a Pedagogical Approach To
LISTENING TO STRING SOUND: A PEDAGOGICAL APPROACH TO EXPLORING THE COMPLEXITIES OF VIOLA TONE PRODUCTION by MARIA KINDT (Under the Direction of Maggie Snyder) ABSTRACT String tone acoustics is a topic that has been largely overlooked in pedagogical settings. This document aims to illuminate the benefits of a general knowledge of practical acoustic science to inform teaching and performance practice. With an emphasis on viola tone production, the document introduces aspects of current physical science and psychoacoustics, combined with established pedagogy to help students and teachers gain a richer and more comprehensive view into aspects of tone production. The document serves as a guide to demonstrate areas where knowledge of the practical science can improve on playing technique and listening skills. The document is divided into three main sections and is framed in a way that is useful for beginning, intermediate, and advanced string students. The first section introduces basic principles of sound, further delving into complex string tone and the mechanism of the violin and viola. The second section focuses on psychoacoustics and how it relates to the interpretation of string sound. The third section covers some of the pedagogical applications of the practical science in performance practice. A sampling of spectral analysis throughout the document demonstrates visually some of the relevant topics. Exercises for informing intonation practices utilizing combination tones are also included. INDEX WORDS: string tone acoustics, psychoacoustics, -
Musical Techniques
Musical Techniques Musical Techniques Frequencies and Harmony Dominique Paret Serge Sibony First published 2017 in Great Britain and the United States by ISTE Ltd and John Wiley & Sons, Inc. Apart from any fair dealing for the purposes of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act 1988, this publication may only be reproduced, stored or transmitted, in any form or by any means, with the prior permission in writing of the publishers, or in the case of reprographic reproduction in accordance with the terms and licenses issued by the CLA. Enquiries concerning reproduction outside these terms should be sent to the publishers at the undermentioned address: ISTE Ltd John Wiley & Sons, Inc. 27-37 St George’s Road 111 River Street London SW19 4EU Hoboken, NJ 07030 UK USA www.iste.co.uk www.wiley.com © ISTE Ltd 2017 The rights of Dominique Paret and Serge Sibony to be identified as the authors of this work have been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Library of Congress Control Number: 2016960997 British Library Cataloguing-in-Publication Data A CIP record for this book is available from the British Library ISBN 978-1-78630-058-4 Contents Preface ........................................... xiii Introduction ........................................ xv Part 1. Laying the Foundations ............................ 1 Introduction to Part 1 .................................. 3 Chapter 1. Sounds, Creation and Generation of Notes ................................... 5 1.1. Physical and physiological notions of a sound .................. 5 1.1.1. Auditory apparatus ............................... 5 1.1.2. Physical concepts of a sound .......................... 7 1.1.3. -
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120776bk Dietrich2 9/7/04 8:08 PM Page 2 11. Ja, so bin ich 3:05 15. You Do Something to Me 2:57 (Robert Stolz–Walter Reisch) (Cole Porter) Also available from Naxos Nostalgia With Peter Kreuder conducting Wal-Berg’s With Victor Young’s Orchestra; in English Orchestra Decca 23139, mx DLA 1913-A Polydor 524182, mx 6470-1bkp Recorded 19 December 1939, Los Angeles Recorded c. July 1933, Paris 16. Falling in Love Again 2:55 12. Mein blondes Baby 3:14 (Friederich Holländer) (Peter Kreuder–Fritz Rotter) With Victor Young’s Orchestra; in English With Peter Kreuder, piano Decca 23141, mx DLA 1884-C Polydor 524181, mx 6471-4bkp Recorded 11 December 1939, Los Angeles Recorded c. July 1933, Paris 17. The Boys in the Back Room: Parody 13. Allein – in einer grossen Stadt 3:44 1:18 (Franz Wachsmann–Max Kolpe) (Friedrich Holländer–Frank Loesser) With Peter Kreuder conducting Wal-Berg’s With unknown piano; in English Orchestra Private pressing, mx VE 061492-1 8.120557* 8.120558 8.120601* Polydor 524181, mx 6476-3bkp Recorded 1941, Hollywood Recorded c. July 1933, Paris Transfers and Production: David Lennick 14. Wo ist der Mann? 3:08 (Peter Kreuder–Kurt Gerhardt) Digital Noise Reduction: Graham Newton With Peter Kreuder conducting Wal-Berg’s Original recordings from the collections of Orchestra David Lennick and Horst Weggler Polydor 524182, mx 6477 3/4bkp Original monochrome photo from Mary Evans Recorded c. July 1933, Paris Picture Library 8.120613* 8.120630* 8.120722 * Not Available in the U.S. -
On December 17, 1903, Orville and Wilbur Wright, Two Brothers From
On December 17, 1903, Orville and Wilbur Wright, two brothers from Dayton, Ohio, made the first sustained, controlled, powered flights from the sands of Kitty Hawk, North Carolina. Although 1899 we celebrate this date as the birth of aviation, the actual invention of the airplane was a painstaking and dangerous endeavor that started long before that day and continued long afterwards. To accomplish this task the Wrights built 7 aircraft, each a little better than the last, and tested them at two locations, Huffman 1900 Prairie (near Dayton) and Kitty Hawk. When they finally perfected a practical flying machine, they had made about approximately 2200 gliding flights and 158 powered flights. This work had occupied 2093 days in Dayton, 227 in Kitty 1901 Hawk, and about 20 days traveling between for a total of 2320 days over 6 years between 1899 and 1905! 1902 1903 1904 1905 Copyright © 2015 Bookworks, Inc. www.wright-brothers.org 1 “I am convinced that human flight is possible and practical.” Wilbur Wright to the Smithsonian Institution Aircraft tested: Model glider, 5-foot wingspan, flown as a kite. Longest flight: Unknown. Day 1 May 30, 1899 Wilbur’s letter to the Smithsonian. Bicycle maker Wilbur Wright tosses his hat into the scientific arena, writing to the Smithsonian Institution for information on mechanical flight and announcing his intention to “add my mite” to the emerging science of aeronautics. He is convinced that piloting an aircraft is a skill that can be learned, just like riding a bicycle. The problem, as he sees it, is control. Day 16 June 15, 1899* While twisting a small cardboard inner tube box, Wilbur discovers a simple method for changing the angle at which the wings of an aircraft meet the wind, enabling a pilot to roll into a turn. -
Acoustic Function of Sound Hole Design in Musical Instruments Hadi
Acoustic Function of Sound Hole Design in Musical Instruments by Hadi Tavakoli Nia Submitted to the Department of Mechanical Engineering in partial fulfillment of the requirements for the degree of ARCHIVES Master of Science in Mechanical Engineering MASSACHUSETTS INSTITUTE OF TECHNOLOGY at the SEP 0 1 2010 MASSACHUSETTS INSTITUTE OF TECHNOLOGY LIBRARIES June 2010 o Massachusetts Institute of Technology 2010. All rights reserved. Author ...... Department of Mechanical Engineering May 22, 2010 e A' Certified by ...... .... ................. ................. Nicholas C. Makris Professor Thesis Supervisor Accepted by ........................................... David E. Hardt Chairman, Department Committee on Graduate Theses Acoustic Function of Sound Hole Design in Musical Instruments by Hadi Tavakoli Nia Submitted to the Department of Mechanical Engineering on May 22, 2010, in partial fulfillment of the requirements for the degree of Master of Science in Mechanical Engineering Abstract Sound-hole, an essential component of stringed musical instruments, enhances the sound radiation in the lower octave by introducing a natural vibration mode called air resonance. Many musical instruments, including those from the violin, lute and oud families have evolved complex sound-hole geometries through centuries of trail and error. However, due to the inability of current theories to analyze complex sound-holes, the design knowledge in such sound-holes accumulated by time is still uncovered. Here we present the potential physical principles behind the historical de- velopment of complex sound-holes such as rosettes in lute, f-hole in violin and multiple sound-holes in oud families based on a newly developed unified approach to analyze general sound-holes. We showed that the majority of the air flow passes through the near-the-edge area of the opening, which has potentially led to the emergence of rosettes in lute family.