Book Group Brochure 2016-2017

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Visit the Reading Room at Join a Group! www.mhl.org/clubs to find the 2016-2017 books in the library catalog and to All of Memorial Hall learn more about the reading Library’s book groups selections. Book are open to new Discussion members. Groups Thinking of joining? Visit one of the upcoming sessions. Registration is not required for any of the book groups. Memorial Hall Library 2 North Main St. Andover, MA 01810 Phone: 978-623-8401, x31 or 32 Memorial Hall Library E-mail: [email protected] Web site: www.mhl.org 978-623-8401, x 31 or 32 www.mhl.org Sponsored by the Friends of MHL www.mhl.org/friends [email protected] Rev. 6.16 Morning Book Group Great Books Group Nonfiction Book Group The Morning Book Discussion Group The Great Books Discussion Group The Nonfiction Book Discussion Group generally meets on the third Monday of the generally meets on the fourth Tuesday of the generally meets on the first Wednesday of month at 10:30am in the Activity Room. month at 7:30pm in the Activity Room. the month at 7pm in the Activity Room. July 18, 2016 No meeting July or August July 6, 2016 The Old Man and the Sea by Ernest Hemingway The Lady in Gold by Anne-Marie O’Connor August 15, 2016 September 27, 2016 August All Our Names by Dinaw Mengestu Beowulf Seamus Heaney Translation No meeting Grendel by John Gardner September 19, 2016 September 7, 2016 My Brilliant Friend by Elena Ferrante October 25, 2016 Alexander Hamilton by Ron Chernow The Haunting of Hill House by Shirley Jackson October 17, 2016 October 5, 2016 November 29, 2016 Dead Wake by Erik Larson The triumph of seeds by Thor Hanson The Big Sleep by Raymond Chandler November 2, 2016 November 21, 2016 December 13, 2016 The Unwinding by George Packer Room by Emma Donoghue The Judgement December December 19, 2016 The Metamorphosis No meeting A Man Called Ove by Fredrik Backman In the Penal Colony by Franz Kafka January 4, 2017 January 24, 2017 January 23, 2017 The Silk Roads by Peter Frankopan Franklin and Winston by Jon Meacham The Pilgrim’s Progress by John Bunyan February 1, 2017 February 28, 2017 February 27, 2017 Dark Money by Jane Mayer Lost Horizon by James Hilton The Wright Brothers by David McCullough March 1, 2017 March 28, 2017 March 20, 2017 Lab Girl by Hope Jahren The Inheritors by William Golding The Day the World Came to Town by Jim DeFede April 5, 2017 April 25, 2017 The Bad-Ass Librarians by Joshua Hammer April 24, 2017 Doctor Faustus by Christopher Marlowe Between the World and Me by Ta-Nehisi Coates May 3, 2017 May 23, 2017 Black Hole Blues by Janna Levin May 15, 2017 Man and Superman by George Bernard Shaw June 7, 2017 The Illegal by Lawrence Hill June 27, 2017 The Immortal Irishman by Timothy Egan June 19, 2017 Agnes Grey by Anne Brontë Annual book selection meeting .

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Orientalist Commercializations: Tibetan Buddhism in American Popular Film
Journal of Religion & Film Volume 2 Issue 2 October 1998 Article 5 October 1998 Orientalist Commercializations: Tibetan Buddhism in American Popular Film Eve Mullen Mississippi State University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Mullen, Eve (1998) "Orientalist Commercializations: Tibetan Buddhism in American Popular Film," Journal of Religion & Film: Vol. 2 : Iss. 2 , Article 5. Available at: https://digitalcommons.unomaha.edu/jrf/vol2/iss2/5 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Orientalist Commercializations: Tibetan Buddhism in American Popular Film Abstract Many contemporary American popular films are presenting us with particular views of Tibetan Buddhism and culture. Unfortunately, the views these movies present are often misleading. In this essay I will identify four false characterizations of Tibetan Buddhism, as described by Tibetologist Donald Lopez, characterizations that have been refuted by post-colonial scholarship. I will then show how these misleading characterizations make their way into three contemporary films, Seven Years in Tibet, Kundun and Little Buddha. Finally, I will offer an explanation for the American fascination with Tibet as Tibetan culture is represented in these films. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol2/iss2/5 Mullen: Orientalist Commercializations Tibetan religion and culture are experiencing an unparalleled popularity. Tibetan Buddhism and Tibetan history are commonly the subjects of Hollywood films.
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2 | White-Dominated Cultural Appropriation in the Publishing Industry
2 | White-Dominated Cultural Appropriation in the Publishing Industry Zhinan Yu, Department of Communication This chapter seeks to explore cultural appropriation as a diverse, ubiquitous, and morally problematic phenomenon (Matthes, 2016, p. 344) emerging particularly in white writers’ novels. In approaching this goal, a case study based on English writer James Hilton’s best-known novel Lost Horizon (1933) will be given through addressing relevant theoretical concepts including imperialist literature, colonialism and orientalism. The case study aims at exemplifying how white-dominated cultural appropriation implemented by writer’s misuses and misperceptions toward Asian cultures. Then, in the second part of this chapter, multifaceted perspectives will be drawn into the discussion for giving cultural appropriation a further sight beyond the novel itself, and pay attention to the book publishing industry as an international yet still race-biased business in terms of globalization. Keywords: cultural appropriation; imperialist literature; white-dominated; Lost Horizon; book publishing; globalization. Introduction In a 2015 article published in The Guardian, novelist, essayist and literary critic Anjali Enjeti astutely asserted that writers of colour are “severely under-represented in the literary world”. In this piece, Enjeti chronicles a controversy over the Best American Poets 2015 anthology, wherein the volume’s editor, Sherman Alexie, decided to publish the poem “The Bees, the Flowers, Jesus, Ancient Tigers, Poseidon, Adam and Eve” despite the author’s use of a racialized pseudonym. After selecting the poem, Alexie found out that the poem’s author, Yi-Fen Chou, was actually the Chinese pseudonym for Michael Derrick Hudson, a white man from Wabash, Indiana. In his bio as Yi-Fen Chou, the author indicates that this poem was rejected 40 times under his real name, but only rejected 9 times under his pen name, and he has realized he could Copyright © 2018 Yu.
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Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
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Last Tango in Paris (1972) Dramas Bernardo Bertolucci
S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 .
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Power, Gender & New Story Structures
Power, Gender & New Story Structures a 2-day workshop with Stephen Cleary VIEWING LIST: NB: Asterisked titles are not going to be looked at in detail. The Silence of the Lambs Writer: Ted Tally Based on a novel by Thomas Harris Director: Jonathan Demme https://play.google.com/store/movies/details/The_Silence_of_the_Lambs?id=ayA38BR2OTE&hl=en OR https://www.amazon.com/Silence-Lambs-Jodie- Foster/dp/B002CMV1N4/ref=sr_1_1?keywords=Silence+of+the+lambs&qid=1560731268&s=instant- video&sr=1-1 The Handmaid's Tale, series 1 Created by: Bruce Miller Based on the novel of the same name by Margaret Atwood https://www.lightbox.co.nz/series/the-handmaids-tale Orange is the New Black, series 1 Created by: Jenji Kohan Available on Netflix: https://www.netflix.com/title/70242311 Mrs Miniver - William Wyler* Screenplay: Arthur Wimperis, George Froeschel, James Hilton & Claudine West Based on the book by Jan Struther Director: William Wyler https://www.amazon.com/Mrs-Miniver-Greer-Garson/dp/B004HGM5JM Erin Brokovich Screenplay: Susannah Grant Director: Steven Soderbergh https://www.amazon.com/Erin-Brockovich-Julia-Roberts/dp/B00D5DP7KM Killing Eve - series 1 Based on the Villanelle novel series by Luke Jennings Season 1 Head writer: Phoebe Waller-Bridge https://www.tvnz.co.nz/shows/killing-eve Winter's Bone Based on a novel by Daniel Woodrell Screenplay: Debra Granik & Anne Rosellini Director: Debra Granik Amazon Prime: https://www.amazon.com/Winters-Bone-Jennifer- Lawrence/dp/B00498TQV8?ref_=nav_signin&captcha_verified=1& Babette's Feast Based on a short story by Karen Blixen Writer/Director: Gabriel Axel https://play.google.com/store/search?q=babette%27s%20feast&c=movies&hl=en I Daniel Blake Writer: Paul Laverty Directors: Ken Loach & Obiols (movement director) https://www.amazon.com/I-Daniel-Blake-Dave-Johns/dp/B074N8LV7S Ladies in Black Based on the novel by Madeleine St.
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Recommended Titles
Recommended titles: A Day No Pigs Would Die, Robert N. Peck Soup, Robert N. Peck A Man for All Seasons, Robert Bolt A Proud Taste for Scarlet and Miniver, E.L. Konigsburg Silent to the Bone, E.L. Konigsburg Amanda, Miranda, Richard Peck Strays Like Us, Richard Peck The Last Safe Place On Earth, Richard Peck Across Five Aprils, Irene Hunt Afternoon of the Elves, Janet Taylor Lisle America, Alistair Cook April Morning, Howard Fast The Diary of a Young Girl, Anne Frank Ben Hur, Lew Wallace Black Beauty, Anna Sewell Born Free, Joy Adamson The Boy’s King Arthur, Sidney Lanier The Bronze Bow, Elizabeth George Speare The Sign of the Beaver, Elizabeth George Speare The Witch of Blackbird Pond, Elizabeth George Speare Carry On, Mr. Bowditch, Jean Lee Latham Chitty-Chitty Bang-Bang, Ian Fleming The Contender, Robert Lipsyte Cosmos, Carl Sagan Death Be Not Proud, John Gunther Dicey’s Song, Cynthia Voigt Homecoming, Cynthia Voigt Dracula, Bram Stoker Ella Enchanted, Gail Levine Fallen Angels, Walter D. Myers Fever 1793, Laurie Anderson Frankenstein, Mary Shelley Gone With the Wind, Margaret Mitchell The Good Earth, Pearl S. Buck Gulliver’s Travels, Jonathan Swift Heroes, Robert Cormier Tunes for Bears to Dance To, Robert Cormier Holes, Louis Sachar Dogs Don’t Tell Jokes, Louis Sachar The Incredible Journey, Sheila Burnford Into Thin Air, Jon Krakauer Johnnie Tremain, Forbes, Esther Kon-Tiki, Thor Heyerdahl The Hiding Place, Corrie Ten Boom Life on Earth, David Attenborough The Light In the Forest, Conrad Richter The Little Prince, Saint Exupery Lost Horizon, James Hilton Mrs.
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This List Is Currently Used in the Living Wisdom Jr./High School at Ananda
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Anne of Avonlea Anne of Ingleside Anne of the Windy
Title Author Level 1984 George Orwell 8.9 Across Five Aprils Irene Hunt 6.6 Adam of the Road Gray, Elizabeth 7.4 Adventures of Huckleberry Finn, The Mark Twain 6.6 Adventures of Sherlock Holmes, The Sir Arthur Conan Doyle 7.0 Adventures of Tom Sawyer, The Mark Twain 8.1 Afternoon of the Elves Janet Lisle 7.2 Alice in Wonderland and Through…. Lewis Carroll 8.3 Alice's Adventures in Wonderland Lewis Carroll 7.4 All Quiet on the Western Front Erich Remarque 6.0 Amos Fortune, Free Man Elizabeth Yates 6.5 Animal Farm George Orwell 7.3 Anne of Avonlea L.M. Montgomery 7.9 Anne of Green Gables L.M. Montgomery 7.3 Anne of Ingleside L.M. Montgomery 7.7 Anne of the Windy Poplars L.M. Montgomery 7.5 Anne's House of Dreams L.M. Montgomery 7.6 Anthony Burns … Fugitive Slave Virginia Hamilton 7.2 Around the World in Eighty Days Jules Verne 8.6 Beetles, Lightly Toasted Phyllis Naylor 7.0 Beggar Queen, The Lloyd Alexander 7.2 Bellmaker, The Brian Jacques 7.7 Bird's Christmas Carol, The Kate Wiggin 7.5 Black Arrow, The Robert Louis Stevenson 8.9 Black Beauty Anna Sewell 7.3 Black Boy Richard Wright 7.4 Blair's Nightmare Zilpha Snyder 7.3 Blue Sword,The Robin McKinley 7.6 Book of King Arthur, The Howard Pyle 8.0 Boy's War Jim Murphy 7.0 Brave New World Aldous Huxley 7.5 Bridge of San Luis Rey, The Thornton Wilder 7.1 Bridge to Terabithia *** Katherine Paterson 7.0 Brothers of the Heart Joan Blos 7.0 Bud, Not buddy *** Christopher Paul Curtis 5.5 Bunkhouse Journal Diane Hamm 7.1 Caddie Woodlawn Carol Ryrie Brink 6.0 Calico Captive Elizabeth Speare 7.1 Call
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Professor John P. Bakke
Men at War: Early Lessons at "The Town" Professor John P. Bakke Last spring I finally got the courage to teach a seminar in rhetoric and popular war films, especially those made during or shortly after World War II. As the bombing of Pearl Harbor is my earliest memory, I was literally weaned on such movies and made no distinction between what I saw on the screen and the war itself. Like Jeanine Basinger confesses in the introduction to her admirable study of World War II combat films, I expected the enemy in my backyard everyday. Why? In her words, "I went to the movies . .. and God knows, there they were."1 Oh, I remember blackouts, shortages, and rationing. And I remember neighbors going to war and occasional talk of someone not coming home. But those memories are no more real to me than those black and white images I saw in the Town Theatre in Waukon, Iowa. I never had any interest in the history of any war. I don't care if there was or was not a "Tanaka Plan." I don't care what the real turning point was in "The Battle of the Bulge" or even if Der Feuhrer is alive and well and living in Argentina. I care about war "films" because I learned from them values, senses of right and wrong, and notions about patriotism and freedom and courage and manliness. They placed images in my head of strange looking people from such far away places as Brooklyn and Tennessee, England and France, and, oh yes, from Germany and Japan.
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"Enhanced Filmography." Hitchcock's Appetites
McKittrick, Casey. "Enhanced Filmography." Hitchcock’s Appetites: The corpulent plots of desire and dread. New York: Bloomsbury Academic, 2016. 176–192. Bloomsbury Collections. Web. 25 Sep. 2021. <http://dx.doi.org/10.5040/9781501311642.0013>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 17:41 UTC. Copyright © Casey McKittrick 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Enhanced Filmography 1) The Pleasure Garden (1925) Screenplay : Eliot Stannard, based on the novel The Pleasure Garden by Oliver Sandys Producer : Michael Balcon, Erich Pommer, Bavaria Film, Gainsborough Pictures, M ü nchner Lichtspielkunst AG (Emelka) Runtime : 75 minutes Cast : Virginia Valli, Carmelita Geraghty, Miles Mander, John Stuart, Ferdinand Martini, Florence Helminger During two intercut dinner table sequences, two couples sit with tea sets and small plates in front of them; the couple that is eating and drinking end up falling in love. 2) The Lodger (also titled The Lodger: A Story of the London Fog ) (1927) Screenplay : Eliot Stannard, Alfred Hitchcock (uncredited), based on the novel The Lodger and the play Who Is He? , both by Marie Belloc Lowndes Producer : Gainsborough Pictures, Carlyle Blackwell Productions, Michael Balcon, Carlyle Blackwell Runtime : 68 minutes Cast : Marie Ault, Arthur Chesney, June, Malcolm Keen, Ivor Novello When the Lodger (Ivor Novello) arrives at the Buntings ’ boardinghouse, he immediately requests some bread, butter, and a glass of milk. Hitchcock wanted to suggest that he was preserving his waiﬁ sh ﬁ gure. 3) Downhill ( When Boys Leave Home ) (1927) Screenplay : Constance Collier (play), Ivor Novello (play), Eliot Stannard (adaptation) Producer : Gainsborough Pictures, Michael Balcon, C.
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Film Collection
Film Collection 1. Abe Lincoln in Illinois, US 1940 (110 min) bw (DVD) d John Cromwell, play Robert E. Sherwood, ph James Wong Howe, with Raymond Massey, Ruth Gordon, Gene Lockhart, Howard de Silva AAN Raymond Massey, James Wong Howe 2. Advise and Consent, US 1962 (139 min) (DVD) d Otto Preminger, novel Allen Drury, ph Sam Leavitt, with Don Murray, Charles Laughton, Henry Fonda, Walter Pidgeon. 3. The Age of Innocence, US 1993 (139 min) (DVD) d Martin Scorsese, novel Edith Wharton, m Elmer Bernstein, with Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Alexis Smith, Geraldine Chaplin. 4. Alexander France/US/UK/Germany, Netherlands 2004 (175 min) (DVD) d Oliver Stone, m Vangelis, with Antony Hopkins, Val Kilmer, Colin Farrell 5. Alexander Nevsky, USSR 1938 (112 min) bw d Sergei Eisenstein, w Pyotr Pavlenko, Sergei Eisenstein, m Prokofiev, ph Edouard Tissé, with Nikolai Cherkassov, Nikolai Okhlopkov, Andrei Abrkikosov. 6. The Age of Innocence, US 1993 (139 min) (DVD) d Martin Scorsese, novel Edith Wharton, with Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Alexis Smith, Geraldine Chaplin. AA Best Costume Design AAN Best Music; Best Screenplay; Winona Ryder; 7. The Agony and the Ecstacy, US 1965 (140 min) (DVD) d Carol Reed, novel Irving Stone, ph Leon Shamroy, with Charlton Heston, Rex Harrison, Diane Cilento, Harry Andrews. 8. All Quiet on the Western Front, US 1930 (130 min) bw (DVD) d Lewis Milestone (in a manner reminiscent of Eisenstein and Lang), novel Erich Maria Remarque, ph Arthur Edeson, with Lew Ayres, Louis Wolheim, Slilm Sum- merville, John Wray, Raymond Griffith.
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Eighth Grade Suggested Summer Reading List 2017-18
Eighth Grade Suggested Summer Reading List 2017-18 Young Adult Literature Five People You Meet in Heaven Mitch Albom An American Childhood Annie Dillard The Princess Bride William Goldman Painted House John Grisham Pay it Forward Catherine Ryan Hyde Hoops Walter Dean Myers Hatchet Gary Paulsen Bridge to Terabithia Katherine Paterson Jacob Have I Loved Kathleen Paterson Maximum Ride (series) James Patterson My Sister’s Keeper Jodi Picoult Roll of Thunder, Hear My Cry Mildred D. Taylor The Homecoming Cynthia Voight Black and White Paul Volponi The Girl in the Hyacinth Blue Susan Vreeland The Uglies (series) Scott Westerfield Touching Spirit Bear Ben Mikaelsen I Am The Cheese Robert Cormier Based in History Histories of Immigrant Teens Janet Bode Flags of Our Fathers William Broyles, Jr A Walk in the Woods Bill Bryson Mississippi Trial, 1955 Chris Crowe Narrative of the Life of Frederick Douglas Frederick Douglas Dear America: Letters Home from Vietnam Edelman, ed. Zlata’s Diary Zlata Filipovic Hiroshima John Hersey Out of the Dust Karen Hesse Witness Karen Hesse Farewell to Manzanar Jeanne Wakatsuki Houston The Jungle Upton Sinclair Sunflower Simon Weisenthal The Doll Maker Harriet Arnow Orphan Train Christine Baker Kline Classics Little Women Louisa May Alcott Jane Eyre Charlotte Brontë Robinson Crusoe Daniel Defoe The Count of Monte Cristo Alexander Dumas Lost Horizon James Hilton A Tree Grows in Brooklyn Betty Smith The Lord of the Rings (series) J.R.R. Tolkien Anne of Green Gables L.M. Montgomery Adventures of Tom Sawyer Mark Twain .
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