Evidence for the Bible's Accuracy
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PR Move to Attract More Capital and Investment
BUSINESS | Page 1 SPORT | Page 1 Djokovic wins US Open, equals QSE off ers German Sampras’ fi rms new promising opportunities mark published in QATAR since 1978 TUESDAY Vol. XXXIX No. 10938 September 11, 2018 Moharram 1, 1440 AH GULF TIMES www. gulf-times.com 2 Riyals Qatar, US review ties PR move to Our Say attract more capital and By Faisal Abdulhameed al-Mudahka Editor-in-Chief investment O Cardholders will enjoy health, The root of His Highness the Deputy Amir Sheikh Abdullah bin Hamad al-Thani met at his off ice at the Amiri Diwan yesterday with the President of US Chamber of Commerce Thomas Donohue and US businessmen delegation, who called on the Deputy Amir education benefits to greet him on their visit to the country. During the meeting, they reviewed the strong relations between Qatar and the US terrorism and discussed ways to boost and develop them in various fields especially economic partnership and trade exchange, in he initiative to grant permanent and investment purposes in accord- light of the Qatar-US Business Council. They also exchanged views on future joint projects which will benefit both countries residency to non-Qatari indi- ance with stipulations. and their people. Tviduals will help increase invest- The cardholder may leave the coun- still exists ments and attract more capital, con- try and return to it during the period of tributing to further economic growth its validity without obtaining any con- In a a series of co-ordinated at- in the country, while the State can also sent or permit. -
Trumpets and Horns
TRUMPETS AND HORNS NATURAL TRUMPETS SHOFAR The shofar is an ancient Jewish liturgical instrument. It is a natural trumpet without a mouthpiece and produces only two tones, the second and third harmonics. The Talmud has laid down precise instructions for its maintenance and use, as well as materials and methods of construction. The shofar is usually made from ram's horn, although the horn of any animal of the sheep or goat family may be used. The horn is softened by heat and straightened. Subsequently, it is re-bent in one of several shapes (Plate 58). A blow-hole is bored into the pointed end of the horn. In the Northern European variety of shofar, the blow-hole usually has no distinct shape. In the Israeli and Southern European type, the mouthpiece is formed into a miniature trum- pet mouthpiece. CATALOGUE # 85 SHOFAR (73-840) MIDDLE EAST Plate 58, Fig. 97. COLLECTED: Toronto, Ontario, 1973 CATALOGUE It 86 SHOFAR (73-847) MIDDLE EAST Plate 58, Fig. 98. COLLECTED: Toronto, Ontario, 1973 CATALOGUE It 87 SHOFAR (74-68) USSR A family treasure, this shofar (Plate 58, Fig. 99) was brought to Canada ca. 1900 from Minsk, Russia by Vladislaw Schwartz. Mr. Schwartz donated it to the Minsken Synagogue, Toronto upon his assumption of the presidency in 1932. COLLECTED: Toronto, Ontario, 1973 Plate 58 Shofars 1. Catalogue 087 085 2. Catalogue 3. Catalogue 086 b1-3/44 ________ 0 Scm a t 6.5 L L__— 5.5 - -- -- -—____________________ /t---- N ---A / N re 97 75.0 / .8 0 5cm Figure 96 6L Natural trumpets 125 HORA The hora is the end-blown shell trumpet of Japan. -
Bodies of Knowledge: the Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600 Geoffrey Shamos University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Shamos, Geoffrey, "Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600" (2015). Publicly Accessible Penn Dissertations. 1128. https://repository.upenn.edu/edissertations/1128 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1128 For more information, please contact [email protected]. Bodies of Knowledge: The Presentation of Personified Figures in Engraved Allegorical Series Produced in the Netherlands, 1548-1600 Abstract During the second half of the sixteenth century, engraved series of allegorical subjects featuring personified figures flourished for several decades in the Low Countries before falling into disfavor. Designed by the Netherlandsâ?? leading artists and cut by professional engravers, such series were collected primarily by the urban intelligentsia, who appreciated the use of personification for the representation of immaterial concepts and for the transmission of knowledge, both in prints and in public spectacles. The pairing of embodied forms and serial format was particularly well suited to the portrayal of abstract themes with multiple components, such as the Four Elements, Four Seasons, Seven Planets, Five Senses, or Seven Virtues and Seven Vices. While many of the themes had existed prior to their adoption in Netherlandish graphics, their pictorial rendering had rarely been so pervasive or systematic. -
Lunar New Year Macarthur, General Douglas
894 Lunar New Year The lunar New Year, known as 561, W6ndan, W6ni! or Cbongch '0, is one of the most important holidays in Korea. During this holiday, there are traffic jams throughout the country as people rush to see their family and relatives. On the morning of Lunar New Year, people don traditional dress (hanbok). Various foods and wine are prepared, and then set in front of an ancestral tablet. The table is meticulously arranged according to Confucian tradition; however, many families also have their own traditions governing details of the arrangement. In general, fish is put on the east, meat on the west, fruit in front, rice and soup behind and liquor on the front table. A ceremony is then held during which the male family members pay respect to their deceased ancestors up to the fourth generation by making three full bows. Family members also visit the graves of their deceased ancestors. On this holiday, after cutting the grass from around the grave, they make a simple offering and then bow three times. In addition to paying respect to the deceased, each family member is expected to make two formal bows to his or her elders. According to custom, the elders then give the person a gift of money, particularly if the person is a child. Special foods are prepared for this holiday. In particular, rice-cake soup is typically served instead ofrice. For this reason, the question 'How many bowls of rice-cake soup have you eaten?' is sometimes used to ask one's age. In North Korea and China, mandu (dumpling) soup is often eaten instead. -
Coexistence of Classical Music and Gugak in Korean Culture1
International Journal of Korean Humanities and Social Sciences Vol. 5/2019 DOI: http://dx.doi.org/10.14746/kr.2019.05.05 COEXISTENCE OF CLASSICAL MUSIC AND GUGAK IN KOREAN CULTURE1 SO HYUN PARK, M.A. Conservatory Orchestra Instructor, Korean Bible University (한국성서대학교) Nowon-gu, Seoul, South Korea [email protected] ORCID: https://orcid.org/0000-0002-7848-2674 Abstract: Classical music and Korean traditional music ‘Gugak’ in Korean culture try various ways such as creating new music and culture through mutual interchange and fusion for coexistence. The purpose of this study is to investigate the present status of Classical music in Korea that has not been 200 years old during the flowering period and the Japanese colonial period, and the classification of Korean traditional music and musical instruments, and to examine the preservation and succession of traditional Gugak, new 1 This study is based on the presentation of the 6th international Conference on Korean Humanities and Social Sciences, which is a separate session of The 1st Asian Congress, co-organized by Adam Mickiewicz University in Poznan, Poland and King Sejong Institute from July 13th to 15th in 2018. So Hyun PARK: Coexistence of Classical Music and Gugak… Korean traditional music and fusion Korean traditional music. Finally, it is exemplified that Gugak and Classical music can converge and coexist in various collaborations based on the institutional help of the nation. In conclusion, Classical music and Korean traditional music try to create synergy between them in Korean culture by making various efforts such as new attempts and conservation. Key words: Korean Traditional Music; Gugak; Classical Music; Culture Coexistence. -
A Pilgrimage Through the Old Testament
A PILGRIMAGE THROUGH THE OLD TESTAMENT ** Year 2 of 3 ** Cold Harbor Road Church Of Christ Mechanicsville, Virginia Old Testament Curriculum TABLE OF CONTENTS Lesson 53: OLD WINESKINS/SUN STOOD STILL Joshua 8-10 .................................................................................................... 5 Lesson 54: JOSHUA CONQUERS NORTHERN CANAAN Joshua 11-15 .................................................................................................. 10 Lesson 55: DIVIDING THE LAND Joshua 16-22 .................................................................................................. 14 Lesson 56: JOSHUA’S LAST DAYS Joshua 23,24................................................................................................... 19 Lesson 57: WHEN JUDGES RULED Judges 1-3 ...................................................................................................... 23 Lesson 58: THE NORTHERN CONFLICT Judges 4,5 ...................................................................................................... 28 Lesson 59: GIDEON – MIGHTY MAN OF VALOUR Judges 6-8 ...................................................................................................... 33 Lesson 60: ABIMELECH AND JEPHTHAH Judges 9-12 .................................................................................................... 38 Lesson 61: SAMSON: GOD’S MIGHTY MAN OF STRENGTH Judges 13-16 .................................................................................................. 44 Lesson 62: LAWLESS TIMES Judges -
Human Hands and Feet and Their Functions As Media of Nonverbal Communication in the Narratives of Acts 3:1-11 and 9:1-19A
Avondale College ResearchOnline@Avondale Theses PhD Theses 12-2016 Human Hands and Feet and Their Functions as Media of Nonverbal Communication in the Narratives of Acts 3:1-11 and 9:1-19a Carole Ferch-Johnson Avondale College of Higher Education, [email protected] Follow this and additional works at: https://research.avondale.edu.au/theses_phd Part of the Religion Commons Recommended Citation Ferch-Johnson, C. (2016). Human hands and feet and their functions as media of nonverbal communication in the narratives of Acts 3:1-11 and 9:1-19a (Doctoral dissertation, Avondale College of Higher Education, Cooranbong, Australia). Retrieved from https://research.avondale.edu.au/theses_phd/ 8/ This Thesis is brought to you for free and open access by the Theses at ResearchOnline@Avondale. It has been accepted for inclusion in Theses PhD by an authorized administrator of ResearchOnline@Avondale. For more information, please contact [email protected]. HUMAN HANDS AND FEET AND THEIR FUNCTIONS AS MEDIA OF NONVERBAL COMMUNICATION IN THE NARRATIVES OF ACTS 3:1-11 AND 9:1-19a Carole Ferch-Johnson B.A. (German) Pacific Union College M.A. (Religion) Andrews University Thesis submitted in fulfilment of the requirements for the degree Doctor of Philosophy Principal Supervisor: Dr Steven Thompson PhD Associate Supervisor: Dr Carolyn Rickett DArts Avondale College of Higher Education August, 2016 CERTIFICATION Statement of Original Authorship I declare that the work contained in this thesis has not been submitted previously for a degree or diploma at this institution, an Australian or overseas university or any other institution of higher education. -
Diasporic P'ungmul in the United States
Diasporic P’ungmul in the United States: A Journey between Korea and the United States DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Soo-Jin Kim Graduate Program in Music The Ohio State University 2011 Committee: Professor Udo Will, Advisor Associate Professor Chan E. Park Assistant Professor Danielle Fosler-Lussier Copyright by Soo-Jin Kim 2011 Abstract This study contributes to understanding diaspora and its music cultures by examining the Korean genre of p’ungmul as a particular site of continuous and dynamic cultural socio-political exchange between the homeland and the host society. As practiced in Los Angeles and New York City, this genre of percussion music and dance is shaped by Korean cultural politics, intellectual ideologies and institutions as p’ungmul practitioners in the United States seek performance aesthetics that fit into new performance contexts. This project first describes these contexts by tracing the history of Korean emigration to the United States and identifying the characteristics of immigrant communities in Los Angeles and New York City. While the p’ungmul troupes developed by Korean political refugees, who arrived during the 1980s, show the influence of the minjung cultural movement in Korea, cultural politics of the Korean government also played an important role in stimulating Korean American performers to learn traditional Korean performing arts by sending troupes to the United States. The dissertation then analyzes the various methods by which p’ungmul is transmitted in the United States, including the different methods of teaching and learning p’ungmul—writing verbalizations of instrumental sounds on paper, score, CD/DVD, and audio/video files found on the internet—and the cognitive consequences of those methods. -
Scripture for His Purpose”: a Study of Robert Browning's Use of Biblical Allusions in the Ring and the Book
This dissertation has been microfilmed exactly as received 68-3016 LOUCKS, n, James Frederick, 1936- "SCRIPTURE FOR HIS PURPOSE”: A STUDY OF ROBERT BROWNING'S USE OF BIBLICAL ALLUSIONS IN THE RING AND THE BOOK. The Ohio State University, Ph.D., 1967 Language and Literature, modem University Microfilms, Inc.. Ann Arbor, Michigan "SCRIPTURE FOR HIS PURPOSE": A STUDY OF ROBERT BROWNING*S USE OF BIBLICAL ALLUSIONS IN THE RING AND THE BOOK DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University er By James F.c Loucks, II, B.A. , M.A. ****#*• The Ohio State University 1967 Approved by Adviser Department of English Antonio: Mark you this, Bassanio, The dlvel can cite Scripture for his purpose, An evil soul producing holy witness, Is like a villain with a smiling cheek, A goodly apple rotten at the heart, O what a goodly outside falsehood hath. Merchant of Venice (1.3,97-102) ii PREFACE To Browning*s readers it is perhaps a commonplace that the poet makes extraordinarily frequent use of Scriptural allusion, even when considered in the context of his own Bible-quoting age. But few modern readers understand how Browning used these allusions for rhetorical effect; this lack has "been partially remedied by a few sketchy critical studies, presided over by Mrs, Minnie Machen*s The Bible in Browning» which shows commendable knowledge of the Bible, but little of the poet*s use thereof. It was my desire to elucidate some of the obscurer The Ring and the Book pas sages containing Biblical allusions that led me to the pre sent subject; but as I began to collect examples, I became aware that Browning*s manipulation of Scripture raised a larger question, that of the poet*s attitudes toward lan guage itself— its protean, elusive, impermanent and decep tive character. -
An Introduction to Tenor Trombone Solos by Korean Composers By
AN INTRODUCTION TO TENOR TROMBONE SOLOS BY KOREAN COMPOSERS BY Copyright 2016 GUNYONG LEE Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ________________________________ Chairperson Dr. Michael Davidson ________________________________ Dr. Alan Street ________________________________ Dr. Martin Bergee ________________________________ Professor Scott Watson ________________________________ Professor Steve Leisring Date Defended: April 25, 2016 ii The Dissertation Committee for GUNYONG LEE certifies that this is the approved version of the following dissertation: AN INTRODUCTION TO TENOR TROMBONE SOLOS BY KOREAN COMPOSERS ________________________________ Chairperson Dr. Michael Davidson Date approved: April 27, 2016 iii Abstract This paper examines selected Korean composers and their unpublished works for tenor trombone. Their music blends unique Korean components such as folk melodies, scales, modes, rhythms, and unexpected formal structures with Western elements and styles. The music chosen for this study is from the late twentieth and early twenty-first centuries, specifically Ari-bone for solo trombone and piano (2011) by Moon-Seok Lee and Daechwita for solo trombone (1993) by Cheng-Iek Chang. The first section of this paper includes a brief biographical sketch of each composer. The second section explains several fundamental elements of traditional Korean compositional practices. The third section will present a detailed analysis of each selected work, focusing on the unique Korean elements and the ways they fuse together with Western tradition. Finally, this survey will conclude with a discussion of appropriate performance practices. Many Korean composers have not been published in the West. It is hoped that this paper will help to inspire a demand for Korean solo trombone music, thus finally getting this music published more widely and preserved for future generations. -
Copyright 2013 Heejin Kim
Copyright 2013 Heejin Kim MILITARY BAND MUSICIANS ON THE BORDER: CROSSING OVER MUSICAL GENRES IN THE TRANSNATIONAL SPACE OF THE KOREAN WAR BY HEEJIN KIM DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Associate Professor Gabriel Solis, Chair Professor Nancy Abelmann Professor Jeffrey Magee Professor Thomas Turino ABSTRACT This dissertation examines Korean War period music and explains the musical encounters and developments that resulted from the military collaboration between South Korea (the Republic of Korea) and the United States in the initial stage of the Cold War. In particular, this dissertation looks closely at South Korean military band musicians who played a wide range of music for both military and civilian audiences, crossing over the national and cultural borders between the two countries. Locating their experiences within the South Korean and US military music systems and more broadly within their socio-cultural, historical, and transnational context, I demonstrate that military agents played a significant role as cultural agents in initiating and accelerating transnational musical flow and travels and in shaping musicultural developments in South Korea. These discussions are based on data collected through in-depth interviews with musicians who were active during the Korean War and through archival research both in South Korea and in the US. The analyses of this data are combined with analyses of selected military marches and popular songs written or played in South Korea from 1950 to 1961; they are further interpreted within a conceptual framework based on theories of transnationalism and hybridization and in relation to Korean nationalism. -
The CCFCS Collection of Musical Instruments: Volume One, Aerophones" by Roy W
APPENDIX LIST OF CATALOGUE ENTRIES CATALOGUE NUMBER DESIGNATION PAGE 1 tung-hsiao 3 2 shakuhachi 6 3 shakuhachi 6 4 shakuhachi 6 5 tanso 10 6 yak 10 7 t'ongso 11 8 t'ongso 11 9 zubivka 14 10 zubivka 14 11 zubivka 14 12 zubivka 14 13 zubivka 14 14 zubivka 14 15 skudutis 17 16 panpipes 19 17 so 22 18 syrinx 25 19 ti-tzu 28 20 ti-tzu 28 21 ti-tzu 28 22 ti-tzu 29 23 ti-tzu 29 24 ti-tzu 29 25 ti-tzu 29 26 ryuteki 34 140 Appendix CATALOGUE NUMBER DESIGNATION PAGE 27 Chi 36 28 So gum 38 29 Chunggum 38 30 Taegum 39 31 Chilitli 41 32 Globular flute 44 33 Globular flute 44 34 Hun 46 35 Sopilka 48 36 Sopilka 48 37 Sopilka 48 38 Sopilka 48 39 Sopilka 48 40 Shepherd's pipe 52 41 Penny whistle 55 42 Tin whistle 55 43 Txistu 57 44 1'ujara 60 45 English flageolet 63 46 English flageolet 63 47 Dvoynice 66 48 Double flageolet 68 49 Whistling water pot 71 50 Bird whistle 71 51 Assobio 71 52 Chain whistle 74 53 Cuckoo whistle 74 54 Horse whistle 77 55 Deer whistle 77 56 Cocoloctli 77 57 Ocarina 77 Appendix 141 CATALOGUE NUMBER DESIGNATION PAGE 58 Ocarina 77 59 Shong 81 60 Sheng 81 61 Sheng 81 62 Concertina 89 63 Tangp'iri 90 64 Hyangp'iri 90 65 Sep'iri 90 66 Sojfer 92 67 T'aep'yongso 94 68 Shehnai 97 69 Shehnai 97 70 Shehnai 97 71 Sona 101 72 Sona 101 73 Sona 101 74 Sona 101 75 Sona 101 76 Bombarde 104 77 Bombarde 104 78 Scottish Highland Bagpipe 106 79 Scottish Highland Bagpipe 106 80 Birbyne 111 81 Birbyne 111 82 Siesienki 115 83 Koziol 115 84 Dudy 115 85 Shofar 121 86 Shofar 121 87 Shofar 121 142 Appendix CATALOGUE NUMBER DESIGNATION PAGE 88 Hora 125